{"id":9327,"date":"2025-10-01T05:08:19","date_gmt":"2025-10-01T05:08:19","guid":{"rendered":"https:\/\/www.europesays.com\/lv\/9327\/"},"modified":"2025-10-01T05:08:19","modified_gmt":"2025-10-01T05:08:19","slug":"apzinas-noslepumi-un-zinatnes-enas-puses-lente-lv-2","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/lv\/9327\/","title":{"rendered":"apzi\u0146as nosl\u0113pumi un zin\u0101tnes \u0113nas puses\u00a0\u2014\u00a0Lente.lv"},"content":{"rendered":"<p>Viens no piepras\u012bt\u0101kajiem m\u016bsdienu te\u0101tra re\u017eisoriem pasaul\u0113, po\u013cu m\u0101kslinieks Luka\u0161s Tvarkovskis, turpina savu ies\u0101kto zin\u0101tnes trilo\u0123iju ar jauniestud\u0113jumu &#8220;Or\u0101kuls&#8221;, kas nu uzs\u0101cis savu ce\u013cu pie skat\u012bt\u0101jiem Dailes te\u0101tr\u012b. P\u0113c pan\u0101kumiem ar izr\u0101di &#8220;Rotkho&#8221;, Tvarkovskis kop\u0101 ar savu starptautisko komandu Dailes te\u0101tr\u012b rad\u012bjis v\u0113l v\u0113rien\u012bg\u0101ku darbu, kas ne tikai aizrauj ar savu formu, bet ar\u012b dzi\u013ci uzrun\u0101 ar savu saturu, aicinot skat\u012bt\u0101jus iel\u016bkoties apzi\u0146as nosl\u0113pumos, zin\u0101tnes att\u012bst\u012bbas sek\u0101s un cilv\u0113ka eksistences sare\u017e\u0123\u012bt\u012bb\u0101.<\/p>\n<p>Apzi\u0146as mekl\u0113jumi un eksistenci\u0101l\u0101s t\u0113mas<\/p>\n<p>Luka\u0161s Tvarkovskis jau iepriek\u0161 paudis interesi par apzi\u0146as jaut\u0101jumiem, un &#8220;Or\u0101kuls&#8221; nav iz\u0146\u0113mums. Izr\u0101de, kas piedz\u012bvoja pasaules pirmizr\u0101di presti\u017eaj\u0101 R\u016bras trienn\u0101l\u0113, p\u0113ta zin\u0101tnes un kara sare\u017e\u0123\u012bto mijiedarb\u012bbu, ta\u010du zem \u0161\u012bs virspus\u0113j\u0101s t\u0113mas sl\u0113pjas dzi\u013c\u0101kas p\u0101rdomas par to, ko noz\u012bm\u0113 b\u016bt apzin\u012bgam, k\u0101 veidojas m\u016bsu izpratne par pasauli un sevi. Tvarkovskis darbos bie\u017ei saskat\u0101mas eksistenci\u0101lisma un absurda te\u0101tra iez\u012bmes, kur cilv\u0113ka centieni atrast j\u0113gu nenoteikt\u0101 un bie\u017ei vien vienaldz\u012bg\u0101 pasaul\u0113 k\u013c\u016bst par galveno dzin\u0113jsp\u0113ku. \u0160\u012b nenoteikt\u012bba un person\u012bg\u0101s izv\u0113les noz\u012bme, saskaroties ar dz\u012bves absurdo dabu, atspogu\u013cojas gan &#8220;Rotkho&#8221;, gan &#8220;Or\u0101kula&#8221; dramatiskaj\u0101 audum\u0101.<\/p>\n<p>Re\u017eisors uzsver, ka ar apzi\u0146as t\u0113mu str\u0101d\u0101 jau vair\u0101k\u0101s izr\u0101d\u0113s, un &#8220;Or\u0101kuls&#8221; ir k\u0101 turpin\u0101jums \u0161ai izp\u0113tei. Vi\u0146\u0161 piev\u0113r\u0161as jaut\u0101jumam, vai m\u0101ksl\u012bgais intelekts var ieg\u016bt apzi\u0146u, un spekul\u0113 par to, k\u0101da ir apzi\u0146as konstrukcija. Iesp\u0113jams, ka m\u0113s, mekl\u0113jot atbildes, izmantojam nepareizus krit\u0113rijus, tiecoties saskat\u012bt sev l\u012bdz\u012bgu spoguli, nevis atv\u0113rt sevi jauniem izpratnes veidiem. \u0160\u012b atv\u0113rt\u012bba ir b\u016btiska, lai saprastu gan cilv\u0113ka, gan potenci\u0101li ar\u012b m\u0101ksl\u012bg\u0101 intelekta apzi\u0146as sare\u017e\u0123\u012bt\u012bbu.