Jauna gr\u0101mata atkl\u0101j Borisa B\u0113rzi\u0146a rado\u0161o pasauli: Sarunas un z\u012bm\u0113jumi<\/p>\n
Apg\u0101ds \u201eNeputns\u201d klaj\u0101 laidis ilggaid\u012bgu gaid\u012btu izdevumu, kas velt\u012bts vienam no 20. gadsimta otr\u0101s puses spilgt\u0101kajiem latvie\u0161u m\u0101ksliniekiem \u2013 Borisam B\u0113rzi\u0146am (1930\u20132002). \u0160is iespaid\u012bgais darbs apvieno gan pla\u0161u Borisa B\u0113rzi\u0146a z\u012bm\u0113jumu albumu, gan dzi\u013cas un atkl\u0101tas sarunas ar pa\u0161u m\u0101kslinieku, ko veikusi m\u0101kslas zin\u0101tniece Laima Slava. Gr\u0101mata sniedz unik\u0101lu ieskatu m\u0101kslinieka daudzpus\u012bgaj\u0101 dai\u013crad\u0113 un vi\u0146a bag\u0101taj\u0101 iek\u0161\u0113j\u0101 pasaul\u0113, kalpojot ne tikai k\u0101 velt\u012bjums m\u0101kslinieka 95. jubilejai, kas tika atz\u012bm\u0113ta 7. oktobr\u012b, bet ar\u012b k\u0101 dzi\u013c\u0161 p\u0113t\u012bjums par vi\u0146a m\u0101ksliniecisko redz\u0113jumu, person\u012bgo v\u0113sturi un rado\u0161o procesu.<\/p>\n
\u0160is izdevums pied\u0101v\u0101 las\u012bt\u0101jiem iesp\u0113ju iepaz\u012bt Borisa B\u0113rzi\u0146a nenoliedzamo talantu gan k\u0101 otas, gan z\u012bmu\u013ca virtuozam, k\u0101 ar\u012b dzird\u0113t vi\u0146a balsi caur r\u016bp\u012bgi atlas\u012bt\u0101m sarun\u0101m, kas atkl\u0101j vi\u0146a domas par m\u0101kslu, dz\u012bvi un sabiedr\u012bbu. Gr\u0101mata ir k\u0101 tilts uz meistara dv\u0113seli, \u013caujot pieskarties vi\u0146a rado\u0161ajai domai un izprast vi\u0146a unik\u0101lo skat\u012bjumu uz pasauli.<\/p>\n
Laimas Slavas sarunas: M\u0101kslinieka dv\u0113seles atspulgs<\/p>\n
Gr\u0101matas centr\u0101lais elements ir m\u0101kslas zin\u0101tnieces Laimas Slavas veikt\u0101s sarunas ar Borisu B\u0113rzi\u0146u. \u0160\u012bs sarunas, kas aizs\u0101k\u0101s jau 20. gadsimta 80. gadu s\u0101kum\u0101 un turpin\u0101j\u0101s l\u012bdz pat gadsimta beig\u0101m, \u012bpa\u0161i intens\u012bvi norisinoties 90. gadu vid\u016b, ir neatsverams avots, lai izprastu m\u0101kslinieka domas par m\u0101kslu, sabiedr\u012bbu un dz\u012bvi. Laima Slava, kas ir ar\u012b izdevuma sast\u0101d\u012bt\u0101ja un redaktore, nor\u0101da, ka da\u013ca no \u0161\u012b materi\u0101la iepriek\u0161 tika izmantota monogr\u0101fij\u0101 \u201eDieva bu\u010da\u201d (2000) un album\u0101 \u201eBoriss B\u0113rzi\u0146\u0161\u201d (2003). Tom\u0113r jaunais izdevums pied\u0101v\u0101 daudz bag\u0101t\u0101ku un dzi\u013c\u0101ku ieskatu, atkl\u0101jot B\u0113rzi\u0146a unik\u0101lo skat\u012bjumu uz pasauli un vi\u0146a filozofisko dzi\u013cumu. Sarun\u0101s m\u0101kslinieks dal\u0101s sav\u0101s atzi\u0146\u0101s par rado\u0161o procesu, iedvesmas avotiem un savu vietu m\u0101kslas v\u0113stur\u0113, uzsverot, ka talants nav cilv\u0113ka izgudrojums, bet gan kaut kas liel\u0101ks, kas ielikts cilv\u0113k\u0101, un ka m\u0101kslinieks ir tikai instruments \u0161\u012b talanta izpausm\u0113. \u0160\u012b atkl\u0101t\u012bba un dzi\u013cums padara sarunas par v\u0113rt\u012bgu ieskatu ne tikai m\u0101kslinieka biogr\u0101fij\u0101, bet ar\u012b vi\u0146a m\u0101kslas filozofij\u0101.<\/p>\n
