{"id":92529,"date":"2026-01-02T12:02:11","date_gmt":"2026-01-02T12:02:11","guid":{"rendered":"https:\/\/www.europesays.com\/lv\/92529\/"},"modified":"2026-01-02T12:02:11","modified_gmt":"2026-01-02T12:02:11","slug":"veids-ka-sadzirdet-vienam-otru-teatra-nozares-eksperti-skaidro-kas-ir-ekoteatris-raksts","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/lv\/92529\/","title":{"rendered":"Veids, k\u0101 sadzird\u0113t vienam otru. Te\u0101tra nozares eksperti skaidro, kas ir ekote\u0101tris \/ Raksts"},"content":{"rendered":"

Samilstot vides probl\u0113m\u0101m, p\u0113d\u0113j\u0101s desmitgad\u0113s ar\u012b te\u0101tr\u012b ien\u0101k jaunas, ar vidi un ekolo\u0123iju saist\u012btas idejas \u2013 gan form\u0101, gan satur\u0101. P\u0113tniece Kitija Balcare, dramaturgs Evarts Melnalksnis un re\u017eisors J\u0101nis Balodis Latvijas Radio raid\u012bjum\u0101 “Kult\u016bras rondo” skaidro, kas ir ekodramatur\u0123ija un ekote\u0101tris un kas to\u00a0at\u0161\u0137ir no cit\u0101m te\u0101tra form\u0101m.<\/p>\n

P\u0113tnieces Kitijas Balcares<\/a> promocijas darbs “Skatuves m\u0101ksla ekokritikas diskurs\u0101: ekote\u0101tris Latvij\u0101 21. gadsimt\u0101”\u00a0ir pirmais sistem\u0101tiskais p\u0113t\u012bjums, kas piev\u0113r\u0161as te\u0101tra izr\u0101\u017eu anal\u012bzei ekokritikas diskurs\u0101 kontekst\u0101 ar vides konfliktiem. Balstoties posthum\u0101nisma teor\u0113tiskajos skatupunktos, p\u0113tnieces darb\u0101 izv\u0113rsti ir skaidrota ekokritisk\u0101 tuvskat\u012bjuma pieeja izr\u0101\u017eu anal\u012bz\u0113.<\/p>\n

“Laikam jau pati \u012bs\u0101k\u0101 defin\u012bcija b\u016bs t\u0101, ka ekote\u0101tris ir darbs par cilv\u0113ka un \u0101rpus cilv\u0113ka eso\u0161\u0101s pasaules eso\u0161aj\u0101m attiec\u012bb\u0101m. \u0160aj\u0101 j\u0113dzien\u0101 m\u0113s varam ietilpin\u0101t visu \u2013 dabu, vidi, konkr\u0113tas sugas, ar\u012b citus cilv\u0113kus, da\u017e\u0101das probl\u0113mas, kuras m\u0113s ar aci neredzam, piem\u0113ram, pies\u0101r\u0146ojumu.<\/p>\n

\n

Ekote\u0101tris ir par to, k\u0101 cilv\u0113ki veido attiec\u012bbas \u0113tisk\u0101 izpratn\u0113 un ar\u012b par to, k\u0101 top pati izr\u0101de, piem\u0113ram, kur tiek ieg\u016bti materi\u0101li scenogr\u0101fijai, un kur tas viss paliek p\u0113c tam,” st\u0101sta Kitija Balcare.<\/p>\n<\/blockquote>\n

Ekote\u0101tris nav nekas jauns<\/p>\n

Paties\u012bb\u0101 daudzi no mums jau ir redz\u0113ju\u0161i un piedz\u012bvoju\u0161i iestud\u0113jumus, kas iederas ekote\u0101tra \u017eanr\u0101. T\u0101ds ir, piem\u0113ram, re\u017eisora Valtera S\u012b\u013ca 2012. gad\u0101 veidotais muzik\u0101lais p\u0101rg\u0101jiens “M\u0101rup\u012bte”, kas toreiz tika velt\u012bts M\u0101rup\u012bt\u0113 notiku\u0161ajai katastrofai, kas v\u0113l joproj\u0101m tiek uzskat\u012bta par otru nopietn\u0101ko ekolo\u0123isko katastrofu neatkar\u012bg\u0101s Latvijas laik\u0101. \u0160is iestud\u0113jums uzskat\u0101ms par pirmo ekote\u0101tra piem\u0113ru Latvij\u0101.<\/p>\n

“M\u0101rup\u012btes” dramaturgs J\u0101nis Balodis atz\u012bst \u2013 tolaik veiksm\u012bgi saprast, k\u0101 pareizi run\u0101t par vides un ekolo\u0123ijas t\u0113m\u0101m te\u0101tr\u012b, esot bijis izaicino\u0161i, jo kol\u0113\u0123u vid\u016b iepriek\u0161 neviens neko t\u0101du nebija dar\u012bjis.<\/p>\n

\n

“M\u0113s s\u0101k\u0101m ar izp\u0113tes procesu \u2013 es skat\u012bjos piem\u0113rus no “The Guardian”, kur\u0101 tika aktualiz\u0113ta ekote\u0101tra problem\u0101tika un analiz\u0113tas da\u017e\u0101das lugas,” J\u0101nis Balods atceras.<\/p>\n<\/blockquote>\n

