Trilo\u0123ijas fin\u0101la izn\u0101k\u0161ana un form\u0101ts<\/p>\n
Pa\u0161m\u0101ju \u0123it\u0101rists Edgars Rubenis, kur\u0161 atz\u012bts par \u0123it\u0101r\u0123\u0113niju, ir pabeidzis savas muzik\u0101l\u0101s s\u0113rijas \u2013 trilo\u0123ijas \u201cPains And Boogies\u201d \u2013 nosl\u0113dzo\u0161o da\u013cu, kas izpaudusies album\u0101 ar nosaukumu \u201cShelterbelt\u201d. K\u0101 inform\u0113 port\u0101ls NRA, \u0161is ieraksts ir noz\u012bm\u012bgs pagrieziena punkts Rube\u0146a dai\u013crad\u0113, nosl\u0113dzot vair\u0101ku gadu ilgu muzik\u0101lu ciklu. Pagaid\u0101m \u201cShelterbelt\u201d ir izdots ierobe\u017eot\u0101 tir\u0101\u017e\u0101 audio kasetes form\u0101t\u0101, kas sader ar visu trilo\u0123ijas izdo\u0161anas est\u0113tiku. Pilna apjoma digit\u0101l\u0101 versija klaus\u012bt\u0101jiem b\u016bs pieejama no janv\u0101ra vidus. \u0160is albums ir da\u013ca no s\u0113rijas, ko raksturo Rube\u0146a piev\u0113r\u0161an\u0101s kompoz\u012bcij\u0101m akustiskajai solo \u0123it\u0101rai, att\u012bstot laikmet\u012bgu dialogu ar agr\u012bn\u0101m bl\u016bza un regtaima trad\u012bcij\u0101m. \u0160\u012b pieeja ir v\u0113rojama ar\u012b iepriek\u0161\u0113jos s\u0113jumos.<\/p>\n
Starptautiskais sadarb\u012bbas partneris un muzik\u0101lais konteksts<\/p>\n
Interesants aspekts \u0161aj\u0101 izdevum\u0101 ir tas, ka albumu \u201cShelterbelt\u201d public\u0113jusi N\u012bderland\u0113 b\u0101z\u0113ta mikroizdevniec\u012bba \u201cdis ce que\u201d, kas atrodas H\u0101g\u0101. \u0160\u012b sadarb\u012bba uzsver Rube\u0146a, kur\u0161 pats ilgu laiku dz\u012bvojis N\u012bderland\u0113 un ir paz\u012bstams ar\u012b k\u0101 eksperiment\u0101l\u0101s rokgrupas Mona de Bo dal\u012bbnieks, starptautisko piesaisti. Trilo\u0123ija \u201cPains And Boogies\u201d latviski var\u0113tu tulkot k\u0101 \u201cS\u0101pju un draisku dejas\u201d. T\u0101 ietver kompoz\u012bcijas, kas rad\u012btas kop\u0161 2020. gada pavasara, piev\u0113r\u0161oties minim\u0101lai elektroakustiskai m\u016bzikai, k\u0101 ar\u012b solo akustisk\u0101s \u0123it\u0101ras izp\u0113tei. Iepriek\u0161\u0113jie trilo\u0123ijas s\u0113jumi, \u201cSlow Lightning\u201d un \u201cSea Unbound\u201d, izn\u0101ku\u0161i attiec\u012bgi 2022. un 2023. gad\u0101, apliecinot Rube\u0146a m\u0113r\u0137tiec\u012bgo darbu \u0161aj\u0101 virzien\u0101.<\/p>\n
Form\u0101ta izv\u0113le un klaus\u012b\u0161an\u0101s kult\u016bra<\/p>\n
Ierakstu izdo\u0161ana audio kaset\u0113s, kas ir visu trilo\u0123ijas da\u013cu kop\u012bga iez\u012bme, nor\u0101da uz apzin\u0101tu atteik\u0161anos no straum\u0113\u0161anas platformu strauj\u0101s pat\u0113ri\u0146a kult\u016bras. Iedz\u012bvot\u0101jiem, kas ieg\u0101d\u0101j\u0101s kaseti, bie\u017ei vien tika pied\u0101v\u0101ts ar\u012b lejupiel\u0101des kods, t\u0101d\u0113j\u0101di apvienojot analog\u0101 medija unikalit\u0101ti ar digit\u0101lo \u0113rtumu. \u0160\u0101da fizisk\u0101 form\u0101ta izv\u0113le rosina klaus\u012bt\u0101ju uzs\u0101kt albuma klaus\u012b\u0161anos no s\u0101kuma l\u012bdz beig\u0101m, veidojot kolekt\u012bvu un m\u0113r\u0137tiec\u012bgu pieredzi, nevis fragment\u0113tu m\u016bzikas atl\u016bzu pat\u0113ri\u0146u. \u0160o ideju p\u0113rn atbalst\u012bja ar\u012b \u012bpa\u0161i notikumi, piem\u0113ram, \u201cKino Bize\u201d r\u012bkot\u0101s kop\u012bg\u0101s klaus\u012b\u0161an\u0101s seansi.<\/p>\n
Muzik\u0101l\u0101 est\u0113tika: Dabas un trad\u012bciju mijiedarbe<\/p>\n
