{"id":67756,"date":"2025-12-07T09:40:09","date_gmt":"2025-12-07T09:40:09","guid":{"rendered":"https:\/\/www.europesays.com\/lv\/67756\/"},"modified":"2025-12-07T09:40:09","modified_gmt":"2025-12-07T09:40:09","slug":"gangsteru-estetika-un-dzives-filozofija-seit-un-tagad-lente-lv-2","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/lv\/67756\/","title":{"rendered":"Gangsteru est\u0113tika un dz\u012bves filozofija \u00ab\u0161eit un tagad\u00bb\u00a0\u2014\u00a0Lente.lv"},"content":{"rendered":"<p>Jaunais \u00abSub Scriptum\u00bb videoklips: Kinematogr\u0101fisks ce\u013cojums gangsteru est\u0113tik\u0101<\/p>\n<p>Latvie\u0161u m\u016bzikas grupa \u00abSub Scriptum\u00bb klaus\u012bt\u0101jus priec\u0113 ar jaunu, vizu\u0101li iespaid\u012bgu videoklipu dziesmai \u00abtev, tev, tev, tev\u00bb. \u0160is darbs nav tikai m\u016bzikas video, bet gan neliela \u012bsfilma, kas skat\u012bt\u0101ju jau no pirmaj\u0101m sekund\u0113m ieved aizraujo\u0161\u0101 st\u0101st\u0101, kas veidots ar sp\u0113c\u012bgu 20. gadsimta s\u0101kuma gangsteru kino est\u0113tiku. T\u0113rpi, film\u0113\u0161anas maniere un kop\u0113j\u0101 atmosf\u0113ra rada nostal\u0123isku saj\u016btu, liekot atcer\u0113ties pag\u0101ju\u0161\u0101 gadsimta s\u0101kuma kinematogr\u0101fiju un pie\u0161\u0137irot video gan autentisku izskatu, gan spilgtu, atmi\u0146\u0101 palieko\u0161u vizu\u0101lo st\u0101st\u012bjumu. Grupa aicina skat\u012bt\u0101jus saglab\u0101t intrigu un noskat\u012bties klipu l\u012bdz pat pa\u0161\u0101m beig\u0101m, lai piln\u012bb\u0101 atkl\u0101tu st\u0101sta nosl\u0113pumu.<\/p>\n<p>Rado\u0161ais process un dzi\u013cais v\u0113st\u012bjums<\/p>\n<p>Videoklips tapis unik\u0101laj\u0101 \u00abCinevilla Studio\u00bb, kas ir liel\u0101kais film\u0113\u0161anas laukums Baltij\u0101, pied\u0101v\u0101jot daudzveid\u012bgas dekor\u0101cijas un iesp\u0113jas rado\u0161ai izpausmei. Re\u017eisors Ritvars Bluka kop\u0101 ar J\u0101ni Sk\u0101bo videoklipu veidoju\u0161i k\u0101 rado\u0161u improviz\u0101cijas procesu. T\u0101 viet\u0101, lai strikti tur\u0113tos pie iepriek\u0161 izstr\u0101d\u0101ta scen\u0101rija, grupa un veidot\u0101ji \u013c\u0101vu\u0161i st\u0101stam un vizu\u0101lajai valodai veidoties pa\u0161ai uz vietas film\u0113\u0161anas laukum\u0101, eksperiment\u0113jot ar kadriem un kinematogr\u0101fiskajiem pa\u0146\u0113mieniem. \u0160\u0101ds br\u012bvs pieg\u0101jiens \u013c\u0101vis rad\u012bt darbu, kas ir viegli uztverams, bet vienlaikus dzi\u013ci iespaid\u012bgs un atmi\u0146\u0101 palieko\u0161s.<\/p>\n<blockquote>\n<p>\u00abT\u0101da \u012bst\u0101 laika un vietas nav, viss, kas mums pieder, ir tagad un tepat.\u00bb<\/p>\n<\/blockquote>\n<p>Dziesmas v\u0101rdu autors, grupas solists Kristers Rudz\u012btis, pau\u017e dzi\u013cu filozofisku domu, kas uzsver galveno v\u0113st\u012bjumu \u2013 dz\u012bvot \u0161eit un tagad, nov\u0113rt\u0113jot katru mirkli. \u0160o ideju par\u0101da ar\u012b grupas iepriek\u0161\u0113jie darbi, piem\u0113ram, dziesma \u00abPar daudz\u00bb, kuras v\u0113st\u012bjums ir par to, ka nevajag padoties gr\u016bt\u012bbu priek\u0161\u0101.