Dz\u012bves vai n\u0101ves jaut\u0101jums studij\u0101<\/p>\n
\u201eKatru reizi, kad pa\u0146emu otu un s\u0101k\u0161u z\u012bm\u0113t, \u0161\u0137iet, ka t\u0101 ir kr\u012bze \u2013 t\u0101 ir dz\u012bv\u012bba vai n\u0101ve.\u201d Britu gleznot\u0101ja Selija Pola nerun\u0101 dramatiz\u0113ti, ta\u010du vi\u0146as darbi run\u0101 pa\u0161i par sevi par maigumu, gar\u012bgumu un cilv\u0113kiem, kurus vi\u0146a m\u012bl visvair\u0101k. K\u0101 inform\u0113 telekan\u0101ls EuroNews, Pola reti dodas \u0101rpus m\u0101jas, dodot priek\u0161roku centr\u0101laj\u0101 London\u0101 eso\u0161\u0101s studijas \u2013 vienlaikus ar\u012b savas m\u0101jas \u2013 ierastajai atmosf\u0113rai. \u0160\u012b telpa ir vi\u0146as vientul\u012bbas cietoksnis, kas nepiecie\u0161ams past\u0101v\u012bgai sevis izzin\u0101\u0161anai.<\/p>\n
Polas nesen\u0101 viz\u012bte Polij\u0101 bija \u012bpa\u0161a, jo vi\u0146a ir viena no m\u0101ksliniec\u0113m, kuras darbi iek\u013cauti Var\u0161avas Modern\u0101s m\u0101kslas muzeja izst\u0101d\u0113 ‘The Woman Question 1550\u20132025’ (Jaut\u0101jums par sievieti 1550\u20132025). Mart\u0101 The New York Review of Books public\u0113ja vi\u0146as eseju ‘Painting Myself’, kur\u0101 vi\u0146a p\u0113t\u012bja sievi\u0161\u0137\u012bgo skatienu, identit\u0101tes veido\u0161anos caur rado\u0161umu un to, k\u0101 sievietes tiek uztvertas m\u0101ksl\u0101 un kult\u016br\u0101. T\u0101 k\u0101 Pola agr\u0101k bija modele un m\u016bza v\u012brie\u0161u m\u0101ksliniekiem, vi\u0146ai pras\u012bja drosmi s\u0101kt gleznot pa\u0161portr\u0113tus. M\u016bsu saruna s\u0101k\u0101s ar jaut\u0101jumu par vi\u0146as biogr\u0101fiju, attiec\u012bb\u0101m ar m\u012b\u013coto L\u016b\u010dianu Freidu un svar\u012bg\u0101kaj\u0101m person\u0101m vi\u0146as dz\u012bv\u0113.<\/p>\n
Kas ir Selija Pola? M\u016bza un pa\u0161refleksija<\/p>\n
Atbildot uz jaut\u0101jumu par savu identit\u0101ti, Pola atz\u012bst:<\/p>\n
\n\u201eNu, es varu atbild\u0113t element\u0101ri. Var\u0113tu teikt, ka esmu Selija Pola. Protams, esmu gleznot\u0101ja, absol\u016bti. Esmu gleznojusi vair\u0101k vai maz\u0101k katru dienu kop\u0161 15 gadu vecuma. J\u0101, viss cits ir otr\u0161\u0137ir\u012bgs.\u201d<\/p>\n<\/blockquote>\n
Vaic\u0101ta, vai vi\u0146a ir sava pa\u0161a m\u016bza, m\u0101ksliniece piekr\u012bt, lai gan v\u0101rds \u201em\u016bza\u201d \u0161\u0137iet jau nodilis:<\/p>\n
\n\u201eEs gleznoju sevi, k\u0101 ar\u012b citus cilv\u0113kus, kurus labi paz\u012bstu.\u201d<\/p>\n<\/blockquote>\n
Selflaiks gan pras\u012bjis laiku un piep\u016bli:<\/p>\n
\n\u201eEs nekad neuztraucos par kritiku, jo… Es vienm\u0113r sevi izaicinu. Man vajadz\u0113ja ilgu laiku, lai s\u0101ktu gleznot sevi. Es var\u0113ju gleznot citus cilv\u0113kus, kurus labi pazinu, bet ne sevi, kam\u0113r nebiju daudz vec\u0101ka.\u201d<\/p>\n<\/blockquote>\n
Pola skaidro, ka spogulis rada statisku spriedzi, jo subjekts nesp\u0113j kust\u0113ties. V\u0113l\u0101k vi\u0146a s\u0101ka atsaucies uz fotogr\u0101fij\u0101m un saviem agr\u0101kajiem darbiem, ieg\u016bstot \u201e\u0101r\u0113ju skatu\u201d, kas atviegloja procesu un \u0161\u0137ita paties\u0101ks vi\u0146as iek\u0161\u0113jai saj\u016btai.<\/p>\n
No Indijas dabas l\u012bdz dz\u012bv\u012bbas t\u0113lojumam<\/p>\n
