Kult\u016bras notikums: \u201cJanv\u0101ra gaisma\u201d R\u012bg\u0101<\/p>\n
Latvijas kino cien\u012bt\u0101jiem b\u016bs iesp\u0113ja iepaz\u012bties ar starptautiski atz\u012btu lietuvie\u0161u kino jauno v\u0101rdu. 2026. gada 13. janv\u0101r\u012b kinote\u0101tr\u012b “Splendid Palace” notiks re\u017eisora Karo\u013ca Kaupi\u0146a (Karolis Kaupinis) jaun\u0101k\u0101s sp\u0113lfilmas “Janv\u0101ra gaisma” pirmizr\u0101de. \u0160is notikums iez\u012bm\u0113 noz\u012bm\u012bgu notikumu Baltijas valstu kino sadarb\u012bb\u0101 un pied\u0101v\u0101 skat\u012bt\u0101jiem dzi\u013cu, absurda dr\u0101mas form\u0101 iet\u0113rptu ieskatu \u013coti specifisk\u0101 v\u0113stures posm\u0101.<\/p>\n
Filma, par ko inform\u0113 t\u0101s veidot\u0101ji port\u0101ls “Delfi”, v\u0113sta par notikumiem 90. gadu s\u0101kum\u0101 Lietuv\u0101. Re\u017eisors Kaupi\u0146\u0161 ir sp\u0113jis izmantot absurda \u017eanru, lai atspogu\u013cotu ne tikai lielos politiskos notikumus, bet ar\u012b dzi\u013ci person\u012bgo, emocion\u0101lo cilv\u0113ka st\u0101vokli \u0161aj\u0101 p\u0101rmai\u0146u laik\u0101. Galvenais temats \u2013 badastreiks \u2013 k\u013c\u016bst par metaforu c\u012b\u0146ai par b\u016btisk\u0101ko.<\/p>\n
Desmitgades atspogu\u013cojums caur absurda filtru<\/p>\n
90. gadi Baltij\u0101 bija laiks, kad sabruka vec\u0101 sist\u0113ma, un sabiedr\u012bba, tai skait\u0101 Lietuva, mekl\u0113ja jaunu identit\u0101ti un pamatus. “Janv\u0101ra gaisma” \u0161o laikposmu apl\u016bko nevis caur tie\u0161u dokument\u0101lismu vai konvencion\u0101lu v\u0113sturisko dr\u0101mu, bet gan caur absurda dr\u0101mas l\u0113cu. \u0160\u012b pieeja \u013cauj fokus\u0113ties uz cilv\u0113ka vientul\u012bbu un alk\u0101m p\u0113c siltuma, kas k\u013c\u016bst \u012bpa\u0161i ak\u016btas nestabilit\u0101tes un politisk\u0101s c\u012b\u0146as kontekst\u0101.<\/p>\n
K\u0101 nor\u0101da filmas veidot\u0101ji, st\u0101sts izce\u013c ne tikai \u0101r\u0113jo c\u012b\u0146u, bet ar\u012b iek\u0161\u0113jo \u2013 “dzi\u013cas person\u012bgas alkas p\u0113c tuv\u012bbas un siltuma”. \u0160\u0101ds tematisks uzsvars bie\u017ei vien rezon\u0113 ar skat\u012bt\u0101jiem, kuri pa\u0161i piedz\u012bvoja \u0161o agr\u012bno neatkar\u012bbas periodu, vai tiem, kas p\u0113ta \u0161\u012bs desmitgades ietekmi uz m\u016bsdienu sabiedr\u012bbu. Lietuvie\u0161u kino \u0161aj\u0101 laik\u0101 akt\u012bvi nodarbojas ar 90. gadu traumatisk\u0101s pieredzes apstr\u0101di, bie\u017ei vien mekl\u0113jot ori\u0123in\u0101lus m\u0101kslinieciskos pa\u0146\u0113mienus, lai izvair\u012btos no didaktiskuma.<\/p>\n
Re\u017eisora Karo\u013ca Kaupi\u0146a talants un iepriek\u0161\u0113jie pan\u0101kumi<\/p>\n
Karolis Kaupi\u0146\u0161 nav jaunpien\u0101c\u0113js lietuvie\u0161u kinom\u0101ksl\u0101. Vi\u0146a iepriek\u0161\u0113jie darbi ieguvu\u0161i iev\u0113r\u012bbu starptautiskajos festiv\u0101los, apliecinot re\u017eisora sp\u0113ju veidot vizu\u0101li sp\u0113c\u012bgas un tematiski nians\u0113tas filmas. Lai gan prec\u012bza inform\u0101cija par “Janv\u0101ra gaismas” starptautisko festiv\u0101lu ce\u013cu ir j\u0101preciz\u0113, fakts, ka filma non\u0101k Latvijas galvenajos kinoz\u0101les repertu\u0101r\u0101, liecina par t\u0101s sa\u0146emto atzin\u012bbu un potenci\u0101lu ietekm\u0113t viet\u0113jo auditoriju.<\/p>\n
Absurda dr\u0101mas \u017eanrs prasa \u012bpa\u0161u meistar\u012bbu gan scen\u0101rij\u0101, gan aktiersp\u0113l\u0113, jo ir j\u0101sp\u0113j l\u012bdzsvarot smagais temats ar negaid\u012btiem, pat komiski vai tra\u0123ikomiski uztveramiem notikumu pagriezieniem. \u0160is Kaupi\u0146a rado\u0161ais l\u0113mums, \u0161\u0137iet, ir m\u0113r\u0137\u0113ts uz daudzpus\u012bg\u0101ku v\u0113st\u012bjuma uztveri, nevis tikai uz notikumu hroniku.<\/p>\n