\u201cShelterbelt\u201d (ko var\u0113tu tulkot k\u0101 \u201cv\u0113ja aizsargsargs\u201d) turpina izp\u0113t\u012bt tradicion\u0101lo m\u016bzikas formu \u2013 \u012bpa\u0161i bl\u016bza ritmus un strukt\u016bras \u2013 p\u0101rinterpret\u0101ciju laikmet\u012bg\u0101 un eksperiment\u0101l\u0101 skan\u0113jum\u0101. Lai gan m\u016bzika balst\u012bta uz t\u0101d\u0101m sen\u0101m trad\u012bcij\u0101m, t\u0101s izpild\u012bjums un kompoz\u012bcija ir rakst\u012bta un sp\u0113l\u0113ta piln\u012bb\u0101 svaigi, atspogu\u013cojot Rube\u0146a interesi par muzik\u0101lo trad\u012bciju \u201cdz\u012bv\u012bbas paz\u012bm\u0113m\u201d un to p\u0101rdefin\u0113\u0161anu caur m\u016bsdienu l\u0113cu. Da\u017ei v\u0113rot\u0101ji ir raksturoju\u0161i Rube\u0146a solo akustisk\u0101s \u0123it\u0101ras skan\u0113jumu k\u0101 maksim\u0101li dabisku, it k\u0101 m\u016bzi\u0137is sp\u0113l\u0113tu, s\u0113\u017eot uz kr\u0113sla un ierakstot ska\u0146u tie\u0161i vec\u0101 len\u0161u magnetofon\u0101. \u0160is apraksts uzsver tehnisko minim\u0101lismu, kas pal\u012bdz izcelt Rube\u0146a meistar\u012bbu un ska\u0146darbu nianses.<\/p>\n
N\u0101kamie so\u013ci un nov\u0113rt\u0113jums<\/p>\n
Ar \u201cShelterbelt\u201d izn\u0101k\u0161anu Edgars Rubenis ne tikai pabeidz savu trilo\u0123iju, bet ar\u012b nostiprina savu poz\u012bciju k\u0101 viena no Latvijas ori\u0123in\u0101l\u0101kaj\u0101m un tehniski apd\u0101vin\u0101t\u0101kaj\u0101m m\u016bzikas person\u012bb\u0101m, kura sp\u0113j veiksm\u012bgi savienot akad\u0113misk\u0101s un eksperiment\u0101l\u0101s m\u016bzikas pieredzi ar tautas m\u016bzikas sakn\u0113m. \u0160obr\u012bd, kad galvenais uzsvars tiek likts uz kasetes pieejam\u012bbu, gaid\u0101ms, k\u0101 \u0161\u012b darbu s\u0113rija tiks uztverta pla\u0161\u0101k\u0101 auditorij\u0101, kad t\u0101 k\u013c\u016bs pieejama visiem straum\u0113\u0161anas pakalpojumos janv\u0101ra vid\u016b. Koncertt\u016bres un publiskie klaus\u012b\u0161an\u0101s seansi, kas bie\u017ei vien ietv\u0113ra ar\u012b vizu\u0101lus papildin\u0101jumus, piem\u0113ram, Marijas Lu\u012bzes Me\u013c\u0137es veidotus video darbus, apliecina m\u0101kslinieka v\u0113lmi rad\u012bt daudzdimensiju m\u0101kslas notikumu, nevis tikai ieraksta prezent\u0101ciju.<\/p>\n","protected":false},"excerpt":{"rendered":"Trilo\u0123ijas fin\u0101la izn\u0101k\u0161ana un form\u0101ts Pa\u0161m\u0101ju \u0123it\u0101rists Edgars Rubenis, kur\u0161 atz\u012bts par \u0123it\u0101r\u0123\u0113niju, ir pabeidzis savas muzik\u0101l\u0101s s\u0113rijas…\n","protected":false},"author":2,"featured_media":82437,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[19],"tags":[20854,20855,20851,89,90,35,39,38,36,37,34,40,20853,20852],"class_list":["post-83564","post","type-post","status-publish","format-standard","has-post-thumbnail","category-izklaide","tag-akustiska-gitara","tag-dis-ce-que","tag-edgars-rubenis","tag-entertainment","tag-izklaide","tag-latvia","tag-latvian","tag-latviesu","tag-latviesu-valoda","tag-latviesuvaloda","tag-latvija","tag-lv","tag-pains-and-boogies","tag-shelterbelt"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/115765704365541583","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/83564","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=83564"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/83564\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/82437"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=83564"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=83564"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=83564"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}