Pirmizr\u0101de Jaunaj\u0101 Telp\u0101: Int\u012bma Ieskats Attiec\u012bbu Varb\u016bt\u012bb\u0101s<\/p>\n
Decembra vid\u016b, 19. datum\u0101, Mihaila \u010cehova R\u012bgas Krievu te\u0101tra jaunatkl\u0101taj\u0101 norises viet\u0101 \u2013 \u010cehova Te\u0101tra Ark\u0101d\u0113 Va\u013c\u0146u iel\u0101 19 \u2013 notika ilgi gaid\u012bta jauniestud\u0113juma \u201cZvaigzn\u0101ji\u201d pirmizr\u0101de. \u0160is iestud\u0113jums tapis p\u0113c atzin\u012bbu guvu\u0161\u0101 britu dramaturga Nika Peina lugas mot\u012bviem, un to iestud\u0113jis paz\u012bstamais re\u017eisors D\u017e. D\u017e. D\u017eilind\u017eers. Notikums pulc\u0113ja te\u0101tra sabiedr\u012bbu, lai kop\u012bgi piedz\u012bvotu ori\u0123in\u0101lu interpret\u0101ciju, kas p\u0113ta cilv\u0113ku m\u012blest\u012bbas un izv\u0113\u013cu sare\u017e\u0123\u012bto savienojumu caur paral\u0113lo realit\u0101\u0161u prizmu.<\/p>\n
Iestud\u0113juma \u017eanru d\u0113v\u0113 par \u201cAttiec\u012bbu varb\u016bt\u012bbas teoriju\u201d, kas prec\u012bzi iez\u012bm\u0113 izr\u0101des konceptu\u0101lo pamatu. D\u017eilind\u017eera interpret\u0101cija sola skat\u012bt\u0101jiem nevis line\u0101ru narat\u012bvu, bet gan emocion\u0101li pies\u0101tin\u0101tu ce\u013cojumu, kur\u0101 katrs v\u0101rds, \u017eests un pat klusuma br\u012bdis var main\u012bt notikumu gaitu un rad\u012bt bezgal\u012bgu iesp\u0113ju t\u012bklu.<\/p>\n
Filozofija Uz Skatuves: Marianna un Rolands Daudzveid\u012bgaj\u0101s Realit\u0101t\u0113s<\/p>\n
Izr\u0101des centr\u0101 ir divi galvenie varo\u0146i, Marianna un Rolands, kuru attiec\u012bbu st\u0101sts tiek atkl\u0101ts neskait\u0101m\u0101s versij\u0101s paral\u0113laj\u0101s pasaul\u0113s. Vi\u0146i satiekas, iem\u012blas, veido attiec\u012bbas, piedz\u012bvo konfliktus un \u0161\u0137ir\u0161anos, ta\u010du katra versija pied\u0101v\u0101 jaunas nianses. Re\u017eisors D\u017eilind\u017eers, kur\u0161 paz\u012bstams ar sav\u0101m inovat\u012bvaj\u0101m pieej\u0101m, piev\u0113rsies Peina tekstam, lai p\u0113t\u012btu, k\u0101 m\u016bsu apzin\u0101t\u0101s un neapzin\u0101t\u0101s izv\u0113les atst\u0101j nospiedumus laik\u0101 un telp\u0101, kas zin\u0101m\u0101 m\u0113r\u0101 atg\u0101dina tauri\u0146a efekta teoriju.<\/p>\n
\u201cM\u0113s bie\u017ei dom\u0101jam, ka dz\u012bvi veido lielie l\u0113mumi, bet \u0161\u012b izr\u0101de par\u0101da, cik iz\u0161\u0137iro\u0161s var b\u016bt viens teikums vai pat klusuma pauze. \u0160\u012b luga man \u0161\u0137iet \u013coti god\u012bga – t\u0101 neromantiz\u0113 m\u012blest\u012bbu, bet r\u0101da to k\u0101 procesu, kas nemit\u012bgi main\u0101s laik\u0101.\u201d<\/p><\/blockquote>\n
\u0160\u012b luga, kas nopeln\u012bjusi Lorenca Olivj\u0113 balvu, aicina p\u0101rdom\u0101t, vai m\u0113s patie\u0161\u0101m kontrol\u0113jam savu likteni, vai dr\u012bz\u0101k tikai izv\u0113lamies no jau eksist\u0113jo\u0161\u0101m, bet da\u017e\u0101d\u0101m iesp\u0113j\u0101m. T\u0101 ir ironiska un reiz\u0113 aizkustino\u0161a medit\u0101cija par tuv\u012bbas mekl\u0113jumiem.<\/p>\n
Rado\u0161\u0101 Komanda un Tehniskais Risin\u0101jums<\/p>\n
