![\"2025.](\"https:\/\/www.europesays.com\/lv\/wp-content\/uploads\/2025\/12\/695413ea37d82_3344955135.jpg\")
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Kadrs no filmas “T\u012bkl\u0101. TTT le\u0123endas dzim\u0161ana”, foto: J\u0101nis Konons.<\/p>\n
Z\u012bmolam \u201eKino Raksti\u201d \u0161ogad aprit\u0113ja divdesmit pieci gadi, port\u0101la digit\u0101laj\u0101 form\u0101t\u0101 tas darbojas jau desmit gadus, t\u0101tad varam \u0161\u0101gada las\u012bt\u0101ko rakstu apkopojumu d\u0113v\u0113t par jubilejas izlasi, kas n\u0101k k\u0101 priec\u012bgs Kino Rakstu j\u0113gas apliecin\u0101jums \u2013 visvair\u0101k m\u016bsu las\u012bt\u0101jus interes\u0113 tie\u0161i Latvijas kino un Latvijas autoru raksti.<\/p>\n
\u0160aj\u0101 tradicion\u0101laj\u0101 ievirz\u0113, protams, katru gadu par\u0101d\u0101s k\u0101da jauna un at\u0161\u0137ir\u012bga iez\u012bme \u2013 piem\u0113ram, \u0161ogad Kino Rakstu p\u0113t\u012bjums par sp\u0113lfilmas Anna LOL uz\u0146em\u0161anas apst\u0101k\u013ciem izrais\u012bja noz\u012bm\u012bgas un uz labu v\u0113rstas p\u0101rmai\u0146as filmu nozar\u0113, turkl\u0101t v\u0113l tika nomin\u0113ts Latvijas \u017durn\u0101listu asoci\u0101cijas Izcil\u012bbas balvai starp gada lab\u0101kajiem p\u0113tniecisk\u0101s \u017eurn\u0101listikas darbiem. Ar\u012b pats port\u0101ls sa\u0146\u0113ma apstiprin\u0101jumu, ka t\u0101 neatlaid\u012bgais darbs ir paman\u012bts, \u2013 Kult\u016bras ministrijas \u012apa\u0161o atzin\u012bbas rakstu, ko pie\u0161\u0137ir par izcili noz\u012bm\u012bgu ieguld\u012bjumu kult\u016bras, salied\u0113tas sabiedr\u012bbas un mediju att\u012bst\u012bbas veicin\u0101\u0161an\u0101. Satura kvalit\u0101tes apliecina ar\u012b fakts, ka pirms gadumijas izsludin\u0101taj\u0101 nominantu \u010detriniek\u0101, kas pretend\u0113 uz Normunda Nauma\u0146a Gada balvu m\u0101kslas kritik\u0101, Kino Raksti ar\u012b ir kl\u0101t.\u00a0Un v\u0113l k\u0101ds tikai \u0161ogad iesp\u0113jams p\u0101rsteigums \u2013 filmas Straume \u0101rk\u0101rt\u012bg\u0101s popularit\u0101tes izrais\u012bta anom\u0101lija Kino Rakstu gada las\u012bjumu statistik\u0101; par to uzzin\u0101siet, kad izlas\u012bsiet l\u012bdz galam visu \u0161o lielisko recenziju un lielisko filmu sarakstu, kas apliecina nemain\u012bgu t\u0113zi \u2013 jo vair\u0101k skat\u0101s, jo vair\u0101k lasa, un otr\u0101di.<\/p>\n
Turpin\u0101m skat\u012bties un las\u012bt ar\u012b n\u0101kamgad!<\/p>\n
