\n
<\/p>\n
\n Os nomeados para a 98.\u00aa edi\u00e7\u00e3o dos \u00d3scares 2026 foram anunciados esta quinta-feira. Este ano existe uma nova categoria: melhor dire\u00e7\u00e3o de casting (elenco). Al\u00e9m desta existe uma outra novidade, a cerim\u00f3nia dos pr\u00e9mios norte-americanos vai ser transmitida atrav\u00e9s do YouTube, plataforma que ter\u00e1 os direitos exclusivos dos \u00d3scares at\u00e9 2033.
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n Veja a lista:<\/b>
\n <\/p>\n
\n
\n
\n
\n
<\/p>\n
\n Melhor Atriz Secund\u00e1ria<\/b>
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n Teyana Taylor – “One Battle After Another”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n Amy Madigan – “Weapons”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n IngaIbsdotter Lilleaas – “Sentimental Value”
\n <\/p>\n
\n
\n
\n
\n
<\/p>\n
\n Wunmi Mosaku – “Sinners”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n Elle Fanning – “Sentimental Value”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n Melhor Ator Secund\u00e1rio<\/b><\/p>\n
Stellan Skarsgard – “Sentimental Value” \n <\/p>\n
\n
\n
\n
<\/p>\n
\n Benicio del Toro – “One Battle After Another”
\n <\/p>\n
\n
\n
\n
\n
<\/p>\n
\n Sean Penn – “One Battle After Another”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n Jacob Elordi – “Frankenstein”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n Delroy Lindo – “Sinners”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n Melhor Argumento Adaptado<\/b><\/p>\n
\n
\n
\n
\n
<\/p>\n
\n “One Battle After Another”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “Hamnet”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “Train Dreams”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “Bugonia”
\n <\/p>\n
\n
\n
\n
\n
<\/p>\n
\n “Frankenstein”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n Melhor Ator Principal<\/b><\/p>\n
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n Michael B Jordan – “Sinners”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n Leonardo DiCaprio – “One Battle Afther Another”<\/p>\n
Timothee Chalamet – “Marty Supreme”<\/p>\n
Ethan Hawke – “Blue Moon”<\/p>\n
Wagner Moura – “O Agente Secreto”\u00a0 \n <\/p>\n
\n
\n
\n
\n
<\/p>\n
\n Melhor Atriz Principal<\/b>
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n Jessie Bluckley – “Hamnet”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n Rose Byrne – “If I Had Legs I’d Kick You”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n Chase Infiniti – “One Battle After Another”
\n <\/p>\n
\n
\n
\n
\n
<\/p>\n
\n Emma Stone – “Bugonia”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n Kate Hudson – “Song Sung Blue”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n Melhor Filme<\/b><\/p>\n
\n
\n
\n
<\/p>\n
\n “O Agente Secreto”
\n <\/p>\n
\n
\n
\n
\n
<\/p>\n
\n “One Battle After Another”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “Sinners”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “Hamnet”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “Marty Supreme”
\n <\/p>\n
\n
\n
\n
\n
<\/p>\n
\n “Bugonia”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “F1″
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “Train Dreams”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “Sentimental Value”
\n <\/p>\n
\n
\n
\n
\n
<\/p>\n
\n “Frankenstein”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n Melhor Filme Internacional
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “O Agente Secreto” – Brasil
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “It Was Just an Accident” – Fran\u00e7a
\n <\/p>\n
\n
\n
\n
\n
<\/p>\n
\n “Sentimental Value” – Noruega
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “Sirat” – Espanha
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “The voice of Hind Rajab” – Tun\u00edsia
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n Melhor Realiza\u00e7\u00e3o<\/b>
\n <\/p>\n
\n
\n
\n
\n
<\/p>\n
\n Paul Thomas Anderson – “One Battle Afther Another”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n Ryan Coogler – “Sinners”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n Chloe Zhao – “Hamnet”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n Josh Safdie – “Marty Supreme”
\n <\/p>\n
\n
\n
\n
\n
<\/p>\n
\n Joachim Trier – “Sentimental Value”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n Melhor Edi\u00e7\u00e3o de filme<\/b>
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “One Battle After Another”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “Sinners”
\n <\/p>\n
\n
\n
\n
\n
<\/p>\n
\n “Marty Supreme”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “F1: The Movie”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “Sentimental Value”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n Argumento original\u00a0<\/b>
