Filmas apskats: “T\u012bkl\u0101. TTT le\u0123endas dzim\u0161ana” raisa diskusijas par t\u0113la izaugsmi un aktiersp\u0113li<\/p>\n
Re\u017eisora Dzintara Dreiberga jaun\u0101k\u0101 sp\u0113lfilma \u201cT\u012bkl\u0101. TTT le\u0123endas dzim\u0161ana\u201d, kas non\u0101kusi pie skat\u012bt\u0101jiem 2025. gada 6. novembr\u012b, ir izrais\u012bjusi pla\u0161u rezonansi un da\u017e\u0101das atsauksmes. K\u0101 zi\u0146o Latvijas Av\u012bze, kult\u016bras apskatnieks Alfr\u0113ds Rietmanis pied\u0101v\u0101jis savu kritisko anal\u012bzi filmai, \u012bpa\u0161i piev\u0113r\u0161oties aktiersp\u0113lei un galven\u0101 varo\u0146a t\u0113la att\u012bst\u012bbas tr\u016bkumiem. Filma, kas balst\u012bta uz patiesiem notikumiem, st\u0101sta par le\u0123end\u0101r\u0101s sievie\u0161u basketbola komandas TTT veido\u0161anos un t\u0101s v\u0113sturiskajiem pan\u0101kumiem padomju okup\u0101cijas laik\u0101, godinot latvie\u0161u sievie\u0161u sp\u0113ku, neatlaid\u012bbu un m\u012blest\u012bbu pret savu zemi. TTT komanda 12 reizes p\u0113c k\u0101rtas izc\u012bn\u012bja PSRS \u010dempion\u0101ta zelta meda\u013cas un 18 reizes uzvar\u0113ja Eiropas \u010cempionvien\u012bbu kaus\u0101. Filmas centr\u0101 ir Dzidra Uztupe-Karami\u0161eva, TTT pirm\u0101 kapteine, kurai basketbols kalpojis k\u0101 instruments, lai apsp\u0113l\u0113tu padomju sist\u0113mu. <\/p>\n
Alfr\u0113da Rietma\u0146a kritika: t\u0113la izaugsmes probl\u0113mas<\/p>\n
Alfr\u0113ds Rietmanis sav\u0101 anal\u012bz\u0113 uzsver, ka filma cie\u0161 no b\u016btiska t\u0113la izaugsmes tr\u016bkuma. Vi\u0146apr\u0101t, galvenie varo\u0146i nesp\u0113j p\u0101rliecino\u0161i att\u012bst\u012bties un main\u012bties filmas gait\u0101, kas rezult\u0101t\u0101 padara st\u0101stu maz\u0101k saisto\u0161u un emocion\u0101li dzi\u013c\u0101ku. “Nav nek\u0101das t\u0113la izaugsmes,” skarbi secina Rietmanis, nor\u0101dot, ka tas ir b\u016btisks filmas v\u0101jums, kas ne\u013cauj pilnv\u0113rt\u012bgi ieguld\u012bties notikumos. \u0160\u0101da kritika liek aizdom\u0101ties par scen\u0101rija un varo\u0146u att\u012bst\u012bbas r\u016bp\u012bgumu, \u012bpa\u0161i \u0146emot v\u0113r\u0101 filmas potenci\u0101lu att\u0113lot sp\u0113c\u012bgus un iedvesmojo\u0161us person\u0101\u017eus. <\/p>\n
Aktiersp\u0113les anal\u012bze un t\u0101s v\u0113rt\u0113jums<\/p>\n
Run\u0101jot par aktiersp\u0113li kopum\u0101, Alfr\u0113ds atz\u012bst, ka atsevi\u0161\u0137i aktieri ir sniegu\u0161i kompetentu sniegumu, tom\u0113r vi\u0146\u0161 nav redz\u0113jis neko izcilu vai \u012bpa\u0161i atmi\u0146\u0101 palieko\u0161u. P\u0113c vi\u0146a dom\u0101m, tr\u016bkst emocion\u0101l\u0101 dzi\u013cuma un p\u0101rliecino\u0161as varo\u0146u att\u012bst\u012bbas, kas sp\u0113tu aizkustin\u0101t vai dzi\u013c\u0101k ieinteres\u0113t skat\u012bt\u0101ju. Lai gan filma pied\u0101v\u0101 aizraujo\u0161u st\u0101stu par sportu un latvie\u0161u sievie\u0161u sp\u0113ku, aktieru sniegums, p\u0113c Rietma\u0146a dom\u0101m, nav sp\u0113jis \u0161o st\u0101stu pacelt jaun\u0101 l\u012bmen\u012b, radot iespaidu par virspus\u0113ju att\u0113lojumu, kur\u0101 tr\u016bkst nians\u0113tas emociju gammas un raksturu atkl\u0101smes.<\/p>\n
