{"id":9832,"date":"2025-10-01T15:33:08","date_gmt":"2025-10-01T15:33:08","guid":{"rendered":"https:\/\/www.europesays.com\/lv\/9832\/"},"modified":"2025-10-01T15:33:08","modified_gmt":"2025-10-01T15:33:08","slug":"kino-legenda-frensiss-forda-kopola-velas-atkartoti-noskatities-pola-tomass-andersona-jaunako-filmu-neparasta-iemesla-del-lente-lv","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/lv\/9832\/","title":{"rendered":"Kino le\u0123enda Frensiss Forda Kopola v\u0113las atk\u0101rtoti noskat\u012bties Pola Tomass Andersona jaun\u0101ko filmu neparasta iemesla d\u0113\u013c\u00a0\u2014\u00a0Lente.lv"},"content":{"rendered":"<p>Kino le\u0123enda v\u0113las atk\u0101rtoti noskat\u012bties jauno Pola Tomass Andersona filmu \u2013 un tam ir k\u0101ds \u012bpa\u0161s iemesls<\/p>\n<p>Pasaul\u0113 slavenais re\u017eisors, le\u0123end\u0101r\u0101 \u201eKrustt\u0113va\u201d autors, Frensiss Forda Kopola nesen izteicis savu atzin\u012bgu viedokli par jaun\u0101ko Pola Tomass Andersona melno kom\u0113diju \u201eViena c\u012b\u0146a p\u0113c otras\u201d (ori\u0123in\u0101l\u0101 \u201eLicorice Pizza\u201d). Filma, pirms t\u0101 piln\u012bb\u0101 non\u0101ca kino demonstr\u0113jum\u0101, jau pasp\u0113ja sa\u0146emt virkni saj\u016bsmin\u0101tu kriti\u0137u nov\u0113rt\u0113jumu, un pat St\u012bvens Sp\u012blbergs esot bijis tik \u013coti savaldzin\u0101ts, ka noskat\u012bjies to tr\u012bs reizes. Nu \u0161o pa\u0161u v\u0113lmi ir izteicis ar\u012b Kopola, lai gan vi\u0146a mot\u012bvi ir visai neparasti.<\/p>\n<p>Neticams skat\u012b\u0161an\u0101s pieredzes izaicin\u0101jums<\/p>\n<p>\u201ePirms da\u017e\u0101m dien\u0101m devos uz kino Rom\u0101, lai kop\u0101 ar pla\u0161u auditoriju noskat\u012btos Pola Tomass Andersona filmu \u201eViena c\u012b\u0146a p\u0113c otras\u201d,\u201d sav\u0101 \u201eInstagram\u201d kont\u0101 raksta Kopola. \u201eTom\u0113r, \u0146emot v\u0113r\u0101, ka mans dzirde nav glu\u017ei ide\u0101la, bet subtitri tika r\u0101d\u012bti it\u0101\u013cu valod\u0101, \u0161\u012b pieredze izr\u0101d\u012bj\u0101s visai sare\u017e\u0123\u012bta.\u201d \u0160\u012b situ\u0101cija lika re\u017eisoram apdom\u0101t filmas atk\u0101rtotu izbaud\u012b\u0161anu pavisam cit\u0101dos apst\u0101k\u013cos.<\/p>\n<p>Cien\u012bjot Andersona unik\u0101lo stilu<\/p>\n<p>Kopola sevi d\u0113v\u0113 par kaisl\u012bgu Andersona \u201eunik\u0101lo filmu\u201d cien\u012bt\u0101ju kop\u0161 t\u0101diem darbiem k\u0101 \u201eBoogie Nights\u201d (1997) un vi\u0146a person\u012bgi m\u012b\u013c\u0101k\u0101s filmas \u201eMagnolia\u201d (2002). Vi\u0146\u0161 uzsver, ka Andersona filmu sp\u0113ks sl\u0113pjas sp\u0113j\u0101 \u013caut skat\u012bt\u0101jam veidot savu, person\u012bgu interpret\u0101ciju, nek\u0101 neuzspie\u017eot savu viedokli. \u201eT\u0101pat k\u0101 ar Stenlija Kubrika film\u0101m, es v\u0113l\u0113tos \u0161o noskat\u012bties v\u0113lreiz\u2026\u201d piebildis Kopola, pie\u013caujot, ka n\u0101kam\u0101 tik\u0161an\u0101s ar \u201eVienu c\u012b\u0146u p\u0113c otras\u201d b\u016bs krietni vien baud\u0101m\u0101ka.