{"id":72335,"date":"2025-12-12T10:39:18","date_gmt":"2025-12-12T10:39:18","guid":{"rendered":"https:\/\/www.europesays.com\/lv\/72335\/"},"modified":"2025-12-12T10:39:18","modified_gmt":"2025-12-12T10:39:18","slug":"niderlande-eksponeti-darbi-no-latvijas-nacionala-makslas-muzeja-krajuma-diena","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/lv\/72335\/","title":{"rendered":"N\u012bderland\u0113 ekspon\u0113ti darbi no Latvijas Nacion\u0101l\u0101 m\u0101kslas muzeja kr\u0101juma \/ Diena"},"content":{"rendered":"<p>Eiropas kult\u016bras galvaspils\u0113t\u0101 Kemnic\u0101 pavasar\u012b Guncenhauzera muzejs (Museum Gunzenhauser) aicin\u0101ja uz pla\u0161u starptautisku izst\u0101di Eiropas realit\u0101tes. 20. gadsimta 20. un 30. gadu re\u0101lisma kust\u012bbas Eirop\u0101 (European Realities. Realismusbewegungen der 1920er und 1930er Jahre in Europa\/European Realities. Realism Movements of the 1920s and 1930s in Europe). Skaitliski neliel\u0101ka gleznu izlase, kas turpin\u0101jum\u0101 veidota sadarb\u012bb\u0101 ar V\u0101cij\u0101 notiku\u0161\u0101s izst\u0101des galveno kuratori Anju Rihteri (Anja Richter), patlaban un v\u0113l n\u0101kam\u0101 gada janv\u0101r\u012b ir apl\u016bkojama N\u012bderland\u0113.<\/p>\n<p>&#13;<br \/>\n&#13;<\/p>\n<p>Ar starpkaru laikmeta re\u0101lisma fenomenam velt\u012bto skati Eiropas realit\u0101tes. Glezniec\u012bba 1919\u20131939 (European Realities | Painting 1919\u20131939), kur\u0101 ekspon\u0113ti teju 80 m\u0101kslas darbi no 20 valst\u012bm, MORE muzejs (Museum MORE) Gorsel\u0101 (Gorssel) atz\u012bm\u0113 savas darb\u012bbas desmitgadi un vienlaic\u012bgi atg\u0101dina par le\u0123end\u0101r\u0101s Manheimas izst\u0101des Jaun\u0101 lieti\u0161\u0137\u012bba (Neue Sachlickeit) simtgadi, kas \u0161ogad ar izst\u0101d\u0113m, konferenc\u0113m un publik\u0101cij\u0101m \u012bpa\u0161i aktualiz\u0113ta V\u0101cij\u0101. Aptverot figurat\u012bv\u0101s m\u0101kslas par\u0101d\u012bbas no 20. gadsimta s\u0101kuma l\u012bdz m\u016bsdien\u0101m, MORE muzejs, kura nosaukum\u0101 ietverta apz\u012bm\u0113juma Modern Realism abreviat\u016bra, ar r\u012bkoto izst\u0101\u017eu diapazonu reprezent\u0113 sevi k\u0101 liel\u0101ko modernas re\u0101listiskas m\u0101kslas muzeju N\u012bderland\u0113.<\/p>\n<p>&#13;<br \/>\n&#13;<\/p>\n<p>Latviju \u0161aj\u0101 starpkaru re\u0101lisma vari\u0101cij\u0101m velt\u012btaj\u0101 kopizst\u0101d\u0113 p\u0101rst\u0101v \u010detras no Kemnic\u0101 par\u0101d\u012btaj\u0101m se\u0161padsmit Latvijas Nacion\u0101l\u0101 m\u0101kslas muzeja kolekcijas glezn\u0101m \u2013 starptautiski iev\u0113rotais Aleksandras Be\u013ccovas meistardarbs Tenisiste (1927), Ludolfa Liberta M\u016bri (1921\u20131922), J\u0101\u0146a Liepi\u0146a Dz\u0113r\u0101ji (1920) un C\u012bksto\u0146i (1928).