Liep\u0101j\u0101 godin\u0101s XX gadsimta m\u016bzikas revolucion\u0101ru Pj\u0113ru Bul\u0113zu ar iespaid\u012bgu simtgades koncertu<\/p>\n
Liep\u0101ja k\u013cuvusi par iev\u0113rojamu kult\u016bras notikumu m\u0101jvietu, pulc\u0113jot m\u016bzikas cien\u012bt\u0101jus uz unik\u0101lu koncertu, kas velt\u012bts viena no 20. gadsimta radik\u0101l\u0101kajiem un ietekm\u012bg\u0101kajiem komponistiem, diri\u0123entiem un dom\u0101t\u0101jiem Pj\u0113ra Bul\u0113za (Pierre Boulez) simtgadei. Koncert\u0101, kas notika 27. septembr\u012b koncertz\u0101l\u0113 \u201eLielais dzintars\u201d, Latvijas publika tika aicin\u0101ta piedz\u012bvot Bul\u0113za sare\u017e\u0123\u012bt\u0101kos un spo\u017e\u0101kos \u0161edevrus, kuros sastopas klasisk\u0101s m\u016bzikas instrumenti ar moderno elektroniku. \u0160is pas\u0101kums ir ne tikai velt\u012bjums komponista simtgadei, bet ar\u012b apliecin\u0101jums Liep\u0101jas k\u0101 Eiropas kult\u016bras galvaspils\u0113tas 2027 programmas noz\u012bm\u012bgumam.<\/p>\n
Pj\u0113ra Bul\u0113za \u2013 Avangarda M\u016bzikas V\u0113stne\u0161a Mantojums<\/p>\n
Pj\u0113rs Bul\u0113zs (1925\u20132016) bija fig\u016bra, kas drosm\u012bgi izaicin\u0101ja muzik\u0101l\u0101s trad\u012bcijas, ievie\u0161ot jaunus skanisk\u0101s dom\u0101\u0161anas veidus. Vi\u0146\u0161 bija viens no laikmet\u012bg\u0101s m\u016bzikas revolucion\u0101riem, kas papla\u0161in\u0101ja un att\u012bst\u012bja seri\u0101lismu, p\u0101rk\u0101pjot Arnolda \u0160\u0113nberga divpadsmit to\u0146u sist\u0113mas robe\u017eas. Bul\u0113zs nebaid\u012bj\u0101s eksperiment\u0113t, iek\u013caujot savos darbos matem\u0101tiku, dzeju un filozofiju, radot darbus, kas ir ne tikai klaus\u012b\u0161an\u0101s, bet ar\u012b intelektu\u0101la un m\u0101kslinieciska izzi\u0146a. Vi\u0146a dibin\u0101tais Par\u012bzes Pompid\u016b centra m\u016bzikas un ska\u0146as p\u0113tniec\u012bbas instit\u016bts IRCAM ir k\u013cuvis par vienu no pasaules vado\u0161ajiem m\u016bzikas izp\u0113tes centriem, veicinot inov\u0101cijas un jaunrades procesu m\u016bzikas pasaul\u0113. Bul\u0113za v\u012bzija bija rad\u012bt m\u016bziku k\u0101 zin\u0101tnisk\u0101s izp\u0113tes laboratoriju, kur\u0101 zin\u0101tnieki un m\u016bzi\u0137i cie\u0161\u0101 sadarb\u012bb\u0101 atkl\u0101j jaunus ska\u0146u horizontus. Vi\u0146\u0161 uzskat\u012bja, ka m\u016bzika sp\u0113j p\u0101rsniegt vienk\u0101r\u0161us ska\u0146u piedz\u012bvojumus, \u012bpa\u0161i izmantojot tehnolo\u0123ijas un pla\u0161\u0101kus eksperimentus. Ar\u012b latvie\u0161u vijolniece Magdal\u0113na Geka sniedza iev\u0113rojamu priek\u0161nesumu, atska\u0146ojot Bul\u0113za ska\u0146darbu vijolei \u201cAnth\u00e8mes II\u201d (1997), kur\u0101 vijole mijas ar dz\u012bvo elektroniku, radot telpiski daudzdimension\u0101lu ska\u0146u ainavu re\u0101llaik\u0101. Tas ir lielisks