<\/p>\n<blockquote>\n<p>\u201eT\u0101pat k\u0101 ar Stenlija Kubrika film\u0101m, es v\u0113l\u0113tos \u0161o noskat\u012bties v\u0113lreiz\u2026\u201d<\/p>\n<\/blockquote>\n<p>Kopola rado\u0161ais ce\u013c\u0161 un \u201eMegalopolis\u201d<\/p>\n<p>\u0160\u012b Kopola v\u0113lme skat\u012bties filmu v\u0113lreiz izskan laik\u0101, kad vi\u0146\u0161 pats ir piedz\u012bvojis gan fiziskas p\u0101rbaud\u012bjumus \u2013 sirds oper\u0101ciju t\u016bres laik\u0101 pa It\u0101liju ar vi\u0146a jaun\u0101k\u0101s filmas \u201eMegalopolis\u201d atk\u0101rtoto demonstr\u0113\u0161anu \u2013, gan m\u0101kslinieciskus. \u201eMegalopolis\u201d p\u0113c izn\u0101k\u0161anas sa\u0146\u0113ma pretrun\u012bgus v\u0113rt\u0113jumus un iev\u0113rojami neatmaks\u0101ja savus izdevumus. V\u0113l\u0101k re\u017eisors ar\u012b pazi\u0146oja par pl\u0101niem veikt filmas \u201ep\u0101rmont\u0101\u017eu\u201d, iek\u013caujot iepriek\u0161 izgriezt\u0101s sap\u0146u ainas. Par \u0161o l\u0113mumu Kopola ironiski piebildis, ka tas \u201elicis cilv\u0113kiem run\u0101t par to, ka filma ir d\u012bvaina\u201d.<\/p>\n<p>\u201eViena c\u012b\u0146a p\u0113c otras\u201d \u2013 spo\u017ea debija kas\u0113s<\/p>\n<p>Tikm\u0113r \u201eViena c\u012b\u0146a p\u0113c otras\u201d s\u0101cis savu ce\u013cu pie skat\u012bt\u0101jiem ar iespaid\u012bgu rezult\u0101tu \u2013 rekordlieliem 48,5 miljoniem dol\u0101ru pirmaj\u0101 ned\u0113\u013cas nogal\u0113, kas ir lab\u0101kais starta rezult\u0101ts Pola Tomass Andersona karjer\u0101. Filma ir br\u012bva adapt\u0101cija Tomasa Pin\u010dona rom\u0101nam \u201eV\u012bnogu ra\u017ea\u201d m\u016bsdienu kontekst\u0101. T\u0101s centr\u0101lais varonis ir biju\u0161ais hipijs un tagad alkoholi\u0137is Bobs Fergusons (DiKaprio), kur\u0161 s\u0101k attiec\u012bbas ar biju\u0161\u0101s balt\u0101 p\u0101r\u0101kuma p\u0101rst\u0101vja pulkve\u017ea St\u012bvena D\u017eeja Loka meitas. P\u0113d\u0113jais pl\u0101no atriebties m\u012blniekiem un nolaup\u012bt Fergisona meitu.<\/p>\n","protected":false},"excerpt":{"rendered":"Kino le\u0123enda v\u0113las atk\u0101rtoti noskat\u012bties jauno Pola Tomass Andersona filmu \u2013 un tam ir k\u0101ds \u012bpa\u0161s iemesls Pasaul\u0113&hellip;\n","protected":false},"author":2,"featured_media":9833,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[89,3792,90,1226,35,39,38,36,37,34,40,3526,3794,3793],"class_list":{"0":"post-9832","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-entertainment","9":"tag-frensiss-forda-kopola","10":"tag-izklaide","11":"tag-kino","12":"tag-latvia","13":"tag-latvian","14":"tag-latviesu","15":"tag-latviesu-valoda","16":"tag-latviesuvaloda","17":"tag-latvija","18":"tag-lv","19":"tag-pols-tomass-andersons","20":"tag-rezisors","21":"tag-viena-cina-pec-otras"},"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/9832","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=9832"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/9832\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/9833"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=9832"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=9832"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=9832"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}