{"id":90782,"date":"2025-12-31T10:36:07","date_gmt":"2025-12-31T10:36:07","guid":{"rendered":"https:\/\/www.europesays.com\/lv\/90782\/"},"modified":"2025-12-31T10:36:07","modified_gmt":"2025-12-31T10:36:07","slug":"ka-2025-gads-pavadits-latvijas-teatros-raksts","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/lv\/90782\/","title":{"rendered":"k\u0101 2025.\u00a0gads pavad\u012bts Latvijas te\u0101tros \/ Raksts"},"content":{"rendered":"

Tiekoties ar k\u0101da te\u0101tra aktieriem, man tika uzdots jaut\u0101jums, vai m\u016bsdienu Latvijas te\u0101tru repertu\u0101r\u0101 nav par daudz prozas dramatiz\u0113jumu un par maz lugu. \u0160\u0137iet, es atbild\u0113ju apm\u0113ram t\u0101 \u2013 viss ir atkar\u012bgs no dramatiz\u0113juma kvalit\u0101tes. 2025.\u00a0gad\u0101 vair\u0101ki izcili prozas darbi tika dramatiz\u0113ti tie\u0161i tik veiksm\u012bgi, lai non\u0101ktu “Sp\u0113lma\u0146u nakts” nomin\u0101cij\u0101s.\u00a0\u00a0<\/p>\n

Proza, kino un sauciens p\u0113c cilv\u0113c\u012bbas: k\u0101 2025. gads pavad\u012bts Latvijas te\u0101tros<\/p>\n

Te j\u0101min Tomasa Manna “Burvju kalns”<\/a> Just\u012bnes K\u013cavas p\u0101rlikum\u0101 skatuvei Toma Trei\u0146a re\u017eij\u0101 Valmieras te\u0101tr\u012b un Olgas Tokar\u010dukas “Dzen savu arklu p\u0101r miru\u0161o kauliem”<\/a>, ko dramatiz\u0113jusi un Dailes te\u0101tr\u012b\u00a0iestud\u0113jusi viesre\u017eisore Ola Maf\u0101lani. Alvis Hermanis Jaunaj\u0101 R\u012bgas te\u0101tr\u012b pat \u012bsti neko nedramatiz\u0113 \u2013\u00a0“Kritiens aug\u0161up”<\/a> ir dr\u012bz\u0101k Joahima Meierhofa rom\u0101na las\u012bjums. Nupat izn\u0101kusi ar\u012b Gundara \u0100boli\u0146a tulkot\u0101 gr\u0101mata ar mazliet at\u0161\u0137ir\u012bgu nosaukumu \u2013 “Krist var ar\u012b aug\u0161up”.\u00a0<\/p>\n

J\u0101atz\u012bst, ka \u0161ogad \u012bpa\u0161i j\u016btama ir v\u0113l k\u0101da cita tendence \u2013 \u013coti daudz izr\u0101\u017eu top p\u0113c sen\u0101ku vai jaun\u0101ku filmu mot\u012bviem. Necen\u0161oties aptvert visu, pietiek nosaukt p\u0113d\u0113j\u0101 laika pirmizr\u0101des \u2013\u00a0“V\u0113l pa vienam”<\/a> un “N\u0101ve un meitene”<\/a> Dailes te\u0101tr\u012b, “Viss par Ievu”<\/a> un “Bastardi”<\/a> Nacion\u0101laj\u0101 te\u0101tr\u012b, “Telma un Lu\u012bze”<\/a> Valmieras te\u0101tr\u012b.\u00a0<\/p>\n

\n

Ir tr\u012bs te\u0101tri, kur\u00a0\u012bpa\u0161i r\u016bp\u0113jas par latvie\u0161u ori\u0123in\u0101ldramatur\u0123ijas pied\u0101v\u0101jumu. Liep\u0101jas te\u0101tr\u012b jaunaj\u0101 sezon\u0101 ir tikai jaunas latvie\u0161u autoru lugas,\u00a0<\/p>\n<\/blockquote>\n

ieskaitot Lailas Bur\u0101nes vari\u0101ciju par Blauma\u0146a t\u0113mu “Tr\u012bs b\u0113res un divas k\u0101zas”<\/a>. Repertu\u0101r\u0101 ir Rasas Bugavi\u010dutes-P\u0113ces un\u00a0Art\u016bra D\u012b\u010da lugas, ir izr\u0101de “Navig\u0101cija uz Nekurieni”<\/a>, kuras tekstu veidoju\u0161i Kirils \u0112cis un El\u012bza Dombrovska, ir ar\u012b Krist\u012bnes Br\u012bni\u0146as “Pasaul\u0113 liel\u0101kais sp\u0113ks”<\/a>, kas veidots p\u0113c dakteru klaunu st\u0101st\u012bt\u0101.\u00a0<\/p>\n