<\/p>\n<p>Zin\u0101tnes trilo\u0123ija: no &#8220;Rotkho&#8221; l\u012bdz &#8220;Or\u0101kulam&#8221;<\/p>\n<p>&#8220;Or\u0101kuls&#8221; ir otrais darbs Luka\u0161a Tvarkovska zin\u0101tnes trilo\u0123ij\u0101, kas Dailes te\u0101tr\u012b seko veiksm\u012bgajai izr\u0101dei &#8220;Rotkho&#8221;. &#8220;Rotkho&#8221; piev\u0113rs\u0101s m\u0101kslas autentiskuma un digit\u0101l\u0101s vides rad\u012btaj\u0101m p\u0101rmai\u0146\u0101m, p\u0113tot nemateri\u0101l\u0101 kapit\u0101lisma robe\u017eas. &#8220;Or\u0101kuls&#8221; savuk\u0101rt iedzi\u013cin\u0101s jau t\u0101l\u0101k\u0101 pag\u0101tn\u0113 \u2013 Otr\u0101 pasaules kara laik\u0101, atkl\u0101jot britu matem\u0101ti\u0137a un lo\u0123i\u0137a Alana Tj\u016bringa dz\u012bves un darba nosl\u0113pumus. Tj\u016brings, m\u0101ksl\u012bg\u0101 intelekta testa rad\u012bt\u0101js, kara laik\u0101 Ble\u010dlija park\u0101, slepen\u0101 izl\u016bkdienesta m\u012btn\u0113, ar savu spo\u017eo pr\u0101tu pal\u012bdz\u0113ja uzlauzt nacistu zi\u0146u kodu un t\u0101d\u0113j\u0101di sa\u012bsin\u0101t karu.<\/p>\n<p>Ta\u010du izr\u0101de neatst\u0101j nov\u0101rt\u0101 ar\u012b Tj\u016bringa person\u012bgo tra\u0123\u0113diju \u2013 vi\u0146a vaj\u0101\u0161anu par seksu\u0101lo orient\u0101ciju un piespiedu kastr\u0101ciju, kas uzsver ne tikai zin\u0101tnes sasniegumus, bet ar\u012b sabiedr\u012bbas \u0113tisk\u0101s dilemmas un indiv\u012bda c\u012b\u0146u pret sist\u0113mu. Tvarkovskis \u0161aj\u0101 izr\u0101d\u0113 turpina eksperiment\u0113t ar te\u0101tra un kino izteiksmes l\u012bdzek\u013cu sapl\u016bsmi, radot v\u0113rien\u012bgu un vizu\u0101li iespaid\u012bgu uzvedumu, kas ir viens no ambicioz\u0101kajiem iestud\u0113jumiem Dailes te\u0101tra v\u0113stur\u0113. Izmantojot termoatt\u0113la un infrasarkan\u0101s kameras, re\u017eisors ne tikai radot unik\u0101lu vizu\u0101lo valodu, bet ar\u012b liek skat\u012bt\u0101jiem aizdom\u0101ties par tehnolo\u0123iju k\u0101 kara instrumentu, kas vienlaikus izpludina robe\u017eas starp realit\u0101ti un il\u016bziju.<\/p>\n<p>Te\u0101tris k\u0101 spogulis un laboratorija<\/p>\n<p>Luka\u0161a Tvarkovska rado\u0161ais process bie\u017ei vien raksturojams k\u0101 laboratorija, kur\u0101 kop\u0101 ar aktieriem tiek rad\u012bts jauns materi\u0101ls, nevis balst\u012bts uz gatavu tekstu. \u0160\u012b pieeja \u013cauj re\u017eisoram br\u012bvi eksperiment\u0113t ar da\u017e\u0101diem inscen\u0113juma elementiem, mekl\u0113jot jaunas izteiksmes formas un dzi\u013c\u0101ku saturu. &#8220;Or\u0101kuls&#8221; apvieno gan pag\u0101tnes v\u0113sturiskos notikumus, gan m\u016bsdienu tehnolo\u0123iskos sasniegumus, radot metaforisku telpu, kur\u0101 atspogu\u013cojas cilv\u0113ka eksistences un apzi\u0146as nosl\u0113pumi.