{"id":88992,"date":"2025-12-29T15:37:19","date_gmt":"2025-12-29T15:37:19","guid":{"rendered":"https:\/\/www.europesays.com\/lv\/88992\/"},"modified":"2025-12-29T15:37:19","modified_gmt":"2025-12-29T15:37:19","slug":"zaks-snaiders-atklaj-pirmos-kadrus-no-20-gadus-tapusas-filmas-pedeja-fotografija-lente-lv","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/lv\/88992\/","title":{"rendered":"Zaks Snaiders atkl\u0101j pirmos kadrus no 20 gadus tapu\u0161\u0101s filmas &#8220;P\u0113d\u0113j\u0101 fotogr\u0101fija&#8221;\u00a0\u2014\u00a0Lente.lv"},"content":{"rendered":"<p>Neierasts \u017eanrs un dzi\u013cums<\/p>\n<p>Re\u017eisors Zaks Snaiders, kur\u0161 pasaules atpaz\u012bstam\u012bbu guvis ar fant\u0101zijas un asa si\u017eeta film\u0101m, ir atkl\u0101jis pirmos kadrus no sava jaun\u0101k\u0101 projekta, pie kura str\u0101d\u0101jis gandr\u012bz divas desmitgades. Filma ar nosaukumu &#8220;P\u0113d\u0113j\u0101 fotogr\u0101fija&#8221; (The Last Photograph) at\u0161\u0137iras no vi\u0146a iepriek\u0161\u0113jiem darbiem gan form\u0101ta, gan ar\u012b tematisk\u0101 zi\u0146\u0101. T\u0101 ir dr\u0101ma, kas atteicas no supervaro\u0146iem, zombijiem un fantastikas elementiem, piev\u0113r\u0161oties cilv\u0113cisku cie\u0161anu un izdz\u012bvo\u0161anas t\u0113mai.<\/p>\n<p>St\u0101sts par zaud\u0113jumu un mekl\u0113jumiem<\/p>\n<p>Filmas pamat\u0101 ir st\u0101sts par v\u012brieti, kur\u0161, saskaroties ar savu vec\u0101ku slepkav\u012bbu, dodas mekl\u0113t pazudu\u0161os br\u0101\u013cad\u0113lu un m\u0101sasmeitu. Vi\u0146a vien\u012bgais sabiedrotais un potenci\u0101lais gl\u0101b\u0113js ir kara fotogr\u0101fs, kur\u0161 ir redz\u0113jis slepkav\u012bbas. Galvenais varonis nav parasts cilv\u0113ks, bet gan biju\u0161ais DEA (ASV Narkotiku apkaro\u0161anas p\u0101rvaldes) a\u0123ents. Kop\u0101 ar fotogr\u0101fu, kur\u0161 pats c\u012bn\u0101s ar atkar\u012bbu, vi\u0146i dodas ce\u013cojum\u0101 uz Dienvidamerikas kalniem. \u0160is brauciens pak\u0101peniski izpl\u016bdina realit\u0101tes un sirre\u0101lu notikumu robe\u017eas, radot spriedzi un nenoteikt\u012bbu.<\/p>\n<p>Re\u017eisora personisk\u0101 transform\u0101cija un izaicin\u0101jumi<\/p>\n<p>Snaiders pats atz\u012bst, ka \u0161is virziens vi\u0146am ir neparasts, jo l\u012bdz \u0161im vi\u0146\u0161 p\u0101rsvar\u0101 str\u0101d\u0101jis zin\u0101tnisk\u0101s fantastikas, asa si\u017eeta un fant\u0101zijas \u017eanros. Vi\u0146\u0161 jauno filmu raksturo k\u0101 \u201cmedit\u0101ciju par dz\u012bvi un n\u0101vi\u201d. Intervij\u0101 izdevumam Deadline re\u017eisors skaidroja, ka \u0161\u012b projekta m\u0113r\u0137is bijis \u201cpa\u0146emt kameru rok\u0101s un vienk\u0101r\u0161i uz\u0146emt filmu int\u012bm\u0101 veid\u0101\u201d. Vi\u0146\u0161 piebilda, ka ideja ir saist\u012bta ar \u201cp\u0101rbaud\u012bjumiem, ko piedz\u012bvojis sav\u0101 dz\u012bv\u0113\u201d. Snaiders ne tikai re\u017eis\u0113, bet ar\u012b pats film\u0113, uz\u0146emoties ar\u012b operatora lomu.