Nacion\u0101laj\u0101 te\u0101tr\u012b ciena gan jaunos autorus, gan re\u017eisorus. Te augstu vilni sit v\u0113l tikai re\u017eijas studenta Gusta \u0100beles “Klusums un troksnis”<\/a>, ir Janas Egles st\u0101sti, J\u0101\u0146a Jo\u0146eva krimin\u0101ldr\u0101ma “Ko var cilv\u0113ks”<\/a> Roberta Daubura re\u017eij\u0101, k\u0101 ar\u012b Andra Kalnozola “Ods”<\/a>, ko iestud\u0113jis Mat\u012bss Budovskis. Valmier\u0101 god\u0101 tur klasiku \u2013 Annas Brigaderes “Spr\u012bd\u012bti”<\/a>, R\u016bdolfa Blauma\u0146a “\u013bauno garu”<\/a>, t\u0101pat iestud\u0113ti Gun\u0101ra Priedes “\u010cetri balti krekli”<\/a>.\u00a0<\/p>\n

Ta\u010du latvie\u0161u literat\u016bru var atrast ar\u012b citos te\u0101tros, piem\u0113ram, Mihaila \u010cehova R\u012bgas Krievu te\u0101tr\u012b l\u012bdztekus diviem detekt\u012bviem<\/a> uz liel\u0101s skatuves Mazaj\u0101 z\u0101l\u0113 iemitin\u0101jies Arno Jundzes “\u0160u\u0161nirks un Spoku mui\u017ea”<\/a>.\u00a0<\/p>\n

\n

2025. gads pier\u0101d\u012bja, ka te\u0101tr\u012b ir vieta tradicion\u0101li iestud\u0113tai dr\u0101mai, ja tas izdar\u012bts izcili smalki un prec\u012bzi,\u00a0<\/p>\n<\/blockquote>\n

k\u0101 to dar\u012bja P\u0113teris Krilovs Nacion\u0101laj\u0101 te\u0101tr\u012b, izr\u0101d\u0113 “Ilgu tramvajs”<\/a> \u013caujot uzmirdz\u0113t Maijas Doveikas un Janas \u013bisovas talantam. Savuk\u0101rt rekl\u0101ma par d\u0101rg\u0101ko iestud\u0113jumu Dailes te\u0101tr\u012b \u2013 Luka\u0161a Tvarkovska “Or\u0101kulu”<\/a> \u2013\u00a0mazliet aiz\u0113noja pa\u0161a st\u0101sta aktualit\u0101ti, kur\u00a0skarta cilv\u0113ka un tehnolo\u0123iju attiec\u012bbu t\u0113ma. Katr\u0101 zi\u0146\u0101 “Or\u0101kuls” atst\u0101ja iespaidu pat uz tiem, kuriem iestud\u0113jums nepatika, jo dzird\u0113ju k\u0101du skat\u012bt\u0101ju dedz\u012bgi pau\u017eot viedokli v\u0113l ned\u0113\u013cu p\u0113c izr\u0101des noskat\u012b\u0161an\u0101s.\u00a0\u00a0<\/p>\n

Gada nogal\u0113 uzreiz divos te\u0101tros par\u0101d\u012bj\u0101s sen neredz\u0113t\u0101 sengrie\u0137u dramatur\u0123ija, divas Eirip\u012bda lugas \u2013\u00a0“Hekube” latgalie\u0161u valod\u0101<\/a> Daugavpils te\u0101tr\u012b un “M\u0113deja”<\/a> Valmieras te\u0101tr\u012b.\u00a0<\/p>\n

