{"id":237233,"date":"2026-07-21T19:38:09","date_gmt":"2026-07-21T19:38:09","guid":{"rendered":"https:\/\/www.europesays.com\/ro\/237233\/"},"modified":"2026-07-21T19:38:09","modified_gmt":"2026-07-21T19:38:09","slug":"se-crede-kubrick-nu-e-ce-spune-irina-margareta-nistor-despre-the-odyssey-pariul-de-250-de-milioane-al-lui-christopher-nolan","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/ro\/237233\/","title":{"rendered":"\u201eSe crede Kubrick. Nu e\u201d – Ce spune Irina Margareta Nistor despre \u201eThe Odyssey\u201d, pariul de 250 de milioane $ al lui Christopher Nolan"},"content":{"rendered":"

La doar c\u00e2teva zile de la lansare, The Odyssey domin\u0103 box office-ul \u0219i st\u00e2rne\u0219te dezbateri at\u00e2t \u00een r\u00e2ndul criticilor, c\u00e2t \u0219i al spectatorilor. Christopher Nolan vorbe\u0219te despre cel mai dificil film pe care l-a realizat vreodat\u0103, \u00een timp ce criticul de firm Irina Margareta Nistor spune c\u0103 succesul la public nu \u00eenseamn\u0103 automat \u0219i o capodoper\u0103 cinematografic\u0103.<\/p>\n

\"Christopher <\/p>\n

Filmul pe care studiourile nu l-ar fi finan\u021bat f\u0103r\u0103 \u201eOppenheimer\u201d Surs\u0103 foto: Shutterstock<\/p>\n

publicitate”); background-position: center center; background-repeat: no-repeat;”><\/p>\n

Dup\u0103 succesul uria\u0219 al filmului Oppenheimer, recompensat cu \u0219apte premii Oscar, Christopher Nolan a ales un proiect pe care pu\u021bini regizori ar fi fost dispu\u0219i s\u0103 \u0219i-l asume: ecranizarea epopeii Odiseea a lui Homer. Scris\u0103 \u00een urm\u0103 cu aproape 2.700 de ani, opera a fost transformat\u0103 \u00eentr-o produc\u021bie de aproximativ 250 de milioane de dolari, filmat\u0103 aproape \u00een \u00eentregime \u00een decoruri naturale \u0219i cu camere IMAX.<\/a><\/p>\n

\u00centr-un interviu acordat publica\u021biei The Guardian, regizorul spune c\u0103, indiferent de experien\u021ba acumulat\u0103, momentul lans\u0103rii unui film r\u0103m\u00e2ne cel mai greu de gestionat.<\/p>\n

\u201eSunt \u00een acel moment de team\u0103 absolut\u0103. Nu devine niciodat\u0103 mai u\u0219or, pentru c\u0103 eu fac filme pentru public, iar publicul este cel care spune dac\u0103 \u00eei place sau nu. El termin\u0103 filmul. Eu nu am \u00een spatele c\u0103rui lucru s\u0103 m\u0103 ascund. Nu pot spune pur \u0219i simplu c\u0103 oamenii nu au \u00een\u021beles. Nu acestea sunt filmele pe care le fac. Dac\u0103 publicul nu m-ar speria de fiecare dat\u0103 c\u00e2nd lansez un film, probabil c\u0103 nu mi-a\u0219 face bine meseria. \u00censeamn\u0103 c\u0103 \u00eencerc s\u0103 m\u0103 provoc \u0219i s\u0103-mi asum riscuri\u201d, m\u0103rturise\u0219te acesta.<\/p>\n

Filmul pe care studiourile nu l-ar fi finan\u021bat f\u0103r\u0103 \u201eOppenheimer\u201d <\/p>\n

Succesul ob\u021binut cu Oppenheimer i-a oferit lui Christopher Nolan libertatea de a realiza un proiect pe care \u00eel avea \u00een minte de mul\u021bi ani \u0219i pe care pu\u021bine studiouri ar fi fost dispuse s\u0103 \u00eel finan\u021beze.<\/p>\n