12. \u201eM\u0101kslas darbi rodas mok\u0101s\u201d. Meistara Kulakova indulgence<\/a>, ANDRIS GAUJA (29.04.2025.)<\/p>\n \u201eNoz\u012bm\u012bgu lomu filmas form\u0101laj\u0101 risin\u0101jum\u0101 sp\u0113l\u0113 autores kl\u0101tb\u016btne \u2013 Elizabete ir izv\u0113l\u0113jusies pati par\u0101d\u012bties kadr\u0101 un sarun\u0101ties ar Juri. \u0160\u012b l\u012bnija gan nav filmas centr\u0101l\u0101 ass, t\u0101 dr\u012bz\u0101k caurau\u017e filmas st\u0101stu, pal\u012bdzot rad\u012bt tik svar\u012bgo saj\u016btu \u201c\u0161eit un tagad\u201d. Tom\u0113r tik uzkr\u012bto\u0161a l\u012bnija skat\u012bt\u0101j\u0101 neizb\u0113gami izraisa ar\u012b zin\u0101mas gaidas \u2013 vai \u0161aj\u0101s tik\u0161an\u0101s reiz\u0113s filmas gait\u0101 Elizabetei izdosies tikt tuv\u0101k varo\u0146a dv\u0113selei?\u201d<\/p>\n Lasiet rakstu \u0160EIT<\/a>.<\/p>\n 11. \u201cM\u016b\u017e\u012bgi jauni\u201c. Es noticu \u0161ai pasaul\u012btei<\/a>, DACE \u010cAURE (18.03.2025.)<\/p>\n \u201cVar\u0113tu dom\u0101t \u2013 nosaukt filmu par \u201epaaudzes portretu\u201d noz\u012bm\u0113 ielikt to kast\u012bt\u0113, kas attiecas tikai uz pavisam nelielu sabiedr\u012bbas da\u013cu. Tom\u0113r, kaut gan M\u016b\u017e\u012bgi jauni ataino \u013coti konkr\u0113tu pieredzi \u013coti konkr\u0113t\u0101 laik\u0101, st\u0101sts, k\u0101 vienm\u0113r, nav par krekliem, bet ir par sirdsapzi\u0146\u0101m.\u201d<\/p>\n Lasiet rakstu \u0160EIT<\/a>.<\/p>\n 10. Agnese Budovska: “Tad, kad es neko nesp\u0113l\u0113ju…”<\/a>, KRIST\u012aNE \u017dELVE (4.11.2025.)<\/p>\n \u201cNo vienas puses, ir for\u0161i, film\u0113\u0161an\u0101s ir k\u0101 muskulis, kuru tren\u0113, un katrs projekts n\u0101k ar sav\u0101m \u012bpa\u0161\u012bb\u0101m, pras\u012bb\u0101m, pieredzi. No otras puses, tirgus mums ir mazs un, ja es par\u0101dos katr\u0101 film\u0101, man bail, ka vien\u0101 br\u012bd\u012b mans telefons vairs nezvan\u012bs. Par to ir j\u0101dom\u0101 un, ja es gribu t\u0101 turpin\u0101t, tad dro\u0161i vien j\u0101s\u0101k skat\u012bties ar\u012b \u0101rzemju virzien\u0101, j\u0101m\u0113\u0123ina k\u0101du a\u0123entu dab\u016bt. T\u0101das du\u0101las saj\u016btas par to \u201cfilm\u0113t\u0101k\u0101s aktrises\u201d statusu.”<\/p>\n Lasiet rakstu \u0160EIT<\/a>.<\/p>\n 9. \u201cVec\u0101ku sapulce\u201d. Kino k\u0101 terapijas ma\u0161\u012bna<\/a>, SONORA BROKA (27.01.2025.)<\/p>\n \u201eVec\u0101ku sapulces skat\u012bt\u0101jiem ir j\u0101b\u016bt gataviem, ka atmi\u0146\u0101 tiks atsauktas visas t\u0101s (p\u0101rsvar\u0101) neprodukt\u012bv\u0101s stundas, kas pavad\u012btas ne-br\u012bvpr\u0101t\u012bg\u0101 k\u0101rt\u0101, atrodoties telp\u0101 ar absol\u016btiem sve\u0161iniekiem, kuri p\u0101rst\u0101v citu dz\u012bvesveidu, soci\u0101los sl\u0101\u0146us un politisko pieder\u012bbu, tom\u0113r ar vi\u0146u b\u0113rniem m\u0101c\u0101s kop\u0101 j\u016bsu b\u0113rni.