Iestud\u0113jum\u0101, kas tiek izr\u0101d\u012bts krievu valod\u0101 (ar pl\u0101notiem subtitriem latvie\u0161u un ang\u013cu valod\u0101, vecuma ierobe\u017eojums 14+), piedal\u0101s aktieru duets: Tatjana Gur\u0113vi\u010da un Dmitrijs Jegorovs. D\u017eilind\u017eers kop\u0101 ar rado\u0161o komandu ir rad\u012bjis int\u012bmu un vizu\u0101li sp\u0113c\u012bgu vidi, kas \u013cauj skat\u012bt\u0101jam piln\u012bb\u0101 iegremd\u0113ties st\u0101sta daudzsl\u0101\u0146ain\u012bb\u0101.<\/p>\n
Dailes veido\u0161an\u0101 piedal\u012bju\u0161ies ar\u012b scenogr\u0101fe un kost\u012bmu m\u0101ksliniece Annemarija \u0160\u010dego\u013ceva, kust\u012bbu m\u0101ksliniece Linda Kalni\u0146a un gaismu m\u0101kslinieks M\u0101ris Kei\u0161s. Izr\u0101dei izmantots Olgas Buhovas tulkojums. Pirmizr\u0101des atsp\u0113riens, kas notika \u010cehova te\u0101tra jaunaj\u0101, \u012bpa\u0161o atmosf\u0113ru rado\u0161aj\u0101 telp\u0101, tika uz\u0146emts ar lielu interesi.<\/p>\n
Turpm\u0101k\u0101s Izr\u0101des un Atra\u0161an\u0101s Vieta<\/p>\n
Pirmizr\u0101de iez\u012bm\u0113ja izr\u0101\u017eu s\u0113rijas s\u0101kumu \u010cehova te\u0101tra ark\u0101d\u0113, kas atrodas biju\u0161\u0101 te\u0101tra \u0113kas kompleks\u0101. Bi\u013cetes uz \u201cZvaigzn\u0101jiem\u201d ir pieejamas te\u0101tra kas\u0113 Ka\u013c\u0137u iel\u0101 16 un \u201cBi\u013ce\u0161u servisa\u201d tirdzniec\u012bbas viet\u0101s. Intri\u0123\u0113jo\u0161ie notikumi, kas sekoja p\u0113c pirmizr\u0101des, liecina par m\u0101ksliniecisk\u0101 kolekt\u012bva un re\u017eisora savstarp\u0113jo cie\u0161o rado\u0161o saikni, kas ir b\u016btisks priek\u0161noteikums sare\u017e\u0123\u012bta materi\u0101la veiksm\u012bgai realiz\u0101cijai.<\/p>\n","protected":false},"excerpt":{"rendered":"Pirmizr\u0101de Jaunaj\u0101 Telp\u0101: Int\u012bma Ieskats Attiec\u012bbu Varb\u016bt\u012bb\u0101s Decembra vid\u016b, 19. datum\u0101, Mihaila \u010cehova R\u012bgas Krievu te\u0101tra jaunatkl\u0101taj\u0101 norises…\n","protected":false},"author":2,"featured_media":82788,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[19930,20196,89,90,35,39,38,36,37,34,40,19929,20934,15045],"class_list":{"0":"post-82787","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-cehova-teatra-arkade","9":"tag-dzilindzers","10":"tag-entertainment","11":"tag-izklaide","12":"tag-latvia","13":"tag-latvian","14":"tag-latviesu","15":"tag-latviesu-valoda","16":"tag-latviesuvaloda","17":"tag-latvija","18":"tag-lv","19":"tag-niks-peins","20":"tag-paralelas-pasaules","21":"tag-zvaigznaji"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/115762586219379921","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/82787","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=82787"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/82787\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/82788"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=82787"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=82787"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=82787"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}