{"id":42885,"date":"2025-08-24T13:41:09","date_gmt":"2025-08-24T13:41:09","guid":{"rendered":"https:\/\/www.europesays.com\/pt\/42885\/"},"modified":"2025-08-24T13:41:09","modified_gmt":"2025-08-24T13:41:09","slug":"foi-divulgada-a-lista-dos-100-melhores-filmes-do-seculo-xxi-confira-se-ja-os-viu-todos-human-resources","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/pt\/42885\/","title":{"rendered":"Foi divulgada a lista dos 100 melhores filmes do s\u00e9culo XXI. Confira se j\u00e1 os viu todos \u2013 Human Resources"},"content":{"rendered":"<p>                                    <img decoding=\"async\" alt=\"\" src=\"https:\/\/www.europesays.com\/pt\/wp-content\/uploads\/2025\/08\/cinema.png\"\/><\/p>\n<p><strong>O\u00a0The New York Times elaborou a lista dos 100 melhores filmes do s\u00e9culo XXI. O jornal norte-americano pediu a opini\u00e3o de mais de 500 directores, actores e personalidades da ind\u00fastria cinematogr\u00e1fica de todo o mundo para fazer o levantamento.<\/strong><\/p>\n<p class=\"text-2xl my-5 font-bold break-words\">Veja aqui a lista completa:<\/p>\n<ol class=\"list-decimal pl-6 marker:text-red-600 marker:text-lg marker:font-bold\">\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">Parasitas <\/strong>(2019), de Bong Joon-ho<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">Cidade dos sonhos <\/strong>(2001), de David Lynch<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">Haver\u00e1 sangue <\/strong>(2007), de Paul Thomas Anderson<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">Dispon\u00edvel para amar <\/strong>(2000), de Wong Kar-Wai<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">Moonlight\u00a0<\/strong>(2016), de Barry Jenkins<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">Este pa\u00eds n\u00e3o \u00e9 para velhos <\/strong>(2007), de Ethan Coen e Joel Coen<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><b>O despertar da mente <\/b>(2004), de Michel Gondry<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">Foge <\/strong>(2017), de Jordan Peele<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">A viagem de Chihiro <\/strong>(2001), de Hayao Miyazaki<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">A Rede social <\/strong>(2010), de David Fincher<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">Mad Max: Estrada da f\u00faria <\/strong>(2015), de George Miller<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">Zona de interesse <\/strong>(2023), de Jonathan Glazer<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">Filhos da Esperan\u00e7a\u00a0<\/strong>(2006), de Alfonso Cuar\u00f3n<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">Inglourious Basterds <\/strong>(2009), de Quentin Tarantino<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">Cidade de Deus<\/strong>\u00a0(2003), de Fernando Meirelles e K\u00e1tia Lund<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">O Tigre e o drag\u00e3o <\/strong>(2000), de Ang Lee<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">O segredo de Brokeback Mountain <\/strong>(2005), de Ang Lee<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">E tua m\u00e3e tamb\u00e9m <\/strong>(2001), de Alfonso Cuar\u00f3n<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">Zod\u00edaco\u00a0<\/strong>(2007), de David Fincher<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">O Lobo de Wall Street\u00a0<\/strong>(2013), de Martin Scorsese<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">Os Exc\u00eantricos Tenenbaums\u00a0<\/strong>(2001), de Wes Anderson<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">O Grande Hotel Budapeste\u00a0<\/strong>(2014), de Wes Anderson<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">Boyhood\u00a0<\/strong>(2014), de Richard Linklater<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">Ela\u00a0<\/strong>(2013), de Spike Jonze<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">Trama fantasma <\/strong>(2017), de Paul Thomas Anderson<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">Anatomia de uma queda <\/strong>(2023), Justine Triet<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">Adapta\u00e7\u00e3o\u00a0<\/strong>(2002), de Spike Jonze<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">Batman: O Cavaleiro das trevas <\/strong>(2008), de Christopher Nolan<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">A chegada <\/strong>(2016), de Denis Villeneuve<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">Encontros e desencontros <\/strong>(2003), de Sofia Coppola<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">Os infiltrados <\/strong>(2006), de Martin Scorsese<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">Miss\u00e3o madrinha de casamento <\/strong>(2011), de Paul