Filmas stipr\u0101s puses un tehniskais izpild\u012bjums<\/p>\n
Neskatoties uz kritiku par atsevi\u0161\u0137iem aktiersp\u0113les un t\u0113la att\u012bst\u012bbas aspektiem, Rietmanis atzin\u012bgi v\u0113rt\u0113 filmas citus elementus. Vi\u0146\u0161 uzsver, ka kopum\u0101 filma ir laba un nepiecie\u0161ama, izce\u013cot re\u017eisora Dzintara Dreiberga darbu k\u0101 viena no sp\u0113c\u012bg\u0101kajiem nozares profesion\u0101\u013ciem. \u012apa\u0161i tiek nov\u0113rt\u0113ts operators darbs, tverot dinamiskas basketbola sp\u0113les ainas, k\u0101 ar\u012b \u013coti laba mont\u0101\u017ea un izcila, dramatur\u0123iska m\u016bzika, kas organiski iek\u013caujas kop\u0113j\u0101 kino baud\u012bjum\u0101. Filma tiek rakturota k\u0101 izcili uz\u0146emta un tehniski augstv\u0113rt\u012bga. <\/p>\n
V\u0113sturiskais konteksts un filmas noz\u012bm\u012bgums<\/p>\n
\u201cT\u012bkl\u0101. TTT le\u0123endas dzim\u0161ana\u201d ir st\u0101sts par preto\u0161anos bail\u0113m, par nepado\u0161anos un sp\u0113ju apm\u0101n\u012bt PSRS sist\u0113mu, iedvesmojot citus un stiprinot tic\u012bbu sev. Tas ir velt\u012bjums visiem, kuru uzv\u0101rdi ir dz\u0113sti no v\u0113stures, bet kuru iespaids ir nenov\u0113rt\u0113jams. Filmas v\u0113sturiskais konteksts un noz\u012bm\u012bgums Latvijas kino tiek nov\u0113rt\u0113ts k\u0101 b\u016btisks, it \u012bpa\u0161i \u0146emot v\u0113r\u0101 Dreiberga iepriek\u0161\u0113jo pan\u0101kumu ar filmu “Dv\u0113se\u013cu putenis”. \u0160is darbs godina latvie\u0161u sievie\u0161u sp\u0113ku un neatlaid\u012bbu, atg\u0101dinot par laikiem, kad sportiskie pan\u0101kumi kalpoja k\u0101 cer\u012bba un instruments, lai st\u0101tos pret\u012b totalit\u0101rajam re\u017e\u012bmam. <\/p>\n","protected":false},"excerpt":{"rendered":"Filmas apskats: “T\u012bkl\u0101. TTT le\u0123endas dzim\u0161ana” raisa diskusijas par t\u0113la izaugsmi un aktiersp\u0113li Re\u017eisora Dzintara Dreiberga jaun\u0101k\u0101 sp\u0113lfilma…\n","protected":false},"author":2,"featured_media":93833,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[22970,22533,2427,89,90,35,39,38,2712,36,37,34,40,2426],"class_list":{"0":"post-93832","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-aktieru-sniegums","9":"tag-alfreds-rietmanis","10":"tag-dzintars-dreibergs","11":"tag-entertainment","12":"tag-izklaide","13":"tag-latvia","14":"tag-latvian","15":"tag-latviesu","16":"tag-latviesu-kino","17":"tag-latviesu-valoda","18":"tag-latviesuvaloda","19":"tag-latvija","20":"tag-lv","21":"tag-tikla-ttt-legendas-dzimsana"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/115834501379915853","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/93832","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=93832"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/93832\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/93833"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=93832"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=93832"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=93832"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}