Apg\u0101da “Neputns” jaunais izdevums iepaz\u012bstina ar Borisa B\u0113rzi\u0146a rado\u0161o pasauli<\/p>\n
Apg\u0101ds “Neputns” ir laidis klaj\u0101 jaunu, iespaid\u012bgu izdevumu “Boriss B\u0113rzi\u0146\u0161. Sarunas un z\u012bm\u0113jumi”, kas sniedz dzi\u013cu ieskatu viena no 20. gadsimta otr\u0101s puses izcil\u0101k\u0101 latvie\u0161u m\u0101kslinieka Borisa B\u0113rzi\u0146a (1930\u20132002) daudzpus\u012bgaj\u0101 dai\u013crad\u0113. \u0160is albums ir vair\u0101k nek\u0101 tikai m\u0101kslas darbu kr\u0101jums; tas ir r\u016bp\u012bgi veidots atskats uz gleznot\u0101ja un izcil\u0101 z\u012bm\u0113t\u0101ja rado\u0161o mantojumu, apvienojot vi\u0146a spilgt\u0101kos z\u012bm\u0113jumus ar Laimas Slavas veiktaj\u0101m sarun\u0101m ar m\u0101kslinieku, atkl\u0101jot gan B\u0113rzi\u0146a skat\u012bjumu uz m\u0101kslu, gan vi\u0146a person\u012bgo un publisko v\u0113sturi.<\/p>\n
Sarunas, kas atkl\u0101j m\u0101kslinieka dv\u0113seli<\/p>\n
Gr\u0101mat\u0101 iek\u013caut\u0101s Laimas Slavas sarunas ar Borisu B\u0113rzi\u0146u ir v\u0113rt\u012bgs avots, kas \u013cauj iel\u016bkoties m\u0101kslinieka dom\u0101s un idej\u0101s par m\u0101kslu un dz\u012bvi. \u0160\u012bs sarunas, kas tapu\u0161as laika posm\u0101 no 20. gadsimta 80. gadu s\u0101kuma l\u012bdz pat gadsimta beig\u0101m, \u012bpa\u0161i intens\u012bvi norisinoties 90. gadu vid\u016b, sniedz unik\u0101lu ieskatu B\u0113rzi\u0146a rado\u0161aj\u0101 proces\u0101 un vi\u0146a filozofiskaj\u0101 pasaul\u0113. Da\u013ca no \u0161\u012b materi\u0101la jau iepriek\u0161 kalpojusi par pamatu monogr\u0101fijai “Dieva bu\u010da” (2000) un albumam “Boriss B\u0113rzi\u0146\u0161” (2003), ta\u010du jaunais izdevums pied\u0101v\u0101 papla\u0161in\u0101tu un dzi\u013c\u0101ku skat\u012bjumu. Slava atz\u012bst, ka sarunas pal\u012bdz atkl\u0101t m\u0101kslinieka redz\u0113jumu par m\u0101kslu, person\u012bgo un sabiedrisko dz\u012bvi, sniedzot las\u012bt\u0101jam iesp\u0113ju lab\u0101k izprast B\u0113rzi\u0146a unik\u0101lo poz\u012bciju un talantu.<\/p>\n
Z\u012bm\u0113jumi \u2013 nep\u0101rsp\u0113jamas l\u012bnijas un formas<\/p>\n
Albuma otra b\u016btisk\u0101 da\u013ca ir Borisa B\u0113rzi\u0146a z\u012bm\u0113jumu izlase, kas atlas\u012bta no m\u0101kslinieka bag\u0101t\u012bg\u0101 mantojuma. Dizaineri un sast\u0101d\u012bt\u0101ji ir centu\u0161ies izcelt B\u0113rzi\u0146am rakstur\u012bg\u0101ko, vienlaikus izvairoties no atk\u0101rtojumiem ar jau iepriek\u0161 public\u0113to. M\u0101kslas zin\u0101tniece Laima Slava uzsver B\u0113rzi\u0146a talantu z\u012bm\u0113t, raksturojot to k\u0101 organisku nepiecie\u0161am\u012bbu. Vi\u0146a st\u0101sta: “Meistars daudz z\u012bm\u0113ja. Man \u0161\u0137iet, t\u0101 bija t\u0101da organiska nepiecie\u0161am\u012bba \u2013 past\u0101v\u012bgi darboties ar z\u012bmuli vai lod\u012b\u0161u pildspalvu… Ar\u012b sarun\u0101joties vi\u0146\u0161 vienm\u0113r, galda gal\u0101 s\u0113d\u0113dams, kaut ko z\u012bm\u0113ja.” B\u0113rzi\u0146a izt\u0113le un sp\u0113ja izmantot l\u012bnijas plastisk\u0101s iesp\u0113jas tiek v\u0113rt\u0113ta k\u0101 \u0123eni\u0101la, radot darbus, kuros ar p\u0101ris vilcieniem tiek uzburts spilgts un dz\u012bvel\u012bgs t\u0113ls. \u0160\u012b z\u012bm\u0113jumu da\u013ca par\u0101da ne tikai B\u0113rzi\u0146a virtuozit\u0101ti, bet ar\u012b vi\u0146a sp\u0113ju rota\u013c\u0101ties ar formu, t\u0113lu un l\u012bniju, radot darbus, kas ir gan tehniski izcili, gan emocion\u0101li pies\u0101tin\u0101ti.<\/p>\n
Boriss B\u0113rzi\u0146\u0161 \u2013 m\u0101kslas nemiernieks un autsaiders<\/p>\n
