Kult\u016bras apskats: Lab\u0101kie notikumi, ko piedz\u012bvot Eirop\u0101 \u0161aj\u0101 ned\u0113\u013c\u0101<\/p>\n
Decembris ir s\u0101cies piln\u0101 spar\u0101, un Ziemassv\u0113tku gaisotne ir j\u016btama visur. Tom\u0113r tiem, kas mekl\u0113 atp\u016btu no sv\u0113tku drud\u017ea vai vienk\u0101r\u0161i v\u0113las izbaud\u012bt kaut ko citu, \u0161\u012b ned\u0113\u013ca pied\u0101v\u0101 aizraujo\u0161u ce\u013cojumu cauri nosl\u0113pumiem, m\u0101kslai un m\u016bzikai.<\/p>\n
Izst\u0101des: M\u0101kslas di\u017egari un p\u0101rdabiski st\u0101sti<\/p>\n
Londonas Tate Britain aicina apmekl\u0113t izcilu izst\u0101di, kas velt\u012bta diviem britu ainavu glezniec\u012bbas gigantiem \u2013 J.M.W. T\u0113rneram un D\u017eonam Konstablam. \u0160\u012b pla\u0161\u0101 kolekcija, kas demonstr\u0113 vair\u0101k nek\u0101 170 darbus, atz\u012bm\u0113 abu m\u0101kslinieku 250. dzim\u0161anas dienu un sniedz unik\u0101lu ieskatu vi\u0146u rado\u0161aj\u0101 ce\u013c\u0101. \u012apa\u0161i aizraujo\u0161i ir T\u0113rnera \u0161edevrs “Lords un Commons \u0113ku dedzin\u0101\u0161ana”, kas Lielbrit\u0101nij\u0101 nav bijis skat\u0101ms vair\u0101k nek\u0101 gadsimtu.<\/p>\n
Savuk\u0101rt \u0160veices Kunstmuseum Basel p\u0113ta p\u0101rdabisko pasauli izst\u0101d\u0113 “Ghosts: Visualising the Supernatural”. Lai gan Helov\u012bns ir pag\u0101jis, spoki un d\u0113moni joproj\u0101m m\u012bt m\u016bsu kolekt\u012bvaj\u0101 izt\u0113l\u0113, atrodot savu vietu m\u0101ksl\u0101 k\u0101 nezin\u0101m\u0101 simbols, kas bie\u017ei vien tiek izmantots, lai p\u0113t\u012btu s\u0113ras, traumu un citas ar atmi\u0146\u0101m saist\u012btas nenotveramas emocijas. \u0160\u012b ekspoz\u012bcija, kur\u0101 apl\u016bkojami vair\u0101k nek\u0101 160 darbi no p\u0113d\u0113jiem 250 gadiem, sola aizraujo\u0161u un, iesp\u0113jams, ar\u012b nedaudz bied\u0113jo\u0161u pieredzi.<\/p>\n
Bonusa izc\u0113lums: Par\u012bzes Mus\u00e9e d\u2019Orsay pied\u0101v\u0101 apl\u016bkot “John Singer Sargent: Dazzling Paris”, kas velt\u012bta vienam no 20. gadsimta izcil\u0101kajiem m\u0101ksliniekiem, un b\u016bs skat\u0101ma l\u012bdz 2026. gada 11. janv\u0101rim.<\/p>\n
Kino un seri\u0101li: Nosl\u0113pumi un dr\u0101mas<\/p>\n
12. decembr\u012b uz Netflix platformu non\u0101ks ilgi gaid\u012bt\u0101 tre\u0161\u0101 da\u013ca no popul\u0101r\u0101s “Knives Out” s\u0113rijas \u2013 “Wake Up Dead Man: A Knives Out Mystery”. Daniels Kreigs atgriez\u012bsies detekt\u012bva Beno\u012b Blanka lom\u0101, lai atrisin\u0101tu k\u0101rt\u0113jo m\u012bklaino slepkav\u012bbu. \u0160oreiz vi\u0146a p\u0113das ved uz nelielu bazn\u012bcu \u0145ujork\u0101, kur notikusi monsinjora D\u017eefersona Viksa slepkav\u012bba. Filmas zvaig\u017e\u0146u sast\u0101vs, kas ietver D\u017eo\u0161u Brolinu, D\u017eo\u0161u O’Konnoru, Glendu Klouzu, D\u017eeremiju Renneru un Keriju Va\u0161ingtonu, sola aizraujo\u0161u izmekl\u0113\u0161anu un negaid\u012btus pav\u0113rsienus.<\/p>\n