\n <\/p>\n
\n
\n
\n
\n
<\/p>\n
\n “Sinners”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “Marty Supreme”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “Sentimental Value”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “It Was Just an Accident”
\n <\/p>\n
\n
\n
\n
\n
<\/p>\n
\n “Blue Moon”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n Argumento adaptado<\/b><\/p>\n
“One Battle Afther Another” \n <\/p>\n
\n
\n
\n
<\/p>\n
\n “Hamnet”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “Train Dreams”
\n <\/p>\n
\n
\n
\n
\n
<\/p>\n
\n “Bugonia”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “Frankenstein”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n Melhores Efeitos Visuais
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “F1″
\n <\/p>\n
\n
\n
\n
\n
<\/p>\n
\n “Sinners”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “The Lost Bus”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “Avatar: Fire and Ash”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “Jurassic World Rebirth”
\n <\/p>\n
\n
\n
\n
\n
<\/p>\n
\n \u00a0Melhor Som
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “F1″
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “Frankenstein”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “One Battle after Another”
\n <\/p>\n
\n
\n
\n
\n
<\/p>\n
\n “Sinners”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “Sirat”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n \u00a0Melhor m\u00fasica original
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “Dear M From Diane Warren. Relentless”
\n <\/p>\n
\n
\n
\n
\n
\n
<\/p>\n
\n “Golden from KPop Demon Hunters”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “I Lied To You from Sinners”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “Sweet Dreams Of Joy from Viva Verdi!”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “Train Dreams from Train Dreams”
\n <\/p>\n
\n
\n
\n
\n
<\/p>\n
\n \u00a0Melhor maquilhagem e cabelo
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “Kokuho”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “Frankeinstein”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “Sinners”
\n <\/p>\n
\n
\n
\n
\n
<\/p>\n
\n “The Smashing Machine”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “The Ugly Stepsister”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n Melhor produ\u00e7\u00e3o<\/b>
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n ” Frankenstein”
\n <\/p>\n
\n
\n
\n
\n
<\/p>\n
\n “Hamnet”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “Marty Supreme”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “One Battle After Another”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “Sinners”
\n <\/p>\n
\n
\n
\n
\n
<\/p>\n
\n Melhor banda sonora original<\/b>
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “Bugonia”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “Frankenstein”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “Hamnet”
\n <\/p>\n
\n
\n
\n
\n
<\/p>\n
\n “One Battle After Another”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “Sinners”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n Melhor curta-metragem<\/b>
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “Butcher’s Stain”
\n <\/p>\n
\n
\n
\n
\n
<\/p>\n
\n “A Friends of Dorothy”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “Jane Austen’s Period Drama”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “The Singers”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “Two People Exchanging Saliva”
\n <\/p>\n
\n
\n
\n
\n
<\/p>\n
\n Melhor curta-metragem de anima\u00e7\u00e3o<\/b>
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “Butterfly”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “Forevergreen”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “The Girl Who Cried Pearls”
\n <\/p>\n
\n
\n
\n
\n
<\/p>\n
\n “Retirement Plan”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “The Three Sisters”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n Melhor elenco<\/b>
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “Hamnet”
\n <\/p>\n
\n
\n
\n
\n
<\/p>\n
\n “Marty Supreme”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “One Battle After Another”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “The Secret Agent”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “Sinners”
\n <\/p>\n
\n
\n
\n
\n
<\/p>\n
\n Melhor figurino<\/b>
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “Avatar: Fire and Ash”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “Frankenstein”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “Hamnet”
\n <\/p>\n
\n
\n
\n
\n
<\/p>\n
\n “Marty Supreme”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “Sinners”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n Melhor document\u00e1rio de longa-metragem<\/b>
