{"id":188024,"date":"2026-05-24T10:48:07","date_gmt":"2026-05-24T10:48:07","guid":{"rendered":"https:\/\/www.europesays.com\/ro\/188024\/"},"modified":"2026-05-24T10:48:07","modified_gmt":"2026-05-24T10:48:07","slug":"cannes-transforma-aplauzele-indelungate-intr-un-nou-indicator-al-succesului-cinematografic","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/ro\/188024\/","title":{"rendered":"Cannes transform\u0103 aplauzele \u00eendelungate \u00eentr-un nou indicator al succesului cinematografic"},"content":{"rendered":"

Durata unei ova\u021bii \u00een picioare la Festivalul de Film de la Festivalul de Film de la Cannes este adesea prezentat\u0103 ca un test rapid al valorii unui film, \u00eens\u0103 criticii \u0219i jurnali\u0219tii de cinema pun sub semnul \u00eentreb\u0103rii relevan\u021ba acestui criteriu, scrie Reuters<\/a>.<\/p>\n

Publica\u021bia de entertainment Deadline a relatat c\u0103 filmul spaniol din competi\u021bie \u201eThe Black Ball\u201d a primit joi sear\u0103 o ova\u021bie de 20 de minute, cu doar dou\u0103 minute mai pu\u021bin dec\u00e2t recordul de 22 de minute stabilit de Guillermo del Toro cu \u201ePan\u2019s Labyrinth\u201d, \u00een urm\u0103 cu dou\u0103 decenii.<\/p>\n

– articolul continu\u0103 mai jos –<\/p>\n

Dac\u0103 aceast\u0103 reac\u021bie impresionant\u0103 va anticipa \u0219i succesul la Cannes r\u0103m\u00e2ne de v\u0103zut s\u00e2mb\u0103t\u0103 sear\u0103, c\u00e2nd juriul va acorda trofeul Palme d\u2019Or unuia dintre cele 22 de filme aflate \u00een competi\u021bie.<\/p>\n

Ova\u021biile au totu\u0219i o utilitate?<\/p>\n

\u201eAre toate ingredientele pentru o ova\u021bie lung\u0103\u201d, a spus Damon Wise, editor de premii la Deadline, despre \u201eThe Black Ball\u201d, o saga de 135 de minute despre R\u0103zboiul Civil Spaniol \u0219i reprezentarea persoanelor gay \u00een istorie.<\/p>\n

\u201ePe m\u0103sur\u0103 ce aplauzele \u00eencep s\u0103 se sting\u0103, camera se mut\u0103 pe Penelope Cruz \u0219i publicul re\u00eencepe s\u0103 aplaude\u201d, a explicat Wise.<\/p>\n

El a ad\u0103ugat c\u0103 \u0219i filmul \u201eSentimental Value\u201d, clasat pe locul al doilea la Cannes anul trecut \u0219i ulterior c\u00e2\u0219tig\u0103tor al Oscarului pentru cel mai bun film interna\u021bional, a avut parte de o reac\u021bie similar\u0103.<\/p>\n

\u201eCred c\u0103 aceste ova\u021bii au totu\u0219i utilitatea lor\u201d, a spus acesta.<\/p>\n

\u201ePan\u2019s Labyrinth\u201d nu a c\u00e2\u0219tigat nimic la Cannes, \u00eens\u0103 a ob\u021binut ulterior trei premii Oscar \u2014 pentru imagine, scenografie \u0219i machiaj.<\/p>\n

Totu\u0219i, multe dintre aceste reac\u021bii sunt \u201eperformative\u201d, consider\u0103 Wise, f\u0103c\u00e2nd referire la regizorul danez Nicolas Winding Refn, care \u0219i-ar fi \u00eencurajat activ publicul s\u0103 continue aplauzele dup\u0103 proiec\u021bia filmului s\u0103u \u00eentunecat \u201eHer Private Hell\u201d.<\/p>\n

Duratele difer\u0103 \u00een func\u021bie de publica\u021bie<\/p>\n

\u0218i mai mult\u0103 confuzie vine din faptul c\u0103 durata ova\u021biilor difer\u0103 de la o publica\u021bie la alta. \u00cen timp ce Deadline a vorbit despre 20 de minute, Variety a raportat c\u0103 aplauzele pentru \u201eThe Black Ball\u201d au durat doar 16 minute.<\/p>\n

\u201eNu sunt sigur\u0103 c\u0103 este cu adev\u0103rat o m\u0103sur\u0103 a valorii unui film\u201d, a declarat Anna Smith, critic de film \u0219i gazda podcastului \u201eGirls on Film\u201d.<\/p>\n

Smith spune c\u0103 ova\u021biile \u00eencep adesea din polite\u021be, dar apoi pot sc\u0103pa rapid de sub control.<\/p>\n

\u201eDe multe ori m-am al\u0103turat \u0219i eu cu entuziasm. Dar exist\u0103 un moment \u00een care aplauzele \u00eencep s\u0103 se sting\u0103, apoi cineva reia ritmul \u0219i toat\u0103 lumea se g\u00e2nde\u0219te: \u00abPoate ar trebui s\u0103 continui \u0219i eu\u00bb\u201d, a explicat ea.<\/p>\n","protected":false},"excerpt":{"rendered":"Durata unei ova\u021bii \u00een picioare la Festivalul de Film de la Festivalul de Film de la Cannes este…\n","protected":false},"author":2,"featured_media":188025,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[18],"tags":[53545,47714,51307,171,170,53546,41,40,38,39],"class_list":["post-188024","post","type-post","status-publish","format-standard","has-post-thumbnail","category-divertisment","tag-aplauze","tag-cannes","tag-cannes-2026","tag-divertisment","tag-entertainment","tag-festivalul-de-film","tag-ro","tag-romana","tag-romania","tag-romanian"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@ro\/116629163494748368","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/ro\/wp-json\/wp\/v2\/posts\/188024","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/ro\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/ro\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ro\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ro\/wp-json\/wp\/v2\/comments?post=188024"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/ro\/wp-json\/wp\/v2\/posts\/188024\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ro\/wp-json\/wp\/v2\/media\/188025"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/ro\/wp-json\/wp\/v2\/media?parent=188024"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/ro\/wp-json\/wp\/v2\/categories?post=188024"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/ro\/wp-json\/wp\/v2\/tags?post=188024"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}