\u201eMi-am spus c\u0103 acum am ocazia s\u0103 fac un film pe care altfel nu l-a\u0219 fi putut realiza\u201d, spune regizorul. <\/p>\n

\u0218i produc\u0103toarea filmului, Emma Thomas, crede c\u0103 The Odyssey nu ar fi primit niciodat\u0103 un asemenea buget f\u0103r\u0103 succesul precedentului lungmetraj:\u00a0\u201eNu cred c\u0103 exista vreun studio c\u0103ruia s\u0103-i fi putut spune: \u00abVrem s\u0103 adapt\u0103m un poem vechi de 2.700 de ani\u00bb \u0219i s\u0103 ob\u021binem automat finan\u021barea pentru un film de asemenea amploare. Asta nu s-ar fi \u00eent\u00e2mplat f\u0103r\u0103 Oppenheimer.\u201d <\/p>\n

publicitate”); background-position: center center; background-repeat: no-repeat;”><\/p>\n

Ideea adapt\u0103rii nu este \u00eens\u0103 una nou\u0103. Nolan spune c\u0103 se g\u00e2nde\u0219te la acest proiect \u00eenc\u0103 de la \u00eenceputul anilor 2000, c\u00e2nd a lucrat pentru scurt timp la un scenariu inspirat din Iliada. De atunci, a \u00eencercat s\u0103 g\u0103seasc\u0103 o formul\u0103 prin care marile epopei ale lui Homer s\u0103 poat\u0103 fi aduse pe marele ecran \u00eentr-un mod relevant \u0219i pentru publicul de ast\u0103zi.<\/p>\n

Regizorul spune c\u0103 nu doar povestea l-a convins s\u0103 revin\u0103 la Odiseea, ci \u0219i felul \u00een care este construit\u0103.<\/p>\n

\u201eAni la r\u00e2nd am vorbit despre structurile neliniare din filmele mele ca \u0219i cum ar fi fost ceva radical. Apoi te \u00eentorci la unul dintre cele mai vechi texte fundamentale ale literaturii \u0219i descoperi c\u0103 are o structur\u0103 absolut revolu\u021bionar\u0103: pove\u0219ti \u00een interiorul altor pove\u0219ti, flashback-uri \u00een alte flashback-uri. Asta m-a entuziasmat imediat\u201d, sus\u021bine Nolan. <\/p>\n

\u0218ase \u021b\u0103ri, mun\u021bi, de\u0219erturi \u0219i camere IMAX de peste 130 de kilograme <\/p>\n

Dac\u0103 povestea a fost ambi\u021bioas\u0103, film\u0103rile au fost \u0219i mai dificile. Echipa a lucrat timp de \u0219ase luni \u00een \u0219ase \u021b\u0103ri diferite, travers\u00e2nd de\u0219erturi, mun\u021bi, m\u0103ri \u0219i zone arctice. \u00cen unele locuri, accesul era posibil doar cu elicopterul sau dup\u0103 zeci de minute de mers pe jos, \u00een timp ce camerele IMAX folosite c\u00e2nt\u0103reau aproximativ 136 de kilograme. <\/p>\n

Emma Thomas spune c\u0103 fiecare etap\u0103 p\u0103rea imposibil\u0103 p\u00e2n\u0103 \u00een momentul \u00een care era dep\u0103\u0219it\u0103.<\/p>\n

\u201eDe fiecare dat\u0103 c\u00e2nd rezolvam o provocare, spuneam: Doamne, am reu\u0219it! Apoi ne aminteam c\u0103 s\u0103pt\u0103m\u00e2na urm\u0103toare urma o alta \u0219i mai dificil\u0103. Provoc\u0103rile veneau una dup\u0103 alta f\u0103r\u0103 oprire\u201d, poveste\u0219te produc\u0103toarea. <\/p>\n