<\/p>\n<p>Aktieru ansamblis un muzik\u0101lais noform\u0113jums<\/p>\n<p>Galven\u0101s lomas film\u0101 atveido Stjuarts M\u0101rtins un Fra Fi. Iepriek\u0161\u0113j\u0101s baumas par Kristiana Beila un \u0160ona Penu dal\u012bbu projekt\u0101 nav piepild\u012bju\u0161\u0101s, jo filma nesp\u0113ja uzs\u0101kt ra\u017eo\u0161anu jau pirms desmit gadiem. Filmas m\u016bziku veido slavenais komponists Hanss Cimmers, kur\u0161 iepriek\u0161 sadarbojies ar Snaideru pie t\u0101diem projektiem k\u0101 \u201cT\u0113rauda v\u012brs\u201d un \u201cBetmens pret Supermenu: Taisn\u012bguma r\u012btausma\u201d.<\/p>\n<p>Ilgs ce\u013c\u0161 l\u012bdz ekr\u0101niem un cer\u012bbas uz jaunu s\u0101kumu<\/p>\n<p>Snaiders v\u0113l\u0113j\u0101s uz\u0146emt \u0161o filmu ar K\u0113rtisa D\u017eonstada scen\u0101riju jau kop\u0161 2000. gadu vidus. Tikai p\u0113c gandr\u012bz diviem gadu desmitiem projekts sa\u0146\u0113mis za\u013co gaismu un uz\u0146em\u0161ana tika pabeigta 2025. gada novembr\u012b. Lai gan filmai v\u0113l nav noteikta izn\u0101k\u0161anas datuma, t\u0101s tap\u0161ana ir noz\u012bm\u012bga Snaidera karjer\u0101, \u012bpa\u0161i p\u0113c tam, kad vi\u0146a p\u0113d\u0113jie darbi, piem\u0113ram, &#8220;At\u0161\u0137ir\u012bg\u0101 m\u0113ness&#8221; (Rebel Moon), ir sa\u0146\u0113mu\u0161i visai attur\u012bgu kriti\u0137u v\u0113rt\u0113jumu. Pirmais &#8220;At\u0161\u0137ir\u012bg\u0101s m\u0113ness&#8221; da\u013cas ieguva vien 21% no kriti\u0137iem vietn\u0113 Rotten Tomatoes, bet otrais tika nov\u0113rt\u0113ts v\u0113l slikt\u0101k \u2013 15%. &#8220;P\u0113d\u0113j\u0101 fotogr\u0101fija&#8221; Snaideram var\u0113tu b\u016bt izdev\u012bba apliecin\u0101t sevi k\u0101 daudzpus\u012bgu re\u017eisoru un uzs\u0101kt jaunu karjeras posmu, piev\u0113r\u0161oties maz\u0101kiem, personisk\u0101kiem projektiem bez v\u0113rien\u012bgiem specefektiem.<\/p>\n","protected":false},"excerpt":{"rendered":"Neierasts \u017eanrs un dzi\u013cums Re\u017eisors Zaks Snaiders, kur\u0161 pasaules atpaz\u012bstam\u012bbu guvis ar fant\u0101zijas un asa si\u017eeta film\u0101m, ir&hellip;\n","protected":false},"author":2,"featured_media":88993,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[89,90,719,35,39,38,36,37,34,40,22586,22585,3794,22584],"class_list":{"0":"post-88992","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-entertainment","9":"tag-izklaide","10":"tag-jauna-filma","11":"tag-latvia","12":"tag-latvian","13":"tag-latviesu","14":"tag-latviesu-valoda","15":"tag-latviesuvaloda","16":"tag-latvija","17":"tag-lv","18":"tag-makslas-kino","19":"tag-pedeja-fotografija","20":"tag-rezisors","21":"tag-zaks-snaiders"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/115803602491866203","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/88992","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=88992"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/88992\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/88993"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=88992"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=88992"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=88992"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}