Aktiera Nikl\u0101va Kurpnieka debija re\u017eij\u0101: Skatuves izr\u0101de “N\u0101ve un meitene” aicina uz dzi\u013c\u0101m p\u0101rdom\u0101m<\/p>\n
Dailes te\u0101tra Jaunaj\u0101 z\u0101l\u0113 28. novembr\u012b pirmizr\u0101di piedz\u012bvojusi izr\u0101de “N\u0101ve un meitene”, kas iez\u012bm\u0113 noz\u012bm\u012bgu pav\u0113rsienu aktiera Nikl\u0101va Kurpnieka karjer\u0101 \u2013 vi\u0146a debiju re\u017eisora amplu\u0101. Kurpnieks savu pirmo iestud\u0113jumu veidojis, balstoties uz pasaul\u0113 paz\u012bstam\u0101 dramaturga Ariela Dorfmana 1990. gad\u0101 pabeigto lugu “Meitene un n\u0101ve”. \u0160is darbs ir apliecin\u0101jums Kurpnieka v\u0113lmei piev\u0113rsties dzi\u013c\u0101k\u0101m un sare\u017e\u0123\u012bt\u0101k\u0101m t\u0113m\u0101m, neaprobe\u017eojoties vien ar viegl\u0101ku \u017eanru atveido\u0161anu, k\u0101d\u0101s vi\u0146\u0161 iepriek\u0161 bie\u017e\u0101k ticis saskat\u012bts. Luga, kas uz pasaules noz\u012bm\u012bg\u0101kaj\u0101m skatuv\u0113m rot\u0101jas vair\u0101k nek\u0101 tr\u012bsdesmit gadus un 1994. gad\u0101 tika ekraniz\u0113ta slaven\u0101 re\u017eisora Romana Pola\u0146ska vad\u012bb\u0101, ar\u012b m\u016bsdien\u0101s saglab\u0101 savu \u0161ausmojo\u0161o aktualit\u0101ti. T\u0101 skar fundament\u0101lus jaut\u0101jumus par taisn\u012bgumu, atrieb\u012bbu, piedo\u0161anu un cilv\u0113ka sp\u0113ju tikt gal\u0101 ar traum\u0101m, kas atst\u0101ju\u0161as dzi\u013cas r\u0113tas. Pats Kurpnieks atkl\u0101j, ka, mekl\u0113jot piem\u0113rotu lugu savam re\u017eisora debijai, vi\u0146\u0161 veselu gadu velt\u012bjis atbilsto\u0161a \u017eanra mekl\u0113jumiem.<\/p>\n
Pag\u0101tnes \u0113nas un tagadnes dilemma<\/p>\n
Dramaturga Ariela Dorfmana lug\u0101 “N\u0101ve un meitene” tiek p\u0113t\u012btas totalit\u0101ras diktat\u016bras izdz\u012bvoju\u0161o cilv\u0113ku psiholo\u0123isk\u0101s sekas, akcent\u0113jot pag\u0101tnes nep\u0101rejo\u0161o kl\u0101tb\u016btni tagadn\u0113 un alkas p\u0113c taisn\u012bguma, kas bie\u017ei vien p\u0101raug\u013cojas atrieb\u012bb\u0101. Si\u017eeta centr\u0101 ir jauna sieviete, kura kop\u0101 ar savu v\u012bru, ietekm\u012bgu advok\u0101tu, gaida n\u0101k\u0161anu. Vi\u0146a, ievainota pag\u0101tn\u0113, ilgojas p\u0113c miera, ta\u010du nesp\u0113j aizmirst p\u0101rdz\u012bvoto. Laul\u012bba vi\u0146us savedusi kop\u0101 vi\u0146as vissare\u017e\u0123\u012bt\u0101kaj\u0101 dz\u012bves posm\u0101, un abi cer sagaid\u012bt gan gaismu n\u0101kotn\u0113, gan taisn\u012bgu sodu par piedz\u012bvotaj\u0101m p\u0101rest\u012bb\u0101m. Tom\u0113r vi\u0146u izpratne par soda m\u0113ru un t\u0101 izpildes veidu ir kardin\u0101li at\u0161\u0137ir\u012bga. Vien\u0101 nakt\u012b v\u012brs m\u0101j\u0101s atved laipnu sve\u0161inieku \u2013 \u0101rstu, kur\u0161 sievietei atg\u0101dina par vi\u0146as tum\u0161\u0101kaj\u0101m dien\u0101m, un abu likte\u0146i savijas arvien cie\u0161\u0101k. \u0160\u012b negaid\u012bt\u0101 tik\u0161an\u0101s trim cilv\u0113kiem, kuriem nebija lemts sastapties, uzs\u0101k diennakti, kas neatgriezeniski main\u012bs vi\u0146u dz\u012bves. Izr\u0101de uzdod jaut\u0101jumus par soda neizb\u0113gam\u012bbu un tiesu bez lieciniekiem, liekot skat\u012bt\u0101jiem aizdom\u0101ties par mor\u0101les robe\u017e\u0101m un cilv\u0113ka sp\u0113ju tikt gal\u0101 ar sen\u0101m traum\u0101m. Nikl\u0101vs Kurpnieks