Loz\u0146icas jaun\u0101k\u0101 filma “Divi prokurori” piev\u0113r\u0161 uzman\u012bbu Sta\u013cina laika terora neatrisin\u0101taj\u0101m sek\u0101m<\/p>\n
Ukrai\u0146u kinore\u017eisors Sergejs Loz\u0146ica sav\u0101 jaun\u0101kaj\u0101 darb\u0101 “Divi prokurori” piev\u0113r\u0161as Sta\u013cina laika terora tum\u0161aj\u0101m lappus\u0113m, uzsverot, ka \u0161is v\u0113sturiskais \u013caunums paties\u012bb\u0101 nav beidzies, bet turpina savu posto\u0161o ce\u013cu caur laiku, atst\u0101jot dzi\u013cas r\u0113tas sabiedr\u012bb\u0101. Filma, kas ir starptautisks kopra\u017eojums ar iev\u0113rojamu Latvijas l\u012bdzdal\u012bbu, 2025. gad\u0101 piedz\u012bvoja savu pasaules pirmizr\u0101di presti\u017eaj\u0101 Kannu kinofestiv\u0101l\u0101, iek\u013c\u016bstot galvenaj\u0101 konkurs\u0101 un sa\u0146emot noz\u012bm\u012bgu atzin\u012bbu \u2013 Fransu\u0101 \u0160al\u0113 balvu. \u0160obr\u012bd filma ir skat\u0101ma ar\u012b Latvijas skat\u012bt\u0101jiem festiv\u0101la “Baltijas p\u0113rle” ietvaros.<\/p>\n
Sta\u013cina \u0113na p\u0101r m\u016bsdien\u0101m<\/p>\n
Loz\u0146ica sav\u0101 izteikum\u0101 raid\u012bjum\u0101 “Kult\u016brdeva” uzsv\u0113ra, ka vi\u0146a filma ir tikai neliela da\u013ca no milz\u012bg\u0101s tra\u0123\u0113dijas, kas s\u0101k\u0101s 1917. gad\u0101 un joproj\u0101m nav beigusies. “Paties\u012bb\u0101 nav daudz filmu par Sta\u013cina laika teroru un to \u0101rpr\u0101tu, kas s\u0101k\u0101s 1917. gad\u0101 un beidz\u0101s\u2026 paties\u012bb\u0101 nav beidzies, tas pa\u0161laik turpin\u0101s,” nor\u0101da re\u017eisors. \u0160is drosm\u012bgais apgalvojums liecina par Loz\u0146icas dzi\u013co p\u0101rliec\u012bbu, ka pag\u0101tnes totalit\u0101rie re\u017e\u012bmi un to rad\u012bt\u0101s sekas joproj\u0101m ietekm\u0113 m\u016bsdienu pasauli, \u012bpa\u0161i Krievijas Feder\u0101cij\u0101, kas, p\u0113c re\u017eisora dom\u0101m, “strauji atgrie\u017eas pie sta\u013cinisma”. Filma “Divi prokurori”, kas balst\u012bta uz Georgija Demidova memu\u0101riem, p\u0113ta indiv\u012bda likteni un c\u012b\u0146u par taisn\u012bgumu totalit\u0101r\u0101 sist\u0113m\u0101, atkl\u0101jot korupciju dro\u0161\u012bbas dienestos Sta\u013cina re\u017e\u012bma laik\u0101, 1937. gad\u0101.<\/p>\n
Latvija k\u0101 rado\u0161\u0101 vide<\/p>\n
Filmas uz\u0146em\u0161ana gandr\u012bz piln\u012bb\u0101 norisin\u0101j\u0101s Latvij\u0101, izmantojot autentiskas vietas, piem\u0113ram, biju\u0161o Brasas cietumu R\u012bg\u0101. \u0160\u012b izv\u0113le nav nejau\u0161a, jo Loz\u0146icam ir sena un augl\u012bga sadarb\u012bba ar Latvijas kinoindustriju. Iepriek\u0161\u0113j\u0101s vi\u0146a filmas, piem\u0113ram, “Migl\u0101” un “L\u0113npr\u0101t\u012bg\u0101”, ar\u012b ir film\u0113tas vai da\u013c\u0113ji uz\u0146emtas Latvij\u0101. \u0160\u012b sadarb\u012bba ir veidojusies gadu gait\u0101, un viet\u0113jie profesion\u0101\u013ci, kuri str\u0101d\u0101ju\u0161i pie iepriek\u0161\u0113jiem projektiem, bie\u017ei vien pievienojas ar\u012b jaunajiem Loz\u0146icas darbiem, tostarp film\u0113\u0161anai Ukrain\u0101. Latvijas puses partneris kopra\u017eojum\u0101 ir studija “White Picture”, un projektu l\u012bdzfinans\u0113 Latvijas Invest\u012bciju un att\u012bst\u012bbas a\u0123ent\u016bra un R\u012bgas filmu fonds, apliecinot Latvijas noz\u012bm\u012bgo lomu starptautisk\u0101 kino tap\u0161an\u0101.<\/p>\n
V\u0113sturisk\u0101 paties\u012bba un t\u0101s noz\u012bme<\/p>\n
Loz\u0146ica uzsver, ka Georgija Demidova darbs at\u0161\u0137iras no citiem t\u0101 laika memu\u0101riem, jo tas apl\u016bko padomju sist\u0113mu no zin\u0101tnieka skatpunkta, prec\u012bzi nor\u0101dot uz fundament\u0101l\u0101m k\u013c\u016bd\u0101m, kas novedu\u0161as pie tra\u0123isk\u0101m sek\u0101m. Vi\u0146a filma “Divi prokurori” ir ne tikai v\u0113stures atainojums, bet ar\u012b sp\u0113c\u012bgs v\u0113st\u012bjums par m\u016bsdien\u0101m, br\u012bdin\u0101jums par to, cik b\u012bstami ir ne\u0146emt v\u0113r\u0101 pag\u0101tnes k\u013c\u016bdas un totalit\u0101risma draudus. Kriti\u0137i fran\u010du pres\u0113 uzskata, ka Loz\u0146icas filma ir br\u012bdin\u0101jums par despotiem un briesm\u0101m, kas rodas, tos nepamanot, l\u012bdz ir par v\u0113lu. Filmas dzi\u013cais v\u0113st\u012bjums un aktu\u0101l\u0101 noz\u012bme ir izrais\u012bjusi starptautisku rezonansi, padarot to par vienu no “Baltijas p\u0113rles” \u0161\u012b gada programmas spilgt\u0101kajiem darbiem.<\/p>\n
