Jaun\u0101kais kinonoteikums: Ieskats D\u017eilind\u017eera melnaj\u0101 kom\u0113dij\u0101<\/p>\n
L\u012bdz ar ilgi gaid\u012bt\u0101 meln\u0101s humora kom\u0113dijas \u201cPerfektie\u201d treilera publisko\u0161anu, kino cien\u012bt\u0101ji Latvij\u0101 un vis\u0101 Baltij\u0101 var g\u016bt pirmo priek\u0161statu par re\u017eisora D\u017e. D\u017e. D\u017eilind\u017eera jaun\u0101ko darbu. K\u0101 zi\u0146o av\u012bze Diena, filma, kuras pamat\u0101 ir it\u0101\u013cu re\u017eisora Paolo D\u017eenov\u0113zes slaven\u0101 form\u0101ta \u201cPerfektie sve\u0161inieki\u201d (*Perfetti sconosciuti*) scen\u0101rijs, ir sol\u012bjums aspr\u0101t\u012bgam un intrigu pilnam st\u0101stam, kas ar meln\u0101 humora piedevu p\u0113ta m\u016bsdienu attiec\u012bbu trauslumu un paties\u012bbas cenu. \u0160is projekts izce\u013cas ne tikai ar savu tematisko dzi\u013cumu, bet ar\u012b k\u0101 v\u0113rien\u012bgs Baltijas valstu kopra\u017eojums, kas pied\u0101v\u0101 tr\u012bs da\u017e\u0101das interpret\u0101cijas vien\u0101 vizu\u0101l\u0101 telp\u0101.<\/p>\n
Sp\u0113le, kas p\u0101rbauda uztic\u012bbu: Filmas si\u017eeta kodols<\/p>\n
Filmas \u201cPerfektie\u201d centr\u0101 ir negaid\u012bts soci\u0101ls eksperiments, kas notiek septi\u0146u senu draugu kop\u012bgu vakari\u0146u laik\u0101, turkl\u0101t visu notikumu vainagojum\u0101 \u2013 pilnm\u0113ness aptumsuma nakt\u012b. Vakara gait\u0101 k\u0101ds no viesiem ierosina sp\u0113li, kas \u0161\u0137ietami ir nevain\u012bga un tikai veicina jautr\u012bbu: visi dal\u012bbnieki noliek savus mobilos t\u0101lru\u0146us uz galda un ap\u0146emas publiskot ikvienu ien\u0101ko\u0161o zvanu vai \u012bszi\u0146u, liekot to zin\u0101mu visiem kl\u0101teso\u0161ajiem. \u0160\u012b vienk\u0101r\u0161\u0101, ta\u010du radik\u0101l\u0101 ideja \u0101tri p\u0101rv\u0113r\u0161as par spoguli, kas atkl\u0101j aiz sl\u0113pt\u0101m fas\u0101d\u0113m un sakoptaj\u0101m sej\u0101m eso\u0161\u0101s paties\u012bbas, v\u0101j\u012bbas un, protams, nosl\u0113pumus. Lai gan s\u0101kum\u0101 visi dal\u012bbnieki ir p\u0101rliecin\u0101ti par savu nevain\u012bbu un atkl\u0101tumu, dr\u012bz vien k\u013c\u016bst skaidrs, ka digit\u0101laj\u0101 pasaul\u0113 glab\u0101t\u0101s inform\u0101cijas atkl\u0101\u0161ana var b\u016bt b\u012bstam\u0101ka par jebkuriem meliem. Intars Re\u0161etins-P\u0113tersons, viens no filmas aktieriem, nor\u0101da, ka st\u0101sts ir \u0161odienas spogu\u013catt\u0113ls t\u0101m v\u0113rt\u012bb\u0101m, p\u0113c kur\u0101m katrs dz\u012bvo, un ka draudz\u012bbas un attiec\u012bbu p\u0101rbaude vienas vakara laik\u0101 ne vienm\u0113r beidzas iecer\u0113taj\u0101 veid\u0101.<\/p>\n
Starptautiska sadarb\u012bba un Latvijas rado\u0161\u0101 komanda<\/p>\n
Projekts \u201cPerfektie\u201d ir \u012bpa\u0161s ar to, ka tas ir tr\u012bs valstu \u2013 Latvijas, Lietuvas un Igaunijas \u2013 vienlaic\u012bgs kopra\u017eojums. Visas tr\u012bs versijas tika uz\u0146emtas vien\u0101s un taj\u0101s pa\u0161\u0101s film\u0113\u0161anas lok\u0101cij\u0101s Vi\u013c\u0146\u0101, radot kop\u012bgu vizu\u0101lo pamatu, bet \u013caujot katrai nacion\u0101lajai komandai izveidot unik\u0101lu st\u0101sta interpret\u0101ciju. \u0160\u0101ds sadarb\u012bbas l\u012bmenis tiek raksturots k\u0101 nepieredz\u0113ts solis Baltijas kino industrijas v\u0113stur\u0113.<\/p>\n
