{"id":15451,"date":"2025-08-04T11:56:52","date_gmt":"2025-08-04T11:56:52","guid":{"rendered":"https:\/\/www.europesays.com\/pt\/15451\/"},"modified":"2025-08-04T11:56:52","modified_gmt":"2025-08-04T11:56:52","slug":"os-discos-do-linkin-park-mais-dolorosos-de-se-fazer-segundo-mike-shinoda","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/pt\/15451\/","title":{"rendered":"Os discos do Linkin Park mais dolorosos de se fazer, segundo Mike Shinoda"},"content":{"rendered":"\n<p>Desde o in\u00edcio de suas atividades em 1996, o <strong><a href=\"https:\/\/igormiranda.com.br\/tag\/linkin-park\/\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Linkin Park<\/a><\/strong> j\u00e1 lan\u00e7ou oito \u00e1lbuns de est\u00fadio. Entre todos os discos, dois em espec\u00edfico foram os mais dif\u00edceis de produzir, segundo <strong><a href=\"https:\/\/igormiranda.com.br\/tag\/mike-shinoda\/\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Mike Shinoda<\/a><\/strong>.<\/p>\n<p>Quando perguntado a respeito do tema durante entrevista ao <a href=\"https:\/\/www.youtube.com\/watch?v=L0NKFD4CO7w\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">podcast Broken Record<\/a>, o multi-instrumentista e vocalista elegeu em resposta o trabalho de estreia <strong>\u201c<a href=\"https:\/\/igormiranda.com.br\/2020\/10\/linkin-park-hybrid-theory-resenha-review\/\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Hybrid Theory<\/a>\u201d<\/strong> (2000) e o terceiro <strong>\u201c<a href=\"https:\/\/x.com\/igormirandasite\/status\/1922652620058989018\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Minutes to Midnight<\/a>\u201d<\/strong> (2007). Conforme transcri\u00e7\u00e3o da <a href=\"https:\/\/www.ultimate-guitar.com\/news\/general_music_news\/mike-shinoda-names-linkin-park-albums-that-were-most-painful-to-make-reveals-how-he-wrote-one-of-their-greatest-hits\/\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Ultimate Guitar<\/a>, o m\u00fasico declarou:<\/p>\n<p>&#8211; Advertisement &#8211;<\/p>\n<p>\u201cAcho que, notoriamente, o \u2018Hybrid Theory\u2019 foi doloroso de fazer. O \u2018Minutes to Midnight\u2019, nosso terceiro \u00e1lbum, tamb\u00e9m foi bem dif\u00edcil de produzir.\u201d<\/p>\n<p>Em seguida, ele justificou as escolhas. De acordo com o artista, os motivos s\u00e3o opostos: enquanto que no \u201cHybrid Theory\u201d ele e os colegas precisaram correr contra o tempo e lidar com a falta de confian\u00e7a dos envolvidos no projeto, em \u201cMinutes to Midnight\u201d passaram meses demais trabalhando no material, tentando sair da zona de conforto<\/p>\n<p>\u201cO \u2018Hybrid Theory\u2019 porque foi r\u00e1pido, intenso, e todo mundo estava contra a gente em tudo. E o \u2018Minutes to Midnight\u2019 foi complicado porque o processo foi muito, muito lento e demorado. Levamos tipo, 18 meses, e t\u00ednhamos 150 demos. Est\u00e1vamos arrancando os cabelos tentando reinventar a banda [\u2026]. Fizemos algo muito, muito desafiador, mas curtimos cada minuto.\u201d<\/p>\n<p> <img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"536\" src=\"data:image\/png;base64,iVBORw0KGgoAAAANSUhEUgAABAAAAAIYCAYAAADzSJ5PAAAACXBIWXMAAA7EAAAOxAGVKw4bAAAIZ0lEQVR42u3BMQEAAADCoPVPbQ0PoAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAIBXA4QHAAFM6OakAAAAAElFTkSuQmCC\" alt=\"\" class=\"wp-image-174869 ai-img lzl\" data-ai-img=\"{&quot;s&quot;:[1024,536],&quot;d&quot;:{&quot;992&quot;:&quot;\\\/wp-content\\\/cache\\\/seraphinite-accelerator\\\/s\\\/m\\\/d\\\/img\\\/72205db62348f6561dc49bee2d46684d.b0ad.jpeg&quot;,&quot;768&quot;:&quot;\\\/wp-content\\\/cache\\\/seraphinite-accelerator\\\/s\\\/m\\\/d\\\/img\\\/6dcace449b64730d30ef708716f9868b.73f1.jpeg&quot;,&quot;480&quot;:&quot;\\\/wp-content\\\/cache\\\/seraphinite-accelerator\\\/s\\\/m\\\/d\\\/img\\\/0d31bcc0495aeacb5b20dd2fbba98faa.363b.jpeg&quot;,&quot;360&quot;:&quot;\\\/wp-content\\\/cache\\\/seraphinite-accelerator\\\/s\\\/m\\\/d\\\/img\\\/24e01463499afc5a09de33279f385bb4.23f9.jpeg&quot;,&quot;120&quot;:&quot;\\\/wp-content\\\/cache\\\/seraphinite-accelerator\\\/s\\\/m\\\/d\\\/img\\\/f9791ef4b6ce823ea53a720624991b0d.8a8.jpeg&quot;},&quot;O&quot;:&quot;https:\\\/\\\/igormiranda.com.br\\\/wp-content\\\/uploads\\\/2024\\\/11\\\/Mike-Shinoda-Linkin-Park-SP-2024-GR-02-1024x536.jpg&quot;}\" data-ai-dpr=\"y\" data-lzl-src=\"https:\/\/www.europesays.com\/pt\/wp-content\/uploads\/2025\/08\/Mike-Shinoda-Linkin-Park-SP-2024-GR-02-1024x536.jpg\"\/>Mike Shinoda, m\u00fasico do Linkin Park \u2013 Foto: <a href=\"https:\/\/www.instagram.com\/gabrieluizramos\/\" target=\"_blank\" rel=\"noopener nofollow\">Gabriel Ramos @gabrieluizramos<\/a> Os problemas por tr\u00e1s do \u201cHybryd Theory\u201d e \u201cMinutes to Midnight\u201d <\/p>\n<p>Lan\u00e7ado no dia 24 de outubro de 2000, \u201cHybryd Theory\u201d