S\u0101kam ar Euronews Culture sarakstu, kas apkopojis gada lab\u0101k\u0101s filmas. Cik no t\u0101m jau esat redz\u0113ju\u0161i? K\u0101 inform\u0113 telekan\u0101ls Euronews, 2025. gads ies\u0101k\u0101s un beidz\u0101s ar divu kino tit\u0101nu \u2013 Deivida Lin\u010da un Roba Rainera \u2013 zaud\u0113jumiem. Starp \u0161iem notikumiem pasaule piedz\u012bvoja draudo\u0161u MI (m\u0101ksl\u012bg\u0101 intelekta) ien\u0101k\u0161anu (joproj\u0101m bez jebk\u0101diem ierobe\u017eojumiem \u0161ai visiem tik m\u012b\u013cajai tehnolo\u0123ijai), protestus pret genoc\u012bdiem, Netflix l\u012bdzvad\u012bt\u0101ja Teda Sarandosa p\u0101rliec\u012bbu, ka kino apmekl\u0113\u0161ana ir \u201cnovecojis koncepts\u201d, un zi\u0146as par uzleco\u0161iem korporat\u012bviem monopoliem, kas apdraud kino pieredzi. Pievienojot tam pieaugo\u0161o fa\u0161istisko mu\u013c\u0137\u012bbu, nep\u0101rtrauktos konfliktus un ikdienas zi\u0146u \u0161ausmas, dro\u0161i var teikt, ka bijis gr\u016bti nesl\u012bd\u0113t uz nervu sabrukumu. Lai gan 2025. gads \u0161\u0137ita k\u0101 atkritumu ugunskura kaudze, kino apmekl\u0113\u0161ana joproj\u0101m ir viens no lab\u0101kajiem veidiem, k\u0101 izb\u0113gt no \u0161\u012bs trakuma. Tas noteikti nav novecojis koncepts \u2013 tas ir apdraud\u0113ts, ta\u010du vit\u0101li svar\u012bgs, v\u0113l jo vair\u0101k tagad, ne tikai k\u0101 izklaide, bet ar\u012b k\u0101 l\u012bdzeklis emp\u0101tijas rad\u012b\u0161anai un zin\u0101tk\u0101res cel\u0161anai, kas \u0161\u0137ietami tr\u016bkst m\u016bsdien\u0101s. Par laimi, kino zi\u0146\u0101 gads bija sp\u0113c\u012bgs \u2013 tik \u013coti, ka izv\u0113l\u0113ties tikai 20 filmas, kas pal\u012bdz\u0113ju\u0161as mums p\u0101rdz\u012bvot 2025. gadu, bija gr\u016bt\u0101k nek\u0101 jebkad. Pat t\u0101das m\u016bsu favor\u012btes k\u0101 The Ice Tower, Eddington, Dr\u00f8mmer (Dreams (Sex Love)), Black Bag, Hedda, The Bibi Files un Reflection in a Dead Diamond neiek\u013cuva fin\u0101la… Bija j\u0101pie\u0146em l\u0113mumi.<\/p>\n
Krit\u0113riji un iz\u0146\u0113mumi<\/p>\n
K\u0101 vienm\u0113r, esam iev\u0113roju\u0161i stingru noteikumu: filmas ir j\u0101b\u016bt izlaist\u0101m Eiropas kinote\u0101tros \u0161ogad. Tas noz\u012bm\u0113, ka pat ja esam redz\u0113ju\u0161i t\u0101dus darbus k\u0101 Marty Supreme, The Secret Agent, No Other Choice, Pillion un Hamnet, tie \u0161aj\u0101 sarakst\u0101 nepar\u0101d\u0101s, jo Eiropas m\u0113roga pirmizr\u0101des notiks tikai 2026. gad\u0101. T\u0101tad, bez liekas kav\u0113\u0161an\u0101s, s\u0101kam ar m\u016bsu atskaiti uz gada lab\u0101ko filmu ar\u2026<\/p>\n
Filmu TOP 20: No \u0137erme\u0146a \u0161ausm\u0101m l\u012bdz supervaro\u0146u atdzim\u0161anai<\/p>\n
