Lielbrit\u0101nijas te\u0101tra un kino pasaule ir s\u0113ru noskumu\u0161as. Nesen tika pazi\u0146ots, ka 88 gadu vecum\u0101 miris viens no iev\u0113rojam\u0101kajiem savas paaudzes dramaturgiem un scen\u0101riju autoriem, \u012bpa\u0161i paz\u012bstams ar savu darbu pie filmas “Iem\u012bl\u0113jies \u0160eksp\u012brs”, sers Toms Stopards.<\/p>\n
Bag\u0101t\u0101 karjera un noz\u012bm\u012bg\u0101kie darbi<\/p>\n
Toms Stopards, dzimis k\u0101 Tom\u0101\u0161s Strauslers 1937. gada 3. j\u016blij\u0101 Zl\u012bnas pils\u0113t\u0101 toreiz\u0113j\u0101 \u010cehoslov\u0101kij\u0101, bija Mor\u0101vijas ebreju izcelsmes britu dramatur\u0123ijas \u0123\u0113nijs. Vi\u0146a dai\u013crade, kas aptver vair\u0101k nek\u0101 tr\u012bsdesmit lugas, ir atst\u0101jusi neizdz\u0113\u0161amu iespaidu uz m\u016bsdienu te\u0101tri un kino. Stopards nebija tikai v\u0101rdu meistars uz pap\u012bra; vi\u0146\u0161 bija ar\u012b intelektu\u0101lis, kur\u0161 ar savu aspr\u0101t\u012bbu, dzi\u013cumu un valodas izj\u016btu sp\u0113ja aizraut publiku da\u017e\u0101d\u0101s paaudz\u0113s. Vi\u0146a stilu raksturoja sp\u0113ja apvienot nopietnas idejas ar vieglu humoru un sp\u0113lesprieku, radot darbus, kas lika skat\u012bt\u0101jiem gan aizdom\u0101ties, gan smaid\u012bt.<\/p>\n
Stoparda karjera aizs\u0101k\u0101s jau agr\u0101 jaun\u012bb\u0101, kad vi\u0146\u0161 s\u0101ka darboties \u017eurn\u0101listik\u0101. Pla\u0161\u0101ku atpaz\u012bstam\u012bbu vi\u0146\u0161 ieguva 1966. gad\u0101 ar savu pirmo noz\u012bm\u012bgo lugu “Rozenkrancs un Gilden\u0161terns ir miru\u0161i”, kas bija absurda tra\u0123ikom\u0113dija, izmantojot divus otr\u0101 pl\u0101na t\u0113lus no Viljama \u0160eksp\u012bra slaven\u0101s lugas “Hamlets”. \u0160is darbs demonstr\u0113ja vi\u0146a unik\u0101lo skat\u012bjumu uz eksistenci\u0101lajiem jaut\u0101jumiem un sp\u0113ju rad\u012bt aspr DFS\u012bgas dialogus. Citas noz\u012bm\u012bgas vi\u0146a lugas, kas tiek augstu v\u0113rt\u0113tas un vair\u0101kk\u0101rt iestud\u0113tas ar\u012b Latvijas te\u0101tros, ir “Ark\u0101dija” un “Leopold\u0161tate”. “Leopold\u0161tate”, kas p\u0113d\u0113jos gados guva lielu atzin\u012bbu, ir dzi\u013c\u0161 un personisks darbs, kas p\u0113ta vi\u0146a ebreju izcelsmes v\u0113sturi, aptverot vair\u0101k nek\u0101 pusgadsimtu no 1899. l\u012bdz 1955. gadam V\u012bnes ebreju \u0123imenes dz\u012bv\u0113.<\/p>\n
Ce\u013c\u0161 uz Holivudu un “Iem\u012bl\u0113jies \u0160eksp\u012brs”<\/p>\n
Lai gan Stopards savu karjeru galvenok\u0101rt velt\u012bjis te\u0101trim, vi\u0146a talants tika nov\u0113rt\u0113ts ar\u012b kino pasaul\u0113. Vi\u0146\u0161 ir autors scen\u0101rijiem t\u0101d\u0101m film\u0101m k\u0101 “Braz\u012blija”, “Anna Kare\u0146ina” un “The Russia House”. Tom\u0113r visliel\u0101ko starptautisko atzin\u012bbu un akad\u0113misko godalgu vi\u0146am atnesa scen\u0101rijs filmai “Iem\u012bl\u0113jies \u0160eksp\u012brs” (1998), ko vi\u0146\u0161 sarakst\u012bja kop\u0101 ar Marku Normenu. \u0160is romantiskais st\u0101sts par \u0160eksp\u012bra jaun\u012bbu un iedvesmas mekl\u0113jumiem, kas savijas ar te\u0101tra pasaules aizkulis\u0113m, ieguva septi\u0146as “Oskara” balvas, tostarp ar\u012b Stopardam par lab\u0101ko ori\u0123in\u0101lscen\u0101riju. Vi\u0146a darbs pie \u0161\u012bs filmas apliecina vi\u0146a sp\u0113ju rad\u012bt gan intelektu\u0101li izaicino\u0161us, gan emocion\u0101li aizkustino\u0161us st\u0101stus.<\/p>\n
Person\u012bg\u0101 dz\u012bve un mantojums<\/p>\n