Pirms k\u013cuva drosm\u012bga gleznot sevi, Pola dz\u012bvoja at\u0161\u0137ir\u012bgu dz\u012bvi. Vi\u0146a dzimusi Indij\u0101, kur vi\u0146as vec\u0101ki bija kristie\u0161u mision\u0101ri. P\u0113c atgrie\u0161an\u0101s Anglij\u0101 piecu gadu vecum\u0101, t\u0113vs k\u013cuva par eva\u0146\u0123\u0113lisko kristie\u0161u kopienas vad\u012bt\u0101ju skaist\u0101 viet\u0101 Kornvol\u0101, pie j\u016bras. Pusaudzes gados daba vi\u0146ai k\u013cuva arvien svar\u012bg\u0101ka, un vi\u0146as agr\u012bnie darbi att\u0113loja dabas skaistumu \u2013 ziedus un objektus, ko vi\u0146a veidoja klusaj\u0101s kompoz\u012bcij\u0101s. Tas vi\u0146u ieveda Slada M\u0101kslas skol\u0101 16 gadu vecum\u0101.<\/p>\n
P\u0101rcel\u0161an\u0101s no noma\u013cas Kornvolas uz centr\u0101lo Londonu 16 gados rad\u012bja vientul\u012bbas saj\u016btu. Skol\u0101, kur akcentu lika uz dz\u012bves z\u012bm\u0113\u0161anu un aktu, vi\u0146a p\u0101rg\u0101ja no dabas t\u0113lojuma uz cilv\u0113ku glezno\u0161anu. Pirmais lielais izr\u0101viens notika, gleznojot savu m\u0101ti, kura s\u0101ka poz\u0113t, kad Polai bija 17 gadi. M\u0101te k\u013cuva par vi\u0146as galveno t\u0113mu 30 gadus, poz\u0113jot divreiz ned\u0113\u013c\u0101, l\u012bdz vairs nesp\u0113ja uzk\u0101pt 80 pak\u0101pienus uz studiju.<\/p>\n
\n\u201eDom\u0101ju, ka tas ir kritiski svar\u012bgi gleznot to, kam ir noz\u012bme m\u0101ksliniekam. Ja nav steidzami izsak\u0101ms, tad gleznot nav j\u0113gas, un persona, kam man bija visliel\u0101k\u0101 noz\u012bme, bija mana m\u0101te.\u201d<\/p>\n<\/blockquote>\n
M\u012blest\u012bba, zaud\u0113jums un gar\u012bg\u0101 p\u0101rmai\u0146a<\/p>\n
Pola atz\u012bst, ka romantisk\u0101s m\u012blest\u012bbas t\u0113mas vi\u0146u sasniegu\u0161as v\u0113l\u0101k. Agr\u0101k vi\u0146a gleznoja savas piecas m\u0101sas, \u012bpa\u0161i jaun\u0101ko Keitu. Savuk\u0101rt att\u0113lojot romantiskas j\u016btas, vi\u0146a str\u0101d\u0101jusi nevis no dz\u012bves, bet gan no t\u0113liem, piem\u0113ram, D\u017eord\u017eones gleznas ‘La Tempesta’ iedvesmas, kas ir viens no romantisk\u0101kajiem v\u012brie\u0161a un sievietes att\u0113lojumiem, vai no fotogr\u0101fij\u0101m.<\/p>\n
Vi\u0146a daudz dom\u0101jusi par sav\u0101m ilgsto\u0161aj\u0101m attiec\u012bb\u0101m ar L\u016b\u010dianu Freidu, kuru satika Slada skol\u0101, kad vi\u0146\u0161 bija pasniedz\u0113js, bet vi\u0146a \u2013 tikai asto\u0146padsmitgad\u012bga. \u0160\u012bs attiec\u012bbas s\u0101k\u0101s, kad vi\u0146a bija \u013coti iem\u012bl\u0113jusies.<\/p>\n
M\u0101ksliniece atz\u012bst, ka katra glezno\u0161anas reize ir k\u0101 kr\u012bze, m\u0113\u0123inot tvert mirkli, kas z\u016bd. \u0160\u012b saj\u016bta, ko vi\u0146a d\u0113v\u0113 par dz\u012bv\u012bbas vai n\u0101ves jaut\u0101jumu, izriet, iesp\u0113jams, no b\u0113rn\u012bbas reli\u0123iskaj\u0101 \u0123imen\u0113, kurai piem\u012bt apzi\u0146a, ka \u0161\u012b dz\u012bve nav m\u016b\u017e\u012bga.<\/p>\n
\u0160obr\u012bd Pola sevi vair\u0101k asoci\u0113 ar gar\u012bgumu nek\u0101 reli\u0123iju. Vi\u0146a mekl\u0113:<\/p>\n
\n\u201eManiem darbiem j\u0101satur patiesu emociju, ko ir gr\u016bti defin\u0113t… Var patie\u0161\u0101m sajust, vai darbam ir nepiecie\u0161am\u012bba.\u201d<\/p>\n<\/blockquote>\n
Atgrie\u0161an\u0101s pie maiguma un studijas klusums<\/p>\n
