{"id":97283,"date":"2026-01-07T13:52:09","date_gmt":"2026-01-07T13:52:09","guid":{"rendered":"https:\/\/www.europesays.com\/lv\/97283\/"},"modified":"2026-01-07T13:52:09","modified_gmt":"2026-01-07T13:52:09","slug":"kada-ir-kritikas-jega-spriez-normunda-naumana-makslu-kritikas-balvas-kandidati-raksts","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/lv\/97283\/","title":{"rendered":"K\u0101da ir kritikas j\u0113ga? Sprie\u017e Normunda Nauma\u0146a m\u0101kslu kritikas balvas kandid\u0101ti \/ Raksts"},"content":{"rendered":"

13.\u00a0janv\u0101r\u012b gaid\u0101ma Normunda Nauma\u0146a v\u0101rd\u0101 nosaukt\u0101s Gada balvas m\u0101kslu kritik\u0101 pasnieg\u0161anas ceremonija\u00a0jeb “NN nakts”.\u00a0Latvijas Radio raid\u012bjum\u0101 “Kult\u016bras rondo” balvas kandid\u0101ti \u2013 te\u0101tra kriti\u0137is Atis Rozent\u0101ls, literat\u016bras kriti\u0137is Arvis Viguls, kino kriti\u0137e El\u012bna Reitere un operas kriti\u0137e Lauma Mell\u0113na-Bartkevi\u010da \u2013 atkl\u0101j savu profesion\u0101lo gaitu pirms\u0101kumus, sprie\u017e par kritikas j\u0113gu un nor\u0101da uz profesijas negat\u012bvajam pus\u0113m.<\/p>\n

Ceremonija notiks Latvijas Radio 1. studij\u0101, un to\u00a0ikvienam 13. janv\u0101r\u012b pulksten 19.00\u00a0b\u016bs iesp\u0113ja noskat\u012bties ar\u012b port\u0101l\u0101 LSM.lv.<\/p>\n

K\u0101da ir kritikas j\u0113ga? Sprie\u017e Normunda Nauma\u0146a m\u0101kslu kritikas balvas kandid\u0101ti<\/p>\n

00:00 \/ 50:38<\/p>\n

\t\t\t\t\t Lejupl\u0101d\u0113t<\/a><\/p>\n

Ingvilda Strautmane \/ Latvijas Radio<\/p>\n

No pirmaj\u0101m publik\u0101cij\u0101m l\u012bdz nomin\u0101cij\u0101m<\/p>\n

Visi \u010detri balvai nomin\u0113tie kriti\u0137i ir ar zin\u0101mu pieredzi sav\u0101 profesij\u0101. Lai gan atsauksmes un recenzijas rakst\u012bjis ar\u012b iepriek\u0161, par savu profesion\u0101l\u0101s kritikas startu te\u0101tra kriti\u0137is Atis Rozent\u0101ls uzskata 2012.\u00a0gadu, kad vi\u0146\u0161 ar savu recenziju par Liep\u0101jas te\u0101tra izr\u0101di “Advents Silma\u010dos”<\/a> debit\u0113ja izdevum\u0101 “Kult\u016bras Diena”. Operas kriti\u0137e Lauma Mell\u0113na-Bartkevi\u010da prec\u012bzu karjeras s\u0101kuma atskaites punktu nevar nosaukt, bet sprie\u017e, ka tas var\u0113tu b\u016bt divt\u016bksto\u0161o gadu s\u0101kums un vi\u0146as recenzija par Andreja \u017dagara iestud\u0113jumu “D\u0113mons”<\/a>.<\/p>\n

Kino kriti\u0137e El\u012bna Reitere atminas savu pirmo publik\u0101ciju laikrakst\u0101 “Diena” par indie\u0161u re\u017eisores D\u012bpas Mehtas filmu “Uguns”, uzsverot, ka \u0161o gadu laik\u0101 vi\u0146as darb\u012bbai kino kritik\u0101 biju\u0161as ar\u012b pauzes.<\/p>\n

“2007.\u00a0gad\u0101 es biju “Liel\u0101 Kristapa” \u017e\u016brij\u0101. (..) Tobr\u012bd \u017e\u016brija skat\u012bj\u0101s visu, kas tika sara\u017eots, un taj\u0101 laik\u0101 t\u0101s bija k\u0101das asto\u0146desmit filmas. P\u0113c tam, kad es to visu noskat\u012bjos, es sapratu, ka nev\u0113los str\u0101d\u0101t \u0161aj\u0101 profesij\u0101 \u2013<\/p>\n

\n

es nev\u0113los pavad\u012bt savu dz\u012bvi, skatoties \u013coti daudz sliktu latvie\u0161u filmu\u00a0un m\u0113\u0123inot par t\u0101m pateikt kaut ko labu.<\/p>\n<\/blockquote>\n