20) Alpha. Franc\u016bzie\u0161u re\u017eisores J\u016blijas Dukurn\u016b tre\u0161\u0101 filma, kas paz\u012bstama ar Grave (Raw) un Palme d’Or godalgoto Titane, \u0161oreiz vair\u0101k piev\u0113r\u0161as dv\u0113selei, nevis miesai. St\u0101sts par 13 gadus vecu meiteni (Melisa Borosa) putek\u013cain\u0101 pasaul\u0113 p\u0113c epid\u0113mijas, kur infic\u0113tie iekr\u012bt sav\u0101s pa\u0161u kalcific\u0113taj\u0101s \u0137ermen\u0113s. Filma caur divu laika l\u012bniju sapl\u016b\u0161anu k\u013c\u016bst par medit\u0101ciju par p\u0101rmantotaj\u0101m traum\u0101m, n\u0101ves pie\u0146em\u0161anu un to, ka vien\u012bg\u0101 c\u012b\u0146as v\u0113rta m\u012blest\u012bba ir beznosac\u012bjumu m\u012blest\u012bba. T\u0101 ir 2025. gada visvair\u0101k polariz\u0113jo\u0161\u0101 un, iesp\u0113jams, nepareizi saprast\u0101 filma.<\/p>\n
19) Den Stygge Stes\u00f8steren (The Ugly Stepsister). Norv\u0113\u0123u re\u017eisores Emil\u012b Blihfeldtes p\u0101rliecino\u0161s debijas darbs p\u0101rskata Pelnup\u016b\u0137\u012b\u0161a pasaku caur Elv\u012bras (L\u012bja M\u012brena) ac\u012bm, kura gatava uz visu, lai p\u0101rsp\u0113tu savu skaisto pusm\u0101su. Filma koment\u0113 skaistuma normas, izmantojot \u0137erme\u0146a \u0161ausmas un melno humoru, un iez\u012bm\u0113 jaunu, ambiciozu kino balsi.<\/p>\n
18) Affeksjonsverdi (Sentimental Value). Norv\u0113\u0123u duets \u2013 Renate Reinve un re\u017eisors Joahims Tr\u012brs (p\u0113c The Worst Person in the World) \u2013 atkal kop\u0101 \u0161aj\u0101 seri\u0101listiski-kom\u0113diskaj\u0101 darb\u0101 par disfunkcion\u0101l\u0101m \u0123imenes attiec\u012bb\u0101m. Reinve sp\u0113l\u0113 aktrisi, kurai t\u0113vs pied\u0101v\u0101 ne\u0113rtu lomu: atveidot m\u0101ti vi\u0146a autobiogr\u0101fiskaj\u0101 scen\u0101rij\u0101. Filma ir sp\u0113c\u012bgs atg\u0101din\u0101jums par nepiecie\u0161amo ievainojam\u012bbu attiec\u012bbu dzied\u0113\u0161anai.<\/p>\n
17) 28 Years Later. Gandr\u012bz ceturtda\u013cgadsimtu p\u0113c 28 Days Later Denijs Boils atgrie\u017eas ar b\u012bstamu un uzmundrino\u0161u turpin\u0101jumu. Sekas seko 12 gadus vecam z\u0113nam (Alfs Viljamss), kur\u0161 dodas uz infic\u0113to kontinentu, lai atrastu \u0101rstu, kas var\u0113tu pal\u012bdz\u0113t vi\u0146a m\u0101tei (D\u017eodija Komer). Vizu\u0101li filma ir unik\u0101la \u2013 uz\u0146emta iPhone stil\u0101 ar hipnotiz\u0113jo\u0161u \u201cslepkav\u012bbas kameru\u201d \u2013 bet zem visa dr\u0101mas sl\u0101\u0146a sl\u0113pjas p\u0101rsteidzo\u0161i maiga st\u0101sts par izaugsmi, zaud\u0113jumu un saiknes atra\u0161anu brut\u0101laj\u0101 pasaul\u0113.<\/p>\n
