Latvijas laikmet\u012bg\u0101s m\u0101kslas sc\u0113nu satricin\u0101jis nepat\u012bkams incidents, kas skar starptautiski atzin\u012bgi nov\u0113rt\u0113to m\u0101kslinieku Indri\u0137i \u0122elzi. Interjera salons \u201eKrassky\u201c bez m\u0101kslinieka piekri\u0161anas un pat zin\u0101\u0161anas Maskav\u0101 notieko\u0161aj\u0101 starptautiskaj\u0101 m\u0101kslas gadatirg\u016b \u201eCosmoscow\u201c izst\u0101d\u012bjis vair\u0101kus vi\u0146a darbus. \u0160\u012b situacija rad\u012bjusi neizpratni un sa\u0161utumu m\u0101kslas aprind\u0101s, uzsverot autoru ties\u012bbu aizsardz\u012bbas un starptautisk\u0101s sadarb\u012bbas \u0113tikas jaut\u0101jumus. M\u0101kslinieks ir piepras\u012bjis interjera salonam desmit dienu laik\u0101 atrisin\u0101t situ\u0101ciju, pret\u0113j\u0101 gad\u012bjum\u0101 draudot v\u0113rsties ties\u0101.<\/p>\n
Nezi\u0146a un neat\u013cauta ekspoz\u012bcija<\/p>\n
Par savu darbu izst\u0101d\u012b\u0161anu Maskav\u0101 Indri\u0137is \u0122elzis uzzin\u0101jis glu\u017ei nejau\u0161i, apl\u016bkojot soci\u0101los t\u012bklus. Vi\u0146\u0161 ir kategoriski nor\u0101d\u012bjis, ka nekad nav v\u0113l\u0113jies, lai vi\u0146a darbi tiktu p\u0101rst\u0101v\u0113ti Krievij\u0101, un t\u0101d\u0113\u013c noteikti neb\u016btu devis savu piekri\u0161anu \u0161\u0101dai ekspoz\u012bcijai. \u0160\u0101da r\u012bc\u012bba ir ac\u012bmredzams autora ties\u012bbu p\u0101rk\u0101pums un necie\u0146as izr\u0101d\u012b\u0161ana pret m\u0101kslinieka gribu, radot s\u0101p\u012bgu triecienu jebkuram rado\u0161am cilv\u0113kam, kura darbi tiek izmantoti bez atbilsto\u0161as saska\u0146o\u0161anas.<\/p>\n
\u201ePurv\u012b\u0161a balvas 2025\u201c kandid\u0101ts, m\u0101kslinieks Indri\u0137is \u0122elzis, kur\u0161 paz\u012bstams ar sav\u0101m konceptu\u0101laj\u0101m skulpt\u016br\u0101m un instal\u0101cij\u0101m, vienm\u0113r ir uzsv\u0113ris savu m\u0101kslas darbu noz\u012bmi un kontekstu. Vi\u0146a dai\u013crad\u0113 bie\u017ei vien tiek p\u0113t\u012bta cilv\u0113ka, dabas un tehnolo\u0123iju mijiedarb\u012bba, izmantojot industri\u0101lus materi\u0101lus un sp\u0113c\u012bgas vizu\u0101l\u0101s kompoz\u012bcijas. \u0160oreiz vi\u0146a darbi, kas ir da\u013ca no vi\u0146a person\u012bg\u0101s m\u0101kslas filozofijas, tika izmantoti bez vi\u0146a zi\u0146as un piekri\u0161anas, kas ir piln\u012bgi nepie\u0146emami.<\/p>\n
\u201eKrassky\u201c atz\u012bst k\u013c\u016bdu un atvainojas<\/p>\n
Interjera salona \u201eKrassky\u201c l\u012bdz\u012bpa\u0161nieks Edgars Zadu\u0161ko ir publiski atzinis savu k\u013c\u016bdu un sniedzis atvaino\u0161anos m\u0101ksliniekam. Vi\u0146\u0161 skaidrojis, ka izst\u0101d\u012btie \u010detri m\u0101kslinieka darbi \u2013 skulpt\u016bra \u201eOran\u017ea gaisa implanti\u201c, divi darbi no s\u0113rijas \u201eLaika kamufl\u0101\u017ea\u201c un t\u0113rauda instal\u0101cija \u201ePermutation of Desire\u201c \u2013 atradu\u0161ies vi\u0146a person\u012bgaj\u0101 kolekcij\u0101 un tika izmantoti vien\u012bgi k\u0101 stenda dekor\u0101cija gadatirg\u016b \u201eCosmoscow\u201c. Tom\u0113r Zadu\u0161ko apgalvo, ka nav bijis inform\u0113ts par nepiecie\u0161am\u012bbu sa\u0146emt autora piekri\u0161anu darbu publiskai izst\u0101d\u012b\u0161anai \u0161\u0101d\u0101 form\u0101t\u0101.<\/p>\n
Neskatoties uz skaidrojumiem, Zadu\u0161ko ir ap\u0146\u0113m\u012bbas pilns atvainoties un nekav\u0113joties iz\u0146\u0113mis m\u0101kslinieka darbus no ekspoz\u012bcijas. Vi\u0146\u0161 pie\u013cauj, ka vi\u0146a k\u013c\u016bda radusies nezin\u0101\u0161anas d\u0113\u013c par autora piekri\u0161anas nepiecie\u0161am\u012bbu publiskai darbu demonstr\u0113\u0161anai, pat ja tie atrodas priv\u0101t\u012bpa\u0161um\u0101. \u0160is solis ir atzin\u012bgs, ta\u010du tas neatrisina visas jaut\u0101juma juridisk\u0101s un mor\u0101l\u0101s puses, un m\u0101kslinieks pieprasa turpm\u0101ku situ\u0101cijas risin\u0101\u0161anu.<\/p>\n
Juridiskie un mor\u0101lie aspekti<\/p>\n