Netflix pied\u0101v\u0101 ar\u012b otro sezonu meksik\u0101\u0146u melodr\u0101mai “The Accident”, kas pieejama no 10. decembra. Seri\u0101ls turpina p\u0113t\u012bt b\u0113rna dzim\u0161anas dienas ball\u012bt\u0113 notiku\u0161\u0101s tra\u0123isk\u0101s incidenes sekas un t\u0101s ietekmi uz kopienu, atkl\u0101jot jaunus nosl\u0113pumus un p\u0101rbaudot attiec\u012bbas.<\/p>\n
Bonusa izc\u0113lums kino: “The Blue Trail” \u2013 braz\u012blie\u0161u odiseja, kas pirmizr\u0101di piedz\u012bvoja \u0161\u012b gada Berl\u012bnal\u0113, \u0161om\u0113nes demonstr\u0113ta atsevi\u0161\u0137\u0101s Eiropas kinote\u0101tros. Savuk\u0101rt “Man vs. Baby” ar Rowanu Atkinsu galvenaj\u0101 lom\u0101 straum\u0113\u0161anas platform\u0101 Netflix non\u0101ks 11. decembr\u012b.<\/p>\n
M\u016bzika: \u012aru talants un dz\u012bv\u0101s m\u016bzikas prieks<\/p>\n
\u012aru m\u016bzikas aina turpina mirdz\u0113t, un jaun\u0101kais atkl\u0101jums ir dzied\u0101t\u0101js un dziesmu autors Dove Ellis ar savu debijas albumu “Blizzard”. P\u0113c veiksm\u012bg\u0101 singla “To the Sandals”, kas sasniedza pirmo vietu ofici\u0101laj\u0101 singlu top\u0101, Ellis pied\u0101v\u0101 \u0113teriskus ska\u0146darbus ar ambient\u0101m akustisk\u0101m aran\u017eij\u0101m un maig\u0101m vok\u0101la partij\u0101m, kas ide\u0101li piem\u0113roti noska\u0146ai, kad \u0101ra k\u013c\u016bst v\u0113s\u0101ks un m\u0101j\u0101s iedegas silt\u0101s gaismas.<\/p>\n
Bonusa izc\u0113lums m\u016bzik\u0101: \u0160is ir lielisks laiks dz\u012bvajiem albumiem! Nesen izdotie “Live God” no Nick Cave & the Bad Seeds un “Memento Mori: Mexico City” no Depeche Mode ir starp aizraujo\u0161\u0101kajiem jaunumiem.<\/p>\n","protected":false},"excerpt":{"rendered":"Kult\u016bras apskats: Lab\u0101kie notikumi, ko piedz\u012bvot Eirop\u0101 \u0161aj\u0101 ned\u0113\u013c\u0101 Decembris ir s\u0101cies piln\u0101 spar\u0101, un Ziemassv\u0113tku gaisotne ir…\n","protected":false},"author":2,"featured_media":68705,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[89,90,2429,1226,35,39,38,36,37,34,40,2286,103,601],"class_list":{"0":"post-68704","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-entertainment","9":"tag-izklaide","10":"tag-izstades","11":"tag-kino","12":"tag-latvia","13":"tag-latvian","14":"tag-latviesu","15":"tag-latviesu-valoda","16":"tag-latviesuvaloda","17":"tag-latvija","18":"tag-lv","19":"tag-maksla","20":"tag-muzika","21":"tag-netflix"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/115683129048510397","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/68704","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=68704"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/68704\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/68705"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=68704"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=68704"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=68704"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}