piem\u0113rs tam, k\u0101 tehnolo\u0123ijas var bag\u0101tin\u0101t un transform\u0113t akustisko ska\u0146u. Vi\u0146a rad\u012bja ar\u012b grandiozu ska\u0146darbu \u201cR\u00e9pons\u201d (1980\u20131984), kas ir patiess IRCAM r\u012bku \u2013 elektronisko instrumentu, ska\u0146u sint\u0113zes un datorprogrammu \u2013 demonstr\u0113jums, \u013caujot elektroniski manipul\u0113t ska\u0146u atska\u0146o\u0161anas laik\u0101. Tas ir aizraujo\u0161s klaus\u012b\u0161an\u0101s baud\u012bjums, kur\u0101 akustisk\u0101s un elektronisk\u0101s ska\u0146u frontes sasp\u0113l\u0113jas, radot harmoniju un ska\u0146u daudzveid\u012bbu.<\/p>\n
Koncerta Programma un Izpild\u012bt\u0101ji<\/p>\n
Koncertprogramma, kas tika pied\u0101v\u0101ta Liep\u0101jas publikai, bija r\u016bp\u012bgi veidota, lai atspogu\u013cotu Pj\u0113ra Bul\u0113za dai\u013crades daudzveid\u012bbu un novatorismu. Pirmaj\u0101 da\u013c\u0101 starptautiski atz\u012bt\u0101 latvie\u0161u vijolniece Magdal\u0113na Geka izpild\u012bja Pj\u0113ra Bul\u0113za ska\u0146darbu vijolei \u201cAnth\u00e8mes II\u201d (1997). \u0160is darbs ir br\u012bni\u0161\u0137\u012bgs piem\u0113rs tam, k\u0101 dz\u012bv\u0101 elektronika var mijiedarboties ar akustisko instrumentu, radot neaizmirstamu ska\u0146as pieredzi. Vijoles ska\u0146a k\u013cuva par pamatu, ko elektronika re\u0101llaik\u0101 transform\u0113ja un atspogu\u013coja, veidojot telpiski daudzdimension\u0101lu ska\u0146u ainavu. Tas ir aicin\u0101jums izbaud\u012bt dialogu starp cilv\u0113ku un tehnolo\u0123iju m\u016bzik\u0101. Koncerta kulmin\u0101cij\u0101 skan\u0113ja viens no Bul\u0113za iespaid\u012bg\u0101kajiem un skaist\u0101kajiem ska\u0146darbiem \u201cR\u00e9pons\u201d (1980\u20131984). \u0160is darbs demonstr\u0113 IRCAM rad\u012bto tehnolo\u0123iju potenci\u0101lu, apvienojot elektroniskos instrumentus, ska\u0146u sint\u0113zi un datorprogrammas, lai rad\u012btu sare\u017e\u0123\u012btas un dinamiskas ska\u0146u strukt\u016bras. T\u0101 ir patiesi aizraujo\u0161a klaus\u012b\u0161an\u0101s pieredze, kur\u0101 mijas akustisk\u0101s un elektronisk\u0101s ska\u0146u pasaules, solopartiju un harmoniju izsmalcin\u0101ta sasp\u0113le. \u0160o komplic\u0113to darbu izpild\u012bja kameror\u0137estris \u201cSinfonietta R\u012bga\u201d diri\u0123enta Normunda \u0160n\u0113 vad\u012bb\u0101, kop\u0101 ar starptautisku solistu un ska\u0146u meistaru komandu, tostarp arfisti Lis\u012b Spedikato, pianistiem Sanitu Glazenburgu un Robertu Flaicu, cimbalisti Fransu\u0101zu Rival\u0101nu, k\u0101 ar\u012b sitaminstrument\u0101listiem Elvju Endeli un Gunti Freibergu. Pas\u0101kuma tehnisko nodro\u0161in\u0101jumu un ska\u0146as apr\u012bkojumu nodro\u0161in\u0101ja IRCAM speci\u0101listi cie\u0161\u0101 sadarb\u012bb\u0101 ar \u201cLiel\u0101 dzintara\u201d speci\u0101listiem, radot optim\u0101lu akustisko vidi, \u012bpa\u0161i priek\u0161\u0113j\u0101s partera rind\u0101s, kur skat\u012bt\u0101ji bija ieskauti gan m\u016bzi\u0137os, gan ska\u0146as aparat\u016br\u0101. \u0160\u0101da pieeja nodro\u0161in\u0101ja patiesi ieskaujo\u0161u un unik\u0101lu klaus\u012b\u0161an\u0101s pieredzi.<\/p>\n