Laima Slava atceras, ka Boriss B\u0113rzi\u0146\u0161 \u201edaudz z\u012bm\u0113ja\u201d. Vi\u0146a uzsvars uz to, ka z\u012bm\u0113\u0161ana B\u0113rzi\u0146am bija gandr\u012bz vai organiska nepiecie\u0161am\u012bba, ko vi\u0146\u0161 praktiz\u0113ja pat sarun\u0101joties, s\u0113\u017eot pie galda galda, liecina par nep\u0101rtraukto rado\u0161o procesu un nep\u0101rvaramo v\u0113lmi rad\u012bt. \u0160\u012b past\u0101v\u012bg\u0101 darbo\u0161an\u0101s ar z\u012bmuli vai lod\u012b\u0161u pildspalvu, kas tolaik nebija uzskat\u0101ma par labo toni, apliecina B\u0113rzi\u0146a neatlaid\u012bbu un cent\u012bbu sav\u0101 m\u0101ksl\u0101.<\/p>\n
Z\u012bm\u0113jumi: Meistara l\u012bnijas un formu valst\u012bba<\/p>\n
Albuma otra b\u016btisk\u0101 da\u013ca ir Borisa B\u0113rzi\u0146a z\u012bm\u0113jumu izlase, kas r\u016bp\u012bgi atlas\u012bta no m\u0101kslinieka pla\u0161\u0101 mantojuma. Dizaineri un sast\u0101d\u012bt\u0101ji ir centu\u0161ies izcelt B\u0113rzi\u0146am rakstur\u012bg\u0101ko, vienlaikus izvairoties no atk\u0101rtojumiem ar jau iepriek\u0161 public\u0113tajiem darbiem. \u0160\u012b izlase demonstr\u0113 ne tikai B\u0113rzi\u0146a talantu k\u0101 gleznot\u0101jam, bet ar\u012b vi\u0146a virtuozit\u0101ti z\u012bm\u0113t\u0101j\u0101, kur\u0101 katrs vilciens \u0161\u0137iet apzin\u0101ts un izteiksm\u012bgs. Savi z\u012bm\u0113jumu kr\u0101jumi glab\u0101jas priv\u0101tkolekcij\u0101s, un \u0161\u012b gr\u0101mata sniedz iesp\u0113ju iepaz\u012bties ar\u012b ar \u0161o bag\u0101t\u012bbu, papildinot skat\u012bt\u0101ja izpratni par B\u0113rzi\u0146a dai\u013cradi. Borisa B\u0113rzi\u0146a arh\u012bvs Latvijas Nacion\u0101laj\u0101 m\u0101kslas muzej\u0101 glab\u0101 vair\u0101k nek\u0101 desmit t\u016bksto\u0161us br\u012bvi rad\u012btu z\u012bm\u0113jumu, kas apliecina vi\u0146a nep\u0101rtraukto rado\u0161o darbu un nep\u0101rsp\u0113jamo formu mekl\u0113jumus. Katrs z\u012bm\u0113jums, ko autors rad\u012bjis, ir k\u0101 neliels br\u012bnums, kur\u0101 caur vienk\u0101r\u0161iem, ikdieni\u0161\u0137iem si\u017eetiem atkl\u0101jas dzi\u013c\u0101ka noz\u012bme un plastisk\u0101s formas iesp\u0113jas.<\/p>\n
Borisa B\u0113rzi\u0146a izt\u0113le \u0161aj\u0101 plastisk\u0101s formas line\u0101ro iesp\u0113ju valst\u012bb\u0101 \u0161\u0137iet neizsme\u013cama, un pa\u0161as l\u012bnijas iesp\u0113ju p\u0101rvald\u012bba \u2013 \u0123eni\u0101la. Pat p\u0101ris vilcienos uzburtie t\u0113li ir tikpat re\u0101li, rakstur\u012bgi un dz\u012bvel\u012bgi k\u0101 tie, kas izriet no sare\u017e\u0123\u012bt\u0101m \u0161trihu kask\u0101d\u0113m. \u0160\u012b sp\u0113ja rad\u012bt sp\u0113c\u012bgus un atpaz\u012bstamus t\u0113lus ar minim\u0101liem l\u012bdzek\u013ciem liecina par B\u0113rzi\u0146a m\u0101ksliniecisko meistar\u012bbu un dzi\u013co izpratni par z\u012bm\u0113\u0161anas valodu. Tematisk\u0101 atv\u0113rt\u012bba da\u017e\u0101dos virzienos nodro\u0161ina, ka katrs z\u012bm\u0113jums pied\u0101v\u0101 jaunu skatupunktu un aicina skat\u012bt\u0101ju uz dialogu.<\/p>\n
Boriss B\u0113rzi\u0146\u0161: M\u0101kslinieks, kas st\u0101v\u0113ja p\u0101ri laikam<\/p>\n
Boriss B\u0113rzi\u0146\u0161 (1930\u20132002) bija izcils latvie\u0161u gleznot\u0101js, grafi\u0137is un pedagogs, kura rado\u0161ais ce\u013c\u0161 20. gadsimta otraj\u0101 pus\u0113 iez\u012bm\u0113j\u0101s ar neatkar\u012bbu un savdab\u012bbu. Vi\u0146\u0161 ien\u0101ca latvie\u0161u m\u0101ksl\u0101 Padomju Latvijas laik\u0101, kad valdo\u0161\u0101 bija soci\u0101lisma re\u0101lisma doktr\u012bna. Kop\u0101 ar laikabiedriem, piem\u0113ram, Edgaru Iltneru un Induli Zari\u0146u, vi\u0146u pieskait\u012bja pie \u201eskarb\u0101 stila\u201d veidot\u0101jiem, kas ienesa jaunas v\u0113smas laikmeta m\u0101ksl\u0101. Tom\u0113r Borisa B\u0113rzi\u0146a m\u0101kslu nevar\u0113ja viegli defin\u0113t noteiktos r\u0101mjos \u2013 vi\u0146\u0161 gleznoja to, kas vi\u0146am \u0161\u0137ita interesants, bie\u017ei vien izv\u0113loties vienk\u0101r\u0161us, ikdien\u0101 noskat\u012btus si\u017eetus. Tas vi\u0146am nesa zin\u0101mu \u0101rpusnieka statusu, ta\u010du vi\u0146a talantu nevar\u0113ja ignor\u0113t, un m\u0101kslinieku vid\u0113 vi\u0146\u0161 bija neapstr\u012bdama autorit\u0101te. \u0160\u012b neatkar\u012bba no ideolo\u0123isk\u0101 spiediena un sp\u0113ja br\u012bvi izpausties padar\u012bja vi\u0146a darbus par laikmeta lieciniekiem un paraugdemonstr\u0113jumu m\u0101kslinieciskajai drosmei.<\/p>\n
Vi\u0146a darbs \u201eM\u0101kslinieks un modelis\u201d ir iek\u013cauts Latvijas Kult\u016bras kanon\u0101, apliecinot B\u0113rzi\u0146a noz\u012bm\u012bgo vietu latvie\u0161u m\u0101kslas v\u0113stur\u0113. M\u0101kslinieka darbos bie\u017ei vien paradoks\u0101li savijas negl\u012btais ar skaisto, ikdieni\u0161\u0137ais ar m\u016b\u017e\u012bgo, klasika ar laikmet\u012bgo. \u0160\u012b sp\u0113ja redz\u0113t dzi\u013c\u0101k un atrast skaistumu negaid\u012bt\u0101s viet\u0101s ir viena no vi\u0146a rado\u0161\u0101s \u0123enialit\u0101tes paz\u012bm\u0113m. B\u0113rzi\u0146a glezniec\u012bb\u0101 \u012bpa\u0161u vietu ie\u0146em form\u0101lie risin\u0101jumi \u2013 kr\u0101sa, fakt\u016bra, forma un otas raksts \u2013 kas kop\u0101 ar ton\u0101li izsmalcin\u0101tu kolor\u012btu un vij\u012bgu l\u012bniju veido kompoz\u012bcijas ar dzi\u013cu raksturu. Vi\u0146a kr\u0101su lietojums, kas s\u0101kotn\u0113ji bija spo\u017es un ekspres\u012bvs, v\u0113l\u0101kajos gados k\u013cuva attur\u012bg\u0101ks, monohroms, bet vienm\u0113r izteiksm\u012bgs. Pat sava laika skarbajiem nosac\u012bjumiem neraugoties, B\u0113rzi\u0146\u0161 alla\u017e ir atradis veidu, k\u0101 paust savu unik\u0101lo redz\u0113jumu, padarot vi\u0146u par patiesi \u201enepieradin\u0101tu\u201d m\u0101kslinieku, kur\u0161 st\u0101v\u0113ja p\u0101ri laikam.<\/p>\n","protected":false},"excerpt":{"rendered":"Jauna gr\u0101mata atkl\u0101j Borisa B\u0113rzi\u0146a rado\u0161o pasauli: Sarunas un z\u012bm\u0113jumi Apg\u0101ds \u201eNeputns\u201d klaj\u0101 laidis ilggaid\u012bgu gaid\u012btu izdevumu, kas…\n","protected":false},"author":2,"featured_media":9997,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[3498,89,90,3500,35,39,38,3501,36,37,34,40,3499,3502],"class_list":{"0":"post-9996","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-boriss-berzins","9":"tag-entertainment","10":"tag-izklaide","11":"tag-laima-slava","12":"tag-latvia","13":"tag-latvian","14":"tag-latviesu","15":"tag-latviesu-maksla","16":"tag-latviesu-valoda","17":"tag-latviesuvaloda","18":"tag-latvija","19":"tag-lv","20":"tag-neputns","21":"tag-zimejumi"},"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/9996","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=9996"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/9996\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/9997"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=9996"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=9996"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=9996"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}