Boriss B\u0113rzi\u0146\u0161 latvie\u0161u m\u0101ksl\u0101 ien\u0101ca Padomju Latvijas laik\u0101, kad m\u0101kslas pasaul\u0113 vald\u012bja stingra socre\u0101lisma doktr\u012bna. Kop\u0101 ar laikabiedriem, piem\u0113ram, Edgaru Iltneru un Induli Zari\u0146u, vi\u0146u pieskait\u012bja pie “skarb\u0101 stila” veidot\u0101jiem, kas ienesa jaunas v\u0113smas m\u0101ksl\u0101. Tom\u0113r \u0101tri vien k\u013cuva skaidrs, ka B\u0113rzi\u0146u nav iesp\u0113jams ievietot noteiktos \u017eanriskos vai stilistiskos r\u0101mjos; vi\u0146\u0161 gleznoja to, kas vi\u0146am \u0161\u0137ita interesants. Tas vi\u0146am nesa zin\u0101mu “\u0101rpusnieka” statusu, ta\u010du vi\u0146a talantu nevar\u0113ja ignor\u0113t, padarot vi\u0146u par neapstr\u012bdamu autorit\u0101ti m\u0101kslinieku vid\u0113. Vi\u0146a darbs “M\u0101kslinieks un modelis” ir iek\u013cauts Latvijas kult\u016bras kanon\u0101, apliecinot B\u0113rzi\u0146a noz\u012bm\u012bgo ieguld\u012bjumu Latvijas m\u0101ksl\u0101. B\u0113rzi\u0146a m\u0101ksla ir apbr\u012bnojama ar savu sp\u0113ju paradoks\u0101li savienot negl\u012bto ar skaisto, ikdieni\u0161\u0137o ar m\u016b\u017e\u012bgo, klasisko mantojumu ar radik\u0101li laikmet\u012bgo.<\/p>\n
Par izdevumu un t\u0101 tap\u0161anu<\/p>\n
Gr\u0101matas “Boriss B\u0113rzi\u0146\u0161. Sarunas un z\u012bm\u0113jumi” sast\u0101d\u012bt\u0101ja ir Laima Slava, redaktors \u2013 Raimonds \u0136ir\u0137is, bet dizaina autore \u2013 Anta Pence. Izdevums tapis ar Valsts kult\u016brkapit\u0101la fonda, Latvijas Nacion\u0101l\u0101 m\u0101kslas muzeja, “Arctic Paper” un J\u0101\u0146a Zuz\u0101na atbalstu. “Neputns” ir iepriek\u0161 izdevis vair\u0101kus noz\u012bm\u012bgus albumus par latvie\u0161u m\u0101kslas klasiku, tostarp iepriek\u0161 izdotas gr\u0101matas par Borisu B\u0113rzi\u0146u, piem\u0113ram, “Boriss B\u0113rzi\u0146\u0161” (2003) un “Boriss B\u0113rzi\u0146\u0161. Latvijas m\u0101kslas klasika” (2016). Jaunais izdevums papildina \u0161o v\u0113rt\u012bgo s\u0113riju, pied\u0101v\u0101jot jaunu un daudzpus\u012bgu skat\u012bjumu uz m\u0101kslinieka mantojumu.<\/p>\n
Boriss B\u0113rzi\u0146\u0161 m\u0101kslas v\u0113stur\u0113<\/p>\n
Boriss B\u0113rzi\u0146\u0161 (1930\u20132002) tiek uzskat\u012bts par vienu no spilgt\u0101kajiem 20. gadsimta otr\u0101s puses latvie\u0161u glezniec\u012bbas un grafikas meistariem. Vi\u0146a rado\u0161ais devums ir iev\u0113rojams ne tikai ar glezn\u0101m, bet ar\u012b ar daudzajiem z\u012bm\u0113jumiem, kas demonstr\u0113 vi\u0146a izcilo tehniku un ideju bag\u0101t\u012bbu. B\u0113rzi\u0146a darbi, kas bie\u017ei vien izce\u013cas ar spilgtu kr\u0101su, izteiksm\u012bgu l\u012bniju un form\u0101lu risin\u0101jumu mekl\u0113jumiem, ir ietekm\u0113ju\u0161i vair\u0101kas m\u0101kslinieku paaudzes. Vi\u0146\u0161 darboj\u0101s da\u017e\u0101dos \u017eanros \u2013 klus\u0101 daba, ainava, sadz\u012bves un figur\u0101l\u0101 glezniec\u012bba, vienm\u0113r pie\u0161\u0137irot darbiem dzi\u013cu filozofisku saturu. Vi\u0146a unik\u0101lais skat\u012bjums un sp\u0113ja apvienot ikdieni\u0161\u0137o ar m\u016b\u017e\u012bgo ir padar\u012bju\u0161i vi\u0146a m\u0101kslu par neat\u0146emamu Latvijas kult\u016bras kanona sast\u0101vda\u013cu.<\/p>\n","protected":false},"excerpt":{"rendered":"Apg\u0101da “Neputns” jaunais izdevums iepaz\u012bstina ar Borisa B\u0113rzi\u0146a rado\u0161o pasauli Apg\u0101ds “Neputns” ir laidis klaj\u0101 jaunu, iespaid\u012bgu izdevumu…\n","protected":false},"author":2,"featured_media":8698,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[3498,89,90,3500,35,39,38,3501,36,37,34,40,3499,3502],"class_list":{"0":"post-8697","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-boriss-berzins","9":"tag-entertainment","10":"tag-izklaide","11":"tag-laima-slava","12":"tag-latvia","13":"tag-latvian","14":"tag-latviesu","15":"tag-latviesu-maksla","16":"tag-latviesu-valoda","17":"tag-latviesuvaloda","18":"tag-latvija","19":"tag-lv","20":"tag-neputns","21":"tag-zimejumi"},"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/8697","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=8697"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/8697\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/8698"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=8697"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=8697"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=8697"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}