Liep\u0101ja k\u0101 Kult\u016bras Centrs<\/p>\n
\u0160is iespaid\u012bgais koncerts ir da\u013ca no pla\u0161\u0101kas programmas, ko Liep\u0101ja \u012bsteno, gatavojoties k\u013c\u016bt par Eiropas kult\u016bras galvaspils\u0113tu 2027. gad\u0101. Sadarb\u012bba ar presti\u017eo IRCAM instit\u016btu un Latvijas un \u0101rvalstu m\u016bzikas profesion\u0101\u013ciem apliecina Liep\u0101jas amb\u012bcijas un sp\u0113ju k\u013c\u016bt par noz\u012bm\u012bgu starptautisku kult\u016bras centru. Pas\u0101kums ne tikai godin\u0101ja Pj\u0113ra Bul\u0113za mantojumu, bet ar\u012b demonstr\u0113ja Liep\u0101jas \u201cLiel\u0101 dzintara\u201d koncertz\u0101les potenci\u0101lu uz\u0146emt un \u012bstenot pasaules l\u012bme\u0146a kult\u016bras notikumus. \u0160is unik\u0101lais koncerts sniedza klaus\u012bt\u0101jiem ne tikai dzi\u013cu ieskatu laikmet\u012bg\u0101s m\u016bzikas sare\u017e\u0123\u012bt\u012bb\u0101 un skaistum\u0101, bet ar\u012b apliecin\u0101ja Pj\u0113ra Bul\u0113za nenoliedzamo ietekmi uz m\u016bsdienu muzik\u0101lo ainavu. Vi\u0146a novatorisk\u0101 pieeja, apvienojot klasiskos instrumentus ar elektroniku un dzi\u013cu intelektu\u0101lo saturu, turpina iedvesmot un izaicin\u0101t gan m\u016bzi\u0137us, gan klaus\u012bt\u0101jus vis\u0101 pasaul\u0113.<\/p>\n","protected":false},"excerpt":{"rendered":"Liep\u0101j\u0101 godin\u0101s XX gadsimta m\u016bzikas revolucion\u0101ru Pj\u0113ru Bul\u0113zu ar iespaid\u012bgu simtgades koncertu Liep\u0101ja k\u013cuvusi par iev\u0113rojamu kult\u016bras notikumu…\n","protected":false},"author":2,"featured_media":6705,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[677,89,90,2906,35,39,38,36,37,34,444,40,2904,2905],"class_list":{"0":"post-6704","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-lielais-dzintars","9":"tag-entertainment","10":"tag-izklaide","11":"tag-laikmetiga-muzika","12":"tag-latvia","13":"tag-latvian","14":"tag-latviesu","15":"tag-latviesu-valoda","16":"tag-latviesuvaloda","17":"tag-latvija","18":"tag-liepaja","19":"tag-lv","20":"tag-pjers-bulezs","21":"tag-simtgades-koncerts"},"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/6704","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=6704"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/6704\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/6705"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=6704"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=6704"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=6704"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}