Ir atkal kl\u0101t tas gada laiks, kad m\u0113s apkopojam savus favor\u012btus un r\u0113\u0137in\u0101mies ar lab\u0101ko albumu 2025. gad\u0101. K\u0101 inform\u0113 telekan\u0101ls EuroNews, \u0161is bija notikumiem bag\u0101ts m\u016bzikas gads, ar Britpop atkalapvieno\u0161anos, neveiksm\u012bgiem atgrie\u0161an\u0101s m\u0113\u0123in\u0101jumiem, Trampa administr\u0101cijas nesaska\u0146\u0101m ar Bad Bunny un Sabrinu K\u0101rpent\u0113ru, bez j\u0113gpilnas \u201cVasaras dziesmas\u201d un ar milz\u012bgu daudzumu auss-uzbr\u016bto\u0161u \u0161\u013curu, ko rad\u012bju\u0161i ar MI (m\u0101ksl\u012bgais intelekts) \u0123ener\u0113ti \u201cm\u0101kslinieki\u201d k\u0101 The Velvet Sundown, Xania Monet un Breaking Rust. T\u0101pat tika piedz\u012bvota virkne \u013coti v\u0101ju albumu ar tikpat viduv\u0113jiem nosaukumiem, kas pier\u0101da, ka nominat\u012bvais determinisms ir dz\u012bvs un vesels. Galvenie \u201cno\u017e\u0113lojamie\u201d \u0161aj\u0101 zi\u0146\u0101 bija Morgana Volena ar pravietiski nosaukt\u0101 albumu \u2018I\u2019m The Problem\u2019; Dreika un PARTYNEXTDOOR dzi\u013ci apkaunojo\u0161ais \u2018$ome $exy $ongs 4 U\u2019; Aleksandra Vorena \u2018You\u2019ll Be Alright, Kid\u2019 (labi, Aleks, varb\u016bt, bet klaus\u012bt\u0101ji neb\u016bs, tu briesmoni!); un MJK absol\u016bti nedz\u012bvais ‘Lost Americana’. Pievienojam p\u0101rsteidzo\u0161i bezgar\u0161\u012bgu pied\u0101v\u0101jumu no Tame Impala un neiepriecino\u0161u divpadsmito Tayloras Sviftas p\u016b\u013cu, kura jau otro gadu p\u0113c k\u0101rtas neiek\u013c\u016bst m\u016bsu Top 20, un tas viss veido 2025. gada sare\u017e\u0123\u012bt\u0101ko ainu. Bet pietiek ar negat\u012bvo. M\u0113s esam \u0161eit, lai godin\u0101tu \u0161\u012b gada lab\u0101kos pied\u0101v\u0101jumus, un bija daudz albumu, kas sp\u0113ja m\u016bs savi\u013c\u0146ot un (tik tikko) notur\u0113t pie pr\u0101ta. Bez liekas kav\u0113\u0161an\u0101s, \u0161eit ir EuroNews Culture iecien\u012bt\u0101k\u0101 p\u0113d\u0113jo 12 m\u0113ne\u0161u albuma saraksts, s\u0101kot ar…<\/p>\n
No 20. l\u012bdz 15. vietai: Jaunas balsis un iedvesmojo\u0161a mierin\u0101juma mekl\u0113\u0161ana<\/p>\n
20) Olivia Dean \u2013 The Art of Loving (Capitol – Polydor). Ir lielisks laiks Apvienot\u0101s Karalistes sievie\u0161u vok\u0101list\u0113m \u2013 Charli XCX, RAYE, PinkPantheress un cit\u0101m ir izdevies iekarot nopietnu telpu \u2013 ta\u010du Olivia Dean ir izvirz\u012bjusies k\u0101 viena no \u0161\u012b gada p\u0101rliecino\u0161\u0101kaj\u0101m jaunaj\u0101m bals\u012bm. Vi\u0146as otrais pilnmetr\u0101\u017eas albums ir silta, retro stil\u0101 dom\u0101ta m\u012blest\u012bbas izp\u0113te vis\u0101s t\u0101s form\u0101s \u2013 no romantisk\u0101m attiec\u012bb\u0101m l\u012bdz draudz\u012bbai, \u0123imenei un pa\u0161m\u012blest\u012bbai. Lai gan da\u017ei celi\u0146i, piem\u0113ram, \u2018Baby Steps\u2019 un \u2018Something in Between\u2019, nedaudz aizsl\u012bd kaf\u0113jn\u012bcas popa