<\/p>\n<p>Komanda un t\u0101s ieguld\u012bjums<\/p>\n<p>M\u016bziku dziesmai produc\u0113jis un miks\u0113jis Arnis Ra\u010dinskis, nodro\u0161inot augstv\u0113rt\u012bgu skan\u0113jumu. Klipa centr\u0101laj\u0101 lom\u0101 \u2013 z\u012blnieces t\u0113l\u0101 \u2013 iejutusies talant\u012bg\u0101 aktrise Ausma Anna Celmarauga. Savuk\u0101rt re\u017eisors Ritvars Bluka uzsver rado\u0161\u0101s komandas veiksm\u012bgo sadarb\u012bbu un kop\u012bgo improviz\u0101ciju, atz\u012bm\u0113jot, ka kadri pa\u0161i par sevi st\u0101sta, radot skaidru un iespaid\u012bgu vizu\u0101lo v\u0113st\u012bjumu.<\/p>\n<p>\u00abSub Scriptum\u00bb sast\u0101v\u0101 muzic\u0113 Kristers Rudz\u012btis (vok\u0101ls), Maikls Drobins (bas\u0123it\u0101ra), Alvis Kozuls (solo \u0123it\u0101ra) un Armands Runcis (bungas). \u0160\u012b jaun\u0101 projekta tap\u0161an\u0101 iesaist\u012bjusies ar\u012b pla\u0161\u0101ka atbalsta komanda. Grupa \u012bpa\u0161i izsaka pateic\u012bbu \u00abCinevilla Studio\u00bb un Andrejam \u0112\u0137im par ieguld\u012bjumu, k\u0101 ar\u012b te\u0101tra t\u0113rpu nomai \u00abSers\u00bb par autentiskajiem kost\u012bmiem. Fotogr\u0101fs R\u016bdolfs Tuti\u0146\u0161 iem\u016b\u017ein\u0101jis aizkadra fotogr\u0101fijas, bet Keita Nikola Rasa sniegusi atbalstu film\u0113\u0161anas laukum\u0101, pal\u012bdzot realiz\u0113t \u0161o iespaid\u012bgo projektu.<\/p>\n<p>\u0160is jaunais darbs iez\u012bm\u0113 v\u0113l vienu spilgtu pagrieziena punktu grupas rado\u0161aj\u0101 darb\u012bb\u0101, apliecinot \u00abSub Scriptum\u00bb v\u0113lmi apvienot sp\u0113c\u012bgu muzik\u0101lu v\u0113st\u012bjumu ar vizu\u0101lu st\u0101stu, kas iedvesmo piev\u0113rsties mirklim \u00ab\u0161eit un tagad\u00bb.<\/p>\n","protected":false},"excerpt":{"rendered":"Jaunais \u00abSub Scriptum\u00bb videoklips: Kinematogr\u0101fisks ce\u013cojums gangsteru est\u0113tik\u0101 Latvie\u0161u m\u016bzikas grupa \u00abSub Scriptum\u00bb klaus\u012bt\u0101jus priec\u0113 ar jaunu, vizu\u0101li&hellip;\n","protected":false},"author":2,"featured_media":67757,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[12498,89,90,35,39,38,36,37,34,40,10952,439,442,441],"class_list":{"0":"post-67756","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-cinevilla-studio","9":"tag-entertainment","10":"tag-izklaide","11":"tag-latvia","12":"tag-latvian","13":"tag-latviesu","14":"tag-latviesu-valoda","15":"tag-latviesuvaloda","16":"tag-latvija","17":"tag-lv","18":"tag-ritvars-bluka","19":"tag-sub-scriptum","20":"tag-tev","21":"tag-videoklips"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/115677627846452365","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/67756","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=67756"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/67756\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/67757"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=67756"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=67756"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=67756"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}