Ievads: Deform\u0113ta M\u0101kslas Ainava<\/p>\n
2025. gads Latvijas vizu\u0101laj\u0101 m\u0101ksl\u0101 iez\u012bm\u0113jies ar visai raibo, tom\u0113r fragment\u0113tu notikumu kopumu, kur\u0101 domin\u0113 daudzi ni\u0161as pas\u0101kumi, bet pietr\u016bkst vienojo\u0161as, valsts m\u0113roga v\u012bzijas. K\u0101 zi\u0146o av\u012bze Diena, \u0161\u012b gada kult\u016bras dz\u012bves aina ir izpl\u016bdusi maz\u0101kos projektos, kuros ir gr\u016bti saskat\u012bt centr\u0101lo pavedienu vai k\u0101du notikumu, kas b\u016btiski main\u012btu kop\u0113jo m\u0101kslas virzienu. \u0160\u012b situ\u0101cija rada saj\u016btu, ka valsts vizu\u0101l\u0101s m\u0101kslas ekosist\u0113ma, lai ar\u012b akt\u012bva, nesp\u0113j rad\u012bt pietiekamu rezonansi \u0101rpus saviem tie\u0161ajiem lokiem.<\/p>\n
Tom\u0113r gada otraj\u0101 pus\u0113 par\u0101d\u012bj\u0101s pirmie so\u013ci uz sist\u0113mas nostiprin\u0101\u0161anu. K\u0101 noz\u012bm\u012bgs solis \u0161\u012b gada notikumu arhitekt\u016br\u0101 tiek min\u0113ta jaunas valsts l\u012bme\u0146a atzin\u012bbas instit\u016bcijas \u2013 Latvijas M\u0101kslas Gada balvas (LMGB) \u2013 izveide. \u0160\u012b balva, kuras pirm\u0101 ceremonija paredz\u0113ta 2026. gada apr\u012bl\u012b, tiecas apzin\u0101t un godin\u0101t spilgt\u0101kos 2025. gada sasniegumus m\u0101kslas nozar\u0113, iek\u013caujot gan m\u0101ksliniekus, gan kuratorus un p\u0113tniekus. \u017d\u016brija, kur\u0101 iek\u013cauti nozares profesion\u0101\u013ci, akt\u012bvi uzs\u0101kusi darbu pie notikumu izv\u0113rt\u0113\u0161anas, \u0146emot v\u0113r\u0101 satura kvalit\u0101ti, rezonansi un ori\u0123inalit\u0101ti, radot cer\u012bbu par stingr\u0101ku kvalit\u0101tes krit\u0113riju ievie\u0161anu.<\/p>\n
Divi Jauni R\u012bgas M\u0101kslas Notikumi un Finans\u0113juma Paradoksi<\/p>\n
\u0160is gads atnesa divus jaunus, liela m\u0113roga pas\u0101kumus R\u012bg\u0101, kas, lai ar\u012b kritiz\u0113ti par procesa caurskat\u0101m\u012bbu, tom\u0113r ir m\u0113\u0123in\u0101jums piesaist\u012bt starptautisku uzman\u012bbu. T\u0101s ir R\u012bgas M\u0101kslas ned\u0113\u013ca\/Riga Art Week, ko organiz\u0113 Latvijas Galeriju asoci\u0101cija, un Riga Contemporary, ko r\u012bkoja laikmet\u012bg\u0101s m\u0101kslas centrs Kim?. \u0160\u0101di pas\u0101kumi tiek v\u0113rt\u0113ti k\u0101 nepiecie\u0161ami, lai c\u012bn\u012btos pret pils\u0113t\u0101, \u012bpa\u0161i Vecr\u012bg\u0101, domin\u0113jo\u0161o l\u0113to t\u016brismu, tiecoties piesaist\u012bt t\u016bristus ar augstas kult\u016bras pied\u0101v\u0101jumu.<\/p>\n
\nDiem\u017e\u0113l nevar noliegt, ka \u0161ie \u012bslaic\u012bgie, da\u017eas dienas vien notieko\u0161ie pas\u0101kumi, netiek uzskat\u012bti par prec\u012bz\u0101ko instrumentu t\u016brisma pl\u016bsmas veicin\u0101\u0161anai, \u012bpa\u0161i, ja instit\u016bcijas, kas tiek reklam\u0113tas, ikdien\u0101 sa\u0146em proporcion\u0101li daudz maz\u0101ku atbalstu.<\/p>\n<\/blockquote>\n
Kriti\u0137i nor\u0101da uz paral\u0113li kult\u016brpolitik\u0101: reprezent\u0101cijas pas\u0101kumu uzplaukums kontrast\u0113 ar ikdienas darba apst\u0101k\u013ciem \u2013 galerijas un kult\u016bras darbinieki ikdien\u0101 saskaras ar finan\u0161u tr\u016bkumu. Tiek uzsv\u0113rts, ka daudz ilgtsp\u0113j\u012bg\u0101ks atbalsts b\u016btu kvalitat\u012bvas un pla\u0161as ikdienas izst\u0101\u017eu pieejam\u012bbas nodro\u0161in\u0101\u0161ana, nevis \u012bslaic\u012bgi starptautiski projekti, kas neuzlabo pamatinfrastrukt\u016bru.<\/p>\n
