Tie\u0161raide no Metropoles operas: Uz dimanto\u0146iem un revol\u016bcijas liesm\u0101m \u2013 Andr\u0113 \u0160enj\u0113 tra\u0123\u0113dija<\/p>\n
Sestdien, 13. decembr\u012b, plkst. 20:00 R\u012bgas kinote\u0101tr\u012b Forum Cinemas gaid\u0101ms \u012bpa\u0161s notikums \u2013 tie\u0161raide no \u0145ujorkas Metropoles operas pied\u0101v\u0101s Umberto D\u017eord\u0101no slaveno darbu Andr\u0113 \u0160enj\u0113. \u0160\u012b opera, kas savijas ar Francijas revol\u016bcijas dr\u0101mu, st\u0101sta par dzejnieka Andr\u0113 \u0160enj\u0113 likteni, kur\u0161 k\u013c\u016bst par politisko intrigu un asi\u0146ain\u0101 terora upuri, tom\u0113r vi\u0146a m\u012blest\u012bba uz aristokr\u0101ti Magdal\u0113nu di Koinji iemanto m\u016b\u017e\u012bgu vietu operm\u016bzikas v\u0113stur\u0113.<\/p>\n
M\u012blest\u012bba revol\u016bcijas laik\u0101: Dzejnieka liktenis un aizliegt\u0101s j\u016btas<\/p>\n
Operas darb\u012bba risin\u0101s 1789. gad\u0101, Francijas revol\u016bcijas priek\u0161vakar\u0101, un turpin\u0101s l\u012bdz pat terora laikmeta nosl\u0113gumam. T\u0101 ir kaisl\u012bga m\u012blas st\u0101sts, kas norisin\u0101s uz v\u0113sturisku notikumu fona \u2013 aristokr\u0101tijas sabrukuma, tautas dusmu uzplaiksn\u012bjuma un ne\u017e\u0113l\u012bgas represiju \u0113ras. Galvenais varonis, talant\u012bgais dzejnieks Andr\u0113 \u0160enj\u0113, tiek att\u0113lots k\u0101 cilv\u0113ks, kur\u0161 kritiz\u0113 sabiedr\u012bbas nevienl\u012bdz\u012bbu un sirds aukstumu, tom\u0113r vi\u0146a pa\u0161a liktenis ir cie\u0161i saist\u012bts ar aizliegto m\u012blest\u012bbu pret Magdal\u0113nu di Koinji, skaistu aristokr\u0101ti.<\/p>\n
\u0160enj\u0113, kuru atveidos po\u013cu tenors Piotr Be\u010dala, ir dzejnieks, kur\u0161 iest\u0101jas par br\u012bv\u012bbu un taisn\u012bgumu, ta\u010du vi\u0146a ide\u0101li tiek sadursm\u0113 ar revol\u016bcijas realit\u0101ti. Magdal\u0113na, bulg\u0101ru sopr\u0101na So\u0146a Jon\u010deva atveidojum\u0101, ir spiesta saskarties ar savas dzimtas izn\u012bcin\u0101\u0161anu un person\u012bg\u0101m tra\u0123\u0113dij\u0101m. Vi\u0146u m\u012blest\u012bba ir k\u0101 spo\u017ea liesma tumsas vid\u016b, kas cen\u0161as izdz\u012bvot ne\u017e\u0113l\u012bg\u0101 laikmet\u0101. Vi\u0146u attiec\u012bbas ir sare\u017e\u0123\u012btas, jo Magdal\u0113nas agr\u0101kais kalpot\u0101js, tagad ietekm\u012bgs revol\u016bcijas darbinieks Karls \u017der\u0101rs, ar\u012b ir dzi\u013ci iem\u012bl\u0113jis Magdal\u0113nu un k\u013c\u016bst par \u0160enj\u0113 likte\u0146a noteic\u0113ju.<\/p>\n
Zvaig\u017e\u0146u duets un Metropoles operas trad\u012bcijas<\/p>\n
Piotrs Be\u010dala un So\u0146a Jon\u010deva ir starptautiski atz\u012bti operm\u016bzikas grandi, kuru kop\u012bg\u0101 uzst\u0101\u0161an\u0101s Metropoles oper\u0101 ir noz\u012bm\u012bgs notikums. Vi\u0146u skatuves partner\u012bba jau iepriek\u0161 ir guvusi augstu nov\u0113rt\u0113jumu, un vi\u0146u interpret\u0101cija sol\u0101s pie\u0161\u0137irt jaunus emocion\u0101los sl\u0101\u0146us D\u017eord\u0101no skaistajai, bet tra\u0123iskajai m\u016bzikai. Izr\u0101di diri\u0123\u0113s Daniels Rustioni, bet re\u017eija un inscen\u0113jums ir Nikol\u0101 \u017do\u0113la darbs.<\/p>\n
