Piedo\u0161anas br\u012bnums: Rai\u0146a \u201cJ\u0101zeps un vi\u0146a br\u0101\u013ci\u201d Valmieras te\u0101tr\u012b<\/p>\n
Valmieras te\u0101tra iestud\u0113jums p\u0113c latvie\u0161u klasi\u0137a Rai\u0146a lugas “J\u0101zeps un vi\u0146a br\u0101\u013ci” ir k\u013cuvis par vienu no gaid\u012bt\u0101kajiem un apbalvot\u0101kajiem notikumiem Latvijas te\u0101tra dz\u012bv\u0113. \u0160\u012b aizkustino\u0161\u0101 izr\u0101de, kas p\u0113ta cilv\u0113cisk\u0101s attiec\u012bbas, nodev\u012bbu un piedo\u0161anas sp\u0113ku, ir sp\u0113jusi savaldzin\u0101t gan kriti\u0137us, gan skat\u012bt\u0101jus. Ar savu dzi\u013cumu un emocion\u0101lo pies\u0101tin\u0101t\u012bbu t\u0101 atbalsojas m\u016bsdienu pasaules aktualit\u0101t\u0113s, aicinot uz p\u0101rdom\u0101m par \u0113tiku, mor\u0101li un cilv\u0113ka gar\u012bgo izaugsmi.<\/p>\n
Par izr\u0101di un t\u0101s noz\u012bm\u012bbu<\/p>\n
Re\u017eisores Ineses Mi\u010dules vad\u012bb\u0101 rad\u012btais iestud\u0113jums “J\u0101zeps un vi\u0146a br\u0101\u013ci” nav tikai Rai\u0146a lugas atdzejo\u0161ana uz skatuves, bet gan dzi\u013c\u0161 un daudzsl\u0101\u0146ains v\u0113st\u012bjums par cilv\u0113ka ce\u013cu, par sp\u0113ju nojaukt veco un atkal uzcelt sevi no jauna. T\u0101 ir st\u0101sts par piedo\u0161anu k\u0101 br\u012bnumu, kas sp\u0113j dziedin\u0101t pat visdzi\u013c\u0101k\u0101s r\u0113tas. Izr\u0101de ir ne tikai izpeln\u012bjusies tr\u012bs presti\u017e\u0101s “Sp\u0113lma\u0146u nakts” balvas, bet ar\u012b ieguvusi “Kilograms kult\u016bras 2023” balvu, apliecinot t\u0101s augsto m\u0101ksliniecisko un konceptu\u0101lo v\u0113rt\u012bbu.<\/p>\n
Rainis pats savu lugu veidojis ilgus gadus, r\u016bp\u012bgi p\u0113tot B\u012bbeli, senebreju mitolo\u0123iju un e\u0123iptolo\u0123iju. Tas atspogu\u013cojas ar\u012b izr\u0101des dzi\u013caj\u0101 filozofiskaj\u0101 sl\u0101n\u012b. Re\u017eisore Inese Mi\u010dule uzsver, ka Rai\u0146a lugas saturs sniedz \u0113tisk\u0101s un est\u0113tisk\u0101s atsauces sist\u0113mu, kas ir \u012bpa\u0161i aktu\u0101la m\u016bsdienu pasaul\u0113, kur\u0101 valda globaliz\u0101cija un varas attiec\u012bbas. “Tas ir str\u012bds par cilv\u0113ces ce\u013cu, par m\u016bsu \u2013 ikkatra subjekt\u012bvo ce\u013cu, kas nav ietekm\u0113jams, jo cilv\u0113ka gar\u012bg\u0101 izaugsme notiek tikai tad, kad cilv\u0113ks pats to v\u0113las,” saka Mi\u010dule. Izr\u0101de aicina uz tikumisko pa\u0161att\u012br\u012b\u0161anos, uzsverot, ka Dieva griba ir, lai cilv\u0113ki augtu sav\u0101 gar\u012bgum\u0101 un sp\u0113tu piedot.<\/p>\n
M\u016bsdien\u012bga interpret\u0101cija un rado\u0161\u0101 komanda<\/p>\n