Nolan respinge \u00eens\u0103 ideea c\u0103 dificultatea ar fi fost un scop \u00een sine. \u201eNu asta urm\u0103resc. Se vorbe\u0219te at\u00e2t de mult despre c\u00e2t de greu a fost \u00eenc\u00e2t pare o experien\u021b\u0103 de supravie\u021buire. \u00cen realitate, totul porne\u0219te de la poveste. Pentru Odiseea aveam nevoie de imagini pe care publicul nu le-a mai v\u0103zut. Natura \u0219i lumea real\u0103 ofer\u0103 o scar\u0103 \u0219i o autenticitate pe care studioul nu le poate reproduce. Dar da, au existat momente \u00een care am sim\u021bit c\u0103 m-am \u00eentins mai mult dec\u00e2t puteam duce\u201d, recunoa\u0219te regizorul. <\/p>\n

De ce se destram\u0103 mai des rela\u021biile \u00een care femeia c\u00e2\u0219tig\u0103 mai mult. Explica\u021bia care i-a surprins pe cercet\u0103tori <\/a>Irina Margareta Nistor: \u201eSunt ferm convins\u0103 c\u0103 el se crede Kubrick. Nu e.\u201d <\/p>\n

De\u0219i apreciaz\u0103 amploarea proiectului \u0219i faptul c\u0103 filmul \u00eei poate ajuta pe spectatori s\u0103 urm\u0103reasc\u0103 mai u\u0219or numeroasele personaje din epopeea lui Homer, criticul de film Irina Margareta Nistor consider\u0103 c\u0103 The Odyssey nu este capodopera pe care mul\u021bi o anticipeaz\u0103 deja.<\/p>\n

publicitate”); background-position: center center; background-repeat: no-repeat;”><\/p>\n

\u201eNu \u0219tiu dac\u0103 neap\u0103rat este o adaptare curajoas\u0103. Cred c\u0103 este una speculativ\u0103 \u0219i a f\u0103cut foarte mult\u0103 reclam\u0103 cu ea, dar, pe de alt\u0103 parte, nu pot s\u0103 nu-i mul\u021bumesc pentru c\u0103 pune pu\u021bin\u0103 ordine \u00een personajele lui Homer \u0219i mai \u0219tim care cu care, chiar dac\u0103 actorii sunt foarte mari, care le interpreteaz\u0103, dar nu neap\u0103rat din imagina\u021bia noastr\u0103 sau a\u0219a cum i-am v\u0103zut noi sau cum i-a v\u0103zut, de exemplu, de-a lungul timpului, Koncealovski, acum 30 de ani. Nu \u0219tiu dac\u0103 va r\u0103m\u00e2ne un reper \u00een istoria cinematografic\u0103, dar, \u00een mod sigur, deja a c\u00e2\u0219tigat enorm \u00eentr-un prim weekend \u00een care lumea, \u00een principiu, se concentra pe fotbal\u201d, a declarat Irina Margareta Nistor pentru \u201eAdev\u0103rul\u201d.<\/p>\n

Criticul apreciaz\u0103 \u0219i alegerea formatului IMAX, \u00eens\u0103 consider\u0103 c\u0103 filmul ar fi avut de c\u00e2\u0219tigat dac\u0103 unele secven\u021be ar fi fost eliminate.<\/p>\n

\u201eA avut mare curaj s\u0103-l lanseze chiar acum. Pe de alt\u0103 parte, faptul c\u0103 a fost filmat \u00een IMAX cred c\u0103 conteaz\u0103 enorm, dar are \u0219i c\u00e2teva scene care ar fi putut lipsi. Prea lung\u0103 cea cu porcii, cea cu c\u00e2inii inutil\u0103 \u0219i cea cu ciclopul direct ridicol\u0103\u201d, spune aceasta.<\/p>\n

\u201ePe de alt\u0103 parte, \u00een ceea ce m\u0103 prive\u0219te, sunt ferm convins\u0103 c\u0103 el se crede Kubrick. Nu e. Pentru c\u0103, s\u0103 nu uit\u0103m, Kubrick a f\u0103cut Spartacus, nu? Acela\u0219i gen. Tot Kubrick a f\u0103cut Odiseea spa\u021bial\u0103. Bun, tot Odisee, dar ceva cu SF, cum face el dup\u0103 aceea Interstellar. Da, Interstellar este genial. \u0218i de fiecare dat\u0103 ai impresia c\u0103 ceva, ceva vrea neap\u0103rat s\u0103 nu r\u0103m\u00e2n\u0103 uitat \u00een istorie\u201d, afirm\u0103 Irina Margareta Nistor.<\/p>\n

publicitate”); background-position: center center; background-repeat: no-repeat;”><\/p>\n

