{"id":82304,"date":"2025-12-21T21:15:08","date_gmt":"2025-12-21T21:15:08","guid":{"rendered":"https:\/\/www.europesays.com\/lv\/82304\/"},"modified":"2025-12-21T21:15:08","modified_gmt":"2025-12-21T21:15:08","slug":"albuma-apskats-edgars-rubenis-shelterbelt","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/lv\/82304\/","title":{"rendered":"Albuma apskats: Edgars Rubenis \u2013 \u201cShelterbelt\u201d"},"content":{"rendered":"

Pa\u0161m\u0101ju \u0123it\u0101r\u0123\u0113nijs Edgars Rubenis pabeidzis savas trilo\u0123ijas \u201cPains And Boogies\u201d nosl\u0113dzo\u0161o da\u013cu – albumu \u201cShelterbelt\u201d. Tas pagaid\u0101m izdots audio kasetes form\u0101t\u0101, savuk\u0101rt piln\u0101 garum\u0101 klaus\u012b\u0161anai internet\u0101 b\u016bs pieejams no janv\u0101ra vidus. Interesanti, ka to public\u0113jusi N\u012bderland\u0113 b\u0101z\u0113t\u0101 mikroizdevniec\u012bba \u201cdis ce que\u201d.<\/p>\n

Albums \u201cShelterbelt\u201d ir kompon\u0113ts vair\u0101kos c\u0113lienos aizvad\u012bto piecu gadu laik\u0101, bet taj\u0101 ietvertie asto\u0146i ska\u0146darbi akustiskajai solo \u0123it\u0101rai fiks\u0113ti tr\u012bs dienu ierakstu sesij\u0101 \u0161\u012b gada maij\u0101. L\u012bdz\u012bgi k\u0101 iepriek\u0161\u0113j\u0101s trilo\u0123ijas s\u0113rij\u0101s \u201cSlow Lightning\u201d (2022) un \u201cSea Unbound\u201d (2023), ar\u012b jaunaj\u0101 album\u0101 \u201cRube\u0146a rad\u012bt\u0101 m\u016bzika sav\u0113rpj vienot\u0101 t\u012bklojum\u0101 m\u016bsdienu kompozicion\u0101lo valodu ar agr\u012bn\u0101 bl\u016bza un regtaima trad\u012bciju izteiksm\u0113m\u201d – to vi\u0146\u0161 pats par sevi, kas ar\u012b piln\u012bgi pareizi, jo Edgaram ta\u010du lab\u0101k zin\u0101ms, k\u0101 to visu formul\u0113t.<\/p>\n

Koment\u0113dams \u201cShelterbelt\u201d nosaukum\u0101 ietverto \u201cpatv\u0113ruma joslu\u201d, k\u0101dreiz\u0113jais grupu \u201cDriving South\u201d un \u201cMona de Bo\u201d un pa\u0161reiz\u0113jais projekta \u201cJaun\u012bba\u201d \u0123it\u0101rists Edgars Rubenis st\u0101sta, ka tas aizg\u016bts no lauku dz\u012bv\u0113 izplat\u012btas prakses lielu klajumu perimetrus apst\u0101d\u012bt ar koku audz\u0113m, lai veidotu aizsegu no apvid\u016b valdo\u0161iem v\u0113jiem. Proti, koku ietvars, kas veicina iekopto t\u012brumu un dz\u012bves vietu ilgdz\u012bv\u012bgumu, \u201calbuma po\u0113tiskaj\u0101 vid\u0113 noz\u012bm\u0113 pa\u0161r\u016bpju kopumu, ko v\u0113rts piekopt, dz\u012bvojot haotiskas pasaules iesk\u0101vum\u0101.\u201d<\/p>\n

\u201cSav\u0101 skan\u0113jum\u0101 \u201cShelterbelt\u201d turpina trilo\u0123ij\u0101 izmantoto, ar \u201clo-fi\u201d pa\u0146\u0113mieniem veidoto \u201cnenosak\u0101m\u0101 laikmeta\u201d est\u0113tiku, kas pan\u0101kta, izmantojot audio kasetes un ar t\u0101m saist\u012bto aparat\u016bru albuma ieraksta proces\u0101. T\u0101d\u0113j\u0101di ieg\u016bt\u0101 raupj\u0101 skan\u0113juma nokr\u0101sa autora izpratn\u0113 veicina \u0161\u012bs m\u016bzikas rado\u0161i ambivalentu klaus\u0101m\u012bbu un rada situ\u0101cijas, kur\u0101s ierasti strikt\u0101s m\u016bzikas stilu un v\u0113stures laikmetu aprises k\u013c\u016bst p\u0101rpl\u016bsto\u0161as un savstarp\u0113ji iek\u013caujo\u0161as,\u201d to atkal vi\u0146\u0161 pats.<\/p>\n