Izst\u0101\u017eu Vid\u0113: Starptautiskie Sasniegumi un Iek\u0161\u0113j\u0101 Izp\u0113te<\/p>\n
Latvijas vizu\u0101l\u0101s m\u0101kslas \u0101r\u0113jais un iek\u0161\u0113jais dialogs 2025. gad\u0101 bija spilgti izteikts. Viena no noz\u012bm\u012bg\u0101kaj\u0101m atnestaj\u0101m iesp\u0113j\u0101m bija starptautisk\u0101 kult\u016bras diplom\u0101tija, \u012bpa\u0161i sadarb\u012bb\u0101 ar It\u0101liju. R\u012bg\u0101 norisin\u0101j\u0101s divas v\u0113rien\u012bgas It\u0101lijas m\u0101kslas izst\u0101des: no Madamas pils muzeja Tur\u012bn\u0101 \u201cPalazzo Madama. It\u0101lijas m\u0101ksla un amatniec\u012bba 6.\u201319. gadsimts\u201d M\u0101kslas muzej\u0101 R\u012aGAS BIR\u017dA un no Ufici galerijas Florenc\u0113 \u201cIt\u0101lijas gaisma: no Fatori l\u012bdz Morandi\u201d Latvijas Nacion\u0101laj\u0101 m\u0101kslas muzej\u0101 (LNMM). LNMM direktore M\u0101ra L\u0101ce \u0161os projektus raksturoja k\u0101 pieteikumu v\u0113rien\u012bgai sadarb\u012bbai, kas apliecina Latvijas sp\u0113ju gan pozicion\u0113t sevi pasaul\u0113, gan atvest pasaules l\u012bme\u0146a m\u0101kslu.<\/p>\n
Iek\u0161\u0113j\u0101 m\u0101kslas telp\u0101, k\u0101 ierasts, domin\u0113ja maz\u0101ka m\u0113roga, bet saturiski dzi\u013ci person\u0101lizst\u0101des. T\u0101, piem\u0113ram, m\u0101kslas apskatos izce\u013cas izst\u0101des, kas piev\u0113r\u0161as eksistenci\u0101liem jaut\u0101jumiem vai tehnolo\u0123isk\u0101m p\u0101rmai\u0146\u0101m. Interesanti, ka, piem\u0113ram, Latvijas M\u0101kslas akad\u0113mijas studentu darbu izst\u0101de JAUNmarka 2025 (no decembra l\u012bdz janv\u0101rim) k\u013cuva par kopsavilkumu, kur\u0101 ar vair\u0101k nek\u0101 400 darbiem tika demonstr\u0113ta p\u0101reja uz jaunu paradigmu, kur M\u0101ksl\u012bgais Intelekts (MI) ir k\u013cuvis par rado\u0161\u0101 procesa l\u012bdzautoru, vienlaikus izaicinot cilv\u0113ka v\u0113rt\u012bbas.<\/p>\n
Izmantot\u0101s Iesp\u0113jas: V\u0113rt\u012bba un Pien\u0101kums<\/p>\n
2025. gads pied\u0101v\u0101ja m\u0101kslai vair\u0101kas noz\u012bm\u012bgas iesp\u0113jas, kas tika izmantotas, lai gan ar main\u012bgu sekm\u012bgumu. \u201cThe Young Painter Prize 2025\u201d (YPP) turpin\u0101ja b\u016bt b\u016btiska platforma jaunajiem gleznot\u0101jiem no Baltijas valst\u012bm un Ukrainas, izce\u013cot 25 fin\u0101listus un apliecinot starptautisk\u0101s sadarb\u012bbas sp\u0113ku. Ar savu pla\u0161umu un daudzveid\u012bbu t\u0101 piesaist\u012bja iev\u0113rojamu uzman\u012bbu k\u0101 orientieris jauniem talantiem.<\/p>\n
Savuk\u0101rt Latvijas M\u0101kslinieku savien\u012bbas izst\u0101de \u201cRudens 2025. Polittehnolo\u0123iju kult\u016bra\u201d iez\u012bm\u0113ja m\u0113\u0123in\u0101jumu veikt vizu\u0101lu refleksiju par kult\u016bras politikas jaut\u0101jumiem \u2013 k\u0101 m\u0101ksla k\u013c\u016bst par da\u013cu no politisk\u0101m tehnolo\u0123ij\u0101m un k\u0101 saglab\u0101t m\u0101ksliniecisko patiesumu \u0161ajos apst\u0101k\u013cos. \u0160\u012b izst\u0101de kritiz\u0113ja narat\u012bvu atra\u017eo\u0161anu un institucion\u0101lo divkos\u012bbu, tiecoties apliecin\u0101t m\u0101kslas lomu k\u0101 rado\u0161u aktu, nevis tikai tirgus produktu. \u0160is fokus\u0113jums uz rad\u012bt, nevis ra\u017eot ir b\u016btisks kontrasts pret to iesp\u0113ju, ko sniedz liela m\u0113roga t\u016brisma pas\u0101kumi.<\/p>\n
