Nosl\u0113pumain\u0101 1939. gada fotoreport\u0101\u017ea Oj\u0101ra V\u0101cie\u0161a muzej\u0101<\/p>\n
Oj\u0101ra V\u0101cie\u0161a muzej\u0101 3. decembr\u012b tika atkl\u0101ta unik\u0101la izst\u0101de, kas skat\u012bt\u0101jus aicina ce\u013cojum\u0101 uz 1939. gada Latviju, atspogu\u013cojot gan valsts straujo att\u012bst\u012bbu, gan dramatiskiem notikumiem bag\u0101to laiku. Izst\u0101d\u0113 \u201cLatvijas pan\u0101kumi un zaud\u0113jumi 1930. gadu otraj\u0101 pus\u0113. Tr\u012bs fotoreport\u0101\u017eas\u201d ekspon\u0113tas fotogr\u0101fijas, kas tapu\u0161as pirms vair\u0101k nek\u0101 asto\u0146\u0101m desmitgad\u0113m, bet kuru autors un prec\u012bzs m\u0113r\u0137is joproj\u0101m apv\u012bts nosl\u0113pumiem.<\/p>\n
\u0160ie unik\u0101lie kadri, kas vair\u0101k nek\u0101 80 gadus glab\u0101ju\u0161ies k\u0101 fotonegat\u012bvi k\u0101d\u0101 R\u012bgas dz\u012bvokl\u012b, nu pirmo reizi non\u0101k publisk\u0101 apskat\u0113 p\u0113c r\u016bp\u012bga un sare\u017e\u0123\u012bta restaur\u0101cijas procesa. Interesents Valdis Gavars, paman\u012bjis zi\u0146as par \u0161o fotogr\u0101fiju kolekciju internet\u0101, uz\u0146\u0113mies iniciat\u012bvu t\u0101s ieg\u0101d\u0101ties un restaur\u0113t, atkl\u0101jot par sevi v\u0113rt\u012bgu liec\u012bbu par Latvijas v\u0113sturi.<\/p>\n
Divas fotoreport\u0101\u017eas par Latvijas att\u012bst\u012bbu<\/p>\n
Izst\u0101d\u0113 apskat\u0101mas tr\u012bs fotoreport\u0101\u017eas. Divas no t\u0101m dokument\u0113 Latvijas sasniegumus 20. gadsimta tr\u012bsdesmitajos gados. Viena report\u0101\u017ea piev\u0113r\u0161as Spilves lidostai, kas tolaik bija noz\u012bm\u012bgs transporta mezgls, bet otra ataino topo\u0161o \u0136eguma hidroelektrostaciju (HES). \u0160\u012b iespaid\u012bg\u0101 b\u016bve, kas uzs\u0101ka darb\u012bbu 1939. gada oktobr\u012b, bija ne tikai tre\u0161\u0101 liel\u0101k\u0101 Latvij\u0101 un Baltijas valst\u012bs, bet ar\u012b viena no modern\u0101kaj\u0101m Eirop\u0101, nodro\u0161inot elektr\u012bbu R\u012bgai. Interesanti, ka \u0161os objektus 1939. gad\u0101 apmekl\u0113ja starptautisk\u0101s pils\u0113tu savien\u012bbas prezidents D\u017eord\u017es Montago Hariss, pau\u017eot atzin\u012bbu par Latvijas straujo izaugsmi. \u0160ie kadri liecina par optimistisko noska\u0146ojumu un b\u016bvniec\u012bbas aktivit\u0101ti valst\u012b pirms Otr\u0101 pasaules kara s\u0101kuma.<\/p>\n
Skumjais v\u0113stures atspulns: v\u0101cbaltie\u0161u izce\u013co\u0161ana<\/p>\n
Tre\u0161\u0101 fotoreport\u0101\u017ea ir emocion\u0101li smaga, jo atspogu\u013co vienu no 1939. gada dr\u016bm\u0101kajiem notikumiem \u2013 v\u0101cbaltie\u0161u izce\u013co\u0161anu. P\u0113c \u0100dolfa Hitlera aicin\u0101juma da\u013ca v\u0101cbaltie\u0161u iedz\u012bvot\u0101ju, aptuveni 50 000 cilv\u0113ku, pameta savas dzimtenes Latvij\u0101, dodoties uz V\u0101ciju. \u0160\u012b report\u0101\u017ea sniedz vizu\u0101lu ieskatu \u0161aj\u0101 sare\u017e\u0123\u012btaj\u0101 v\u0113stures lappus\u0113, atkl\u0101jot cilv\u0113ku likte\u0146us un iz\u0161\u0137ir\u0161anos br\u012b\u017eus. V\u0113sturnieki nor\u0101da, ka \u0161ie notikumi bija tie\u0161i saist\u012bti ar Molotova\u2013Ribentropa paktu, kas sadal\u012bja Austrumeiropu v\u0101cu un padomju intere\u0161u sf\u0113r\u0101s.<\/p>\n
