D\u017eefa Baklija m\u016bzik\u0101l\u0101 spo\u017euma tra\u0123iskais p\u0101rtraukums<\/p>\n
D\u017eefs Baklijs, dzied\u0101t\u0101js, kura emocion\u0101li pies\u0101tin\u0101t\u0101 dziesmas “Hallelujah” interpret\u0101cija ir k\u013cuvusi par kulta fenomenu, joproj\u0101m ir viens no muzik\u0101l\u0101s pasaules visintri\u0123\u0113jo\u0161\u0101kajiem “ko b\u016btu, ja…” st\u0101stiem. Neskatoties uz to, ka vi\u0146\u0161 pasp\u0113ja izdot tikai vienu studijas albumu pirms savas priek\u0161laic\u012bg\u0101s n\u0101ves 30 gadu vecum\u0101, Baklijs atst\u0101ja neizdz\u0113\u0161amu mantojumu. Vi\u0146a dai\u013crade ir ietekm\u0113jusi t\u0101dus m\u016bsdienu m\u0101ksliniekus k\u0101 “Muse” solists Mets Belamijs un 16 “Grammy” balvu ieguv\u0113ja Adele, apliecinot vi\u0146a talanta pla\u0161umu un dzi\u013cumu.<\/p>\n
Ce\u013c\u0161 uz slavu un vien\u012bgais studijas albums<\/p>\n
Dzimstot 1966. gada 17. novembr\u012b Kalifornij\u0101, D\u017eefrijs Skots Baklijs jau no b\u0113rn\u012bbas bija ieskauts m\u016bzik\u0101. Vi\u0146a m\u0101te, klasiski izgl\u012btot\u0101 pianiste un \u010delliste, un vi\u0146a pat\u0113vs, kur\u0161 iepaz\u012bstin\u0101ja vi\u0146u ar klasisko rokm\u016bziku, lika pamatus vi\u0146a muzik\u0101lajai att\u012bst\u012bbai. Lai gan D\u017eefa biolo\u0123iskais t\u0113vs, folk-d\u017eeza dzied\u0101t\u0101js Tims Baklijs, pameta \u0123imeni pirms d\u0113la dzim\u0161anas un nomira no p\u0101rdoz\u0113\u0161anas, kad D\u017eefam bija asto\u0146i gadi, muzik\u0101l\u0101 saikne vi\u0146u vienoja. P\u0113c vair\u0101kiem gadiem, kas pavad\u012bti, sp\u0113l\u0113jot da\u017e\u0101dos Losand\u017eelosas un \u0145ujorkas klubos un stud\u0113jot m\u016bziku, Baklijs ieguva atpaz\u012bstam\u012bbu ar saviem priek\u0161nesumiem \u0145ujorkas “Sin-\u00e9” kafejn\u012bc\u0101. \u0160is posms vainagoj\u0101s ar vieno\u0161anos ar “Columbia Records” un vi\u0146a debijas albuma “Grace” izdo\u0161anu 1994. gad\u0101. “Grace” ir vien\u012bgais Baklija studijas albums, kas tika izdots vi\u0146a dz\u012bves laik\u0101. Taj\u0101 apvienoti drosm\u012bgi \u017eanru sajaukumi, s\u0101kot no d\u017eeza un folka l\u012bdz pat alternat\u012bvajam rokam, un tas ir ieguvis kriti\u0137u atzin\u012bbu un ir iek\u013cauts “Rolling Stone” 500 visu laiku lab\u0101ko albumu sarakst\u0101. Album\u0101 iek\u013cauta ar\u012b vi\u0146a slaven\u0101 Leonarda Koena dziesmas “Hallelujah” interpret\u0101cija, kas k\u013cuva par vi\u0146a viz\u012btkarti.<\/p>\n
Tra\u0123isk\u0101 n\u0101ve pirms 31. dzim\u0161anas dienas<\/p>\n
D\u017eefa Baklija karjera, kas bija tik daudzsolo\u0161a, tika p\u0101rtraukta 1997. gada 29. maij\u0101, neilgi pirms vi\u0146a 31. dzim\u0161anas dienas. Vi\u0146\u0161 dev\u0101s peld\u0113ties Misisipi upes Vulfas upes attek\u0101, Memfis\u0101, Tenes\u012b \u0161tat\u0101, piln\u012bb\u0101 ap\u0123\u0113rbies. K\u0101 liecina izmekl\u0113\u0161ana, vi\u0146u aizr\u0101va gar\u0101m brauco\u0161a velko\u0146a laiva izrais\u012btais vilnis, un vi\u0146\u0161 