uzsver, ka izr\u0101des kodols ir lugas iek\u0161\u0113jais spr\u0101dziens un uzkr\u0101t\u0101 spriedze, kas atkl\u0101jas klusum\u0101, acu skatien\u0101 un piesk\u0101rien\u0101. Vi\u0146u interes\u0113 ar\u012b tas, k\u0101 main\u0101s vain\u012bgie un tie, kas izpild\u012bja pav\u0113les, un vai vi\u0146i sp\u0113j dz\u012bvot t\u0101l\u0101k ar saviem pag\u0101tnes smagumiem. Izr\u0101de pied\u0101v\u0101 dzi\u013ci psiholo\u0123isku un saspringtu pieredzi, kas skar aktu\u0101l\u0101s t\u0113mas par taisn\u012bgumu, atrieb\u012bbu un piedo\u0161anu. Sakar\u0101 ar izr\u0101di aktieris atz\u012bst: “Jaut\u0101jums, kas notiek ar cilv\u0113ku p\u0113c traumas, skar m\u016bs visus. Vai sods dziedina? Vai atrieb\u012bba sp\u0113j atbr\u012bvot? Vai ir iesp\u0113jams piedot tam, kur\u0161 izn\u012bcin\u0101jis da\u013cu tavas b\u016bt\u012bbas?”<\/p>\n
No aktiera l\u012bdz re\u017eisoram: Kurpnieka rado\u0161ais l\u0113ciens<\/p>\n
Nikl\u0101vs Kurpnieks, kur\u0161 Dailes te\u0101tr\u012b paz\u012bstams k\u0101 aktieris, jau \u010detrus gadus run\u0101jis ar te\u0101tra vad\u012bbu par iesp\u0113ju iestud\u0113t izr\u0101di, pirms beidzot sa\u0146\u0113mis \u0161o iesp\u0113ju. Lai gan vi\u0146a s\u0101kotn\u0113j\u0101 v\u0113lme vienm\u0113r bijusi b\u016bt par aktieri, interese par re\u017eiju radusies, v\u0113rojot kol\u0113\u0123u darbu un analiz\u0113jot re\u017eisora procesu. K\u0101 vi\u0146\u0161 pats st\u0101sta, k\u0101d\u0101 m\u0113\u0123in\u0101jum\u0101 vi\u0146am radusies intriga izm\u0113\u0123in\u0101t, k\u0101 viss str\u0101d\u0101tu, ja vi\u0146\u0161 pats to dar\u012btu, k\u0101 v\u0113las. “Man nekad nav bijusi v\u0113lme b\u016bt re\u017eisoram vai re\u017eis\u0113t, vai tais\u012bt izr\u0101des. Es vienm\u0113r grib\u0113ju b\u016bt aktieris,” atkl\u0101j Kurpnieks, piebilstot, ka “k\u0101d\u0101 m\u0113\u0123in\u0101jum\u0101 es tik daudz laika t\u0113r\u0113ju\u2026 es s\u0101ku aizvien vair\u0101k analiz\u0113t savus kol\u0113\u0123us, k\u0101 vi\u0146i sp\u0113l\u0113, k\u0101 re\u017eisors taisa to izr\u0101di. Man k\u0101d\u0101 br\u012bd\u012b k\u013cuva interesanti, k\u0101 b\u016btu, ja es visu izdar\u012btu, k\u0101 es gribu, vai tas tie\u0161\u0101m str\u0101d\u0101tu.” Vi\u0146\u0161 uzsver, ka \u0161\u012b nav profesijas mai\u0146a, bet gan papildin\u0101jums aktiera rado\u0161ajai darb\u012bbai. \u0160aj\u0101 iestud\u0113jum\u0101 Kurpniekam ir iesp\u0113ja izmantot savu aktiera pieredzi un izpratni par dramatur\u0123iju, radot int\u012bmu un cie\u0161u kopdarbu ar aktieriem Madaru Vi\u013c\u010duku, Tomu Veli\u010dko un Gintu And\u017e\u0101nu. Vi\u0146i kop\u012bgi veidoju\u0161i izr\u0101di, neizj\u016btot stingru re\u017eisora un aktieru no\u0161\u0137\u012brumu, kas veicin\u0101jis rado\u0161u un br\u012bvu atmosf\u0113ru. Madara Vi\u013c\u010duka atz\u012bst, ka te\u0101tris vienm\u0113r ir bijis par kop\u012bgu rad\u012b\u0161anas procesu, un lomas var main\u012bties: “\u0160oreiz Nikl\u0101vs bija re\u017eisors un es \u2013 aktrise. Varb\u016bt cit\u0101 reiz\u0113 es b\u016b\u0161u scenogr\u0101fs… Visticam\u0101k, ka n\u0113, bet t\u0101s lomas var main\u012bt. M\u0113s visi esam st\u0101stnieki, jaut\u0101jums ir, k\u0101di ir m\u016bsu instrumenti.” Izr\u0101de “N\u0101ve un meitene” ir viens c\u0113liens, kas ilgst 1 stundu un 30 min\u016btes. T\u0101s pirmizr\u0101de notika 28. novembr\u012b, un bi\u013cetes pieejamas jau no 16 l\u012bdz 50 eiro.<\/p>\n