T\u0101p\u0113c p\u0113c tam bija liela pauze, es nerakst\u012bju, jo tam visp\u0101r neredz\u0113ju j\u0113gu,” par da\u017e\u0101diem posmiem sav\u0101 kriti\u0137es karjer\u0101 st\u0101sta Reitere.<\/p>\n

Savu pirmo recenziju spilgti atceras ar\u012b literat\u016bras kriti\u0137is Arvis Viguls. T\u0101 tapusi pirms gandr\u012bz divdesmit gadiem \u2013 laik\u0101, kad vi\u0146\u0161 v\u0113l m\u0101c\u012bjies vidusskol\u0101.<\/p>\n

“Man piezvan\u012bja no laikraksta “Kult\u016bras Forums” un l\u016bdza uzrakst\u012bt recenziju par Marta Puj\u0101ta kr\u0101jumu “M\u016bsu dziesma”. (..) Ja es nemaldos, t\u0101 bija mana pirm\u0101 publik\u0101cija, v\u0113l pirms dzejas publik\u0101cijas,<\/p>\n

\n

t\u0101p\u0113c var\u0113tu teikt, ka es paties\u012bb\u0101 neesmu dzejnieks, kur\u0161 raksta dzejas kritiku, bet gan dzejas kriti\u0137is, kur\u0161 raksta dzeju,”<\/p>\n<\/blockquote>\n

smej Viguls.<\/p>\n

\n

\"Normunda<\/p>\n

Normunda Nauma\u0146a v\u0101rd\u0101 nosaukt\u0101\u00a0Gada balvai\u00a0m\u0101kslu kritik\u0101<\/p>\n

Foto: Publicit\u0101tes foto<\/p>\n<\/p>\n

K\u0101da ir kritikas j\u0113ga?<\/p>\n

Ceremonijas papla\u0161in\u0101tais nosaukums \u0161ogad ir “Kritikas j\u0113gas pier\u0101d\u012b\u0161ana visu m\u0101kslu m\u012b\u013cot\u0101jam”. Dom\u0101jot par kritikas j\u0113gu, Viguls nor\u0101da, ka to vajadz\u0113tu uztvert k\u0101 da\u013cu no rado\u0161o darb\u012bbu kopuma, t\u0101pat k\u0101 dzejas rakst\u012b\u0161anu vai izr\u0101des iestud\u0113\u0161anu, savuk\u0101rt\u00a0El\u012bna Reitere uzsver, ka v\u0101rds “kritika” bie\u017ei tiek uztverts ar negat\u012bvu noska\u0146u, bet profesion\u0101la kritika nenoz\u012bm\u0113 kaut ko sliktu.<\/p>\n

“Profesion\u0101la kritika noz\u012bm\u0113 anal\u012bzi \u2013 m\u0101kslas par\u0101d\u012bbas anal\u012bzi no da\u017e\u0101diem aspektiem, da\u017e\u0101dos kontekstos. (..)<\/p>\n

\n

L\u012bdzko kritikai ir anal\u012btiska pieeja, tai uzreiz ar\u012b rodas j\u0113ga, jo tas papla\u0161ina m\u016bsu skat\u012bjumu uz m\u0101kslas darbu,”<\/p>\n<\/blockquote>\n

papildina Reitere.<\/p>\n

Operas kriti\u0137e Lauma Mell\u0113na-Bartkevi\u010da uzskata, ka kritikas j\u0113ga nav j\u0101pier\u0101da\u00a0un t\u0101 ir neat\u0146emama kult\u016bras ekosist\u0113mas sast\u0101vda\u013ca.<\/p>\n

“Labi, ka kritika ir, un, manupr\u0101t, ir \u013coti vesel\u012bgi, ka top ar\u012b nepietiekami komplement\u0101ri teksti, jo cit\u0101di mums liktos, ka viss ir vislab\u0101kaj\u0101 k\u0101rt\u012bb\u0101, kas absol\u016bti t\u0101 nav,” par kritikas j\u0113gu sprie\u017e Mell\u0113na-Bartkevi\u010da.<\/p>\n

Raudz\u012bties pla\u0161\u0101k un v\u0113rt\u0113t da\u017e\u0101dos kontekstos<\/p>\n

Tr\u012bs no \u010detr\u0101m publik\u0101cij\u0101m, par kur\u0101m te\u0101tra kriti\u0137is Atis Rozent\u0101ls nomin\u0113ts Normunda Nauma\u0146a v\u0101rd\u0101 nosauktajai balvai, bija las\u0101mas \u017eurn\u0101l\u0101 “Te\u0101tra V\u0113stnesis”. Rozent\u0101ls nor\u0101da uz to, kas kop\u012bgs \u0161iem tekstiem \u2013 t\u0101s nav recenzijas par vienu konkr\u0113tu izr\u0101di, bet gan iestud\u0113jumu t\u0113mu anal\u012bze da\u017e\u0101dos kontekstos.<\/p>\n