nosl\u012bka. Vi\u0146a l\u012b\u0137is tika atrasts se\u0161as dienas v\u0113l\u0101k, 4. j\u016bnij\u0101, uz upes eso\u0161u zaru starp\u0101. Ofici\u0101l\u0101 autopsijas atskaite apstiprin\u0101ja, ka Baklija n\u0101ves c\u0113lonis bija “nelaimes gad\u012bjumu izrais\u012bta nosl\u012bk\u0161ana”, un toksikolo\u0123isk\u0101 izmekl\u0113\u0161ana neatkl\u0101ja narkotiku vai alkohola kl\u0101tb\u016btni vi\u0146a organism\u0101, neskatoties uz to, ka vi\u0146\u0161 pirms tam bija lietojis alkoholu. Lai gan ofici\u0101li n\u0101ve tika klasific\u0113ta k\u0101 nelaimes gad\u012bjums, da\u017ei draugi un kol\u0113\u0123i spekul\u0113ja par spiedienu, ko vi\u0146\u0161 izjuta, gatavojot savu otro albumu, un par vi\u0146a emocion\u0101lo st\u0101vokli.<\/p>\n
M\u016b\u017e\u012bg\u0101 mantojuma ietekme<\/p>\n
Neskatoties uz savu \u012bso dz\u012bvi, D\u017eefa Baklija m\u016bzikas ietekme ir j\u016btama ar\u012b m\u016bsdien\u0101s. Vi\u0146a unik\u0101lais vok\u0101ls, emocion\u0101l\u0101 dzi\u013cums un \u017eanru robe\u017eu neiev\u0113ro\u0161ana ir iedvesmojusi neskait\u0101mus m\u0101ksliniekus, tostarp “Radiohead”, “Muse”, “Coldplay”, “Lana Del Rey” un “Adele”. Vi\u0146a “Hallelujah” interpret\u0101cija ir ne tikai k\u013cuvusi par etalonu, bet ar\u012b apliecina Baklija sp\u0113ju dzi\u013ci interpret\u0113t jau eso\u0161us darbus, pie\u0161\u0137irot tiem jaunu dz\u012bv\u012bbu un emocion\u0101lu dimensiju. Vi\u0146a dai\u013crade turpina rezon\u0113t ar klaus\u012bt\u0101jiem un iedvesmot jaunas paaudzes m\u016bzi\u0137us, padarot vi\u0146u par neaizmirstamu ikonu m\u016bzikas v\u0113stur\u0113.<\/p>\n","protected":false},"excerpt":{"rendered":"D\u017eefa Baklija m\u016bzik\u0101l\u0101 spo\u017euma tra\u0123iskais p\u0101rtraukums D\u017eefs Baklijs, dzied\u0101t\u0101js, kura emocion\u0101li pies\u0101tin\u0101t\u0101 dziesmas “Hallelujah” interpret\u0101cija ir k\u013cuvusi par…\n","protected":false},"author":2,"featured_media":69282,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[17757,89,17759,17758,90,35,39,38,36,37,34,40,17760,17761],"class_list":{"0":"post-69281","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-dzefs-baklijs","9":"tag-entertainment","10":"tag-grace-albums","11":"tag-hallelujah","12":"tag-izklaide","13":"tag-latvia","14":"tag-latvian","15":"tag-latviesu","16":"tag-latviesu-valoda","17":"tag-latviesuvaloda","18":"tag-latvija","19":"tag-lv","20":"tag-muzikas-mantojums","21":"tag-tragiska-nave"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/115685728127167402","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/69281","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=69281"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/69281\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/69282"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=69281"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=69281"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=69281"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}