<\/p>\n<p>&#13;<br \/>\n&#13;<\/p>\n<p>Piev\u0113r\u0161oties maz\u0101k izzin\u0101tu Eiropas re\u0123ionu un m\u0101kslas centru par\u0101d\u012bb\u0101m, ekspon\u0101tu izlas\u0113 un izst\u0101des k\u0101rtojum\u0101 respekt\u0113ti v\u0101cu kuratores Anjas Rihteres iepriek\u0161 izraudz\u012btie skatpunkti un tematisko sada\u013cu akcenti, kas cita starp\u0101 m\u0113r\u0137tiec\u012bgi papildina sievie\u0161u m\u0101kslas v\u0113stures izp\u0113ti un pievieno jaunus v\u0101rdus t\u0101s lappus\u0113m. Pirms simt gadiem v\u0113sturiskaj\u0101 Manheimas izst\u0101d\u0113, kas ieviesa virzienisko \u201cjaun\u0101s lieti\u0161\u0137\u012bbas\u201d terminu, nebija p\u0101rst\u0101v\u0113ta neviena m\u0101ksliniece.<\/p>\n<p>&#13;<br \/>\n&#13;<\/p>\n<p>B\u016btiski mainot 20.\u201330. gadu eiropeisk\u0101s m\u0101kslas panor\u0101mu, Francijas, It\u0101lijas un V\u0101cijas re\u0101listisk\u0101s un neoklasisk\u0101s m\u0101kslas noteico\u0161\u0101s tendences, ko rosin\u0101ja p\u0113ckara \u201catgrie\u0161an\u0101s pie k\u0101rt\u012bbas\u201d (retour \u00e0 l\u2019ordre) un klasisk\u0101s trad\u012bcijas atdzim\u0161ana, daudzbals\u012bgi sazaroj\u0101s citu valstu re\u0101lisma izpausm\u0113s. Mekl\u0113jot kop\u012bgo un at\u0161\u0137ir\u012bgo, k\u0101 ar\u012b papildinot iev\u0113r\u012bbas v\u0113rtu autoru loku, kuratori\u0101lais redz\u0113jums \u0101rpus ierast\u0101 Rietumeiropas kanona robe\u017e\u0101m pied\u0101v\u0101 jaunatkl\u0101jumus un iez\u012bm\u0113 sadarb\u012bbas perspekt\u012bvu Baltijas re\u0123iona virzien\u0101.<\/p>\n<p>&#13;<br \/>\n&#13;<\/p>\n<p>Izst\u0101di Eiropas realit\u0101tes. Glezniec\u012bba 1919\u20131939 dokument\u0113 holandie\u0161u un ang\u013cu valod\u0101 Zvoll\u0113 izdots bag\u0101t\u012bgi ilustr\u0113ts katalogs, kur\u0101 l\u012bdz\u0101s Anjas Rihteres un Floransas T\u016brmesas (Florence Thurmes) ievadrakstam las\u0101ma holandie\u0161u kuratores J\u016blijas Deikstras (Julia Dijkstra) eseja Da\u017ei nov\u0113rojumi par re\u0101lismu k\u0101 starptautisku par\u0101d\u012bbu (1919\u20131939).<\/p>\n<p>&#13;<br \/>\n&#13;<\/p>\n<p>\u00a0<\/p>\n<p>&#13;<\/p>\n","protected":false},"excerpt":{"rendered":"Eiropas kult\u016bras galvaspils\u0113t\u0101 Kemnic\u0101 pavasar\u012b Guncenhauzera muzejs (Museum Gunzenhauser) aicin\u0101ja uz pla\u0161u starptautisku izst\u0101di Eiropas realit\u0101tes. 20. gadsimta&hellip;\n","protected":false},"author":2,"featured_media":72336,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[89,90,35,39,38,36,37,34,40],"class_list":{"0":"post-72335","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-entertainment","9":"tag-izklaide","10":"tag-latvia","11":"tag-latvian","12":"tag-latviesu","13":"tag-latviesu-valoda","14":"tag-latviesuvaloda","15":"tag-latvija","16":"tag-lv"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/115706171463957486","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/72335","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=72335"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/72335\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/72336"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=72335"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=72335"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=72335"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}