Filmas “T\u012bkl\u0101. TTT le\u0123endas dzim\u0161ana” kritisk\u0101 anal\u012bze: Alfr\u0113da Rietma\u0146a skat\u012bjums<\/p>\n
Kult\u016bras apskatnieks Alfr\u0113ds Rietmanis, v\u0113rt\u0113jot re\u017eisora Dzintara Dreiberga jauno sp\u0113lfilmu “T\u012bkl\u0101. TTT le\u0123endas dzim\u0161ana”, kas kinote\u0101tros non\u0101ca 2025. gada 6. novembr\u012b, nor\u0101d\u012bjis uz b\u016btiskiem tr\u016bkumiem galven\u0101 varo\u0146a t\u0113la att\u012bst\u012bb\u0101 un aktiersp\u0113l\u0113. K\u0101 zi\u0146o Latvijas Av\u012bze, Rietmanis pau\u017e kritiku par varo\u0146a emocion\u0101l\u0101s un raksturisk\u0101s izaugsmes tr\u016bkumu, uzsverot, ka filmas centr\u0101lais t\u0113ls nesa\u0146em nek\u0101du att\u012bst\u012bbu visa filmas garum\u0101, radot iespaidu par vienmu\u013cu person\u0101\u017eu. “Nav nek\u0101das t\u0113la izaugsmes,” skarbi secina Rietmanis, nor\u0101dot, ka tas ir b\u016btisks filmas v\u0101jums, kas ne\u013cauj skat\u012bt\u0101jam pilnv\u0113rt\u012bgi ieguld\u012bties notikumos..<\/p>\n
Filmas b\u016bt\u012bba un v\u0113st\u012bjums<\/p>\n
Filma “T\u012bkl\u0101. TTT le\u0123endas dzim\u0161ana” st\u0101sta par le\u0123end\u0101r\u0101s sievie\u0161u basketbola komandas TTT veido\u0161anos un t\u0101s pan\u0101kumiem padomju okup\u0101cijas laik\u0101.. TTT komanda 12 reizes p\u0113c k\u0101rtas izc\u012bn\u012bja PSRS \u010dempion\u0101ta zelta meda\u013cas un 18 reizes uzvar\u0113ja Eiropas \u010cempionvien\u012bbu kaus\u0101, iek\u013c\u016bstot ar\u012b Ginesa rekordu gr\u0101mat\u0101 k\u0101 20. gadsimta lab\u0101k\u0101 komanda.. St\u0101sta centr\u0101 ir Dzidra Uztupe-Karami\u0161eva, TTT pirm\u0101 kapteine, kurai basketbols kalpojis k\u0101 instruments, lai apsp\u0113l\u0113tu padomju sist\u0113mu un atkl\u0101tu paties\u012bbu par savu br\u0101li le\u0123ion\u0101ru.. Filma akcent\u0113 latvie\u0161u sievietes sp\u0113ku, s\u012bkstumu un m\u012blest\u012bbu pret savu \u0123imeni un zemi, k\u0101 ar\u012b drosmi pretoties padomju varas totalit\u0101rajam re\u017e\u012bmam..<\/p>\n
Aktiersp\u0113les un scen\u0101rija kritika<\/p>\n
Run\u0101jot par aktiersp\u0113li kopum\u0101, Alfr\u0113ds Rietmanis atz\u012bst, ka atsevi\u0161\u0137i aktieri ir sniegu\u0161i kompetentu sniegumu, tom\u0113r vi\u0146\u0161 nav redz\u0113jis neko izcilu vai \u012bpa\u0161i atmi\u0146\u0101 palieko\u0161u.. P\u0113c vi\u0146a dom\u0101m, tr\u016bkst emocion\u0101l\u0101 dzi\u013cuma un p\u0101rliecino\u0161as varo\u0146u att\u012bst\u012bbas, kas sp\u0113tu aizkustin\u0101t vai dzi\u013c\u0101k ieinteres\u0113t skat\u012bt\u0101ju.. Lai gan filma pied\u0101v\u0101 aizraujo\u0161u st\u0101stu par sportu un latvie\u0161u sievie\u0161u sp\u0113ku, aktieru sniegums nav sp\u0113jis \u0161o st\u0101stu pacelt jaun\u0101 l\u012bmen\u012b, radot iespaidu par virspus\u0113ju att\u0113lojumu, kur\u0101 tr\u016bkst nians\u0113tas emociju gammas un raksturu atkl\u0101smes.. Art\u016brs Smo\u013cja\u0146inovs gan sa\u0146\u0113mis atzin\u012bgu v\u0113rt\u0113jumu par \u010dekista t\u0113la att\u0113lojumu, kas tiek raksturots k\u0101 viens no vislab\u0101k izvestajiem film\u0101..<\/p>\n