Stopards dzimis ebreju \u0123imen\u0113 un jau b\u0113rn\u012bb\u0101 piedz\u012bvojis kara dr\u0101mu. Vi\u0146a \u0123imene b\u0113ga no nacistu iebrukuma \u010cehoslov\u0101kij\u0101 1939. gad\u0101, vispirms uz Singap\u016bru, p\u0113c tam uz Indiju un visbeidzot uz Lielbrit\u0101niju. Diem\u017e\u0113l daudzi vi\u0146a vecvec\u0101ki g\u0101ja boj\u0101 holokaust\u0101. \u0160\u012b person\u012bg\u0101 pieredze, visticam\u0101k, ir ietekm\u0113jusi vi\u0146a dai\u013cradi, \u012bpa\u0161i v\u0113l\u0101kajos darbos, kur vi\u0146\u0161 bie\u017ei p\u0113t\u012bja identit\u0101tes, v\u0113stures un mantojuma t\u0113mas. Lai gan vi\u0146\u0161 par sevi reiz ir teicis, ka ir “godpilns anglis” un “krietns libert\u0101rietis”, vi\u0146a ebreju izcelsme un holokausta sekas vienm\u0113r ir biju\u0161as kl\u0101teso\u0161as vi\u0146a domu pasaul\u0113 un m\u0101ksl\u0101.<\/p>\n
Stopards sa\u0146\u0113mis neskait\u0101mas balvas un godalgas, tostarp Amerikas Kinoakad\u0113mijas “Oskara”, “Zelta globusa” un piecas presti\u017e\u0101s “Tony” balvas par saviem te\u0101tra darbiem. Vi\u0146a talants un intelektu\u0101l\u0101 bag\u0101\u017ea tika augsti nov\u0113rt\u0113ta ne tikai kol\u0113\u0123u vid\u016b, bet ar\u012b pla\u0161\u0101k\u0101 publik\u0101. K\u0101ds no vi\u0146a kol\u0113\u0123iem, piem\u0113ram, “The Rolling Stones” solists Miks D\u017eegers, vi\u0146u raksturojis k\u0101 “majest\u0101tisku intelektu\u0101lu un izklaid\u0113jo\u0161u darbu mantojuma” rad\u012bt\u0101ju. Cits kol\u0113\u0123is, re\u017eisors Ruperts G\u016blds, atz\u012bm\u0113jis, ka Stopards bija “viskautr\u012bg\u0101kais, visatbalsto\u0161\u0101kais, visd\u0101sn\u0101kais cilv\u0113ks”.<\/p>\n
Toms Stopards aizg\u0101jis mier\u0101 sav\u0101s m\u0101j\u0101s Dorsetas gr\u0101fist\u0113 Anglij\u0101, 2025. gada 29. novembr\u012b, savu tuvinieku ielenkum\u0101. Vi\u0146a sp\u0113ja apvienot dzi\u013cu intelektu ar satrieco\u0161u valodu un nenogursto\u0161u humora izj\u016btu ir atst\u0101jusi spilgtu mantojumu pasaules literat\u016br\u0101 un kino. Vi\u0146\u0161 paliks atmi\u0146\u0101 k\u0101 meistars, kur\u0161 lika mums dom\u0101t, smieties un sajust dzi\u013c\u0101k.<\/p>\n","protected":false},"excerpt":{"rendered":"Lielbrit\u0101nijas te\u0101tra un kino pasaule ir s\u0113ru noskumu\u0161as. Nesen tika pazi\u0146ots, ka 88 gadu vecum\u0101 miris viens no…\n","protected":false},"author":2,"featured_media":62956,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[16559,16289,89,16557,90,35,39,38,36,37,34,40,16558,6467],"class_list":{"0":"post-62955","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-britu-kino","9":"tag-dramaturgs","10":"tag-entertainment","11":"tag-iemilejies-sekspirs","12":"tag-izklaide","13":"tag-latvia","14":"tag-latvian","15":"tag-latviesu","16":"tag-latviesu-valoda","17":"tag-latviesuvaloda","18":"tag-latvija","19":"tag-lv","20":"tag-scenarija-autors","21":"tag-toms-stopards"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/115644656863614097","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/62955","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=62955"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/62955\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/62956"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=62955"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=62955"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=62955"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}