P\u0113d\u0113jos gados m\u0101kslinieces darbos domin\u0113jis s\u0113ru mot\u012bvs. Da\u017eu gadu laik\u0101 zaud\u0113jot Freidu, m\u0101ti un v\u0113l\u0101k v\u012bru St\u012bvenu K\u016bperu, kura n\u0101ve notika pirms trim gadiem, vi\u0146a piev\u0113rs\u0101s pag\u0101tnes un s\u0113ru t\u0113mai. Tom\u0113r vi\u0146a j\u016btas, ka l\u0113n\u0101m maina virzienu:<\/p>\n
\n\u201eEsmu pak\u0101peniski no t\u0101 att\u0101lin\u0101jusies un v\u0113los tiekties p\u0113c kaut k\u0101 maig\u0101ka, dom\u0101ju, l\u012bdzciet\u012bg\u0101ka.\u201d<\/p>\n<\/blockquote>\n
P\u0113c zaud\u0113jumiem vi\u0146a j\u016bt ar\u012b jaunu br\u012bv\u012bbas saj\u016btu, kas \u013cauj darboties bez ierobe\u017eojumiem. Vi\u0146as darbi k\u013c\u016bst sp\u0113c\u012bg\u0101ki un drosm\u012bg\u0101ki. Lai gan studija atrodas vien\u0101 no ska\u013c\u0101kaj\u0101m Londonas iel\u0101m, t\u0101 saglab\u0101 neparastu klusumu, kas radies no gadiem ilgi pavad\u012bt\u0101s klus\u0113\u0161anas, poz\u0113jot cilv\u0113kiem un medit\u0113jot p\u0101r saviem darbiem.<\/p>\n
Lai gan Pola ir trauksmaina un daudz raiz\u0113jas, galvenok\u0101rt par glezno\u0161anu, vi\u0146a sevi neuzskata par haotisku personu; dr\u012bz\u0101k par stingru dom\u0101t\u0101ju, kura daudz lasa. Jaut\u0101ta par izst\u0101di Var\u0161av\u0101, kur\u0101 domin\u0113 sievie\u0161u m\u0101kslinie\u010du darbi, Pola nor\u0101da uz b\u016btisku at\u0161\u0137ir\u012bbu:<\/p>\n
\n\u201eTas, kas mani \u012bpa\u0161i piesaista, ir tas, ka par katru \u0161eit eso\u0161o m\u0101kslas darbu bija j\u0101c\u012bn\u0101s. Sievietei m\u0101ksliniecei ir j\u0101c\u012bn\u0101s par savu br\u012bv\u012bbu cit\u0101d\u0101 veid\u0101 nek\u0101 v\u012brie\u0161u m\u0101ksliniekam. Joproj\u0101m past\u0101v \u0161\u012b gaida, ka sievietei j\u0101b\u016bt apr\u016bp\u0113t\u0101jai, atbalst\u012bt\u0101jai… T\u0101p\u0113c katra sieviete, kas rad\u012bjusi m\u0101kslas darbu, ir c\u012bn\u012bjusies par savu vietu.\u201d<\/p>\n<\/blockquote>\n","protected":false},"excerpt":{"rendered":"Dz\u012bves vai n\u0101ves jaut\u0101jums studij\u0101 \u201eKatru reizi, kad pa\u0146emu otu un s\u0101k\u0161u z\u012bm\u0113t, \u0161\u0137iet, ka t\u0101 ir kr\u012bze…\n","protected":false},"author":2,"featured_media":85696,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[89,21751,90,35,39,38,36,37,34,21752,40,15238,21750,21753],"class_list":{"0":"post-85695","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-entertainment","9":"tag-gleznieciba","10":"tag-izklaide","11":"tag-latvia","12":"tag-latvian","13":"tag-latviesu","14":"tag-latviesu-valoda","15":"tag-latviesuvaloda","16":"tag-latvija","17":"tag-lucians-freids","18":"tag-lv","19":"tag-pasportrets","20":"tag-selija-pola","21":"tag-varsavas-makslas-izstade"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/115779911324422612","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/85695","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=85695"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/85695\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/85696"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=85695"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=85695"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=85695"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}