\u0160\u012b tie\u0161raide no Metropoles operas ir da\u013ca no popul\u0101r\u0101s The Met: Live in HD s\u0113rijas, kas \u013cauj skat\u012bt\u0101jiem vis\u0101 pasaul\u0113 baud\u012bt augstas kvalit\u0101tes operu iestud\u0113jumus uz lielajiem kino ekr\u0101niem. \u0160\u012b trad\u012bcija sniedz unik\u0101lu iesp\u0113ju izjust operm\u0101kslas burv\u012bbu un augsto m\u0101ksliniecisko sniegumu, it k\u0101 skat\u012bt\u0101ji atrastos pa\u0161\u0101 Metropoles operas sird\u012b.<\/p>\n
V\u0113stures dr\u0101ma un m\u016bzikas sp\u0113ks<\/p>\n
Andr\u0113 \u0160enj\u0113 ir viens no spilgt\u0101kajiem it\u0101\u013cu verismo operas paraugiem. T\u0101 ir ne tikai aizkustino\u0161s m\u012blas st\u0101sts, bet ar\u012b sp\u0113c\u012bgs v\u0113stures dr\u0101mas atspogu\u013cojums, kas par\u0101da revol\u016bcijas neprognoz\u0113jamo un bie\u017ei vien brut\u0101lo dabu. Oper\u0101 ir iek\u013cautas daudzas slavenas \u0101rijas un dueti, kas izce\u013c gan galveno varo\u0146u kaisl\u012bbas un s\u0101pes, gan ar\u012b revol\u016bcijas laika noska\u0146ojumu, piem\u0113ram, Magdal\u0113nas slaven\u0101 \u0101rija \u201cLa mamma morta\u201d, kas k\u013cuva slavena ar\u012b p\u0113c filmas \u201cFiladelfija\u201d izmanto\u0161anas.<\/p>\n
D\u017eord\u0101no m\u016bzika ir pilna dramatisk\u0101 sprieguma, liriskas maiguma un grandiozu koru ainu, kas kop\u0101 veido neaizmirstamu pieredzi. Tas ir st\u0101sts par m\u012blest\u012bbu, kas sp\u0113j pretoties pat n\u0101vei, un par drosmi palikt uztic\u012bgam saviem ide\u0101liem pat visgr\u016bt\u0101kajos laikos. Operas nosl\u0113gum\u0101, kad \u0160enj\u0113 un Magdal\u0113na dodas pret\u012b giljotinai, vi\u0146u m\u012blest\u012bba k\u013c\u016bst par m\u016b\u017e\u012bgu simbolu.<\/p>\n","protected":false},"excerpt":{"rendered":"Tie\u0161raide no Metropoles operas: Uz dimanto\u0146iem un revol\u016bcijas liesm\u0101m \u2013 Andr\u0113 \u0160enj\u0113 tra\u0123\u0113dija Sestdien, 13. decembr\u012b, plkst. 20:00…\n","protected":false},"author":2,"featured_media":72611,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[18466,89,18470,90,35,39,38,36,37,34,40,18467,18469,18468],"class_list":{"0":"post-72610","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-andre-senje","9":"tag-entertainment","10":"tag-francijas-revolucija","11":"tag-izklaide","12":"tag-latvia","13":"tag-latvian","14":"tag-latviesu","15":"tag-latviesu-valoda","16":"tag-latviesuvaloda","17":"tag-latvija","18":"tag-lv","19":"tag-metropoles-opera","20":"tag-tiesraide-kinoteatri","21":"tag-umberto-dzordano"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/115707681542145741","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/72610","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=72610"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/72610\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/72611"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=72610"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=72610"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=72610"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}