Iesp\u0113ja skat\u012bt\u0101jiem Latvij\u0101<\/p>\n
Pirmizr\u0101de “Splendid Palace” 13. janv\u0101r\u012b iez\u012bm\u0113 filmas ofici\u0101lo startu Latvij\u0101. \u0160\u012b vieta un datums \u2013 janv\u0101ra vidus \u2013 simboliski sasaist\u0101s ar filmas nosaukumu, radot papildu kontekstu. Janv\u0101ris ir laiks, kad dienas v\u0113l ir \u012bsas, un gaismas mekl\u0113jumi \u0161\u0137iet \u012bpa\u0161i aktu\u0101li, kas lieliski sader ar filmas nosaukum\u0101 ietverto metaforu par cer\u012bbu vai izpratni gr\u016btos laikos.<\/p>\n
Ir sagaid\u0101ms, ka p\u0113c pirmizr\u0101des filma k\u013c\u016bs pieejama pla\u0161\u0101kai auditorijai vair\u0101kos Latvijas kinote\u0101tros. Lietuvie\u0161u kult\u016bras tuvums un kop\u012bg\u0101 v\u0113sturisk\u0101 pieredze padara \u0161o filmu par noz\u012bm\u012bgu notikumu ne tikai kino, bet ar\u012b re\u0123ion\u0101l\u0101s kult\u016bras kontekst\u0101. Latvijas skat\u012bt\u0101jiem t\u0101 pied\u0101v\u0101 iesp\u0113ju sal\u012bdzin\u0101t un izprast, k\u0101 kaimi\u0146valsts ir m\u0101kslinieciski apstr\u0101d\u0101jusi laiku, kas vienlaic\u012bgi bija izaicin\u0101jums vis\u0101m trim Baltijas valst\u012bm.<\/p>\n
Kino k\u0101 v\u0113stures atmi\u0146as instruments<\/p>\n
M\u016bsdien\u0101s, kad pag\u0101ju\u0161\u0101 gadsimta devi\u0146desmitie gadi k\u013c\u016bst par v\u0113stures distanci, kino k\u013c\u016bst arvien svar\u012bg\u0101ks k\u0101 instruments to laika emociju un atmosf\u0113ras fiks\u0113\u0161anai. Ja citas filmas, piem\u0113ram, Latvij\u0101, var\u0113tu fokus\u0113ties uz krimin\u0101lo aprindu veido\u0161anos, tad “Janv\u0101ra gaisma” ar savu absurda pieeju akcent\u0113 cilv\u0113c\u012bbu \u2013 vienk\u0101r\u0161o cilv\u0113ku, kur\u0161 badastreika laik\u0101 mekl\u0113 savu vietu haos\u0101. \u0160\u012b fokus\u0113\u0161an\u0101s uz univers\u0101l\u0101m cilv\u0113cisk\u0101m j\u016bt\u0101m, ietvert\u0101m specifisk\u0101 politisk\u0101 kontekst\u0101, ir tas, kas, visticam\u0101k, nodro\u0161in\u0101s filmai ilgsto\u0161u rezonansi.<\/p>\n
L\u012bdz ar \u0161o pirmizr\u0101di, mediju uzman\u012bba noteikti piev\u0113rs\u012bsies re\u017eisora Kaupi\u0146a interpret\u0101cijai un tam, k\u0101 Latvijas auditorija uztvers \u0161\u0101du m\u0101ksliniecisku piesk\u0101rienu \u0161im agr\u0101kajam, bet joproj\u0101m noz\u012bm\u012bgajam Latvijas kaimi\u0146valsts v\u0113stures posmam.<\/p>\n","protected":false},"excerpt":{"rendered":"Kult\u016bras notikums: \u201cJanv\u0101ra gaisma\u201d R\u012bg\u0101 Latvijas kino cien\u012bt\u0101jiem b\u016bs iesp\u0113ja iepaz\u012bties ar starptautiski atz\u012btu lietuvie\u0161u kino jauno v\u0101rdu.…\n","protected":false},"author":2,"featured_media":82386,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[1949,20829,89,90,20826,20827,35,39,38,36,37,34,20828,40],"class_list":{"0":"post-82385","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-90-gadi","9":"tag-absurda-drama","10":"tag-entertainment","11":"tag-izklaide","12":"tag-janvara-gaisma","13":"tag-karolis-kaupinis","14":"tag-latvia","15":"tag-latvian","16":"tag-latviesu","17":"tag-latviesu-valoda","18":"tag-latviesuvaloda","19":"tag-latvija","20":"tag-lietuviesu-kino","21":"tag-lv"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/115760392018664564","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/82385","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=82385"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/82385\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/82386"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=82385"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=82385"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=82385"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}