Jaun\u0101k\u0101s paaudzes un vi\u0146u vec\u0101ki noteikti ir paz\u012bstami ar\u012b ar Latvijas Le\u013c\u013cu te\u0101tr\u012b v\u0113l joproj\u0101m apl\u016bkojamo re\u017eisora Edgara Kaufelda iestud\u0113jumu “Lasis Stasis”, kas v\u0113sta par la\u0161a piedz\u012bvojumiem ce\u013c\u0101 uz Atlantijas oke\u0101nu. Izr\u0101d\u0113 ne tikai tiek skartas ekolo\u0123iskas t\u0113mas, bet liel\u0101k\u0101 da\u013ca no lell\u0113m un dekor\u0101cij\u0101m izgatavotas no otrreiz p\u0101rstr\u0101d\u0101jamiem materi\u0101liem un saziedotiem un darbn\u012bc\u0101s atrastiem audumiem.<\/p>\n

Paaud\u017eu v\u0113rt\u012bbu iez\u012bm\u0113\u0161ana<\/p>\n

Ekote\u0101tra \u017eanr\u0101 iegulstas ar\u012b \u0161\u012b gada starptautiskaj\u0101 jaun\u0101 te\u0101tra festiv\u0101l\u0101 “Homo Novus” izr\u0101d\u012btais iestud\u0113jums “Ummis un lob\u0113lija”, kas bija po\u0113tisks velt\u012bjums nevienl\u012bdz\u012bgajai pretst\u0101vei starp dabas autonomiju un civiliz\u0101cijas spiedienu. Izr\u0101des centr\u0101 bija Umja ezers un Sarkanaj\u0101 gr\u0101mat\u0101 ierakst\u012bt\u0101 Dortmana lob\u0113lija, kurai nepiecie\u0161ami \u012bpa\u0161i t\u012bri aug\u0161anas apst\u0101k\u013ci. Iestud\u0113juma dramaturgs Evarts Melnalksnis uzskata \u2013 veidojot \u0161o izr\u0101di, rado\u0161\u0101s komandas pa\u0161m\u0113r\u0137is neesot bijis veidot ekoizr\u0101di.<\/p>\n

“T\u0101 dr\u012bz\u0101k bija vienk\u0101r\u0161a v\u0113lme likt te\u0101tra objekta centr\u0101 kaut ko, kas iepriek\u0161 maz\u0101k par\u0101d\u0101s \u2013 ezers. Mums bija svar\u012bgi par to run\u0101t, lai tiktu \u0101r\u0101 no civiliz\u0101cijas spiediena un visa t\u0101, ko raisa dz\u012bve pils\u0113t\u0101. Ar\u012b te\u0101tra veido\u0161ana bie\u017ei vien ir s\u0113d\u0113\u0161ana tum\u0161\u0101 telp\u0101 un diezgan saspiestos apst\u0101k\u013cos.<\/p>\n

\n

Man lik\u0101s \u2013 ja es tais\u012b\u0161u izr\u0101di par dabu, es bie\u017e\u0101k var\u0113\u0161u b\u016bt \u0101r\u0101, dab\u0101. Un t\u0101 ar\u012b notika,” atceras Evards Melnalksnis.<\/p>\n<\/blockquote>\n

Vi\u0146apr\u0101t, ekote\u0101tris raksturo m\u016bsdien\u0101s dz\u012bvojo\u0161o paaud\u017eu v\u0113rt\u012bbas. “Main\u0101s fokuss no cilv\u0113kiem, kas p\u0101riet uz kaut ko, kas agr\u0101k ir bijis t\u0101ds margin\u0101ls. M\u0113s cen\u0161amies iedot balsi vai r\u012bc\u012bbsp\u0113ju kaut kam, kas agr\u0101k nav bijis centr\u0101, bet ir bijis kaut kas, kas mums pal\u012bdz dz\u012bvot,” saka dramaturgs, kur\u0161\u00a0uzskata, ka<\/p>\n

\n

dabas ties\u012bbas liel\u0101 m\u0113r\u0101 var sal\u012bdzin\u0101t ar sievie\u0161u ties\u012bb\u0101m, un ekote\u0101tri \u2013 ar feminismu.<\/p>\n<\/blockquote>\n

“Man tas liekas \u013coti skaisti, un es ceru, ka ar\u012b liel\u0101k\u0101s te\u0101tra instit\u016bcij\u0101s, kas v\u0113l joproj\u0101m ir visai patriarh\u0101las, var\u0113tu kaut k\u0101d\u0101 br\u012bd\u012b ien\u0101kt ekote\u0101tris,” Evards Melnalksnis st\u0101sta. Kitija Balcare gan uzskata, ka \u0161\u0101ds process jau ir s\u0101cies, un ar\u012b sabiedr\u012bbas interese par ekote\u0101tra \u017eanru ir paman\u0101ma. Piem\u0113ram, Dailes te\u0101tra “Sp\u0113lma\u0146u nakt\u012b” apbalvot\u0101 izr\u0101de “Dzen savu arklu p\u0101r miru\u0161o kauliem”, vi\u0146aspr\u0101t, ir pilna ar ekote\u0101trim rakstur\u012bgiem elementiem.<\/p>\n