\u201d<\/p>\n Lasiet rakstu \u0160EIT<\/a>.<\/p>\n 8. \u201cDieva suns\u201d. P\u2026 pa visu ekr\u0101nu<\/a>, ILM\u0100RS \u0160L\u0100PINS (17.10.2025.)<\/p>\n \u201eJau ar pirmajiem kadriem, n\u0113, pareiz\u0101k sakot, jau ar s\u0101kuma titriem filmas veidot\u0101ji centu\u0161ies izsist skat\u012bt\u0101ju no komforta zonas un likt tam mekl\u0113t bri\u013c\u013cu slauk\u0101mo lupati\u0146u.\u201d<\/p>\n Lasiet rakstu \u0160EIT<\/a>.<\/p>\n 7. Pieci \u0160eksp\u012bra soneti un piecarpus m\u012blasst\u0101sti k\u0101d\u0101 dz\u012bvokl\u012b<\/a>, IEVA MELGALVE (16.02.2025.)<\/p>\n \u201eLietuvas un Latvijas kopra\u017eojuma filma Piecarpus m\u012blasst\u0101sti k\u0101d\u0101 dz\u012bvokl\u012b \/ Five and a Half Love Stories in an Apartment in Vilnius, Lithuania veidota k\u0101 piecu atsevi\u0161\u0137u nove\u013cu virkne, kur main\u0101s varo\u0146i un situ\u0101cijas, bet nemain\u0101s darb\u012bbas vieta.\u201d<\/p>\n Lasiet rakstu \u0160EIT<\/a>.<\/p>\n 6. \u201cTestaments\u201d. Da\u017ei jaut\u0101jumi par Anatolu Imermani, v\u012brie\u0161iem un \u017eurn\u0101list\u0113m<\/a>, EL\u012aNA REITERE (26.10.2025.)<\/p>\n \u201cJ\u0101\u0146a \u0100beles da\u013c\u0113ji inscen\u0113t\u0101 dokument\u0101r\u0101 filma Testaments, ie\u0146emot m\u0101kslas detekt\u012bva \u017eanrisko formu, ir predestin\u0113ta darboties p\u0113c uzman\u012bbas piev\u0113r\u0161anas principa. Ta\u010du ar\u012b m\u0101kslas kritika t\u0101da ir, un p\u0113c \u0161\u012bs filmas t\u0101 jaut\u0101 \u2013 no k\u0101 esam gatavi atvad\u012bties, bet ko turpin\u0101m nest sev l\u012bdzi \u0161odien\u0101?\u201d<\/p>\n Lasiet rakstu \u0160EIT<\/a>.<\/p>\n 5. \u201cT\u012bkl\u0101. TTT le\u0123endas dzim\u0161ana\u201d. Filma par t\u0113rauda ap\u0146\u0113m\u012bbu<\/a>, SONORA BROKA (7.11.2025.)<\/p>\n \u201cTom\u0113r Dv\u0113se\u013cu pute\u0146a re\u017eisora Dzintara Dreiberga jaun\u0101 filma T\u012bkl\u0101. TTT le\u0123endas dzim\u0161ana nek\u013c\u016bst par plak\u0101tisku propagandu, lai ar\u012b pietiekami br\u012bv\u0101 improviz\u0101cija da\u017e\u0101du v\u0113sturisku notikumu ataino\u0161an\u0101 rais\u012bs v\u0113sturnieku diskusijas un iedz\u012bvin\u0101s da\u017e\u0101das le\u0123endas jaunu skat\u012bt\u0101ju pr\u0101tos, kurus v\u0113stures zin\u0101\u0161anas tikai viegli sk\u0101ru\u0161as.