M\u0101kslas ties\u012bbu juriste Guna Freivalde skaidrojusi, ka m\u0101ksliniekam ir gan mor\u0101l\u0101s, gan ekonomisk\u0101s ties\u012bbas uz saviem darbiem. Tas noz\u012bm\u0113, ka vi\u0146am ir ties\u012bbas iebilst pret darbu izkrop\u013co\u0161anu vai neatbilsto\u0161u izmanto\u0161anu, k\u0101 ar\u012b aizliegt darbam nodar\u012bt kait\u0113jumu m\u0101kslinieka reput\u0101cijai. Freivalde atz\u012bst, ka Indri\u0137im \u0122elzim ir visas ties\u012bbas pras\u012bt gan kompens\u0101ciju par nodar\u012bto, gan publisku atvaino\u0161anos. Gad\u012bjums aktualiz\u0113 skaidru l\u012bgumu noz\u012bm\u012bgumu starp m\u0101ksliniekiem un kolekcion\u0101riem, \u012bpa\u0161i starptautiskos dar\u012bjumos.<\/p>\n
Dekorat\u012bv\u0101s m\u0101kslas un dizaina muzeja vad\u012bt\u0101ja Inese Baranovska paudusi p\u0101rsteigumu par to, ka interjera salons \u201eKrassky\u201c, kas sadarbojies ar Latvijas vado\u0161ajiem arhitektiem un dizaineriem, joproj\u0101m akt\u012bvi darbojas Krievij\u0101, neskatoties uz t\u0101s s\u0101kto karu Ukrain\u0101. \u0160is aspekts pie\u0161\u0137ir situ\u0101cijai papildu politisko un mor\u0101lo dimensiju, liekot aizdom\u0101ties par starptautisk\u0101s sadarb\u012bbas robe\u017e\u0101m un atbild\u012bbu. Savuk\u0101rt politologs Andis Kudors ir atg\u0101din\u0101jis, ka sadarb\u012bba kult\u016bras jom\u0101 ar agresorvalsti rada sp\u0113c\u012bgus mor\u0101lus un politiskus sign\u0101lus, kurus sabiedr\u012bba nedr\u012bkst ignor\u0113t.<\/p>\n
Turpm\u0101kie so\u013ci un diskusijas<\/p>\n
Indri\u0137is \u0122elzis ir devis interjera salonam \u201eKrassky\u201c desmit dienas, lai atrisin\u0101tu \u0161o situ\u0101ciju. Ja netiks pan\u0101kta vieno\u0161an\u0101s un salona p\u0101rst\u0101vji nesniegs pien\u0101c\u012bgu risin\u0101jumu, m\u0101kslinieks ir gatavs c\u012b\u0146u par savu reput\u0101ciju turpin\u0101t ties\u0101. \u0160is incidents ir rad\u012bjis pla\u0161as diskusijas m\u0101kslas aprind\u0101s, aktualiz\u0113jot jaut\u0101jumus par m\u0101kslinieku darbu autorties\u012bbu aizsardz\u012bbu, autorties\u012bbu p\u0101rk\u0101pumu sek\u0101m un starptautisk\u0101s sadarb\u012bbas \u0113tiku, \u012bpa\u0161i \u0146emot v\u0113r\u0101 pa\u0161reiz\u0113jo \u0123eopolitisko situ\u0101ciju. Tas ir nopietns sign\u0101ls visai m\u0101kslas industrijai par autorties\u012bbu iev\u0113ro\u0161anas svar\u012bgumu.<\/p>\n","protected":false},"excerpt":{"rendered":"Latvijas laikmet\u012bg\u0101s m\u0101kslas sc\u0113nu satricin\u0101jis nepat\u012bkams incidents, kas skar starptautiski atzin\u012bgi nov\u0113rt\u0113to m\u0101kslinieku Indri\u0137i \u0122elzi. Interjera salons \u201eKrassky\u201c…\n","protected":false},"author":2,"featured_media":7505,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[23,3175,28,29,3176,32,33,22,2722,3173,30,31,35,39,38,36,37,34,40,3174,20,26,27,24,25,21],"class_list":{"0":"post-7504","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-aktualitates","8":"tag-aktualitates","9":"tag-autortiesibu-parkapums","10":"tag-breaking-news","11":"tag-breakingnews","12":"tag-cosmoscow","13":"tag-featured-news","14":"tag-featurednews","15":"tag-headlines","16":"tag-indrikis-gelzis","17":"tag-krassky","18":"tag-latest-news","19":"tag-latestnews","20":"tag-latvia","21":"tag-latvian","22":"tag-latviesu","23":"tag-latviesu-valoda","24":"tag-latviesuvaloda","25":"tag-latvija","26":"tag-lv","27":"tag-makslas-darbu-izstade","28":"tag-news","29":"tag-popularakas-zinas","30":"tag-popularakaszinas","31":"tag-top-stories","32":"tag-topstories","33":"tag-zinas"},"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/7504","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=7504"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/7504\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/7505"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=7504"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=7504"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=7504"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}