“\u0160ajos tekstos ir mekl\u0113ti \u013coti daudz vis\u0101da veida konteksti \u2013 ar soci\u0101lpolitisko situ\u0101ciju, ar te\u0101tra ainu, k\u0101da t\u0101 ir. (..) T\u0101 viena [publik\u0101cija] bija t\u0101ds \u013coti liels risks. Kad man to pied\u0101v\u0101ja, es drusku sabijos, bet tad dom\u0101ju, ka man\u0101 vecum\u0101 nav, par ko baid\u012bties. Tas teksts ir par izr\u0101d\u0113m, kas ir par dzemd\u012bbu un p\u0113cdzemd\u012bbu pieredzi, k\u0101das man nevar b\u016bt.<\/p>\n

\n

L\u012bdz ar to tas ir t\u0101ds skats no malas \u2013 k\u0101 \u0161o tematiku atspogu\u013co te\u0101tr\u012b.<\/p>\n<\/blockquote>\n

Man tas, protams, bija izaicin\u0101jums, jo es to nek\u0101d\u0101 veid\u0101 nevaru sal\u012bdzin\u0101t ar savu pieredzi, es varu rakst\u012bt tikai par to, ko redzu uz skatuves,” atkl\u0101j Rozent\u0101ls.<\/p>\n

Sp\u0113ja v\u0113rt\u0113t m\u0101kslas notikumus da\u017e\u0101dos kontekstos, redz\u0113t un uztvert, kas notiek pasaul\u0113, kritik\u0101 viennoz\u012bm\u012bgi ir \u013coti svar\u012bgi, uzsver operas kriti\u0137e Lauma Mell\u0113na-Bartkevi\u010da: “Tas ir pats galvenais \u2013 redz\u0113t, kas notiek apk\u0101rt, un sp\u0113t kontekstualiz\u0113t lietas pla\u0161\u0101k\u0101 panor\u0101m\u0101, vienlaikus saprotot, kur m\u0113s atrodamies lok\u0101li, re\u0123ion\u0101li. (..)<\/p>\n

\n

Svar\u012bgi ir neaprobe\u017eoties ar lok\u0101la m\u0113roga sasniegumu p\u0101rv\u0113rt\u0113\u0161anu un skat\u012bties pla\u0161\u0101k,<\/p>\n<\/blockquote>\n

jo paties\u012bb\u0101 opera un klasisk\u0101 m\u016bzika ir t\u0101s nozares, kur\u0101s m\u016bsu m\u0101kslinieki vienm\u0113r ir biju\u0161i starptautiski konkur\u0113tsp\u0113j\u012bgi. \u0160\u012b starptautisk\u0101 konkur\u0113tsp\u0113ja un pan\u0101kumi, ar\u012b iesp\u0113ja tikt sal\u012bdzin\u0101tiem pasaules m\u0113rog\u0101, tas bez \u0161aub\u0101m ir j\u0101izmanto ar\u012b kritik\u0101.”<\/p>\n

El\u012bna Reitere papildina kol\u0113\u0123es teikto, minot, ka m\u0101kslas darbi nav nosl\u0113gti vai imanenti [nedal\u0101mi saist\u012bts ar k\u0101 b\u016bt\u012bbu \u2013 red.],<\/p>\n

\n

to j\u0113ga vienm\u0113r main\u0101s atkar\u012bb\u0101 no konteksta \u2013 no t\u0101, kur\u0161 to skat\u0101s, kad skat\u0101s un kur skat\u0101s.<\/p>\n<\/blockquote>\n

T\u0101p\u0113c, lai uztvertu, kas notiek m\u0101ksl\u0101, svar\u012bgi iesp\u0113ju robe\u017e\u0101s sekot l\u012bdzi maksim\u0101li pla\u0161am inform\u0101cijas laukam.<\/p>\n

“Kriti\u0137us jau p\u0113c defin\u012bcijas nem\u012bl”<\/p>\n

Kriti\u0137i ir vienispr\u0101tis par to, ka, t\u0101pat k\u0101 autoriem, kuri savus m\u0101kslas darbus izliek publiskai apskatei, j\u0101r\u0113\u0137in\u0101s ar skat\u012bt\u0101ju reakcij\u0101m, ar\u012b recenzentiem j\u0101b\u016bt gataviem, ka vi\u0146u atsauksmes izrais\u012bs nepatiku. Kriti\u0137im j\u0101apzin\u0101s kritikas subjekt\u012bvie un cilv\u0113ciskie faktori, kas ietekm\u0113 ar\u012b atsevi\u0161\u0137as reakcijas.<\/p>\n