virzien\u0101 (dro\u0161s, pat\u012bkams un varb\u016bt nedaudz aizmirstams), albuma spilgt\u0101kie br\u012b\u017ei to vair\u0101k nek\u0101 kompens\u0113. V\u0113los skan\u012bg\u0101, neticami lip\u012bg\u0101 \u2018Nice to Each Other\u2019, rota\u013c\u012bg\u0101, klavieru vad\u012bt\u0101 \u2018Man I Need\u2019 un d\u016bmakain\u0101, int\u012bm\u0101 \u2018A Couple Minutes\u2019 atkl\u0101j 26 gadus vecu m\u0101kslinieci ar skaidru d\u0101vanu rad\u012bt uzreiz neaizmirstamas melodijas un vilt\u012bgi vieglu dziesmu rakst\u012b\u0161anu. Tas ir albums, kas signaliz\u0113 par skaidru aug\u0161upejo\u0161u trajektoriju \u2013 \u0161\u012b Grammy balvai nomin\u0113t\u0101 lab\u0101k\u0101 jaun\u0101 m\u0101ksliniece ir tikai ies\u0101kusi.<\/p>\n
19) Ichiko Aoba \u2013 Luminescent Creatures (Hermine). 2025. gads ir bijis nemier\u012bgs, neatsverams laiks \u2013 iez\u012bm\u0113ts ar glob\u0101liem konfliktiem, MI (m\u0101ksl\u012bgais intelekts) satraukumu, politisko nemieru un arvien pasliktin\u0101\u0161anos vides kr\u012bzi. \u0160\u012bs haosa vid\u016b Ichiko Aobas jaun\u0101kais albums pied\u0101v\u0101 retu preci: klusumu. Maigs patv\u0113rums no trok\u0161\u0146a. Ar \u2018Luminescent Creatures\u2019 Jap\u0101nas dzied\u0101t\u0101ja un dziesmu autore aicina klaus\u012bt\u0101jus delik\u0101t\u0101, pasak\u0101m l\u012bdz\u012bg\u0101 sap\u0146u ainav\u0101, kas ieaudusies no e\u0146\u0123eliskas vok\u0101la, burv\u012bg\u0101m or\u0137estra melodij\u0101m un dabas klusajiem \u010dukstiem. Iedvesmojoties no mirdzo\u0161aj\u0101m j\u016bras rad\u012bb\u0101m, ko vi\u0146a atkl\u0101ja, nirstot Jap\u0101nas Rjukju sal\u0101s, vi\u0146as astotais studijas albums p\u0113ta robe\u017eu starp dz\u012bv\u012bbu un n\u0101vi, gaismu un tumsu. Tas ir t\u0101da veida ieraksts, kas paredz\u0113ts sap\u0146o\u0161anai, gul\u0113\u0161anai, kl\u012b\u0161anai un uz mirkli pazu\u0161anai.<\/p>\n
18) Florence + The Machine \u2013 Everybody Scream (Republic Records). \u201c\u0160eit ir tavs nemier\u012bgais varonis \/ Atpaka\u013c sestajai sezonai,\u201d Flor\u0113ns Vel\u010da dzied \u2018The Old Religion\u2019 \u2013 atg\u0101dinot, ka kop\u0161 vi\u0146as debijas ir pag\u0101ju\u0161i 16 gadi, un vi\u0146a zina ne vienu vienu lietu par spiedienu b\u016bt uzman\u012bbas centr\u0101. Un tie\u0161i \u0161\u012b gr\u016bti ieg\u016bt\u0101 pieredze ir \u2018Everybody Scream\u2019 centr\u0101, albums, kas \u0161\u0137ietami ir par pag\u0101nismu, ritu\u0101liem un ragan\u0101m, bet paties\u012bb\u0101 p\u0113ta personisk\u0101s traumas un profesion\u0101lo notur\u012bbu. T\u0101 teatraliz\u0113t\u0101s dziesmas demonstr\u0113 Vel\u010das neatk\u0101rtojamo sirenas balsi un run\u0101 par upuriem, kas nepiecie\u0161ami, lai b\u016btu sieviete v\u012brie\u0161u domin\u0113t\u0101 nozar\u0113\/pasaul\u0113. Tas skan k\u0101 k\u0101da veida eksorcisms \u2013 ko apstiprin\u0101ja Vel\u010da, atkl\u0101jot pirms albuma izn\u0101k\u0161anas, ka rakst\u012b\u0161anas katalizators bija dz\u012bv\u012bbu apdraudo\u0161a ektopiska gr\u016btniec\u012bba, kam\u0113r vi\u0146a bija t\u016br\u0113. \u2018Everybody Scream\u2019 ir vi\u0146as nor\u0113\u0137ins, sp\u0113c\u012bgs albums, kas pilns ar klimatisk\u0101m refr\u0113niem un pau\u017e, ka nav j\u0101baid\u0101s izlaist varenu vaimanu emocion\u0101las myrzo\u0146as laik\u0101.<\/p>\n