P\u0101rtulkojot no Rube\u0146a<\/a> valodas parastu cilv\u0113ku piekoptaj\u0101 leksik\u0101, tas noz\u012bm\u0113 to, ka skan\u0113jums ir maksim\u0101li dabisks – t\u0101ds, k\u0101ds rastos, ja cilv\u0113ks ar akustisko \u0123it\u0101ru s\u0113d\u0113tu uz kr\u0113sla vai gultas malas, aizraut\u012bgi sp\u0113l\u0113tu un to visu ierakst\u012btu, piem\u0113ram, len\u0161u magnetofon\u0101 \u201cOlimps\u201d vai pat parast\u0101 kase\u0161niek\u0101. Rezult\u0101t\u0101 tie \u201cd\u012bv\u0101na eksperti\u201d, kuri liel\u0101koties str\u0101d\u0101 gater\u012b un pat oper\u0101, ja vien tur nok\u013c\u016bst, rauc degunu par briesm\u012bgo ska\u0146as kvalit\u0101ti, \u201cShelterbelt\u201d nol\u012bdzin\u0101s l\u012bdz ar zemi, toties m\u016bzikas gard\u0113\u017ei, kuriem v\u0113rt\u012bg\u0101kais ieraksts \u0161\u0137iet durvju \u010d\u012bkstin\u0101\u0161ana stundas garum\u0101, par Rube\u0146a pieg\u0101jienu dzied\u0101s slavas dziesmas un rakst\u012bs saj\u016bsmas pilnus opusus.<\/p>\n

Abstrah\u0113joties no ieraksta kvalit\u0101tes un t\u0101s rad\u012b\u0161anas pa\u0146\u0113mieniem, m\u016bsu priek\u0161\u0101 ir k\u0101rt\u0113jais Edgara Rube\u0146a \u0123it\u0101rsp\u0113les meistardarbs – ar ac\u012bmredzam\u0101m atsauc\u0113m uz bl\u016bza sakn\u0113m, ietur\u0113ts absol\u016bti minim\u0101listisk\u0101 manier\u0113 un ar to pan\u0101kot maksim\u0101li liel\u0101ku efektu. Lai \u0161o eksperiment\u0101lo pieeju analiz\u0113tu no kompozicion\u0101lajiem un cita veida muzik\u0101lajiem aspektiem, nepiecie\u0161ama specializ\u0113t\u0101 muzik\u0101l\u0101 izgl\u012bt\u012bba, savuk\u0101rt no vid\u0113j\u0101 klaus\u012bt\u0101ja viedok\u013ca var ieteikt neanaliz\u0113t piln\u012bgi neko un vienk\u0101r\u0161i \u013cauties \u0161ai \u0123it\u0101rskan\u0113juma burv\u012bbai, s\u0101kot no pirm\u0101s kompoz\u012bcijas, l\u012bdz pat pa\u0161ai p\u0113d\u0113jai. K\u0101du ska\u0146darbu \u012bpa\u0161\u0101k izcelt nav noz\u012bmes, ta\u010du, ja nu tom\u0113r tas j\u0101dara, tad apskatnieks pirmaj\u0101s viet\u0101s liktu draisko \u201cPopulist Drag\u201d, k\u0101 ar\u012b draud\u012bgo \u201cTen Years Since\u201d, kur\u0101 Edgars \u0161\u0137iet ar\u012b pats t\u0101 k\u0101rt\u012bg\u0101k aizr\u0101vies.<\/p>\n","protected":false},"excerpt":{"rendered":"Pa\u0161m\u0101ju \u0123it\u0101r\u0123\u0113nijs Edgars Rubenis pabeidzis savas trilo\u0123ijas \u201cPains And Boogies\u201d nosl\u0113dzo\u0161o da\u013cu – albumu \u201cShelterbelt\u201d. Tas pagaid\u0101m izdots…\n","protected":false},"author":2,"featured_media":82305,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[89,90,35,39,38,36,37,34,40],"class_list":{"0":"post-82304","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-entertainment","9":"tag-izklaide","10":"tag-latvia","11":"tag-latvian","12":"tag-latviesu","13":"tag-latviesu-valoda","14":"tag-latviesuvaloda","15":"tag-latvija","16":"tag-lv"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/115759633045571787","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/82304","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=82304"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/82304\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/82305"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=82304"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=82304"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=82304"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}