“Tas it k\u0101 ir m\u016bsu profesion\u0101lais lauks, bet tam ir sekas ar\u012b uz m\u016bsu priv\u0101taj\u0101m attiec\u012bb\u0101m ar cilv\u0113kiem. T\u0101 ir lieta, par kuru m\u0113s k\u0101 kriti\u0137i kaut k\u0101d\u0101s tik\u0161an\u0101s reiz\u0113s, \u013coti \u0161aur\u0101 lok\u0101 run\u0101j\u0101m un atz\u012bstam. T\u0101 ir t\u0101da lieta, kas s\u0101kotn\u0113ji varb\u016bt var p\u0101rsteigt, ien\u0101kot \u0161aj\u0101 profesij\u0101, \u2013<\/p>\n

\n

tevi jau p\u0113c defin\u012bcijas nem\u012bl\u0113s. Jaut\u0101jums \u2013 cik katrs to sp\u0113j ment\u0101li iztur\u0113t \u2013\u00a0paliek atkl\u0101ts,” pau\u017e Reitere.<\/p>\n<\/blockquote>\n

Tom\u0113r situ\u0101cija main\u0101s, un no m\u0101kslinieku puses j\u016btama liel\u0101ka v\u0113lme izprast kriti\u0137u darbu un, veidojot profesion\u0101lu diskusiju, sa\u0146emt recenzenta skaidrojumus. Atis Rozent\u0101ls uzsver, ka katrs m\u0101kslas darbs top iek\u0161\u0113j\u0101 rado\u0161\u0101 burbul\u012b, un vair\u0101kk\u0101rt no m\u0101ksliniekiem esot n\u0101cies dzird\u0113t fr\u0101zi \u2013 k\u0101 kriti\u0137is var rakst\u012bt par izr\u0101di, ja vi\u0146\u0161 nav redz\u0113jis m\u0113\u0123in\u0101jumus?<\/p>\n

“M\u0113s ar\u012b katru govi neapl\u016bkojam, pirms \u0113dam steiku. (..) Es tagad drausm\u012bgi brut\u0101li saku, tom\u0113r process ir viena lieta, bet m\u0113s redzam rezult\u0101tu. Man reiz\u0113m trauc\u0113 tas, ka dzirdu:\u00a0izr\u0101des tap\u0161anas process ir bijis \u013coti sare\u017e\u0123\u012bts, neviennoz\u012bm\u012bgs. (..)<\/p>\n

\n

Ja m\u0113s redzam rezult\u0101tu un rezult\u0101ts ir p\u0101rliecino\u0161s, tad sak\u0101m \u2013 j\u0101, viss ir k\u0101rt\u012bb\u0101.<\/p>\n<\/blockquote>\n

Tas nekas, ka jums uz \u0137erme\u0146a ir paliku\u0161as r\u0113tas vai ir paliku\u0161as ment\u0101l\u0101s r\u0113tas. J\u016bs esat tiku\u0161i tam\u00a0p\u0101ri, jums ir br\u012bni\u0161\u0137\u012bga izr\u0101de. Mums var nesakrist viedoklis par to, k\u0101ds ir rezult\u0101ts, izejot no t\u0101, ka mums nav pien\u0101kums zin\u0101t, k\u0101 \u0161is process ir noticis,” p\u0101rliecin\u0101ts ir\u00a0Atis Rozent\u0101ls.<\/p>\n","protected":false},"excerpt":{"rendered":"13.\u00a0janv\u0101r\u012b gaid\u0101ma Normunda Nauma\u0146a v\u0101rd\u0101 nosaukt\u0101s Gada balvas m\u0101kslu kritik\u0101 pasnieg\u0161anas ceremonija\u00a0jeb “NN nakts”.\u00a0Latvijas Radio raid\u012bjum\u0101 “Kult\u016bras rondo”…\n","protected":false},"author":2,"featured_media":97284,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[23,28,29,32,33,22,30,31,35,39,38,36,37,34,40,20,26,27,24,25,21],"class_list":{"0":"post-97283","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-latvija","8":"tag-aktualitates","9":"tag-breaking-news","10":"tag-breakingnews","11":"tag-featured-news","12":"tag-featurednews","13":"tag-headlines","14":"tag-latest-news","15":"tag-latestnews","16":"tag-latvia","17":"tag-latvian","18":"tag-latviesu","19":"tag-latviesu-valoda","20":"tag-latviesuvaloda","21":"tag-latvija","22":"tag-lv","23":"tag-news","24":"tag-popularakas-zinas","25":"tag-popularakaszinas","26":"tag-top-stories","27":"tag-topstories","28":"tag-zinas"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/115854150621691144","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/97283","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=97283"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/97283\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/97284"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=97283"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=97283"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=97283"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}