Iesp\u0113ja iepaz\u012bt dzi\u013c\u0101ko kino<\/p>\n
Festiv\u0101la “Baltijas p\u0113rle” programma vienm\u0113r ir bijusi platforma intelektu\u0101li bag\u0101tiem un emocion\u0101li sp\u0113c\u012bgiem st\u0101stiem, un “Divi prokurori” ir izcils piem\u0113rs tam, k\u0101 kino var provoc\u0113t, izgl\u012btot un aizkustin\u0101t. Latvijas pirmizr\u0101de notika 25. septembr\u012b kinote\u0101tr\u012b “Splendid Palace”, kur skat\u012bt\u0101jiem bija unik\u0101la iesp\u0113ja tikties ar re\u017eisoru Sergeju Loz\u0146icu un filmas komandu, lai dzi\u013c\u0101k izprastu filmas v\u0113st\u012bjumu un tap\u0161anas procesu. \u0160\u012b tik\u0161an\u0101s bija ne tikai kino seanss, bet ar\u012b dialogs ar m\u0101kslinieku un vi\u0146a rad\u012bto pasauli, apliecinot atbalstu augstv\u0113rt\u012bgai kinom\u0101kslai. Loz\u0146ica ir paz\u012bstams ar sav\u0101m dokument\u0101laj\u0101m film\u0101m, piem\u0113ram, “Maidans”, kas iem\u016b\u017ein\u0101ja Eiromaidana notikumus, un vi\u0146a sp\u0113lfilmas, k\u0101 “Mana prieka”, “Migl\u0101” un “L\u0113npr\u0101t\u012bg\u0101”, jau iepriek\u0161 ir guvu\u0161as atzin\u012bbu starptautiskos festiv\u0101los, tostarp Kann\u0101s.<\/p>\n
Sta\u013cinisms k\u0101 neatrisin\u0101ta probl\u0113ma<\/p>\n
Sta\u013cinisms, k\u0101 politisk\u0101 doktr\u012bna un prakse, ko \u012bstenoja Josifs Sta\u013cins, ir atst\u0101jis dzi\u013cas un s\u0101p\u012bgas sekas Padomju Savien\u012bb\u0101 un t\u0101s ietekmes zon\u0101. Lai gan Sta\u013cins mira 1953. gad\u0101, un \u0145ikita Hru\u0161\u010dovs v\u0113l\u0101k kritiz\u0113ja Sta\u013cina person\u012bbas kultu un masu represijas, v\u0113sturisk\u0101s atmi\u0146as tr\u016bkums par \u0161iem notikumiem veicina to atk\u0101rto\u0161anos. “Lielais terors” (1936-1938) sk\u0101ra miljoniem cilv\u0113ku, galvenok\u0101rt komunistisk\u0101s partijas biedrus, armijas vad\u012bbu, zemniec\u012bbu un maz\u0101kumtaut\u012bbas. Pat p\u0113c okup\u0101cijas re\u017e\u012bma beig\u0101m Latvij\u0101, daudziem biju\u0161ajiem ieslodz\u012btajiem un deport\u0113tajiem turpin\u0101ja saglab\u0101ties aizdomu \u0113na, jo vi\u0146i tika uzskat\u012bti par “\u0161\u0137iras ienaidniekiem”. Loz\u0146icas filma “Divi prokurori” atg\u0101dina, ka \u0161\u012b v\u0113sturisk\u0101 mantojuma un t\u0101 rad\u012bt\u0101s sist\u0113mas atbalss joproj\u0101m ir j\u016btama m\u016bsdien\u0101s, un t\u0101s piln\u012bga izpratne un atz\u012b\u0161ana ir b\u016btiska, lai izvair\u012btos no l\u012bdz\u012bgu tra\u0123\u0113diju atk\u0101rto\u0161an\u0101s.<\/p>\n","protected":false},"excerpt":{"rendered":"Loz\u0146icas jaun\u0101k\u0101 filma “Divi prokurori” piev\u0113r\u0161 uzman\u012bbu Sta\u013cina laika terora neatrisin\u0101taj\u0101m sek\u0101m Ukrai\u0146u kinore\u017eisors Sergejs Loz\u0146ica sav\u0101 jaun\u0101kaj\u0101…\n","protected":false},"author":2,"featured_media":9584,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[2909,89,90,3686,35,39,38,36,37,34,40,2908,3685,3687],"class_list":{"0":"post-9583","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-divi-prokurori","9":"tag-entertainment","10":"tag-izklaide","11":"tag-kannu-kinofestivals","12":"tag-latvia","13":"tag-latvian","14":"tag-latviesu","15":"tag-latviesu-valoda","16":"tag-latviesuvaloda","17":"tag-latvija","18":"tag-lv","19":"tag-sergejs-loznica","20":"tag-stalina-laika-terors","21":"tag-vesturiska-atmina"},"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/9583","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=9583"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/9583\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/9584"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=9583"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=9583"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=9583"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}