Lai gan luga ir sena, Valmieras te\u0101tra iestud\u0113jums pied\u0101v\u0101 m\u016bsdien\u012bgu, vizu\u0101li izteiksm\u012bgu un emocion\u0101li skaudru interpret\u0101ciju. Par vizu\u0101lo t\u0113lu rad\u012b\u0161anu atbild\u012bgi Reinis un Krista Dzudzilo, kuriem rakstur\u012bga telpas t\u012br\u012bba un minim\u0101lisms. Izr\u0101des telpa bie\u017ei tiek raksturota k\u0101 ask\u0113tiska, pat “tuk\u0161a peldbaseina” vide, kas uzsver varo\u0146u iek\u0161\u0113jo vientul\u012bbu un sacens\u012bbu. \u0160\u012b vizu\u0101l\u0101 pieeja \u013cauj koncentr\u0113ties uz aktieru sniegumu un lugas dzi\u013caj\u0101m t\u0113m\u0101m. Reinis Dzudzilo, kur\u0161 ir vair\u0101kk\u0101rt\u0113js “Sp\u0113lma\u0146u nakts” balvas ieguv\u0113js par scenogr\u0101fiju, kop\u0101 ar Kristu Dzudzilo rad\u012bjis darbus, kas bie\u017ei vien nomin\u0113ti un nov\u0113rt\u0113ti gan Latvij\u0101, gan starptautiski. Vi\u0146u kopdarbi bie\u017ei vien tiek raksturoti k\u0101 monument\u0101li un konceptu\u0101li dzi\u013ci.<\/p>\n
Titullomas atveidot\u0101js Aksels Aizkalns, kur\u0161 ar\u012b ieguvis “Sp\u0113lma\u0146u nakts” balvu k\u0101 gada jaunais skatuves m\u0101kslinieks par J\u0101zepa lomu, kop\u0101 ar M\u0101rti\u0146u Meieru atveido J\u0101zepu, apliecinot aktieru meistar\u012bbu un sp\u0113ju iemiesot sare\u017e\u0123\u012btus varo\u0146us. Aksels Aizkalns sevi apliecin\u0101jis k\u0101 aktieris ar izteiktu iek\u0161\u0113jo intensit\u0101ti un dramatisko temperamentu, bet M\u0101rti\u0146\u0161 Meiers atzinis, ka \u0161\u012b ir viena no vissare\u017e\u0123\u012bt\u0101kaj\u0101m lom\u0101m vi\u0146a aktiera karjer\u0101. Vi\u0146u kopdarbs un katra individu\u0101lais sniegums uz skatuves ir k\u0101 divas at\u0161\u0137ir\u012bgas J\u0101zepa interpret\u0101cijas, kas bag\u0101tina izr\u0101des kop\u0113jo baud\u012bjumu.<\/p>\n
Izr\u0101di papildina komponista Riharda Za\u013cupes m\u016bzika, gaismu m\u0101kslinieka Oskara Pauli\u0146a darbs un horeogr\u0101fes Lindas M\u012b\u013c\u0101s kust\u012bbu partit\u016bras, radot harmonisku un emocion\u0101li pies\u0101tin\u0101tu kopveselumu. Katrs rado\u0161\u0101s komandas loceklis, s\u0101kot no re\u017eisores un scenogr\u0101fiem l\u012bdz komponistam un horeogr\u0101fam, ir devis savu unik\u0101lo ieguld\u012bjumu, lai rad\u012btu iestud\u0113jumu, kas ir gan vizu\u0101li iespaid\u012bgs, gan filozofiski dzi\u013c\u0161.<\/p>\n
Piedo\u0161anas br\u012bnums k\u0101 centr\u0101l\u0101 t\u0113ma<\/p>\n
Izr\u0101des pamat\u0101 ir Rai\u0146a lugas dzi\u013cais v\u0113st\u012bjums par piedo\u0161anu. J\u0101zeps, kur\u0161 piedz\u012bvojis br\u0101\u013cu nodev\u012bbu un cie\u0161anas, galu gal\u0101 sp\u0113j p\u0101rvar\u0113t naidu un greizsird\u012bbu, izv\u0113loties piedo\u0161anu. \u0160\u012b izv\u0113le tiek raksturota k\u0101 br\u012bnums \u2013 gr\u016bts, bet sv\u0113t\u012bgs ce\u013c\u0161 uz cilv\u0113km\u012blest\u012bbu. Re\u017eisore Inese Mi\u010dule uzsver, ka “kad p\u0101ridar\u012bjums p\u0101rv\u0113r\u0161as aps\u0113st\u012bb\u0101 un izredz\u0113t\u012bb\u0101 reiz\u0113, kad naids un greizsird\u012bba k\u013c\u016bst par ideolo\u0123iju, tad piedo\u0161ana ir gandr\u012bz neiesp\u0113jams br\u012bnums, ta\u010du t\u0101 ir augst\u0101k\u0101 dziesma cilv\u0113km\u012blest\u012bbai.”<\/p>\n
