K\u0101 zi\u0146o av\u012bze Diena, no 2026. gada 14. janv\u0101ra Latvijas kinote\u0101tros b\u016bs skat\u0101ma D\u0101vja S\u012bma\u0146a jaun\u0101k\u0101 dokument\u0101l\u0101 filma \u201cFranken\u0161teins 2.0\u201d. \u0160is darbs m\u016bs aizved\u012bs absurdistisk\u0101 un aizraujo\u0161\u0101 ce\u013cojum\u0101, iepaz\u012bstinot ar zin\u0101tniekiem, tehnolo\u0123iju pionieriem un pa\u0161pasludin\u0101tiem nemirst\u012bbas pravie\u0161iem, kas savu skaidrojumu mekl\u0113 ASV, Krievij\u0101 un citviet Eirop\u0101. Filma piev\u0113r\u0161as m\u016bsdienu sabiedr\u012bbas kaisl\u012bgajai interesei par nemirst\u012bbu un uzdod fundament\u0101lu jaut\u0101jumu: vai n\u0101ve patie\u0161\u0101m dr\u012bzum\u0101 var\u0113tu vairs neb\u016bt m\u016bsu probl\u0113ma?<\/p>\n
Nemirst\u012bbas k\u0101re m\u016bsdienu pasaul\u0113<\/p>\n
Idejas filmai \u201cFranken\u0161teins 2.0\u201d aizs\u0101kumi mekl\u0113jami COVID-19 pand\u0113mijas dr\u0101mas laik\u0101, kad sabiedr\u012bb\u0101 \u012bpa\u0161i saasin\u0101j\u0101s vientul\u012bbas izj\u016bta, bailes un dzi\u013ca apzi\u0146a par savu mirst\u012bgumu. Filmas veidot\u0101ji, re\u017eisors D\u0101vis S\u012bmanis, scen\u0101rija l\u012bdzautors Uldis T\u012brons un operators Andrejs Rudz\u0101ts, uzs\u0101ka ne tikai eksistenci\u0101lu, bet ar\u012b dzi\u013ci ironisku izp\u0113ti. Vi\u0146u m\u0113r\u0137is bija noskaidrot, vai zin\u0101tne un m\u016bsdienu tehnolo\u0123isk\u0101s iesp\u0113jas kop\u0101 ar neizb\u0113gamaj\u0101m n\u0101ves bail\u0113m ir pietiekams pamats, lai pagarin\u0101tu cilv\u0113ka dz\u012bves gaitu vai pat pan\u0101ktu m\u016b\u017e\u012bgu eksistenci. Vai tie cilv\u0113ki, kuri cen\u0161as aptur\u0113t laiku un ieg\u016bt nemirst\u012bbu, patie\u0161\u0101m ir zaud\u0113ju\u0161i saikni ar realit\u0101ti, vai glu\u017ei pret\u0113ji \u2013 ir spo\u017ei vizion\u0101ri? Vai m\u0113s esam liecinieki p\u0113d\u0113jai paaudzei, kas ne tikai piedz\u012bvos n\u0101ves neizb\u0113gam\u012bbu, bet ar\u012b ar skaud\u012bbu v\u0113ros, k\u0101 n\u0101kam\u0101s paaudzes par \u0161\u0101diem \u201cs\u012bkumiem\u201d vairs neuztraucas? Vai tom\u0113r past\u0101v iesp\u0113ja, ka main\u0101s tikai tehnolo\u0123ijas un metodes, bet cilv\u0113ka b\u016bt\u012bba paliek nemain\u012bga \u2013 mirst\u012bga un nemit\u012bgi aps\u0113sta ar n\u0101ves uzveik\u0161anu?<\/p>\n
Re\u017eisora skat\u012bjums un filmas aktualit\u0101te<\/p>\n
\u201cUzs\u0101kot \u0161o filmu, mans s\u0101kotn\u0113jais nodoms bija vien noskaidrot, vai ir iesp\u0113jams nodz\u012bvot vienu otru gadu ilg\u0101k,\u201d atz\u012bst re\u017eisors D\u0101vis S\u012bmanis. \u201cTa\u010du tad viss pamaz\u0101m k\u013cuva patie\u0161\u0101m d\u012bvaini. Es sastapu zin\u0101tniekus Jeila Universit\u0101t\u0113, kuri p\u0113ta iesp\u0113ju atdz\u012bvin\u0101t c\u016bku smadzenes, cilv\u0113kus, kas implant\u0113 mikrosh\u0113mas savos smadzen\u0113s, un biohakerus, kuri atkl\u0101ti dal\u0101s padomos par m\u016b\u017e\u012bgu jaun\u012bbu. Cilv\u0113ces civiliz\u0101cija jau tagad akt\u012bvi virz\u0101s transhum\u0101nisma laikmet\u0101, bet es pats jutos t\u0101, it k\u0101 b\u016btu palicis kaut kur aiz muguras.\u201d D\u0101vis S\u012bmanis ir paz\u012bstams k\u0101 kinore\u017eisors, scen\u0101rists un kinoteor\u0113ti\u0137is, kura darbi ori\u0123in\u0101l\u0101 veid\u0101 savij dokument\u0101lo un m\u0101kslas kino ar po\u0113tisku un filozofisku dzi\u013cumu.<\/p>\n