16) Superman. D\u017eeimss Ganns pie\u0161\u0137ir supervaro\u0146a reibotam atjaunojumam jautr\u012bbas un ekstravagances garu, kuru zaud\u0113ja Zeka Snaidera versijas. Deivids Korensvejs ir lieliski piem\u0113rots t\u0113lam, kuram \u201claipn\u012bba ir panks\u201d. \u0160is \u0101tr\u0101 piedz\u012bvojums c\u012bn\u0101s pret supervaro\u0146u nogurumu un run\u0101 par imigr\u0101cijas retoriku.<\/p>\n
15) Die My Love. L\u012bnas Remz\u0113 piekt\u0101 pilnmetr\u0101\u017eas filma, kur\u0101 D\u017eenifere Lorensa atveido jaunu sievieti, kas p\u0113c b\u0113rna piedzim\u0161anas s\u0101k sl\u012bd\u0113t prom no realit\u0101tes. Traumas manifest\u0113jas viscer\u0101los, dzejo\u013cu l\u012bdz\u012bgos vizu\u0101los att\u0113los, kas ir vienlaikus gan aizraujo\u0161i, gan \u0161ausmino\u0161i.<\/p>\n
14) April. Gruzijas re\u017eisores Dejas Kulumbegashvili darbs, kas prasa \u012bpa\u0161u publiku. Tas ir skarbs un kl\u012bnisks portrets par \u0101rsti (Ija Suhita\u0161vili), kura neleg\u0101li veic abortus lauku apvidos, uzmetot aukstu skatienu sabiedr\u012bbas stigm\u0101m un sievie\u0161u \u0137erme\u0146a dehumaniz\u0101cijai.<\/p>\n
13) Ainda Estou Aqui (I\u2019m Still Here). Valtera Saljasa filma ir satrieco\u0161i atkl\u0101ta, pateicoties Fernandas Torresa izcilajai lomai k\u0101 sievai, kas k\u013c\u016bst par akt\u012bvisti p\u0113c v\u012bra (eks-kongresme\u0146a) nolaup\u012b\u0161anas Braz\u012blijas milit\u0101r\u0101s diktat\u016bras laik\u0101. Filma, izmantojot Super-16 un 35mm kadrus, ir sp\u0113c\u012bga liec\u012bba par atmi\u0146u un v\u0113stures traumu konfront\u0101ciju.<\/p>\n
12) Frankenstein. Giljermo del Toro sen lolotais sapnis \u2013 vi\u0146a versija par M\u0113ri \u0160ellijas klasiku. Katrs kadrs ir k\u0101 glezna, ko rad\u012bjis kinomatogr\u0101fists Dens L\u016bstsens. Lai gan si\u017eets var \u0161\u0137ist p\u0101r\u0101k burtisks, filma izstaro vieglumu un sirds siltumu.<\/p>\n
11) Bugonia. Jod\u017eos Lantimoss p\u0101r\u0146em Dienvidkorejas kom\u0113dijas-\u0161ausmu filmu Save The Green Planet! un p\u0101rv\u0113r\u0161 to par sat\u012bru par m\u016bsdienu amerik\u0101\u0146u psihi. Emma Stouna atveido farm\u0101cijas vad\u012bt\u0101ju, kuru nolaup\u012bju\u0161i sazv\u0113rest\u012bbas teor\u0113ti\u0137i. Tas ir b\u0113d\u012bgi jautrs, skarbs zin\u0101tnisk\u0101s fantastikas kamermuzikas darbs.<\/p>\n
10) O \u00daltimo Azul (The Blue Trail). Gabri\u0113la Maskaro distopija Braz\u012blij\u0101, kur vec\u0101ka gadag\u0101juma cilv\u0113ki tiek nos\u016bt\u012bti uz att\u0101lin\u0101tu iest\u0101di. Re\u017eisors veido neparedzamu ce\u013cojuma filmu, kas kalpo k\u0101 pam\u0101co\u0161s st\u0101sts par noveco\u0161anas diskrimin\u0101ciju.<\/p>\n
9) \u1e62awt Hind Rajab (The Voice of Hind Rajab). Tunisijas re\u017eisores Kaoteres Ben Hanias darbs, kas apvieno dokument\u0101lo ar dramatiz\u0101ciju, izmantojot re\u0101los audio ierakstus par piecgad\u012bg\u0101s Hindas Rad\u017eabas p\u0113d\u0113jo zvanu pirms vi\u0146as un gl\u0101b\u0113ju n\u0101ves Gaz\u0101. Filma ir satrauco\u0161a un steidzama, un t\u0101 ieguva Ven\u0113cijas Sudraba Lauvu.<\/p>\n