Iesp\u0113ja daudzbals\u012bbai<\/p>\n

Ja tradicion\u0101li pie\u0146emts, ka da\u017e\u0101d\u0101s m\u0101kslas izteiksmes form\u0101s ticis p\u0113t\u012bts, k\u0101 tiek risin\u0101tas soci\u0101las situ\u0101cijas \u2013 attiec\u012bbas \u0123imen\u0113, sabiedr\u012bb\u0101 vai k\u0101d\u0101 kopien\u0101, tad ekodramatur\u0123ija pied\u0101v\u0101 attiec\u012bbas ielikt mazliet pla\u0161\u0101k\u0101 kontekst\u0101. “T\u0101 pied\u0101v\u0101 jaut\u0101jumu \u2013 kur m\u0113s esam? Respekt\u012bvi, m\u0113s \u0146emam v\u0113r\u0101 ar\u012b to, k\u0101da ir vide, kur\u0101 t\u0101s attiec\u012bbas notiek un k\u0101 t\u0101 ietekm\u0113 m\u016bsu attiec\u012bbas,” st\u0101sta Kitija Balcare.<\/p>\n

Vi\u0146a nov\u0113rojusi, ka Latvij\u0101 izr\u0101des, ko var\u0113tu ierindot ekote\u0101tra kategorij\u0101, veido person\u012bb\u0101s balst\u012bti m\u0101kslinieki. Proti, t\u0101di, kuriem pa\u0161iem person\u012bgi ir svar\u012bgas t\u0113mas, kuras vi\u0146i apl\u016bko. Piem\u0113ram, Krista Bur\u0101ne, Krist\u012bne Br\u012bni\u0146a, Barbara Lehtna un daudzi citi. “Tie parasti ir pilsoniski akt\u012bvi cilv\u0113ki da\u017e\u0101dos jaut\u0101jumos, ar\u012b vides liet\u0101s,” p\u0113tniece saka.<\/p>\n

\n

Ja, dom\u0101jot par tradicion\u0101laj\u0101m te\u0101tra form\u0101m, var dom\u0101t par varo\u0146u pareizaj\u0101m vai nepareizaj\u0101m izv\u0113l\u0113m jeb poz\u012bciju un opoz\u012bciju, ekote\u0101tris dr\u012bz\u0101k pied\u0101v\u0101 vietu daudzbals\u012bbai un diskusijai, kur taisn\u012bba var b\u016bt vair\u0101k\u0101m pus\u0113m.<\/p>\n<\/blockquote>\n

“Ekote\u0101tr\u012b m\u0113s neteiksim, ka nedr\u012bkst cirst kokus. Tur b\u016bs iesp\u0113ja diskusijai. T\u0101 b\u016bs k\u0101 iedom\u0101t\u012bbas telpa, kur m\u0113s ieraug\u0101m da\u017e\u0101das iesp\u0113jas un da\u017e\u0101dus viedok\u013cus, un ar\u012b dramatiski m\u0113s varam dzird\u0113t da\u017e\u0101das paral\u0113l\u0101s st\u0101sta l\u012bnijas, paaud\u017eu st\u0101stus, da\u017e\u0101du sabiedr\u012bbas grupu st\u0101stus. Ekote\u0101trim piem\u012bt iek\u013caujo\u0161a daba, jo tas sp\u0113j dot platformu da\u017e\u0101diem viedok\u013ciem,” skaidro Kitija Balcare.<\/p>\n

\"Izr\u0101de<\/p>\n

Izr\u0101de “Visi putni skaisti dzied”<\/p>\n

Foto: Agnese Zelti\u0146a<\/p><\/p>\n","protected":false},"excerpt":{"rendered":"Samilstot vides probl\u0113m\u0101m, p\u0113d\u0113j\u0101s desmitgad\u0113s ar\u012b te\u0101tr\u012b ien\u0101k jaunas, ar vidi un ekolo\u0123iju saist\u012btas idejas \u2013 gan form\u0101,…\n","protected":false},"author":2,"featured_media":92530,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[23,28,29,32,33,22,30,31,35,39,38,36,37,34,40,20,26,27,24,25,21],"class_list":{"0":"post-92529","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-latvija","8":"tag-aktualitates","9":"tag-breaking-news","10":"tag-breakingnews","11":"tag-featured-news","12":"tag-featurednews","13":"tag-headlines","14":"tag-latest-news","15":"tag-latestnews","16":"tag-latvia","17":"tag-latvian","18":"tag-latviesu","19":"tag-latviesu-valoda","20":"tag-latviesuvaloda","21":"tag-latvija","22":"tag-lv","23":"tag-news","24":"tag-popularakas-zinas","25":"tag-popularakaszinas","26":"tag-top-stories","27":"tag-topstories","28":"tag-zinas"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/115825406464495208","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/92529","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=92529"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/92529\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/92530"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=92529"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=92529"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=92529"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}