{"id":102259,"date":"2026-01-04T12:42:07","date_gmt":"2026-01-04T12:42:07","guid":{"rendered":"https:\/\/www.europesays.com\/nl\/102259\/"},"modified":"2026-01-04T12:42:07","modified_gmt":"2026-01-04T12:42:07","slug":"de-meester-met-de-camera-egels-bij-de-melk-en-een-bakker-met-een-bocheltje","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/nl\/102259\/","title":{"rendered":"De Meester met de Camera: Egels bij de melk en een bakker met een bocheltje"},"content":{"rendered":"<p>Hoe maakte De Vries zijn foto&#8217;s? Aflevering 2 van de podcast duikt in het ambacht: glasnegatieven, lichtval, verdwijnpunten en dierenportretten. Fotograaf Anneke Bloema vertelt waarom zijn techniek zo uitzonderlijk was.<\/p>\n<p>In de tweede aflevering van De Meester met de Camera kijken we met onderzoeker Dennis Sietsema van het Drents Archief en fotograaf Anneke Bloema naar de technische kant van Willem de Vries&#8217; werk. Zijn meer dan 1100 glasnegatieven, kwetsbaar en zwaar, liggen al jarenlang opgeslagen in het Drents Archief. &#8220;Hij werkte met grote glasplaten. Dat betekende: je moest scherp zijn, letterlijk en figuurlijk. E\u00e9n plaat, \u00e9\u00e9n kans,&#8221;<\/p>\n","protected":false},"excerpt":{"rendered":"Hoe maakte De Vries zijn foto&#8217;s? Aflevering 2 van de podcast duikt in het ambacht: glasnegatieven, lichtval, verdwijnpunten&hellip;\n","protected":false},"author":2,"featured_media":102260,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[30],"tags":[99,142,140,141,143,2653,22255,22254,48,98,146,144,145,46,47,49,45,50,466],"class_list":{"0":"post-102259","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-kunst-en-design","8":"tag-amusement","9":"tag-arts","10":"tag-arts-and-design","11":"tag-artsdesign","12":"tag-design","13":"tag-drenthe-toen","14":"tag-drenthe-toen-podcast","15":"tag-drents-archief","16":"tag-dutch","17":"tag-entertainment","18":"tag-kunst","19":"tag-kunst-en-design","20":"tag-kunstdesign","21":"tag-nederland","22":"tag-nederlanden","23":"tag-nederlands","24":"tag-netherlands","25":"tag-nl","26":"tag-podcast"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@nl\/115836888209182366","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/nl\/wp-json\/wp\/v2\/posts\/102259","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/nl\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/nl\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/nl\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/nl\/wp-json\/wp\/v2\/comments?post=102259"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/nl\/wp-json\/wp\/v2\/posts\/102259\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/nl\/wp-json\/wp\/v2\/media\/102260"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/nl\/wp-json\/wp\/v2\/media?parent=102259"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/nl\/wp-json\/wp\/v2\/categories?post=102259"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/nl\/wp-json\/wp\/v2\/tags?post=102259"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}