foi um sucesso e emplacou alguns dos maiores hits do Linkin Park, como <strong>\u201cIn the End\u201d<\/strong>, <strong>\u201cOne Step Closer\u201d<\/strong>, <strong>\u201cCrawling\u201d<\/strong> e <strong>\u201cPapercut\u201d<\/strong>. Curiosamente, por\u00e9m, a gravadora n\u00e3o acreditava na vis\u00e3o da banda \u00e0 \u00e9poca, o que atrapalhou a experi\u00eancia de grava\u00e7\u00e3o, como pontuado por Mike Shinoda em entrevista ao <a href=\"https:\/\/www.nme.com\/news\/music\/linkin-park-20-years-of-meteora-interview-mike-shinoda-3428506?utm_source=rss&amp;utm_medium=rss&amp;utm_campaign=linkin-park-20-years-of-meteora-interview-mike-shinoda\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">NME<\/a> em 2023:<\/p>\n<p>\u201cEstar no est\u00fadio durante o \u2018Hybrid Theory\u2019 foi dif\u00edcil porque a gravadora ainda n\u00e3o confiava na gente. Eles questionavam tudo o tempo todo e isso tornou a experi\u00eancia muito ca\u00f3tica e negativa.\u201d<\/p>\n<p>J\u00e1 em rela\u00e7\u00e3o ao \u201cMinutes to Midnight\u201d, como mencionado, o grupo queria trazer uma nova sonoridade, recrutando o lend\u00e1rio e controverso produtor <strong>Rick Rubin<\/strong>. Apesar da empolga\u00e7\u00e3o dos integrantes, o processo demorou mais do que o planejado, com o lan\u00e7amento do disco sendo adiado mais de uma vez.<\/p>\n<p>Toda a mudan\u00e7a de dire\u00e7\u00e3o criativa causou certo estresse, nas palavras do vocalista e multi-instrumentista ao site <a href=\"https:\/\/lastheplace.com\/2008\/01\/17\/linkin-park-q-a-in-support-of-%E2%80%9Cminutes-to-midnight%E2%80%9D\/\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">LA\u2019s the Place<\/a> \u00e0 \u00e9poca:<\/p>\n<p>\u201cAcho que o grande desafio, ou a grande quest\u00e3o colocada no in\u00edcio das sess\u00f5es de est\u00fadio de \u2018Minutes to Midnight\u2019, foi: vamos mudar tanto o som a ponto de as pessoas acharem que enlouquecemos, que ficou estranho, diferente demais? [\u2026] Se voc\u00ea voltar ao dia anterior \u00e0 entrega do \u00e1lbum, ao dia em que finalizamos, est\u00e1vamos bem nervosos, porque n\u00e3o sab\u00edamos se os f\u00e3s tinham amadurecido na mesma dire\u00e7\u00e3o que a gente.\u201d<\/p>\n<p><strong>Clique<\/strong> para seguir IgorMiranda.com.br no: <a href=\"https:\/\/instagram.com\/igormirandasite\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Instagram<\/a> | <a href=\"https:\/\/bsky.app\/profile\/igormirandasite.bsky.social\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Bluesky<\/a> | <a href=\"https:\/\/twitter.com\/igormirandasite\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Twitter<\/a> | <a href=\"https:\/\/tiktok.com\/@igormirandasite\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">TikTok<\/a> | <a href=\"https:\/\/facebook.com\/igormirandasite\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Facebook<\/a> | <a href=\"https:\/\/www.youtube.com\/igormirandasite\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">YouTube<\/a> | <a href=\"https:\/\/www.threads.net\/@igormirandasite\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Threads<\/a>.<\/p>\n<p> <script async src=\"https:\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><script async src=\"\/\/www.instagram.com\/embed.js\"><\/script><script async src=\"\/\/www.tiktok.com\/embed.js\"><\/script><\/p>\n","protected":false},"excerpt":{"rendered":"Desde o in\u00edcio de suas atividades em 1996, o Linkin Park j\u00e1 lan\u00e7ou oito \u00e1lbuns de est\u00fadio. Entre&hellip;\n","protected":false},"author":2,"featured_media":15452,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[141],"tags":[114,115,1205,1206,149,150,32,33],"class_list":{"0":"post-15451","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-musica","8":"tag-entertainment","9":"tag-entretenimento","10":"tag-linkin-park","11":"tag-mike-shinoda","12":"tag-music","13":"tag-musica","14":"tag-portugal","15":"tag-pt"},"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/pt\/wp-json\/wp\/v2\/posts\/15451","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/pt\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/pt\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/pt\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/pt\/wp-json\/wp\/v2\/comments?post=15451"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/pt\/wp-json\/wp\/v2\/posts\/15451\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/pt\/wp-json\/wp\/v2\/media\/15452"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/pt\/wp-json\/wp\/v2\/media?parent=15451"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/pt\/wp-json\/wp\/v2\/categories?post=15451"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/pt\/wp-json\/wp\/v2\/tags?post=15451"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}