Feig<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">A separa\u00e7\u00e3o <\/strong>(2011), de Asghar Farhadi<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">Wall-e\u00a0<\/strong>(2008), de Andrew Stanton<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">O profeta <\/strong>(2010), de Jacques Audiard<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">Um homem s\u00e9rio <\/strong>(2009), de Ethan Coen e Joel Coen<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">Chama-me pelo teu nome <\/strong>(2017), de Luca Guadagnino<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">Retrato de uma rapariga em chamas <\/strong>(2019), de C\u00e9line Sciamma<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">Lady Bird\u00a0<\/strong>(2017), de Greta Gerwig<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">Yi Yi\u00a0<\/strong>(2000), de Edward Yang<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">O fabuloso destino de Am\u00e9lie <\/strong>(2001), de Jean-Pierre Jeunet<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">O mentor <\/strong>(2012), de Paul Thomas Anderson<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">Oldboy- Velho amigo <\/strong>(2005), de Park Chan-Wook<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">Era uma vez em\u2026 Hollywood\u00a0<\/strong>(2019), de Quentin Tarantino<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">Moneyball O homem que mudou o jogo\u00a0<\/strong>(2011), de Bennett Miller<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">Roma\u00a0<\/strong>(2018), Alfonso Cuar\u00f3n<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">Quase famosos <\/strong>(2000), de Cameron Crowe<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">A vida dos outros <\/strong>(2007), de Florian Henckel Von Donnersmarck<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">Antes de anoitecer <\/strong>(2004), de Richard Linklater<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">Up: Altamente <\/strong>(2009), de Pete Docter<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">12 anos escravo <\/strong>(2013), de Steve McQueen<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">A favorita <\/strong>(2018), de Yorgos Lanthimos<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">Borat \u2013 O segundo melhor rep\u00f3rter do glorioso pa\u00eds Cazaquist\u00e3o viaja \u00e0 Am\u00e9rica <\/strong>(2006), de Larry Charles<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">O Labirinto do Fauno\u00a0<\/strong>(2006), de Guillermo del Toro<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">A Origem\u00a0<\/strong>(2010), de Christopher Nolan<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">Embriagado de amor <\/strong>(2002), de Paul Thomas Anderson<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">O melhor do show <\/strong>(2000), de Christopher Guest<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">Diamante bruto <\/strong>(2019), de Benny Safdie e Josh Safdie<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">Toni Erdmann\u00a0<\/strong>(2016), de Maren Ade<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">Whiplash- Nos limites <\/strong>(2014), de Damien Chazelle<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">Kill Bill: Vol. 1\u00a0<\/strong>(2003), de Quentin Tarantino<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">Amn\u00e9sia\u00a0<\/strong>(2001), de Christopher Nolan<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">Uma familia \u00e0 beira de um ataque de nervos <\/strong>(2006), de Jonathan Dayton e Valerie Faris<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">E parte incerta <\/strong>(2014), de David Fincher<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">Oppenheimer\u00a0<\/strong>(2023), de Christopher Nolan<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">Spotlight\u00a0<\/strong>(2015), de Tom McCarthy<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">T\u00e1r\u00a0<\/strong>(2022), de Todd Field<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">Esta\u00e7\u00e3o de terror <\/strong>(2008), de Kathryn Bigelow<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">Debaixo da pele <\/strong>(2013), de Jonathan Glazer<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">Deixa-me entrar <\/strong>(2008), de Tomas Alfredson<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">Ocean\u2019s Eleven\u00a0<\/strong>(2001), de Steven Soderbergh<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">Carol\u00a0<\/strong>(2015), de Todd Haynes<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">Ratatouille\u00a0<\/strong>(2007), de Brad Bird<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">Projecto Fl\u00f3rida <\/strong>(2017), de