Izcilais britu dramaturgs Toms Stopards devies m\u016b\u017e\u012bb\u0101<\/p>\n
Lielbrit\u0101nijas te\u0101tra un kino pasaule s\u0113ro par viena no talant\u012bg\u0101kajiem un ietekm\u012bg\u0101kajiem dramaturgiem sers Toma Stoparda aizie\u0161anu m\u016b\u017e\u012bb\u0101. Vi\u0146\u0161 miris 88 gadu vecum\u0101, mier\u0101 aizsaukt\u0113 sav\u0101s m\u0101j\u0101s Dorsetas gr\u0101fist\u0113, Anglij\u0101, 29. novembr\u012b, tuvinieku ielok\u0101. Stoparda dai\u013crade, kas aptver vair\u0101k nek\u0101 tr\u012bsdesmit lugas, scen\u0101rijus film\u0101m un telev\u012bzijai, ir atst\u0101jusi dzi\u013cas un neizdz\u0113\u0161amas p\u0113das kult\u016bras v\u0113stur\u0113, iepriecinot un liekot aizdom\u0101ties skat\u012bt\u0101jiem vis\u0101 pasaul\u0113. Vi\u0146a sp\u0113ja apvienot intelektu\u0101lu dzi\u013cumu ar nenogurdino\u0161u aspr\u0101t\u012bbu un valodas virtuozit\u0101ti rad\u012bja darbus, kas sp\u0113j aizraut da\u017e\u0101du paaud\u017eu publiku. <\/p>\n
No \u010cehoslov\u0101kijas uz pasaules slavu<\/p>\n
Toms Stopards, \u012bstaj\u0101 v\u0101rd\u0101 Tom\u0101\u0161s Strauslers, dzimis 1937. gad\u0101 Zl\u012bnas pils\u0113t\u0101, toreiz\u0113j\u0101 \u010cehoslov\u0101kij\u0101, ebreju \u0123imen\u0113. Jau agr\u0101 b\u0113rn\u012bb\u0101 vi\u0146\u0161 piedz\u012bvoja kara dr\u0101mu un nacistu iebrukumu, kas lika vi\u0146a \u0123imenei b\u0113gt uz Singap\u016bru, p\u0113c tam uz Indiju un visbeidzot uz Lielbrit\u0101niju. \u0160\u012b pieredze atst\u0101ja dzi\u013cu iespaidu uz vi\u0146u, atspogu\u013cojoties ar\u012b vi\u0146a darbos, \u012bpa\u0161i v\u0113l\u012bnajos, kas p\u0113t\u012bja identit\u0101tes, v\u0113stures un mantojuma t\u0113mas. Stoppards guva pla\u0161u atpaz\u012bstam\u012bbu jau ar savu pirmo noz\u012bm\u012bgo lugu “Rozenkrancs un Gilden\u0161terns ir miru\u0161i” (1966), kas bija absurda tra\u0123ikom\u0113dija, kas piev\u0113rs\u0101s diviem \u0160eksp\u012bra “Hamleta” otr\u0101 pl\u0101na t\u0113liem. \u0160is darbs lika vi\u0146am k\u013c\u016bt par atz\u012btu autoru gandr\u012bz vai vienas nakts laik\u0101. <\/p>\n
Iev\u0113rojam\u0101kie darbi un balvas<\/p>\n
Stopparda karjera, kas ilga vair\u0101k nek\u0101 se\u0161as desmitgades, tika vainagota ar neskait\u0101m\u0101m balv\u0101m un atzin\u012bb\u0101m. Vi\u0146\u0161 sa\u0146\u0113mis tr\u012bs Lorensa Olivj\u0113 balvas, piecas “Tony” balvas, k\u0101 ar\u012b “Oskara” balvu par scen\u0101riju filmai “Iem\u012bl\u0113jies \u0160eksp\u012brs” (1998). Vi\u0146a lugas, piem\u0113ram, “Ark\u0101dija”, “Leopold\u0161tate”, “The Real Thing” un “The Coast of Utopia”, ir iestud\u0113tas daudzos pasaules te\u0101tros, tostarp ar\u012b Latvij\u0101, piem\u0113ram, “Ark\u0101dija” ir redz\u0113ta Jaun\u0101 R\u012bgas te\u0101tra skatuv\u0113 divreiz Alvja Herma\u0146a re\u017eij\u0101, bet “Leopold\u0161tate” iestud\u0113ta Dailes te\u0101tr\u012b D\u017eona Malkovi\u010da re\u017eij\u0101. Stopards tiek uzskat\u012bts par vienu no izcil\u0101kajiem britu dramaturgiem paaudz\u0113, kura darbi ir dzi\u013ci intelektu\u0101li, hum\u0101nistiski un vienlaikus ar\u012b \u013coti izklaid\u0113jo\u0161i, liekot skat\u012bt\u0101jiem gan smieties, gan dzi\u013ci aizdom\u0101ties par dz\u012bves un pasaules jaut\u0101jumiem. <\/p>\n","protected":false},"excerpt":{"rendered":"Izcilais britu dramaturgs Toms Stopards devies m\u016b\u017e\u012bb\u0101 Lielbrit\u0101nijas te\u0101tra un kino pasaule s\u0113ro par viena no talant\u012bg\u0101kajiem un…\n","protected":false},"author":2,"featured_media":63389,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[16289,89,90,1226,35,39,38,36,37,34,487,40,1176,6467],"class_list":{"0":"post-63388","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-dramaturgs","9":"tag-entertainment","10":"tag-izklaide","11":"tag-kino","12":"tag-latvia","13":"tag-latvian","14":"tag-latviesu","15":"tag-latviesu-valoda","16":"tag-latviesuvaloda","17":"tag-latvija","18":"tag-lielbritanija","19":"tag-lv","20":"tag-teatris","21":"tag-toms-stopards"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/115648085579022687","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/63388","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=63388"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/63388\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/63389"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=63388"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=63388"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=63388"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}