\u201eLui Homer i-ar fi pl\u0103cut? M\u0103 tem c\u0103 nu\u201d <\/p>\n

De\u0219i crede c\u0103 filmul are toate ingredientele pentru un parcurs important \u00een sezonul premiilor, Irina Margareta Nistor ridic\u0103 \u0219i o \u00eentrebare legat\u0103 de fidelitatea fa\u021b\u0103 de spiritul operei originale.<\/p>\n

Gre\u0219elile care \u00eei \u00eempiedic\u0103 pe oamenii timizi s\u0103 flirteze. Psihoterapeut: \u201eNu este un examen pe care trebuie s\u0103 \u00eel promovezi\u201d <\/a><\/p>\n

\u201eSigur, lumea \u0219i-l va aminti, nu neap\u0103rat pentru Odiseea, dar \u00eentrebarea e: lui Homer i-ar fi pl\u0103cut? M\u0103 tem c\u0103 nu. Dar publicului foarte t\u00e2n\u0103r, da. A\u0219a c\u0103 e o re\u021bet\u0103 sigur\u0103, va ajunge la Oscaruri, doar probabil c\u0103-i va lua fa\u021ba I\u00f1\u00e1rritu cu Digger\u201d, spune criticul.<\/p>\n

Interesant este c\u0103 \u0219i Christopher Nolan vorbe\u0219te despre The Odyssey mai degrab\u0103 ca despre o reinterpretare dec\u00e2t ca despre o ilustrare fidel\u0103 a poemului antic. Una dintre preocup\u0103rile sale a fost s\u0103 ofere personajelor feminine o complexitate pe care textul lui Homer doar o sugereaz\u0103.<\/p>\n

\u201e\u00cen poem, ele sunt ni\u0219te simboluri. Problema este c\u0103 dincolo de aceste idealuri nu afl\u0103m foarte multe despre ele. Ce \u00eemi place la interpret\u0103rile actri\u021belor din film este c\u0103 reu\u0219esc s\u0103 lase s\u0103 se \u00eentrevad\u0103 omul din spatele simbolului. C\u00e2nd o vezi pe Lupita Nyong’o \u00een rolul Elenei, \u00eencepi s\u0103 \u00een\u021belegi ce \u00eenseamn\u0103, ca fiin\u021b\u0103 uman\u0103, s\u0103 fii cauza unui r\u0103zboi uria\u0219. Iar Anne Hathaway construie\u0219te o Penelop\u0103 extrem de puternic\u0103\u201d, explic\u0103 regizorul.<\/p>\n

Dup\u0103 film\u0103ri desf\u0103\u0219urate pe parcursul a \u0219ase luni, \u00een \u0219ase \u021b\u0103ri, \u0219i dup\u0103 cel mai mare succes comercial din cariera sa, Nolan spune c\u0103 \u00ee\u0219i dore\u0219te, \u00eenainte de orice, o pauz\u0103. Totu\u0219i, recunoa\u0219te c\u0103 \u00eei este greu s\u0103 stea departe de platourile de filmare.<\/p>\n

\u201e\u00cemi doresc foarte mult s\u0103 existe o perioad\u0103 \u00een care s\u0103 nu am nimic de f\u0103cut. Parc\u0103 a trecut o eternitate de c\u00e2nd am avut un astfel de moment. Adev\u0103rul este c\u0103 m\u0103 plictisesc foarte repede \u0219i acesta este unul dintre motivele pentru care m\u0103 \u00eentorc mereu la munc\u0103. Acum vreau doar s\u0103 trec de lansarea filmului \u0219i apoi s\u0103 iau o scurt\u0103 pauz\u0103\u201d, m\u0103rturise\u0219te regizorul.<\/a><\/p>\n

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