Neizmantot\u0101s Iesp\u0113jas: Sist\u0113mas V\u0101jums un Virziena Mekl\u0113jumi<\/p>\n
Neskatoties uz atsevi\u0161\u0137iem izciliem notikumiem, gada galven\u0101 neizmantot\u0101 iesp\u0113ja paliek kult\u016brpolitikas nepiln\u012bga sist\u0113ma. K\u0101 nor\u0101da nozares v\u0113rot\u0101ji, vizu\u0101l\u0101s m\u0101kslas notikumu izskat\u012b\u0161an\u0101s milz\u012bg\u0101 skait\u0101 nelielos pas\u0101kumos liecina par tr\u016bkumu strat\u0113\u0123isk\u0101 redz\u0113juma. \u0160\u012b fragment\u0101cija liedz m\u0101kslai ie\u0146emt centr\u0101lo vietu sabiedriskaj\u0101 diskurs\u0101.<\/p>\n
K\u0101 atkl\u0101j kriti\u0137u un dom\u0101t\u0101ju v\u0113rt\u0113jumi, past\u0101v ba\u017eas par sabiedr\u012bbas iesaisti un m\u0101kslas pieejam\u012bbu. \u0160ai dimensijai, kas saist\u012bta ar ilgtermi\u0146a izgl\u012bt\u012bbu un kult\u016bras baud\u012b\u0161anas kult\u016bru, nav atrasts efekt\u012bvs risin\u0101jums 2025. gad\u0101. Pat ja izcil\u012bbas tiek apbalvotas ar LMGB, past\u0101v risks, ka \u0161\u012bs atzin\u012bbas paliek profesion\u0101\u013cu lok\u0101, nesp\u0113jot ietekm\u0113t pla\u0161\u0101ku auditoriju, k\u0101 ar\u012b neuzlabojot m\u0101kslas tirgus un instit\u016bciju finansi\u0101lo stabilit\u0101ti.<\/p>\n
Rezum\u0113jot, 2025. gads Latvijas vizu\u0101laj\u0101 m\u0101ksl\u0101 ir gads, kad centieni struktur\u0113t nozari (LMGB, Riga Art Week) s\u0101k\u0101s, tom\u0113r kop\u0113jais iespaids liecina par nepiecie\u0161am\u012bbu p\u0113c stipr\u0101ka atbalsta pamatinstit\u016bcij\u0101m un skaidr\u0101kas, centr\u0113tas m\u0101ksliniecisk\u0101s narat\u012bvas, lai ne\u013cautu talant\u012bg\u0101kajiem darbiem iz\u0161\u0137\u012bst maz\u0101s, nesaist\u012bt\u0101s sal\u0101s.<\/p>\n","protected":false},"excerpt":{"rendered":"Ievads: Deform\u0113ta M\u0101kslas Ainava 2025. gads Latvijas vizu\u0101laj\u0101 m\u0101ksl\u0101 iez\u012bm\u0113jies ar visai raibo, tom\u0113r fragment\u0113tu notikumu kopumu, kur\u0101…\n","protected":false},"author":2,"featured_media":85493,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[89,90,35,39,38,36,37,34,21682,21681,40,12455,3845,21680],"class_list":{"0":"post-85492","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-entertainment","9":"tag-izklaide","10":"tag-latvia","11":"tag-latvian","12":"tag-latviesu","13":"tag-latviesu-valoda","14":"tag-latviesuvaloda","15":"tag-latvija","16":"tag-latvijas-kulturpolitika","17":"tag-latvijas-makslas-gada-balva","18":"tag-lv","19":"tag-makslas-izstades","20":"tag-rigas-makslas-nedela","21":"tag-vizuala-maksla-2025"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/115778873191758915","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/85492","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=85492"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/85492\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/85493"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=85492"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=85492"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=85492"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}