Nezin\u0101mais autors un fotogr\u0101fiju atkl\u0101\u0161ana<\/p>\n
Fotogr\u0101fiju autora person\u012bba joproj\u0101m nav dro\u0161i identific\u0113ta. Tom\u0113r, analiz\u0113jot fotogr\u0101fiju stilistiku un vizu\u0101lo manieri, past\u0101v versija, ka autors var\u0113tu b\u016bt Vilhelms Holtfreters, kura fotogr\u0101fiju kolekcijas atrodas V\u0101cijas Bundesarh\u012bv\u0101. Ir konstat\u0113tas vizu\u0101las l\u012bdz\u012bbas starp \u0161\u012bs kolekcijas att\u0113liem un fotogr\u0101fij\u0101m no Holtfretera arh\u012bva. Tom\u0113r da\u017eu fotofilmu negat\u012bvu tr\u016bkums Bundesarh\u012bv\u0101 liecina, ka t\u0101s paliku\u0161as Latvij\u0101, iesp\u0113jams, steigas un neuzman\u012bbas d\u0113\u013c. Valdis Gavars, kur\u0161 ieg\u0101d\u0101jies kolekciju, uzsver, ka \u0161\u012bs fotogr\u0101fijas daudz sp\u0113c\u012bg\u0101k par v\u0101rdiem ataino t\u0101 laika notikumus un cilv\u0113ku j\u016btas, gan attiec\u012bb\u0101 uz pan\u0101kumiem, gan zaud\u0113jumiem. Restaurators Rihards Puri\u0146\u0161, kur\u0161 veica fotofilmu atjauno\u0161anu, atzinis, ka tas bijis tehniski visgr\u016bt\u0101kais darbs vi\u0146a karjer\u0101.<\/p>\n
Izst\u0101de Oj\u0101ra V\u0101cie\u0161a muzej\u0101 b\u016bs skat\u0101ma l\u012bdz 2026. gada 24. janv\u0101rim, pied\u0101v\u0101jot apmekl\u0113t\u0101jiem unik\u0101lu iesp\u0113ju iel\u016bkoties Latvijas v\u0113stures aizraujo\u0161\u0101 un emocion\u0101l\u0101 pag\u0101tn\u0113.<\/p>\n","protected":false},"excerpt":{"rendered":"Nosl\u0113pumain\u0101 1939. gada fotoreport\u0101\u017ea Oj\u0101ra V\u0101cie\u0161a muzej\u0101 Oj\u0101ra V\u0101cie\u0161a muzej\u0101 3. decembr\u012b tika atkl\u0101ta unik\u0101la izst\u0101de, kas skat\u012bt\u0101jus…\n","protected":false},"author":2,"featured_media":65823,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[17053,23,28,29,32,33,17052,22,30,31,35,39,38,36,37,34,7580,40,20,17051,26,27,24,25,17054,21],"class_list":{"0":"post-65822","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-aktualitates","8":"tag-1939-gada-fotografijas","9":"tag-aktualitates","10":"tag-breaking-news","11":"tag-breakingnews","12":"tag-featured-news","13":"tag-featurednews","14":"tag-fotoreportazas","15":"tag-headlines","16":"tag-latest-news","17":"tag-latestnews","18":"tag-latvia","19":"tag-latvian","20":"tag-latviesu","21":"tag-latviesu-valoda","22":"tag-latviesuvaloda","23":"tag-latvija","24":"tag-latvijas-vesture","25":"tag-lv","26":"tag-news","27":"tag-ojara-vaciesa-muzejs","28":"tag-popularakas-zinas","29":"tag-popularakaszinas","30":"tag-top-stories","31":"tag-topstories","32":"tag-vacbaltiesu-izcelosana","33":"tag-zinas"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/115663314863024354","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/65822","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=65822"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/65822\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/65823"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=65822"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=65822"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=65822"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}