<\/p>\n<p>Re\u017eisors uzsver, ka &#8220;apzi\u0146a ir nosl\u0113pums, ko m\u0113s cen\u0161amies izprast&#8221;. Vi\u0146a izr\u0101des nav tikai izklaide, bet aicin\u0101jums uz p\u0101rdom\u0101m, uz dzi\u013c\u0101ku sevis un pasaules izzin\u0101\u0161anu. &#8220;Or\u0101kuls&#8221; ir ne tikai liecin\u0101jums par Alana Tj\u016bringa iev\u0113rojamo mantojumu, bet ar\u012b par m\u016bsdienu sabiedr\u012bbas izaicin\u0101jumiem, kur tehnolo\u0123ijas un zin\u0101tne strauji att\u012bst\u0101s, liekot mums uzdot jaunus jaut\u0101jumus par to, kas ir cilv\u0113ks un k\u0101da ir m\u016bsu loma arvien main\u012bgaj\u0101 pasaul\u0113.<\/p>\n<p>\u0160\u012b izr\u0101de, kas tapis sadarb\u012bb\u0101 ar vair\u0101kiem starptautiskiem partneriem, apliecina Dailes te\u0101tra reput\u0101ciju Eirop\u0101 un t\u0101 sp\u0113ju veidot glob\u0101lus m\u0101kslas notikumus. T\u0101 ir aicin\u0101jums skat\u012bt\u0101jiem nebaid\u012bties no sare\u017e\u0123\u012btiem jaut\u0101jumiem un \u0161\u0137ietami absurdu situ\u0101ciju, bet dr\u012bz\u0101k mekl\u0113t taj\u0101s savu person\u012bgo j\u0113gu un atbildes.<\/p>\n","protected":false},"excerpt":{"rendered":"Viens no piepras\u012bt\u0101kajiem m\u016bsdienu te\u0101tra re\u017eisoriem pasaul\u0113, po\u013cu m\u0101kslinieks Luka\u0161s Tvarkovskis, turpina savu ies\u0101kto zin\u0101tnes trilo\u0123iju ar jauniestud\u0113jumu&hellip;\n","protected":false},"author":2,"featured_media":9328,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[3177,454,3178,89,90,35,39,38,36,37,34,455,40,1017,1176,61],"class_list":{"0":"post-9327","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-apzina","9":"tag-dailes-teatris","10":"tag-eksistencialisms","11":"tag-entertainment","12":"tag-izklaide","13":"tag-latvia","14":"tag-latvian","15":"tag-latviesu","16":"tag-latviesu-valoda","17":"tag-latviesuvaloda","18":"tag-latvija","19":"tag-lukass-tvarkovskis","20":"tag-lv","21":"tag-orakuls","22":"tag-teatris","23":"tag-zinatne"},"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/9327","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=9327"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/9327\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/9328"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=9327"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=9327"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=9327"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}