Ariel Dorfmana lugas univers\u0101l\u0101 noz\u012bme<\/p>\n
Ariel Dorfman, \u010d\u012blie\u0161u-argent\u012bnie\u0161u dramaturgs, ir autors lugai “N\u0101ve un meitene”, kas pirmo reizi tika uzvesta 1990. gad\u0101. Vi\u0146a darbi bie\u017ei vien p\u0113ta politisk\u0101s apspiest\u012bbas un cilv\u0113kties\u012bbu p\u0101rk\u0101pumu sekas, mekl\u0113jot atbildes uz sare\u017e\u0123\u012btiem mor\u0101liem un \u0113tiskajiem jaut\u0101jumiem. “N\u0101ve un meitene” ir k\u013cuvusi par vienu no vi\u0146a vispaz\u012bstam\u0101kajiem darbiem, kas piev\u0113r\u0161as traum\u0101m, taisn\u012bgumam un paties\u012bbas mekl\u0113jumiem. Luga atspogu\u013co notikumus valst\u012b, kas izk\u013cuvusi no totalit\u0101ras diktat\u016bras, l\u012bdz\u012bgi k\u0101 \u010c\u012ble 20. gadsimta beig\u0101s. Dorfmana lugas skar sare\u017e\u0123\u012btas t\u0113mas, kas saist\u012btas ar pag\u0101tnes nep\u0101rejo\u0161o kl\u0101tb\u016btni tagadn\u0113 un alk\u0101m p\u0113c taisn\u012bguma, kas bie\u017ei vien p\u0101raug atrieb\u012bb\u0101. Vi\u0146\u0161 izmanto da\u017e\u0101das dramatiskas tehnikas, apvienojot mist\u0113riju, psiholo\u0123isko dr\u0101mu un politisko koment\u0101ru, padarot “N\u0101ve un meitene” par aktu\u0101lu darbu, kas piev\u0113r\u0161as ar\u012b m\u016bsdienu cilv\u0113kties\u012bbu probl\u0113m\u0101m. Neskatoties uz savu politisko kontekstu, lugas emocion\u0101lais st\u0101sts un sare\u017e\u0123\u012btie t\u0113li padara to par noz\u012bm\u012bgu darbu te\u0101tra m\u0101ksl\u0101 un diskusij\u0101s par cilv\u0113kties\u012bb\u0101m un mor\u0101lo atbild\u012bbu. Izr\u0101de Dailes te\u0101tr\u012b ir ne tikai jauns iestud\u0113jums, bet ar\u012b atg\u0101din\u0101jums par to, cik svar\u012bgi ir run\u0101t par pag\u0101tnes \u0113niem un mekl\u0113t veidus, k\u0101 tikt gal\u0101 ar traum\u0101m un mekl\u0113t taisn\u012bgumu m\u016bsdienu sabiedr\u012bb\u0101.<\/p>\n","protected":false},"excerpt":{"rendered":"Aktiera Nikl\u0101va Kurpnieka debija re\u017eij\u0101: Skatuves izr\u0101de “N\u0101ve un meitene” aicina uz dzi\u013c\u0101m p\u0101rdom\u0101m Dailes te\u0101tra Jaunaj\u0101 z\u0101l\u0113…\n","protected":false},"author":2,"featured_media":63590,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[16357,454,89,90,35,39,38,36,37,34,40,16356,16355,4558],"class_list":{"0":"post-63589","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-ariel-dorfman","9":"tag-dailes-teatris","10":"tag-entertainment","11":"tag-izklaide","12":"tag-latvia","13":"tag-latvian","14":"tag-latviesu","15":"tag-latviesu-valoda","16":"tag-latviesuvaloda","17":"tag-latvija","18":"tag-lv","19":"tag-nave-un-meitene","20":"tag-niklavs-kurpnieks","21":"tag-teatra-rezija"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/115649107958919248","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/63589","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=63589"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/63589\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/63590"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=63589"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=63589"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=63589"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}