Te\u0101tris k\u0101 spogulis kino pasaulei: Nacion\u0101l\u0101 te\u0101tra izr\u0101de “Viss par Ievu”<\/p>\n
M\u016bsdienu te\u0101tra skatuve arvien bie\u017e\u0101k k\u013c\u016bst par vietu, kur satiekas da\u017e\u0101das m\u0101kslas formas, un robe\u017ea starp kino un te\u0101tri k\u013c\u016bst arvien pl\u0101n\u0101ka. Nacion\u0101l\u0101 te\u0101tra jaunais iestud\u0113jums “Viss par Ievu”, ko iestud\u0113jusi re\u017eisore In\u0101ra Slucka, ir spo\u017es piem\u0113rs tam, k\u0101 kino klasika var iedvesmot un uzrun\u0101t m\u016bsdienu skat\u012bt\u0101ju. Izr\u0101de, kas sm\u0113lusies sp\u0101rnojumu no D\u017eozefa Mankevi\u010da le\u0123end\u0101r\u0101s 1950. gada filmas ar t\u0101du pa\u0161u nosaukumu, pied\u0101v\u0101 dzi\u013cu ieskatu te\u0101tra pasaules aizkulis\u0113s, atkl\u0101jot amb\u012bciju, varas sp\u0113les un paaud\u017eu mai\u0146as sare\u017e\u0123\u012btos jaut\u0101jumus.<\/p>\n
Iedvesma no Holivudas le\u0123endas<\/p>\n
Filma “Viss par Ievu”, kas balst\u012bta uz M\u0113rijas Orras \u012bso st\u0101stu “Ievas gudr\u012bba”, ir viena no izcil\u0101kaj\u0101m amerik\u0101\u0146u kino p\u0113rl\u0113m, kas ieguvusi vair\u0101kas “Oskara” balvas, tostarp par lab\u0101ko filmu. T\u0101s st\u0101sts par slaven\u0101s Brodvejas aktrises Margo Kreinas un vi\u0146as jaun\u0101s, talant\u012bg\u0101s un manipulat\u012bv\u0101s piel\u016bdz\u0113jas Ievas Heringtones attiec\u012bb\u0101m ir aktu\u0101ls ar\u012b \u0161odien. Mankevi\u010da ori\u0123in\u0101ldarbs ir ne tikai meistariski uzb\u016bv\u0113ts si\u017eets, bet ar\u012b dzi\u013c\u0161 psiholo\u0123isks portrets, kas izp\u0113t\u012bjis aktrises profesijas sare\u017e\u0123\u012bto dabu un slavas spogul\u012b atsp\u012bdo\u0161\u0101s cilv\u0113cisk\u0101s v\u0101j\u012bbas. Izr\u0101des autori ir veiksm\u012bgi notv\u0113ru\u0161i \u0161\u012bs kino klasikas b\u016bt\u012bbu, adapt\u0113jot to te\u0101tra valod\u0101, radot darbu, kas sp\u0113j aizkustin\u0101t un likt aizdom\u0101ties.<\/p>\n
Te\u0101tris par te\u0101tri: atspulgu pasaule<\/p>\n
Scenogr\u0101fe Marija Ulmane rad\u012bjusi telpu, kas ataino te\u0101tra pasaules dualit\u0101ti \u2013 gan spo\u017eumu uz skatuves, gan ikdieni\u0161\u0137o rut\u012bnu un darbu aiz skatuves durv\u012bm. Vi\u0146as scenogr\u0101fija, kas ietver gan d\u012bvas \u0123\u0113rbtuvi, gan aizkules ar koka un finiera deta\u013c\u0101m, un pat za\u013cojo\u0161us augus podos, rada autentisku un reiz\u0113 po\u0113tisku vidi. \u0160\u012b telpa ir k\u0101 spogulis, kur\u0101 atspogu\u013cojas gan izr\u0101des person\u0101\u017eu alkas p\u0113c atzin\u012bbas, gan vi\u0146u iek\u0161\u0113j\u0101s c\u012b\u0146as. Izr\u0101de “Viss par Ievu” p\u0113ta ne tikai slavas un karjeras cenu, bet ar\u012b paaud\u017eu mai\u0146u, jaun\u012bbas amb\u012bciju un dz\u012bves baudas trauslumu. T\u0101 ir st\u0101sts par to, k\u0101 main\u0101s laiki un k\u0101, lai turpin\u0101tu dz\u012bvot un str\u0101d\u0101t, ir nepiecie\u0161ams main\u012bties pa\u0161am. Ja tu nesp\u0113j main\u012bties, tevi bie\u017ei vien ieskaita aizejo\u0161\u0101 paaudz\u0113, jo vienm\u0113r k\u0101ds jaunais st\u0101v pie durv\u012bm, gatavs p\u0101r\u0146emt.<\/p>\n
Aktieru sniegums un emocion\u0101l\u0101 dzi\u013cums<\/p>\n