J\u0101zeps tiek sal\u012bdzin\u0101ts ar m\u016bsdienu Hamletu, kur\u0161 savus jaut\u0101jumus risina vientul\u012bb\u0101, st\u0101vot pret\u012b savai sirdsapzi\u0146ai. Tas ir univers\u0101ls cilv\u0113cisk\u0101s pieredzes atspogu\u013cojums, kas rezon\u0113 ar skat\u012bt\u0101ju pa\u0161u dz\u012bves. Apsl\u0101p\u0113t “ego” \u012bd\u0113\u0161anu un p\u0101rvar\u0113t s\u0101pes un aizvainojumu ir viens no gr\u016bt\u0101kajiem uzdevumiem cilv\u0113ka m\u016b\u017e\u0101, un tie\u0161i \u0161o c\u012b\u0146u izr\u0101de atspogu\u013co sav\u0101 emocion\u0101li skaudraj\u0101 veidol\u0101.<\/p>\n
Te\u0101tra un mediju sadarb\u012bba<\/p>\n
Izr\u0101de “J\u0101zeps un vi\u0146a br\u0101\u013ci” ir guvusi pla\u0161u atspogu\u013cojumu ar\u012b medijos. Raid\u012bjums “Te\u0101tris.zip” ir pied\u0101v\u0101jis sarunas ar izr\u0101des veidot\u0101jiem \u2013 re\u017eisori Inesi Mi\u010duli, vizu\u0101l\u0101 t\u0113la autoriem Reini Dzudzilo un Kristu Vindbergu, k\u0101 ar\u012b titullomas t\u0113lot\u0101ju Akselu Aizkalnu. \u0160\u012bs sarunas \u013cauj ieskat\u012bties dzi\u013c\u0101k izr\u0101des tap\u0161anas proces\u0101 un izprast rado\u0161\u0101s komandas redz\u0113jumu. Izr\u0101di var\u0113ja noskat\u012bties ar\u012b telev\u012bzijas ekr\u0101nos, pied\u0101v\u0101jot pla\u0161\u0101kam skat\u012bt\u0101ju lokam piek\u013c\u016bt \u0161im m\u0101kslas darbam.<\/p>\n","protected":false},"excerpt":{"rendered":"Piedo\u0161anas br\u012bnums: Rai\u0146a \u201cJ\u0101zeps un vi\u0146a br\u0101\u013ci\u201d Valmieras te\u0101tr\u012b Valmieras te\u0101tra iestud\u0113jums p\u0113c latvie\u0161u klasi\u0137a Rai\u0146a lugas “J\u0101zeps…\n","protected":false},"author":2,"featured_media":8100,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[89,3348,90,3346,35,39,38,36,37,34,40,1378,1176,3347],"class_list":{"0":"post-8099","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-entertainment","9":"tag-inese-micule","10":"tag-izklaide","11":"tag-jazeps-un-vina-brali","12":"tag-latvia","13":"tag-latvian","14":"tag-latviesu","15":"tag-latviesu-valoda","16":"tag-latviesuvaloda","17":"tag-latvija","18":"tag-lv","19":"tag-rainis","20":"tag-teatris","21":"tag-valmieras-teatris"},"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/8099","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=8099"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/8099\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/8100"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=8099"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=8099"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=8099"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}