{"id":67712,"date":"2025-12-07T08:46:10","date_gmt":"2025-12-07T08:46:10","guid":{"rendered":"https:\/\/www.europesays.com\/lv\/67712\/"},"modified":"2025-12-07T08:46:10","modified_gmt":"2025-12-07T08:46:10","slug":"liepajas-teatris-iestude-blaumana-darbu-motivus-lente-lv","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/lv\/67712\/","title":{"rendered":"Liep\u0101jas te\u0101tris iestud\u0113 Blauma\u0146a darbu mot\u012bvus\u00a0\u2014\u00a0Lente.lv"},"content":{"rendered":"<p>Darbs, m\u012blest\u012bba un laikmeta tra\u0123ikom\u0113dija Liep\u0101jas te\u0101tr\u012b<\/p>\n<p>Liep\u0101jas te\u0101tris pied\u0101v\u0101 jaunu iestud\u0113jumu \u201cTr\u012bs b\u0113res un divas k\u0101zas\u201d, kas balst\u012bts uz latvie\u0161u klasi\u0137a R\u016bdolfa Blauma\u0146a darbu mot\u012bviem. \u0160\u012b laikmeta tra\u0123ikom\u0113dija, kas raisa asoci\u0101cijas ar nosaukumu k\u0101 no pasaules kino, paties\u012bb\u0101 ir dzi\u013ci sak\u0146ota latvie\u0161u literat\u016bras zem\u0113. Izr\u0101des atsl\u0113ga ir re\u017eisora M\u0101rti\u0146a Eihes atgrie\u0161an\u0101s Liep\u0101j\u0101 p\u0113c vair\u0101ku gadu promb\u016btnes, vadot \u0161o v\u0113rien\u012bgo projektu.<\/p>\n<p>Blauma\u0146a mantojuma \u201cbezkaun\u012bg\u0101 remikss\u201d<\/p>\n<p>Dramatur\u0123e Laila Bur\u0101ne ir rad\u012bjusi ori\u0123in\u0101lu lugu, kas nevis atst\u0101sta vienu konkr\u0113tu Blauma\u0146a darbu, bet gan veido \u201cbezkaun\u012bgu remiksu\u201d, kur\u0101 satiekas un savijas da\u017e\u0101du vi\u0146a nove\u013cu un lugu t\u0113li. \u0160\u0101da pieeja \u013cauj dzi\u013c\u0101k izp\u0113t\u012bt un aktualiz\u0113t klasikas daudzsl\u0101\u0146ain\u012bbu, par\u0101dot t\u0101s sasaisti ar m\u016bsdienu sabiedr\u012bbu. Re\u017eisors M\u0101rti\u0146\u0161 Eihe uzsver, ka, str\u0101d\u0101jot ar Blauma\u0146a tekstu \u0161odien, pietiek ar cie\u0146u \u2013 nepiecie\u0161ams ar\u012b vieglums un sp\u0113les saj\u016bta. Vi\u0146\u0161 raksturo Blauma\u0146a pasauli k\u0101 \u201cdz\u012bvu multiversu\u201d, kur\u0101 savijas autora darbi un to atbalsis m\u016bsos. Izr\u0101de tiek sal\u012bdzin\u0101ta ar ienir\u0161anu \u201cdzi\u013c\u0101, vij\u012bg\u0101 up\u0113\u201d, lai taj\u0101 \u201cmazliet paplun\u010d\u0101tos\u201d, kas nor\u0101da uz rota\u013c\u012bgu, bet vienlaikus ar\u012b nopietnu pieeju materi\u0101lam.<\/p>\n<p>T\u0113lu dz\u012bves krustojas m\u016bsdienu sabiedr\u012bbas portret\u0113jum\u0101<\/p>\n<p>Izr\u0101de \u201cTr\u012bs b\u0113res un divas k\u0101zas\u201d iepaz\u012bstina skat\u012bt\u0101jus ar t\u0113liem, kuru dz\u012bves krustojas un savijas likten\u012bg\u0101 gobel\u0113n\u0101, veidojot ar\u012b \u0161odienas sabiedr\u012bbas portret\u0113jumu. St\u0101sts sniedz ieskatu situ\u0101cij\u0101s, kur int\u012bm\u0101kie mirk\u013ci k\u013c\u016bst par publisku \u0161ovu, izdz\u012bvo\u0161anas st\u0101sts k\u013c\u016bst par preci, bet no mazotnes audzin\u0101tie tikumi \u2013 par slazdu. Tas atkl\u0101j pavisam cita laikmeta tra\u0123ikom\u0113diju, liekot aizdom\u0101ties par v\u0113rt\u012bb\u0101m, mor\u0101li un cilv\u0113ciskaj\u0101m