Sean Baker<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">Amor\u00a0<\/strong>(2012), de Michael Haneke<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">Irm\u00e3o, onde est\u00e1s? <\/strong>(2000), de Ethan Coen e Joel Coen<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">Tudo em todo o lado ao mesmo tempo <\/strong>(2022), de Daniel Kwan e Daniel Scheinert<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">Aftersun\u00a0<\/strong>(2022), de Charlotte Wells<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">A \u00e1rvore da Vida <\/strong>(2011), de Terrence Malick<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">Volver\u00a0<\/strong>(2006), de Pedro Almod\u00f3var<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">Cisne Negro\u00a0<\/strong>(2010), de Darren Aronofsky<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">O acto de matar <\/strong>(2012), de Joshua Oppenheimer<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">A prop\u00f3sito de Llewyn Davis <\/strong>(2013), de Ethan Coen e Joel Coen<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">Melancolia\u00a0<\/strong>(2011), de Lars von Trier<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">O rep\u00f3rter: A lenda de Ron Burgundy <\/strong>(2004), de Adam McKay<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">Vidas passadas <\/strong>(2023), de Celine Song<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">O senhor dos an\u00e9is: A irmandade do anel <\/strong>(2001), de Peter Jackson<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">Os respigadores e a respigadora <\/strong>(2000), de Agn\u00e8s Varda<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">Interstelar\u00a0<\/strong>(2014), de Christopher Nolan<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">Frances Ha\u00a0<\/strong>(2013), de Noah Baumbach<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">Aqu\u00e1rio\u00a0<\/strong>(2009), de Andrea Arnold<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">Gladiador\u00a0<\/strong>(2000), de Ridley Scott<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">Conduta de risco <\/strong>(2007), de Tony Gilroy<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">Minority report \u2013 A nova lei <\/strong>(2002), de Steven Spielberg<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">A pior pessoa do mundo <\/strong>(2021), de Joachim Trier<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">Pantera Negra\u00a0<\/strong>(2018), de Ryan Coogler<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">Gravidade\u00a0<\/strong>(2013), de Alfonso Cuar\u00f3n<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">O Homem urso <\/strong>(2005), de Werner Herzog<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">Mem\u00f3rias de um assassino <\/strong>(2003), de Bong Joon-ho<\/li>\n<li class=\"[ul&gt;&amp;]:indent-5 mb-3 break-words [ul&gt;&amp;]:relative [ul&gt;&amp;]:before:absolute [ul&gt;&amp;]:before:left-1 [ul&gt;&amp;]:before:top-2 [ul&gt;&amp;]:before:w-2 [ul&gt;&amp;]:before:h-2 [ul&gt;&amp;]:before:bg-red-600 [ul&gt;&amp;]:before:rounded-full marker:inline group-[.isActiveSource]:text-xl\"><strong class=\"group-[.isActiveSource]:text-xl group-[.isActiveSource]:font-bold\">Superbad: \u00c9 hoje <\/strong>(2007), de Greg Mottola<\/li>\n<\/ol>\n","protected":false},"excerpt":{"rendered":"O\u00a0The New York Times elaborou a lista dos 100 melhores filmes do s\u00e9culo XXI. O jornal norte-americano pediu&hellip;\n","protected":false},"author":2,"featured_media":42886,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[140],"tags":[114,115,147,148,82,146,32,33],"class_list":{"0":"post-42885","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-filmes","8":"tag-entertainment","9":"tag-entretenimento","10":"tag-film","11":"tag-filmes","12":"tag-internacional","13":"tag-movies","14":"tag-portugal","15":"tag-pt"},"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/pt\/wp-json\/wp\/v2\/posts\/42885","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/pt\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/pt\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/pt\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/pt\/wp-json\/wp\/v2\/comments?post=42885"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/pt\/wp-json\/wp\/v2\/posts\/42885\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/pt\/wp-json\/wp\/v2\/media\/42886"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/pt\/wp-json\/wp\/v2\/media?parent=42885"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/pt\/wp-json\/wp\/v2\/categories?post=42885"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/pt\/wp-json\/wp\/v2\/tags?post=42885"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}