Dailes te\u0101tr\u012b\u00a0tika pabeigta\u00a0Jaun\u0101s z\u0101les rekonstrukcija, kur\u00a0da\u017e\u0101dos veidos\u00a0pirmajos iestud\u0113jumos sk\u0101ra nozieguma un soda mot\u012bvus<\/a>. Savuk\u0101rt laikmet\u012bg\u0101 deja pie savas ilgi cer\u0113t\u0101s Dejas m\u0101jas tika p\u0101rnest\u0101 noz\u012bm\u0113 \u2013 reizi m\u0113nes\u012b ned\u0113\u013c\u0101s nogal\u0113 par Dejas m\u0101ju k\u013cuva\u00a0kult\u016brtelpa “Kurtuve” Valmier\u0101 vai, k\u0101 piedz\u012bvoj\u0101m decembra s\u0101kum\u0101<\/a>, pats Valmieras te\u0101tris.\u00a0<\/p>\n

\n

L\u012bdztekus ko\u0161\u0101m izr\u0101d\u0113m b\u0113rniem abi le\u013c\u013cu te\u0101tri r\u016bp\u0113j\u0101s ar\u012b par savas auditorijas papla\u0161in\u0101\u0161anu.\u00a0<\/p>\n<\/blockquote>\n

Latvijas Le\u013c\u013cu te\u0101tr\u012b tapusi El\u012bnas C\u0113rpas izr\u0101de “Gaisma, es tevi dzirdu”<\/a> par neredz\u012bgu un v\u0101jredz\u012bgu cilv\u0113ku ikdienu, k\u0101 ar\u012b le\u013c\u013cu te\u0101trim k\u0101 protesta formai velt\u012bt\u0101 Veronikas Abdul-Visockas izr\u0101de “N\u0113! N\u0113! N\u0113!”<\/a>, savuk\u0101rt Liep\u0101jas Le\u013c\u013cu te\u0101tr\u012b Rihards Zelez\u0146evs ar pan\u0101kumiem debit\u0113ja re\u017eij\u0101, iestud\u0113jot izr\u0101di “Metamorfoze”<\/a> p\u0113c Franca Kafkas darba mot\u012bviem.\u00a0<\/p>\n

Visbeidzot \u2013 Latvijas te\u0101trim ir n\u0101kotne, jo pavasar\u012b Latvijas Kult\u016bras akad\u0113miju pabeidza sp\u0113c\u012bgs aktieru kurss, liel\u0101k\u0101 da\u013ca no vi\u0146iem ir \u0161tata aktieri da\u017e\u0101dos te\u0101tros, bet joproj\u0101m tiek r\u0101d\u012btas ar\u012b diplomdarbu izr\u0101des. Tas pats sak\u0101ms par re\u017eijas diplomdarbiem ma\u0123istra un bakalaura programm\u0101s, starp kuriem gribas izcelt Egijas Sil\u0101res “Dal\u012b ausi”<\/a>, Edv\u012bna Klimanova “Konem\u0101ras galvaskausu” un Latvijas M\u0101kslas akad\u0113mij\u0101 aizst\u0101v\u0113to Mariannas Lapi\u0146as “Jezus stafu”.<\/p>\n

Gaid\u012bsim p\u0101rsteigumus 2026. gad\u0101!<\/p>\n

Valodas k\u013c\u016bda rakst\u0101?<\/p>\n

Iez\u012bm\u0113jiet tekstu un spiediet Ctrl+Enter, lai nos\u016bt\u012btu labojamo teksta fragmentu redaktoram! Par faktu k\u013c\u016bd\u0101m l\u016bdzam zi\u0146ot e-past\u0101 [email\u00a0protected]<\/a>.<\/p>\n

Iez\u012bm\u0113jiet tekstu un spiediet uz Zi\u0146ot par k\u013c\u016bdu pogas, lai nos\u016bt\u012btu labojamo teksta fragmentu redaktoram!<\/p>\n

\n Zi\u0146ot par k\u013c\u016bdu\n <\/p>\n","protected":false},"excerpt":{"rendered":"Tiekoties ar k\u0101da te\u0101tra aktieriem, man tika uzdots jaut\u0101jums, vai m\u016bsdienu Latvijas te\u0101tru repertu\u0101r\u0101 nav par daudz prozas…\n","protected":false},"author":2,"featured_media":90783,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[89,90,35,39,38,36,37,34,40],"class_list":{"0":"post-90782","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-entertainment","9":"tag-izklaide","10":"tag-latvia","11":"tag-latvian","12":"tag-latviesu","13":"tag-latviesu-valoda","14":"tag-latviesuvaloda","15":"tag-latvija","16":"tag-lv"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/115813743452100301","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/90782","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=90782"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/90782\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/90783"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=90782"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=90782"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=90782"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}