attiec\u012bb\u0101m m\u016bsdienu pasaul\u0113. Viena no centr\u0101laj\u0101m t\u0113m\u0101m ir darbs un m\u012blest\u012bba, k\u0101 ar\u012b izv\u0113les, ko cilv\u0113ki veic, mekl\u0113jot laimi un dro\u0161\u012bbu. Aktrise Agnese J\u0113kabsone, atveidojot Lienes Raudupietes lomu, atz\u012bst, ka Blauma\u0146a darbi sp\u0113j dzi\u013ci par\u0101d\u012bt m\u012blas kaisl\u012bbas un cilv\u0113cisk\u0101s emocijas, kas aktieriem sniedz aizraujo\u0161u izaicin\u0101jumu un gandar\u012bjumu.<\/p>\n<p>Iestud\u0113juma rado\u0161\u0101 komanda un v\u0113st\u012bjums<\/p>\n<p>Pie izr\u0101des tap\u0161anas str\u0101d\u0101jis pla\u0161s rado\u0161ais kolekt\u012bvs: scenogr\u0101fs M\u0101ris Ruskulis, kost\u012bmu m\u0101ksliniece Inga Sili\u0146a, horeogr\u0101fs Aigars Apinis, gaismu m\u0101kslinieks M\u0101rti\u0146\u0161 Feldmanis un par muzik\u0101lo noform\u0113jumu atbild\u012bgais Raimonds Petrauskis. Izr\u0101de, kas pirmizr\u0101di piedz\u012bvoja 2025. gada 29. novembr\u012b, ir ne tikai atgrie\u0161an\u0101s pie latvie\u0161u klasi\u0137a R\u016bdolfa Blauma\u0146a dai\u013crades, bet ar\u012b dzi\u013c\u0161 un aizraujo\u0161s ieskats m\u016bsdienu sabiedr\u012bbas aktualit\u0101t\u0113s. T\u0101 pied\u0101v\u0101 gan smieklus, gan skumjas, gan ar\u012b rosina pa\u0161ironiski pal\u016bkoties sev apk\u0101rt un p\u0101rdom\u0101t m\u016bsdienu v\u0113rt\u012bbas un to, cik liel\u0101 m\u0113r\u0101 t\u0101s v\u0113l joproj\u0101m ir atrodamas cilv\u0113kos. Izr\u0101des stilistika br\u012b\u017eiem vair\u0101k tuvin\u0101s sat\u012briskajam Pulierim nek\u0101 po\u0113tiskajam re\u0101listam Blaumanim, tom\u0113r ori\u0123in\u0101l\u0101 materi\u0101la sp\u0113ks un dzi\u013cums tiek saglab\u0101ts, radot unik\u0101lu un aizraujo\u0161u pieredzi skat\u012bt\u0101jiem.<\/p>\n","protected":false},"excerpt":{"rendered":"Darbs, m\u012blest\u012bba un laikmeta tra\u0123ikom\u0113dija Liep\u0101jas te\u0101tr\u012b Liep\u0101jas te\u0101tris pied\u0101v\u0101 jaunu iestud\u0113jumu \u201cTr\u012bs b\u0113res un divas k\u0101zas\u201d, kas&hellip;\n","protected":false},"author":2,"featured_media":67713,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[89,90,35,39,38,3054,36,37,34,507,40,13639,17380,13638],"class_list":{"0":"post-67712","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-entertainment","9":"tag-izklaide","10":"tag-latvia","11":"tag-latvian","12":"tag-latviesu","13":"tag-latviesu-teatris","14":"tag-latviesu-valoda","15":"tag-latviesuvaloda","16":"tag-latvija","17":"tag-liepajas-teatris","18":"tag-lv","19":"tag-martins-eihe","20":"tag-r-blaumanis","21":"tag-tris-beres-un-divas-kazas"},"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/67712","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=67712"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/67712\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/67713"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=67712"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=67712"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=67712"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}