8) Weapons. Zaks Kregers p\u0101rsteidz ar \u0161o tum\u0161o un jautro \u0161ausmu filmu, kas s\u0101kas k\u0101 maza pils\u0113tas nosl\u0113pums par pazudu\u0161iem b\u0113rniem un p\u0101rv\u0113r\u0161as p\u0101rsteigumu piln\u0101, p\u0101rdabisk\u0101 fabul\u0101. Ej\u012b\u0161a Gleidisa (Eimija Medigena) t\u0113ls k\u013cuva par ikonu.<\/p>\n
7) The Brutalist. Bradijs Korbet raida tr\u012bsarpus stundu garu eposu, kur\u0101 Adriens Brodijs sniedz karjeras defin\u0113jo\u0161u sniegumu k\u0101 holokaustu p\u0101rdz\u012bvojis arhitekts, kas mekl\u0113 jaunu s\u0101kumu p\u0113ckara Amerik\u0101. T\u0101 ir monument\u0101la, ambicioza un emocion\u0101li praso\u0161a filma par amb\u012bcij\u0101m un traum\u0101m.<\/p>\n
6) Sinners. Raiena K\u016bglera darbs, kas apvieno v\u0113sturisku kontekstu un vamp\u012bru \u017eanra tropus. St\u0101sts par dv\u012b\u0146u br\u0101\u013ciem (Maikls B. D\u017eordans) Misisipi D\u017eima Krova laik\u0101, kuri atver klubu, piesaistot jaunu bl\u016bza m\u016bzi\u0137i, kas k\u013c\u016bst par upuri neizb\u0113gamiem notikumiem. T\u0101 ir jaud\u012bga metafora par kult\u016bras piesavin\u0101\u0161anos un katarzi.<\/p>\n
5) Nickel Boys. RaMela Rossa darbs, kas balst\u012bts uz Kolsona Vaitheda rom\u0101nu, ir emocion\u0101li posto\u0161a v\u0113sturisk\u0101 kino reinterpret\u0101cija par diviem afroamerik\u0101\u0146u pusaud\u017eiem vardarb\u012bg\u0101 reformskol\u0101. Filma, kas uz\u0146emta galvenok\u0101rt pirm\u0101s personas skat\u012bjum\u0101, liek skat\u012bt\u0101jam pieredz\u0113t z\u0113nu bailes.<\/p>\n
4) It Was Just An Accident. Ir\u0101nas disidenta re\u017eisora D\u017eafara Panahi pirmais darbs p\u0113c atbr\u012bvo\u0161anas no cietuma. \u0160is iespaid\u012bgais trilleris, kas slepus uz\u0146emts, lai izvair\u012btos no cenz\u016bras, p\u0113ta atrieb\u012bbas un \u017e\u0113lsird\u012bbas cenas jaut\u0101jumus. Filma guvusi Ven\u0113cijas Palme d’Or.<\/p>\n
3) Sorda (Deaf). Eva Libertadas sirdi aizkustino\u0161ais otrais darbs par p\u0101ri \u2013 kurlu sievieti (Mirjama Garlo) un vi\u0146as dzirdo\u0161o partneri (Alvaro Servantes), kas gaida b\u0113rnu. Filma meistar\u012bgi apskata vec\u0101ku pien\u0101kumus, komunik\u0101cijas noz\u012bmi un \u0161\u0137iro\u0161anas ietekmi, g\u016bstot univers\u0101lu rezonansi.<\/p>\n
2) Sir\u0101t. \u00d3livera Laks\u0113 Kann\u0101s \u017d\u016brijas balvu ieguvu\u0161\u0101 filma ir kadr\u0113ts, d\u0113monisks un po\u0113tisks spiritu\u0101ls ce\u013cojums pa tuksne\u0161a ainav\u0101m. T\u0101 seko t\u0113vam un d\u0113lam, kas mekl\u0113 pazudu\u0161o m\u0101su\/meitu, pasaulei sabr\u016bkot. Filma kalpo k\u0101 atg\u0101din\u0101jums par robe\u017eu starp v\u0113l\u0113\u0161anos un izmisumu.<\/p>\n