Filmas tehniskie un m\u0101kslinieciskie aspekti<\/p>\n
Neskatoties uz kritiku par t\u0113la att\u012bst\u012bbu un aktiersp\u0113li, Alfr\u0113ds Rietmanis atzin\u012bgi v\u0113rt\u0113 filmas tehnisko pusi un vizu\u0101lo noform\u0113jumu, nor\u0101dot, ka re\u017eisors Dzintars Dreibergs joproj\u0101m ir sp\u0113j\u012bgs rad\u012bt vizu\u0101li iespaid\u012bgus darbus.. \u012apa\u0161i tiek nov\u0113rt\u0113ts operatora darbs, kas veiksm\u012bgi tver dinamiskas basketbola sp\u0113les ainas, k\u0101 ar\u012b \u013coti lab\u0101 mont\u0101\u017ea un izcila, dramatur\u0123iska m\u016bzika, kas organiski iek\u013caujas kop\u0113j\u0101 kino baud\u012bjum\u0101.. Filmas veido\u0161anu atbalst\u012bjis Valsts kult\u016brkapit\u0101la fonds un ES programma \u201cRado\u0161\u0101 Eiropa MEDIA\u201d..<\/p>\n
Rezonanse un skat\u012bt\u0101ju interese<\/p>\n
Filma “T\u012bkl\u0101. TTT le\u0123endas dzim\u0161ana”, kas pirmizr\u0101di piedz\u012bvoja 2025. gada 6. novembr\u012b, ir guvusi pla\u0161u skat\u012bt\u0101ju interesi, p\u0101rsniedzot 100 000 apmekl\u0113t\u0101ju robe\u017eu m\u0113ne\u0161a laik\u0101.. \u0160\u012b interese liecina par filmas noz\u012bm\u012bgumu un t\u0101s sp\u0113ju aizskart skat\u012bt\u0101jus ar v\u0113sturisko kontekstu un st\u0101stu par latvie\u0161u sievie\u0161u sp\u0113ku un neatlaid\u012bbu.. Filma tiek uzskat\u012bta par noz\u012bm\u012bgu un vajadz\u012bgu kino darbu, kas ataino 20. gadsimta vidus Latvijas v\u0113sturisko un sabiedrisko ainu..<\/p>\n","protected":false},"excerpt":{"rendered":"Filmas “T\u012bkl\u0101. TTT le\u0123endas dzim\u0161ana” kritisk\u0101 anal\u012bze: Alfr\u0113da Rietma\u0146a skat\u012bjums Kult\u016bras apskatnieks Alfr\u0113ds Rietmanis, v\u0113rt\u0113jot re\u017eisora Dzintara Dreiberga…\n","protected":false},"author":2,"featured_media":95394,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[22533,2427,89,90,35,39,38,2712,36,37,34,40,2426,2515],"class_list":{"0":"post-95423","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-alfreds-rietmanis","9":"tag-dzintars-dreibergs","10":"tag-entertainment","11":"tag-izklaide","12":"tag-latvia","13":"tag-latvian","14":"tag-latviesu","15":"tag-latviesu-kino","16":"tag-latviesu-valoda","17":"tag-latviesuvaloda","18":"tag-latvija","19":"tag-lv","20":"tag-tikla-ttt-legendas-dzimsana","21":"tag-ttt-basketbola-komanda"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/115843572945531941","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/95423","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=95423"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/95423\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/95394"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=95423"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=95423"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=95423"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}