Izr\u0101dei savu artavu devu\u0161i abi aktieru sast\u0101vi, apliecinot ne tikai re\u017eisores redz\u0113jumu, bet ar\u012b aktieru ansamb\u013ca augsto meistar\u012bbu. Katrs t\u0113ls ir r\u016bp\u012bgi izstr\u0101d\u0101ts, pie\u0161\u0137irot tam dzi\u013cumu un daudzpus\u012bbu. Skat\u012bt\u0101ji atz\u012bm\u0113 izr\u0101des emocion\u0101lo bag\u0101t\u012bbu, \u012bpa\u0161i izce\u013cot t\u0113mu par paaud\u017eu nomai\u0146u un robe\u017eu starp uz\u0146\u0113m\u012bbu un nekaun\u012bbu, karjeras veido\u0161anu un citu cilv\u0113ku j\u016btu ignor\u0113\u0161anu. K\u0101da skat\u012bt\u0101ja Gunta raksta: “Br\u012bni\u0161\u0137\u012bga izr\u0101de. P\u0113cgar\u0161a vair\u0101ku dienu ilgum\u0101. Skatuves d\u012bva un kapr\u012bzes \u2013 j\u0101, bet jaun\u0101 “censone” \u2013 kur ir robe\u017ea starp uz\u0146\u0113m\u012bbu un klaju nekaun\u012bbu, karjeras veido\u0161anu un brad\u0101\u0161anu pa citu cilv\u0113ku j\u016bt\u0101m, v\u0113l\u0113\u0161anos pan\u0101kt savu par jebkuru cenu.” \u0160\u012b atsauksme lieliski ilustr\u0113 izr\u0101des sp\u0113ju uzmodin\u0101t skat\u012bt\u0101j\u0101 dzi\u013cas p\u0101rdomas par \u0113tiku, amb\u012bcij\u0101m un dz\u012bves v\u0113rt\u012bb\u0101m.<\/p>\n
Kino un te\u0101tra dialogs<\/p>\n
Nacion\u0101l\u0101 te\u0101tra izr\u0101de “Viss par Ievu” ir v\u0113rt\u012bgs piem\u0113rs tam, k\u0101 te\u0101tris var veiksm\u012bgi transform\u0113t un interpret\u0113t kino klasiku. Tas nav tikai st\u0101sts par te\u0101tra pasauli, bet ar\u012b par cilv\u0113cisko dabu kopum\u0101 \u2013 par v\u0113lmi tikt paman\u012btam, par amb\u012bcij\u0101m un par c\u012b\u0146u par savu vietu zem saules. Izr\u0101de apliecina, ka kino un te\u0101tris, lai ar\u012b at\u0161\u0137ir\u012bgas m\u0101kslas formas, var bag\u0101tin\u0101t viena otru, radot jaunus un aizraujo\u0161us m\u0101kslas baud\u012bjumus, kas rezon\u0113 skat\u012bt\u0101ju sird\u012bs v\u0113l ilgi p\u0113c izr\u0101des beig\u0101m. K\u0101 kino kriti\u0137e Dita Rietuma reiz atg\u0101din\u0101ja, cit\u0113jot Kannu kinofestiv\u0101la direktoru Tjer\u012b Fremo: “Nav vecu filmu, jo m\u0113s ta\u010du nesaucam Mocarta m\u016bziku par vecu \u2013 t\u0101 ir klasika, t\u0101pat nav nek\u0101da pamata filmas d\u0113v\u0113t par vec\u0101m!” \u0160\u012b doma lieliski atspogu\u013co ar\u012b izr\u0101des v\u0113rt\u012bbu \u2013 klasika dz\u012bvo un turpina uzrun\u0101t caur jauniem m\u0101kslinieciskiem las\u012bjumiem.<\/p>\n","protected":false},"excerpt":{"rendered":"Te\u0101tris k\u0101 spogulis kino pasaulei: Nacion\u0101l\u0101 te\u0101tra izr\u0101de “Viss par Ievu” M\u016bsdienu te\u0101tra skatuve arvien bie\u017e\u0101k k\u013c\u016bst par…\n","protected":false},"author":2,"featured_media":64537,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[89,4311,90,16841,35,39,38,36,37,34,40,537,4633,10887],"class_list":{"0":"post-64536","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-entertainment","9":"tag-inara-slucka","10":"tag-izklaide","11":"tag-kino-iedvesmota-izrade","12":"tag-latvia","13":"tag-latvian","14":"tag-latviesu","15":"tag-latviesu-valoda","16":"tag-latviesuvaloda","17":"tag-latvija","18":"tag-lv","19":"tag-nacionalais-teatris","20":"tag-teatra-recenzija","21":"tag-viss-par-ievu"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/115655069432178066","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/64536","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=64536"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/64536\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/64537"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=64536"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=64536"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=64536"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}