1) One Battle After Another. Pola Tomasa Andersona desmitais pilnmetr\u0101\u017eas darbs, kas br\u012bvi balst\u012bts uz Tomasa Pin\u010dona rom\u0101nu Vineland. Leonardo Di Kaprio atveido atva\u013cin\u0101tu revolucion\u0101ru, kur\u0161 spiests aizst\u0101v\u0113t meitu (\u010ceisa Infiniti) pret vecu ienaidnieku (\u0160ons Penns). Filma ir aizraujo\u0161s, neklasific\u0113jams darbs, kas caurstaig\u0101 paranoida trillera, sat\u012bras un stoner-adventure robe\u017eas, vienlaikus esot dedik\u0101cija t\u0113vam, kur\u0161 izv\u0113las \u0123imeni revol\u016bcijas viet\u0101.<\/p>\n
Nobeigums<\/p>\n
L\u016bk, m\u016bsu saraksts. K\u0101 mums g\u0101ja? Vai palaid\u0101m gar\u0101m j\u016bsu gada favor\u012btu? Iesp\u0113jams, tas bija m\u016bsu starpposma zi\u0146ojum\u0101, Gada lab\u0101ko filmu 2025… L\u012bdz \u0161im sarakst\u0101. Vai varb\u016bt tas bija 2024. gada sarakst\u0101, jo izlai\u0161anas datumi at\u0161\u0137iras re\u0123ionos. Ja n\u0113, dodiet mums zi\u0146u, un m\u0113s cent\u012bsimies to labot. Tikai nem\u0113\u0123iniet mums teikt, ka Mission: Impossible \u2013 The Final Reckoning bija cien\u012bgs nosl\u0113gums vai ka The Phoenician Scheme l\u012bdzin\u0101j\u0101s lab\u0101kajiem Vesa Andersona darbiem. M\u0113s tikai pasm\u0113simies par jums.<\/p>\n","protected":false},"excerpt":{"rendered":"S\u0101kam ar Euronews Culture sarakstu, kas apkopojis gada lab\u0101k\u0101s filmas. Cik no t\u0101m jau esat redz\u0113ju\u0161i? K\u0101 inform\u0113…\n","protected":false},"author":2,"featured_media":83139,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[89,20154,21032,90,21031,21033,21030,35,39,38,36,37,34,40],"class_list":{"0":"post-84246","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-entertainment","9":"tag-euronews-culture","10":"tag-filmu-saraksts","11":"tag-izklaide","12":"tag-kino-apskati","13":"tag-kino-recenzijas","14":"tag-labakas-2025-gada-filmas","15":"tag-latvia","16":"tag-latvian","17":"tag-latviesu","18":"tag-latviesu-valoda","19":"tag-latviesuvaloda","20":"tag-latvija","21":"tag-lv"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/115769282680043700","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/84246","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=84246"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/84246\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/83139"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=84246"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=84246"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=84246"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}