Ce\u013cojums uz n\u0101kotni bez n\u0101ves<\/p>\n
Filma \u201cFranken\u0161teins 2.0\u201d ir Latvijas un \u010cehijas kopra\u017eojums, ko atbalst\u012bjis Nacion\u0101lais kino centrs un \u010cehijas Filmu fonds. T\u0101s producenta loma uz\u0146\u0113m\u0101s Guntis Trekteris. Filma jau piedz\u012bvojusi savu pasaules pirmizr\u0101di presti\u017eaj\u0101 Jihavas Starptautiskaj\u0101 dokument\u0101lo filmu festiv\u0101l\u0101 (Ji.hlava IDFF) \u010cehij\u0101, kur t\u0101 tika iek\u013cauta konkursa programm\u0101 \u201cTestimonies\u201d, kas velt\u012bta drosm\u012bgiem un personiskiem kino mekl\u0113jumiem. \u0160is festiv\u0101ls ir viens no noz\u012bm\u012bg\u0101kajiem dokument\u0101l\u0101 kino forumiem Eirop\u0101. Interesanti, ka filmai pie\u0161\u0137irts ar\u012b starptautiskais nosaukums \u201cDeath of Death\u201d.<\/p>\n
Lai gan filma p\u0113ta m\u016bsdienu sabiedr\u012bbas aps\u0113st\u012bbu ar nemirst\u012bbu, t\u0101 saglab\u0101 vesel\u012bgu skepsi un atturas no p\u0101rsteidz\u012bgu secin\u0101jumu izdar\u012b\u0161anas par n\u0101kotni, kur\u0101 noveco\u0161ana un n\u0101ve vairs nav aktu\u0101la. Filma pied\u0101v\u0101 gan atbildes, gan rosina uz t\u0101l\u0101ku dom\u0101\u0161anu, iepaz\u012bstinot skat\u012bt\u0101ju ar zin\u0101tnieku, tehnolo\u0123iju pionieru un pat pa\u0161pasludin\u0101tu nemirst\u012bbas pravie\u0161u idej\u0101m un eksperimentiem. Tas ir aicin\u0101jums apdom\u0101t, vai m\u016b\u017e\u012bg\u0101 dz\u012bve patie\u0161\u0101m ir tik sasniedzama, k\u0101 to sludina t\u0101s aizst\u0101vji.<\/p>\n","protected":false},"excerpt":{"rendered":"K\u0101 zi\u0146o av\u012bze Diena, no 2026. gada 14. janv\u0101ra Latvijas kinote\u0101tros b\u016bs skat\u0101ma D\u0101vja S\u012bma\u0146a jaun\u0101k\u0101 dokument\u0101l\u0101 filma…\n","protected":false},"author":2,"featured_media":79378,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[1223,2456,89,10267,90,35,39,38,36,37,34,40,19935,3738],"class_list":{"0":"post-79377","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-davis-simanis","9":"tag-dokumentala-filma","10":"tag-entertainment","11":"tag-frankensteins-2-0","12":"tag-izklaide","13":"tag-latvia","14":"tag-latvian","15":"tag-latviesu","16":"tag-latviesu-valoda","17":"tag-latviesuvaloda","18":"tag-latvija","19":"tag-lv","20":"tag-nemirstiba","21":"tag-tehnologijas"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/115742846719883405","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/79377","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=79377"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/79377\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/79378"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=79377"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=79377"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=79377"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}