Latvijas versijas re\u017eisors D\u017e. D\u017e. D\u017eilind\u017eers (\u012bstaj\u0101 v\u0101rd\u0101 Raimonds Rupeiks) pats veidojis scen\u0101rija adapt\u0101ciju, sadarbojoties ar ori\u0123in\u0101l\u0101 it\u0101\u013cu scen\u0101rija autoriem Paolo D\u017eenov\u0113zi, Filipo Bolo\u0146ju un Paolo Kostellu. Vi\u0146\u0161 ir paz\u012bstams ar savu daudzpus\u012bgo un bie\u017ei vien provokat\u012bvo rokrakstu gan te\u0101tr\u012b, gan kino, un par savu darbu jau ieguvis \u201cSp\u0113lma\u0146u nakts\u201d balvu k\u0101 Latvijas 2006. gada re\u017eisors. Latvijas aktieru ansambl\u0101 iek\u013cauti t\u0101di atpaz\u012bstami v\u0101rdi k\u0101 D\u0101rta Danevi\u010da, Intars Re\u0161etins-P\u0113tersons, Linda Kalni\u0146a, Dainis Gr\u016bbe, Anete Kurs\u012bte, J\u0101nis \u0100manis, Santa Breik\u0161a un M\u0101rti\u0146\u0161 Egliens. Par filmas vizu\u0101lo pusi atbild operators Mihkels Soe, m\u0101kslinieks Gregs Zundelovi\u010ds un kost\u012bmu m\u0101ksliniece Anda \u0160\u010derbaka, bet producenta loma uztic\u0113ta Kristiana Alhimionoka (Centaur Films) pleciem.<\/p>\n
Univers\u0101lais v\u0113st\u012bjums un aktieru p\u0101rdomas<\/p>\n
Aktrise D\u0101rta Danevi\u010da uzsver filmas univers\u0101lo un atg\u0101dino\u0161o v\u0113st\u012bjumu: \u201c\u0160\u012b filma ir atg\u0101din\u0101jums, ka neeksist\u0113 perfektas \u0123imenes un nevainojamas dz\u012bves.\u201d Vi\u0146a piebilst, ka katram cilv\u0113kam piem\u012bt savas probl\u0113mas, izaicin\u0101jumi un, protams, nosl\u0113pumi, un \u201cPerfektie\u201d pied\u0101v\u0101 skat\u012bt\u0101jam dro\u0161u logu, caur kuru ieraudz\u012bt gan citus, gan sevi pa\u0161u, jaut\u0101jot, kur\u0161 tad katrs ir \u0161aj\u0101 st\u0101st\u0101. \u0160\u0101da pieeja liecina, ka filma tiecas ne tikai izklaid\u0113t ar melno humoru, bet ar\u012b rosina skat\u012bt\u0101ju uz sevis izzin\u0101\u0161anu un kritiku.<\/p>\n
Izplat\u012bba un gaid\u012b\u0161ana<\/p>\n
Visas tr\u012bs Baltijas versijas pl\u0101nots laist pie skat\u012bt\u0101jiem 2026. gada s\u0101kum\u0101. Latvijas kino versijas pirmizr\u0101de kinote\u0101tros, tostarp \u201cForum Cinemas\u201d, ir noteikta uz 2026. gada 11. febru\u0101ri. Bi\u013cetes uz seansiem jau ir pieejamas ieg\u0101dei, kas nor\u0101da uz gaid\u0101m\u0101s filmas augsto piepras\u012bjumu. Filmas garums Latvijas versijai ir noteikts 1 stunda un 35 min\u016btes. Treileris, kas tika publiskots 2025. gada 18. decembr\u012b, ir devis pietiekami daudz materi\u0101la, lai sabiedr\u012bba var\u0113tu s\u0101kt diskusijas par \u0161o lielo Baltijas re\u0123iona kino notikumu.<\/p>\n","protected":false},"excerpt":{"rendered":"Jaun\u0101kais kinonoteikums: Ieskats D\u017eilind\u017eera melnaj\u0101 kom\u0113dij\u0101 L\u012bdz ar ilgi gaid\u012bt\u0101 meln\u0101s humora kom\u0113dijas \u201cPerfektie\u201d treilera publisko\u0161anu, kino cien\u012bt\u0101ji…\n","protected":false},"author":2,"featured_media":80525,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[20180,20196,89,90,35,39,38,36,37,34,40,4979,20029,16448],"class_list":{"0":"post-80524","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-baltijas-kino","9":"tag-dzilindzers","10":"tag-entertainment","11":"tag-izklaide","12":"tag-latvia","13":"tag-latvian","14":"tag-latviesu","15":"tag-latviesu-valoda","16":"tag-latviesuvaloda","17":"tag-latvija","18":"tag-lv","19":"tag-melna-komedija","20":"tag-perfektie","21":"tag-perfektie-svesinieki"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/115749818413677398","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/80524","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=80524"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/80524\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/80525"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=80524"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=80524"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=80524"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}