17) DJ Haram \u2013 Beside Myself (Hyperdub). Sagatavojieties \u0161im, jo tas jums izkaus\u0113s pr\u0101tu un vienlaikus to papla\u0161in\u0101s. Bruklin\u0101 b\u0101z\u0113t\u0101 DJ Haram paraksta ambiciozu debijas albumu, kas sapludina kluba ritmus, skarbas elektronisk\u0101s ska\u0146as, tie\u0161raides perkusijas un Tuvo Austrumu paraugus, ko vada nemier\u012bga ener\u0123ija, kas ir gan lip\u012bga, gan destabiliz\u0113jo\u0161a. Viesi bag\u0101tin\u0101tie celi\u0146i ietver kluba b\u0101ngerus (\u2018Loneliness Epidemic\u2019); repa numurus (\u2018Fishnets\u2019, \u2018Stenography\u2019); dr\u016bmas skaistuma momentus (klavieru vad\u012bt\u0101 \u2018Who Needs Enemies When These Are Your Allies?\u2019); emocion\u0101lus \u017e\u0113lojumus (albuma izcil\u0101kais \u2018Remaining\u2019, ar Aquiles Navarro negaus\u012bgo trompeti un Dakn ar\u0101bu pantiem); k\u013c\u016bdainus elektro ritmus virs darbuka bung\u0101m (\u2018Sahel\u2019) \u2013 viss ieau\u017eas bag\u0101t\u012bg\u0101 gobel\u0113n\u0101, kas atkl\u0101j atteik\u0161anos konform\u0113ties vai kompromit\u0113ties. \u2018Beside Myself\u2019 br\u012b\u017eiem l\u016bst zem daudzo ietekmju svara, un t\u0101s nevald\u0101m\u012bba padara to par sare\u017e\u0123\u012btu klaus\u012b\u0161anos. Tom\u0113r tiem, kas v\u0113las zin\u0101t, k\u0101 skan distopisks reivs, tas ir eklektisks un bezkaun\u012bgi uzbr\u016bko\u0161s albums jums.<\/p>\n
16) Freddie Gibbs And The Alchemist \u2013 Alfredo 2 (ALC). Piecus gadus p\u0113c vi\u0146u pirm\u0101 kop\u012bg\u0101 triumfa, Freddie Gibbs un The Alchemist atkal satiekas ar \u2018Alfredo 2\u2019, turpin\u0101jumu, kas 2020. gada \u2018Alfredo\u2019 nakts miglu apmaina pret saules pielietu, vieglu ielas dz\u012bves v\u012bziju. The Alchemist, patiesais \u201ckrat\u012bt\u0101ju\u201d burvis, savieno putek\u013cainus dv\u0113seliskus cilpas un boom-bap ritmus ar kino d\u017eezu un neparastiem jap\u0101\u0146u filmu fragmentiem, saglab\u0101jot albumu neprognoz\u0113jamu visas garum\u0101. Gibbs, k\u0101 vienm\u0113r, domin\u0113: skarbs, aspr\u0101t\u012bgs un tehniski bez piep\u016bles, audot st\u0101stus par seksu, narkotik\u0101m un izdz\u012bvo\u0161anu ar tum\u0161i humoristisku asmeni. \u201cKop\u0161 man par\u0101d\u012bja sonogr\u0101fiju, k*ve, esmu uz Hell-bound,\u201d vi\u0146\u0161 sirm\u0113 \u2018Gas Station Sushi\u2019. Kopdarbi, \u012bpa\u0161i ar Anderson .Paak \u2018Ensalada\u2019 un JID \u2018Gold Feet\u2019, perfekti saska\u0146o projekta mier\u012bgo pa\u0161apzi\u0146u. T\u0101pat k\u0101 var\u0113tu gaid\u012bt no ramena uz t\u0101 v\u0101ka, \u2018Alfredo 2\u2019 n\u0101k tvaikojot karsts, perfekti s\u0101l\u012bts un tr\u0101pa tie\u0161i pa m\u0113r\u0137i.<\/p>\n
