Filmas diskusijas rais\u0101s par un ap 90. gadu Latvijas realit\u0101ti<\/p>\n
Kop\u0161 oktobra s\u0101kuma Latvijas kinote\u0101tros skat\u0101ma re\u017eisora Oskara Rupenheita jaun\u0101 krimin\u0101ldr\u0101ma “Tum\u0161zilais eva\u0146\u0123\u0113lijs”. Filma, kas atspogu\u013co 90. gadu vidus haotisko un bie\u017ei vien b\u0113d\u012bgi slav\u0113to Latvijas vidi, izrais\u012bjusi pla\u0161as diskusijas tie\u0161saist\u0113. K\u0101 zi\u0146o Latvijas Av\u012bze, skat\u012bt\u0101ji ir dal\u012bju\u0161ies ar \u013coti da\u017e\u0101d\u0101m atsauksm\u0113m, s\u0101kot no saj\u016bsmas par t\u0101s autentiskumu un ironiju, l\u012bdz pat kritikai par aktiersp\u0113li un si\u017eeta att\u012bst\u012bbu. Filma ieved skat\u012bt\u0101jus devi\u0146desmito gadu R\u012bgas krimin\u0101laj\u0101 pasaul\u0113, att\u0113lojot laiku p\u0113c Padomju Savien\u012bbas sabrukuma, kad jaun\u0101 valsts mekl\u0113ja savu ce\u013cu sare\u017e\u0123\u012btos apst\u0101k\u013cos. St\u0101sta centr\u0101 ir jaunais krimin\u0101lpolicijas izmekl\u0113t\u0101js Rom\u0101ns Skulte, kuru atveido Raitis St\u016brmanis. Skulte, b\u016bdams pilns ide\u0101lisma, dr\u012bzum\u0101 saprot, ka, lai c\u012bn\u012btos ar noziedz\u012bbu un sist\u0113mas iek\u0161\u0113jiem \u0161\u0137\u0113r\u0161\u013ciem, b\u016bs j\u0101p\u0101rk\u0101pj savi principi. <\/p>\n
Aktieri un autentiskums \u2013 galvenie diskusiju objekti<\/p>\n
Viena no galvenaj\u0101m t\u0113m\u0101m skat\u012bt\u0101ju apskatos ir saist\u012bta ar aktieru atlasi. Daudzi atzin\u012bgi nov\u0113rt\u0113 filmas veidot\u0101ju l\u0113mumu galvenok\u0101rt izmantot neprofesion\u0101lus aktierus, uzsverot, ka tas pie\u0161\u0137ir darbam \u012bpa\u0161u autentiskumu un \u013cauj rad\u012bt p\u0101rliecino\u0161\u0101kus t\u0113lus. “Neprofesion\u0101li aktieri, bet da\u017ei pat tik ticami iznes savus t\u0113lus, ka nevaru iedom\u0101ties tur k\u0101du no Latvijas aktieriem,” atz\u012bst viena no skat\u012bt\u0101j\u0101m. Tom\u0113r tie\u0161i \u0161is aspekts da\u017eiem ir licis ap\u0161aub\u012bt filmas kvalit\u0101ti. Tiek nor\u0101d\u012bts, ka “vien\u012bg\u0101 profesion\u0101l\u0101 aktrise” att\u0113lojusi savas lomas “d\u012bvaini un sam\u0101ksloti”. Interesanti, ka filmas re\u017eisors Oskars Rupenheits, kur\u0161 iepriek\u0161 veidojis ar\u012b taut\u0101 iem\u012b\u013coto “Krimin\u0101l\u0101s ekselences fondu”, pats nor\u0101da, ka ar\u012b jaunaj\u0101 film\u0101 galven\u0101s lomas atveido neprofesion\u0101li aktieri, iz\u0146emot vienu noz\u012bm\u012bgu sievie\u0161u lomas atveidot\u0101ju, El\u012bnu Avoti\u0146u. Tas liecina, ka \u0161\u0101da pieeja bijusi apzin\u0101ta izv\u0113le, lai rad\u012btu \u012bpa\u0161u realit\u0101tes izj\u016btu. <\/p>\n
At\u0161\u0137ir\u012bg\u0101s interpret\u0101cijas: vai t\u0101 ir krimin\u0101ldr\u0101ma vai kas cits?<\/p>\n
Filmas \u017eanrisk\u0101 pieder\u012bba un si\u017eeta att\u012bst\u012bba ar\u012b izpeln\u012bjusies da\u017e\u0101das interpret\u0101cijas. Kam\u0113r da\u017ei skat\u012bt\u0101ji slav\u0113 filmas “fenomen\u0101lo uzb\u016bvi”, “\u013coti kvalitat\u012bvos kadrus” un sp\u0113ju notur\u0113t uzman\u012bbu divu stundu garum\u0101, nor\u0101dot, ka “si\u017eets nep\u0101rtraukti notur uzman\u012bbu, veido vieglu spriedzi”, citi pau\u017e viedokli, ka “nav nek\u0101ds krimi\u0137is”. Da\u017ei kritiz\u0113 filmas garumu, uzskatot, ka “varb\u016bt pras\u012bj\u0101s mazliet \u012bs\u0101ku”, un atsevi\u0161\u0137i si\u017eeta pav\u0113rsieni tiek d\u0113v\u0113ti par “kli\u0161ejisku” vai “neviet\u0101 eso\u0161u”. Tom\u0113r daudzi atzin\u012bgi v\u0113rt\u0113 filmas sp\u0113ju att\u0113lot devi\u0146desmito gadu atmosf\u0113ru, korupciju un sabiedr\u012bbas mor\u0101l\u0101s dilemmas. Re\u017eisors Oskars Rupenheits pats uzsver, ka, lai gan filmas t\u0113ma ir dr\u016bma, vi\u0146\u0161 nevar izvair\u012bties no ironijas un humora, ko redz dz\u012bv\u0113, cen\u0161oties rad\u012bt “ac\u012bm pievilc\u012bgu” kino. \u0160\u012b pieeja, \u0161\u0137iet, ir rad\u012bjusi pretrun\u012bgus iespaidus \u2013 vieniem humors \u0161\u0137itis “viet\u0101 un person\u012bgi neliekas, ka k\u0101d\u0101 viet\u0101 b\u016btu aiz\u0161auts greizi ar vi\u0146u”, kam\u0113r citiem tas nav piln\u012bb\u0101 sasniedzis m\u0113r\u0137i. <\/p>\n