\u201d<\/p>\n Lasiet rakstu \u0160EIT<\/a>.<\/p>\n 4. \u201cM\u016b\u017e\u012bbas skartie\u201d. Laipni l\u016bgti asi\u0146u klub\u0101!<\/a>, D\u0100RTA CERI\u0145A (9.02.2025.)<\/p>\n \u201cFilm\u0101 M\u016b\u017e\u012bbas skartie, rea\u0123\u0113jot uz padsmit vamp\u012bru satilp\u0161anu vien\u0101 divgu\u013camaj\u0101 telt\u012b, Ivara Krasta sac\u012btais par v\u0113lmi p\u0113c \u201csavas gulti\u0146as\u201d vai \u201csava z\u0101rka\u201d, ieskanas k\u0101 vamp\u012bru dz\u012bvesveida un nosl\u0113gt\u0101 kluba kritika.\u201d<\/p>\n Lasiet rakstu \u0160EIT<\/a>.<\/p>\n 3. \u201cTum\u0161zilais evan\u0123\u0113lijs\u201d. Kinematogr\u0101fisk\u0101 ekse\u0123\u0113ze<\/a>, IEVA AUGSTKALNA (15.10.2025.)<\/p>\n \u201cJ\u0101atz\u012bst \u2013 filmas liel\u0101kais klup\u0161anas akmens ir tie\u0161i tie br\u012b\u017ei, kad t\u0101 s\u0101k l\u012bdzin\u0101ties KEFam.\u201d<\/p>\n Lasiet rakstu \u0160EIT<\/a>.<\/p>\n 2. \u201cT\u012bkl\u0101. TTT le\u0123endas dzim\u0161ana\u201d. Nacion\u0101lisms pret dokument\u0101lismu<\/a>, AGRIS REDOVI\u010cS (9.11.2025.)<\/p>\n \u201cVisp\u0101r laikmeta raksturojumu re\u017eisors Dreibergs galvenok\u0101rt risina fe\u013cetoniskas ironijas manier\u0113, kas ietver fakt\u016bru un kontekstu p\u0101rsp\u012bl\u0113jumus, l\u012bdz\u012bgus tiem, k\u0101 padomju kinematogr\u0101fij\u0101 r\u0101d\u012bja kapit\u0101listisk\u0101s sabiedr\u012bbas tr\u016bkumus un darba\u013cau\u017eu cie\u0161anas. Ironijas straume kulmin\u0113, Strazdam lepni izr\u0101dot Karami\u0161evu \u0123imenei pie\u0161\u0137irto dz\u012bvokli jaunaj\u0101 m\u0101j\u0101.\u201d<\/p>\n Lasiet rakstu \u0160EIT<\/a>.<\/p>\n 1. \u201cAnna LOL\u201d un kinoprofesion\u0101\u013cu atbild\u012bba<\/a>, EL\u012aNA REITERE (08.01.2025.)<\/p>\n \u201cM\u0101kslas darbu nevar v\u0113rt\u0113t autonomi no t\u0101 tap\u0161anas apst\u0101k\u013ciem, jo visliel\u0101k\u0101 v\u0113rt\u012bba vienm\u0113r ir cilv\u0113ks un neviena filma neatsver to, ka tiek traum\u0113ti cilv\u0113ki, kuri ar to non\u0101k jebk\u0101d\u0101 saskarsm\u0113.\u201c<\/p>\n Lasiet rakstu \u0160EIT<\/a>.<\/p>\n P. S. Un tom\u0113r v\u0113l ar\u012b Straume! \u2013 t\u0101pat k\u0101 2025. gad\u0101 turpin\u0101j\u0101s Ginta Zilbalo\u017ea filmas izr\u0101d\u012b\u0161ana Latvijas kinote\u0101tros, t\u0101pat Kino Rakstu las\u012bt\u0101ji turpin\u0101ja interes\u0113ties par filmas recenzij\u0101m, un \u2013 nebijis gad\u012bjums! \u2013 pie 2025. gada visvair\u0101k las\u012btajiem tekstiem port\u0101l\u0101 pieder ar\u012b viens 2024. gada teksts:<\/p>\n