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “The Alabama Solution”
\n <\/p>\n
\n
\n
\n
\n
<\/p>\n
\n “Come See Me in the Good Light”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “Cutting Through Rocks”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “Mr. Nobody Against Putin”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “The Perfect Neighbour”
\n <\/p>\n
\n
\n
\n
\n
<\/p>\n
\n Melhor document\u00e1rio de curta-metragem<\/b>
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “All the Empty Rooms”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “Armed Only With a Camera: The Life and Death of Brent Renaud”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “Children No More: ‘Were and Are Gone'”
\n <\/p>\n
\n
\n
\n
\n
<\/p>\n
\n “The Devil is Busy”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “Perfectly a Strangeness”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n Melhor filme de anima\u00e7\u00e3o<\/b>
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “Arco”
\n <\/p>\n
\n
\n
\n
\n
<\/p>\n
\n “Elio”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “KPop Demon Hunters”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “Little Am\u00e9lie or the Character of Rain”
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “Zootopia 2″
\n <\/p>\n
\n
\n
\n
\n
<\/p>\n
\n Melhor Montagem (Edi\u00e7\u00e3o de Filme)<\/b>
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “F1”, Stephen Mirrione
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “Marty Supreme”, Ronald Bronstein & Josh Safdie
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “One Battle After Another”, Andy Jurgensen
\n <\/p>\n
\n
\n
\n
\n
<\/p>\n
\n “Sentimental Value”, Olivier Bugge Coutt\u00e9
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “Sinners”, Michael Shawver
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n Melhor Design de Produ\u00e7\u00e3o<\/b>
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “Frankenstein”, Tamara Deverell
\n <\/p>\n
\n
\n
\n
\n
<\/p>\n
\n “Hamnet”, Fiona Crombie
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “Marty Supreme”, Jack Fisk
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “One Battle After Another”, Florencia Martin
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “Sinners”, Hannah Beachler; Decora\u00e7\u00e3o de cen\u00e1rio: Monique Champagne
\n <\/p>\n
\n
\n
\n
\n
<\/p>\n
\n Melhor cinematografia<\/b>
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “Frankenstein”, Dan Laustsen
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “Marty Supreme”, Darius Khondji
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “One Battle After Another”, Michael Bauman
\n <\/p>\n
\n
\n
\n
\n
<\/p>\n
\n “Sinners”, Autumn Durald Arkapaw
\n <\/p>\n
\n
\n
\n
<\/p>\n
\n “Train Dreams”, Adolpho Veloso
\n <\/p>\n
\n
\n
\n
\n
\n
<\/p>\n","protected":false},"excerpt":{"rendered":"
Os nomeados para a 98.\u00aa edi\u00e7\u00e3o dos \u00d3scares 2026 foram anunciados esta quinta-feira. Este ano…\n","protected":false},"author":2,"featured_media":239747,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[8],"tags":[27,28,2683,15,16,471,14,25,26,21,22,38324,12,13,19,20,32,3304,16818,23,24,33,17,18,29,30,31],"class_list":["post-239746","post","type-post","status-publish","format-standard","has-post-thumbnail","category-principais-noticias","tag-breaking-news","tag-breakingnews","tag-cerimonia","tag-featured-news","tag-featurednews","tag-filme","tag-headlines","tag-latest-news","tag-latestnews","tag-main-news","tag-mainnews","tag-michael-jordan","tag-news","tag-noticias","tag-noticias-principais","tag-noticiasprincipais","tag-portugal","tag-premio","tag-premios","tag-principais-noticias","tag-principaisnoticias","tag-pt","tag-top-stories","tag-topstories","tag-ultimas","tag-ultimas-noticias","tag-ultimasnoticias"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@pt\/115939494084794681","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/pt\/wp-json\/wp\/v2\/posts\/239746","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/pt\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/pt\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/pt\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/pt\/wp-json\/wp\/v2\/comments?post=239746"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/pt\/wp-json\/wp\/v2\/posts\/239746\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/pt\/wp-json\/wp\/v2\/media\/239747"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/pt\/wp-json\/wp\/v2\/media?parent=239746"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/pt\/wp-json\/wp\/v2\/categories?post=239746"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/pt\/wp-json\/wp\/v2\/tags?post=239746"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}