Laika z\u012bmogi un mor\u0101l\u0101s izv\u0113les<\/p>\n
Filmas darb\u012bba norisin\u0101s 90. gadu vidus R\u012bg\u0101, att\u0113lojot p\u0101rejas perioda haosu un nedro\u0161\u012bbu Latvij\u0101 p\u0113c PSRS sabrukuma. \u0160\u012b laikmeta atainojums tiek nov\u0113rt\u0113ts k\u0101 “lieliski saskan\u0113jis” ar st\u0101sta ideju. Skat\u012bt\u0101ji g\u016bst ieskatu par sabiedr\u012bbu, kur\u0101 “noziedz\u012bba, korupcija un mor\u0101l\u0101 nenoteikt\u012bba savij\u0101s ar jaun\u0101m iesp\u0113j\u0101m un izaicin\u0101jumiem”, atspogu\u013cojot “me\u017eon\u012bgo rietumu” atmosf\u0113ru Latvij\u0101. Filmas centr\u0101lais varonis Skulte saskaras ar gr\u016bt\u0101m mor\u0101l\u0101m dilemm\u0101m, kas liek skat\u012bt\u0101jiem padom\u0101t par jaut\u0101jumu: “vai m\u0113r\u0137is attaisno l\u012bdzek\u013cus un cik t\u0101lu dr\u012bkst iet c\u012b\u0146\u0101 pret noziedz\u012bbu?”. Da\u017ei recenzenti nor\u0101da uz filmas “melni pel\u0113ko skat\u012bjumu”, kas atg\u0101dina 90. gadu krievvalod\u012bgo filmu stilistiku, koncentr\u0113joties uz “goda kodeksiem” un “v\u012brie\u0161u likumiem”, kur “rakst\u012btais likums nefunkcion\u0113”. Filmas garums, kas ir 2 stundas un 29 min\u016btes, ir rad\u012bjis diskusijas par to, vai t\u0101 neb\u016btu var\u0113jusi b\u016bt \u012bs\u0101ka, ta\u010du daudzi atz\u012bst, ka filma nebija garlaic\u012bga un nep\u0101rtraukti notur\u0113ja skat\u012bt\u0101ja uzman\u012bbu. <\/p>\n
Filmas pan\u0101kumi un turpm\u0101k\u0101 izplat\u012b\u0161ana<\/p>\n
Neskatoties uz at\u0161\u0137ir\u012bgaj\u0101m atsauksm\u0113m, filma “Tum\u0161zilais eva\u0146\u0123\u0113lijs” ir guvusi iev\u0113rojamu skat\u012bt\u0101ju atsauc\u012bbu, k\u013c\u016bstot par vienu no pa\u0161m\u0101ju skat\u012bt\u0101kaj\u0101m film\u0101m 2025. gad\u0101. Filmas pirmizr\u0101de notika 8. oktobr\u012b kinote\u0101tr\u012b “Forum Cinemas”, un kop\u0161 t\u0101 laika t\u0101 tiek demonstr\u0113ta kinote\u0101tros vis\u0101 Latvij\u0101. T\u0101s veidot\u0101ji akt\u012bvi tiekas ar skat\u012bt\u0101jiem \u012bpa\u0161os seansos, daloties iespaidos un atbildot uz jaut\u0101jumiem. Filma tapusi ar Valsts Kult\u016brkapit\u0101la fonda, k\u0101 ar\u012b citu atbalst\u012bt\u0101ju un \u0123ener\u0101lsponsora DEPO pal\u012bdz\u012bbu. Re\u017eisors Oskars Rupenheits par filmu saka: “Lai ar\u012b filmas t\u0113ma ir visai dr\u016bma, es tom\u0113r nevaru izvair\u012bties no ironijas un humora, ko redzu dz\u012bv\u0113, un ar\u012b vizu\u0101li es cen\u0161os rad\u012bt ko acij pievilc\u012bgu.”<\/p>\n","protected":false},"excerpt":{"rendered":"Filmas diskusijas rais\u0101s par un ap 90. gadu Latvijas realit\u0101ti Kop\u0161 oktobra s\u0101kuma Latvijas kinote\u0101tros skat\u0101ma re\u017eisora Oskara…\n","protected":false},"author":2,"featured_media":89047,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[1949,89,90,1948,35,39,38,2712,36,37,34,40,1950,1947],"class_list":{"0":"post-89046","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-90-gadi","9":"tag-entertainment","10":"tag-izklaide","11":"tag-kriminaldrama","12":"tag-latvia","13":"tag-latvian","14":"tag-latviesu","15":"tag-latviesu-kino","16":"tag-latviesu-valoda","17":"tag-latviesuvaloda","18":"tag-latvija","19":"tag-lv","20":"tag-oskars-rupenheits","21":"tag-tumszilais-evangelijs"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/115803744195255931","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/89046","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=89046"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/89046\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/89047"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=89046"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=89046"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=89046"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}