{"id":136325,"date":"2026-03-16T06:15:06","date_gmt":"2026-03-16T06:15:06","guid":{"rendered":"https:\/\/www.europesays.com\/ro\/136325\/"},"modified":"2026-03-16T06:15:06","modified_gmt":"2026-03-16T06:15:06","slug":"regizoarea-romano-americana-natalie-musteata-a-castigat-oscarul-cu-scurtmetrajul-two-people-exchanging-saliva","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/ro\/136325\/","title":{"rendered":"Regizoarea rom\u00e2no-american\u0103 Natalie Mustea\u021b\u0103 a c\u00e2\u0219tigat Oscarul cu scurtmetrajul \u201eTwo People Exchanging Saliva\u201d"},"content":{"rendered":"

Pentru publicul din Rom\u00e2nia, vestea are o miz\u0103 aparte, deoarece unul dintre filmele c\u00e2\u0219tig\u0103toare este semnat de cineasta rom\u00e2no-american\u0103 Natalie Mustea\u021b\u0103, al\u0103turi de Alexandre Singh.<\/p>\n

\u201eTwo People Exchanging Saliva\u201d propune o distopie stranie \u0219i provocatoare: \u00eentr-o societate \u00een care s\u0103rutul este ilegal, iar cump\u0103r\u0103turile se \u201epl\u0103tesc\u201d prin palme, apropierea dintre oameni devine un act periculos. Filmul urm\u0103re\u0219te \u00eent\u00e2lnirea dintre dou\u0103 femei \u00eentr-un magazin universal parizian, iar rela\u021bia care \u00eencepe s\u0103 se contureze \u00eentre ele cap\u0103t\u0103 rapid dimensiunea unei revolte intime \u00eempotriva unei lumi care reprim\u0103 tandre\u021bea \u0219i normalizeaz\u0103 violen\u021ba.<\/p>\n

Victoria de la Oscar confirm\u0103 traseul impresionant al acestui scurtmetraj, care a avut premiera la Telluride Film Festival \u0219i a intrat apoi \u00een cursa marilor premii interna\u021bionale.<\/p>\n

Scurtmetrajul poate fi urm\u0103rit gratuit AICI<\/p>\n

Natalie Musteata, leg\u0103tura sa cu Rom\u00e2nia<\/p>\n

\u00cen centrul acestui succes se afl\u0103 Nataliei Mustea\u021b\u0103 o autoare, curatoare \u0219i cineast\u0103 rom\u00e2no-american\u0103, cu doctorat \u00een istoria artei.<\/p>\n

\u00centr-un interviu<\/a>, ea spunea c\u0103 a crescut \u201e\u00eentr-o familie rom\u00e2neasc\u0103 de arti\u0219ti \u0219i disiden\u021bi\u201d venit\u0103 \u00een SUA via Fran\u021ba, c\u0103 a crescut cu limba rom\u00e2n\u0103 \u0219i franceza \u0219i c\u0103 familia ei avea r\u0103d\u0103cini puternice \u00een teatrul din Rom\u00e2nia. \u00cen acela\u0219i interviu spunea \u0219i c\u0103 se g\u00e2nde\u0219te adesea cum ar fi ar\u0103tat via\u021ba ei dac\u0103 ar fi crescut \u00een Rom\u00e2nia.<\/p>\n

Influen\u021ba Rom\u00e2niei apare \u0219i \u00een felul \u00een care \u00ee\u0219i descrie cinemaul. Nataliei Mustea\u021b\u0103 descria \u00eentr-un interviu acordat Filmmaker Magazine o form\u0103 de \u201eRomanian New Wave\u201d prezent\u0103 \u00een ADN-ul ei creativ, vizibil\u0103 mai ales \u00een secven\u021bele mai dure, filmate din m\u00e2n\u0103, din Two People Exchanging Saliva.<\/p>\n

Exist\u0103 \u0219i o leg\u0103tur\u0103 intelectual\u0103 direct\u0103 cu cultura rom\u00e2n\u0103 \u00een activitatea ei de cercetare: profilul ei de la Independent Curators International men\u021bioneaz\u0103 eseul \u201eWired to History: Romanian and Lithuanian Video Art Post 1989\u201d \u0219i participarea la conferin\u021ba \u201eTo Act or Not to Act: Ethics in Romanian Cinema\u201d.<\/p>\n

Ea tr\u0103ie\u0219te \u0219i lucreaz\u0103 \u00een Brooklyn, New York, iar formarea sa \u00een zona artei contemporane \u0219i a teoriei imaginii se reflect\u0103 clar \u00een stilul conceptual al filmelor pe care le realizeaz\u0103. TorinoFilmLab noteaz\u0103 \u0219i activitatea ei \u00een curatoriat, critic\u0103 de art\u0103 \u0219i educa\u021bie, un parcurs neobi\u0219nuit care o diferen\u021biaz\u0103 \u00een noul val al cinemaului independent.<\/p>\n","protected":false},"excerpt":{"rendered":"Pentru publicul din Rom\u00e2nia, vestea are o miz\u0103 aparte, deoarece unul dintre filmele c\u00e2\u0219tig\u0103toare este semnat de cineasta…\n","protected":false},"author":2,"featured_media":136326,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18],"tags":[171,170,7976,40601,8764,41,40,38,39,40851],"class_list":{"0":"post-136325","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-divertisment","8":"tag-divertisment","9":"tag-entertainment","10":"tag-film","11":"tag-natalie-musteata","12":"tag-oscar","13":"tag-ro","14":"tag-romana","15":"tag-romania","16":"tag-romanian","17":"tag-scurtmetraj"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@ro\/116237390522381224","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/ro\/wp-json\/wp\/v2\/posts\/136325","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/ro\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/ro\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ro\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ro\/wp-json\/wp\/v2\/comments?post=136325"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/ro\/wp-json\/wp\/v2\/posts\/136325\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ro\/wp-json\/wp\/v2\/media\/136326"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/ro\/wp-json\/wp\/v2\/media?parent=136325"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/ro\/wp-json\/wp\/v2\/categories?post=136325"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/ro\/wp-json\/wp\/v2\/tags?post=136325"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}