15) Erika de Casier \u2013 Lifetime (Independent Jeep Music). Minimalisms \u0161ogad nav skan\u0113jis lab\u0101k nek\u0101 Erikas de Kasi\u0113ra ceturtaj\u0101 studijas album\u0101 \u2018Lifetime\u2019. Izdots tikai gadu p\u0113c \u2018Still\u2019, Portug\u0101l\u0113 dzimus\u012b d\u0101\u0146u dzied\u0101t\u0101ja un dziesmu autore atsl\u0101bina savu satv\u0113rienu Y2K R\u2019n\u2019B ska\u0146\u0101s, lai lab\u0101k pie\u0146emtu 90. gadu trip hop ska\u0146as. Tas gan nav st\u0101v\u0113jis uz vietas un nostal\u0123ijas vingrin\u0101jums; tas ir par atkl\u0101tu un int\u012bmu dziesmu kolekciju, kas ievelk j\u016bs sap\u0146ain\u0101 st\u0101vokl\u012b. Un, kam\u0113r j\u016bs peldat un savienojaties ar vi\u0146as st\u0101stiem par m\u016bsdienu iepaz\u012b\u0161an\u0101s raiz\u0113m (\u012bpa\u0161i \u2018The Chase\u2019 \u2013 \u201cTr\u0101p\u012bts pusnakt\u012b \/ Pat teksta nav, lai sasild\u012btu\u201d), j\u016bs atrad\u012bsiet sevi padevu\u0161ies saj\u016bt\u0101m, ko de Kasi\u0113ra rada, jo \u2018Lifetime\u2019 caurstr\u0101vojo\u0161\u0101 vilino\u0161\u0101 atmosf\u0113ra ir atkar\u012bbu rado\u0161a. Nevien\u0101 viet\u0101 t\u0101 nav sp\u0113c\u012bg\u0101ka k\u0101 uz jutekliskajiem \u2018You Got It!\u2019 un \u2018Moan\u2019, nakts raksturojuma par smagas sirds \u0101rst\u0113\u0161anu, \u201cdz\u012bvojot piln\u012bb\u0101\u201d. T\u0101p\u0113c sagatavojieties b\u016bt apburti ar LP, kas pier\u0101da, ka da\u017ereiz maz\u0101k ir noteikti vair\u0101k.<\/p>\n","protected":false},"excerpt":{"rendered":"Ir atkal kl\u0101t tas gada laiks, kad m\u0113s apkopojam savus favor\u012btus un r\u0113\u0137in\u0101mies ar lab\u0101ko albumu 2025. gad\u0101.…\n","protected":false},"author":2,"featured_media":80437,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[89,20154,90,20152,20155,35,39,38,36,37,34,40,20153,14253],"class_list":{"0":"post-80436","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-entertainment","9":"tag-euronews-culture","10":"tag-izklaide","11":"tag-labakie-muzikas-albumi-2025","12":"tag-labako-albumu-tops","13":"tag-latvia","14":"tag-latvian","15":"tag-latviesu","16":"tag-latviesu-valoda","17":"tag-latviesuvaloda","18":"tag-latvija","19":"tag-lv","20":"tag-muzikas-apskati","21":"tag-rosalia-lux"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/115748969035250233","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/80436","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=80436"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/80436\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/80437"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=80436"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=80436"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=80436"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}