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Istoria scenei rock underground din Timi\u0219oara \u0219i leg\u0103tura sa cu Revolu\u021bia din Decembrie 1989 au ajuns pe marele ecran \u00een documentarul \u201eThe Vinyl Revolution\u201d, realizat de Eric Fretz \u0219i Neville Harson, care a avut premiera \u00een Rom\u00e2nia \u00een cadrul Festivalului Ceau, Cinema!. Proiec\u021bia a avut loc la Cinema Timi\u0219, \u00een prezen\u021ba realizatorilor \u0219i a protagoni\u0219tilor filmului, care au r\u0103spuns apoi \u00eentreb\u0103rilor publicului.<\/p>\n
– articolul continu\u0103 mai jos –<\/p>\n
Un\u00a0profesor\u00a0american,\u00a0fascinat\u00a0de\u00a0istoria\u00a0rockului\u00a0timi\u0219orean<\/p>\n
Documentarul a fost realizat de Eric Fretz, profesor la Universitatea Regis din Denver, care a descoperit povestea scenei rock timi\u0219orene \u00een timpul unui stagiu Fulbright la Universitatea de Vest din Timi\u0219oara. \u00cent\u00e2lnirea cu Emil Biebel, unul dintre pionierii culturii rock din ora\u0219ul de pe Bega, a stat la baza proiectului cinematografic.<\/p>\n
Fretz a revenit ulterior la Timi\u0219oara pentru a documenta aceast\u0103 istorie prea pu\u021bin cunoscut\u0103.<\/p>\n
\u201e\u00cen toamna anului 2016 am venit, ca bursier Fulbright, la Timi\u0219oara, unde am predat cursuri de Studii Americane la Universitatea de Vest. Mi-am petrecut mult timp la Viniloteca, un magazin de discuri din apropierea locului unde a \u00eenceput Revolu\u021bia din 1989. Acolo m-am \u00eemprietenit cu Emil Biebel, proprietarul Vinilotecii \u0219i un personaj-cheie al scenei rock a ora\u0219ului \u00eenc\u0103 din anii \u201970. Magazinul era locul de \u00eent\u00e2lnire al veteranilor rock and roll-ului din Timi\u0219oara \u0219i astfel am ajuns s\u0103 \u00eei cunosc pe mul\u021bi dintre ei. Timi\u0219oara, aproape de grani\u021bele cu Ungaria \u0219i Iugoslavia, era departe de centrul puterii de la Bucure\u0219ti. Dar revolu\u021biile nu apar pur \u0219i simplu peste noapte. Ele se construiesc. M-am \u00eentors \u00een 2025, din nou ca bursier Fulbright, \u0219i am \u00eenceput un proiect de cercetare despre natura Revolu\u021biei Rom\u00e2ne \u0219i \u00eenceputurile ei la Timi\u0219oara\u201d, a spus Eric Fretz.<\/p>\n
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The Vinyl Revolution\u201d la Ceau, Cinema FOTO \u0218tefan Both<\/p>\n
Muzica\u00a0rock, o\u00a0form\u0103\u00a0de\u00a0rezisten\u021b\u0103\u00a0\u00een\u00a0comunism<\/p>\n
Documentarul propune o perspectiv\u0103 inedit\u0103 asupra istoriei recente a Timi\u0219oarei, sus\u021bin\u00e2nd c\u0103 muzica rock nu a reprezentat doar o form\u0103 de divertisment \u00een perioada comunist\u0103, ci \u0219i un spa\u021biu al libert\u0103\u021bii \u0219i al rezisten\u021bei culturale.<\/p>\n
Prin imagini de arhiv\u0103 \u0219i m\u0103rturii ale celor care au tr\u0103it acea perioad\u0103, filmul urm\u0103re\u0219te felul \u00een care comunitatea format\u0103 \u00een jurul muzicii rock a contribuit la apari\u021bia spiritului de revolt\u0103 care avea s\u0103 explodeze \u00een decembrie 1989.<\/p>\n
\u00cen documentar apar nume cunoscute ale scenei muzicale timi\u0219orene: Emil Biebel, comerciant de discuri \u00een perioada comunist\u0103 \u0219i fondatorul primului magazin de muzic\u0103 rock din Rom\u00e2nia de dup\u0103 Revolu\u021bie, c\u00e2nt\u0103rea\u021ba Mirela Iacob, jurnalistul \u0219i criticul muzical Mimo Obradov, precum \u0219i muzicienii Levi Molnar, Tibor Gajdo, Tavi Iepan \u0219i Adrian Popescu.<\/p>\n
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The Vinyl Revolution\u201d la Ceau, Cinema FOTO \u0218tefan Both<\/p>\n
Timi\u0219oara\u00a0anilor\u00a0\u201980\u00a0\u0219i\u00a0legenda\u00a0trupei\u00a0Metamorf<\/p>\n
\u201eThe Vinyl Revolution\u201d este o incursiune \u00een atmosfera Timi\u0219oarei anilor \u201980, c\u00e2nd tinerii se \u00eent\u00e2lneau \u00een discoteci, cluburi \u0219i la concerte, sub atenta supraveghere, dar \u0219i cu o anumit\u0103 \u00eeng\u0103duin\u021b\u0103 din partea autorit\u0103\u021bilor comuniste. Regimul considera c\u0103 astfel le oferea o supap\u0103 prin care \u00ee\u0219i puteau desc\u0103rca frustr\u0103rile.<\/p>\n
La\u00a0\u00eenceputul\u00a0anilor\u00a0\u201980\u00a0existau\u00a0numeroase\u00a0trupe\u00a0rock\u00a0\u00een\u00a0Timi\u0219oara,\u00a0iar\u00a0multe\u00a0dintre\u00a0ele\u00a0\u00ee\u0219i\u00a0exprimau,\u00a0mai\u00a0mult\u00a0sau\u00a0mai\u00a0pu\u021bin\u00a0voalat,\u00a0nemul\u021bumirea\u00a0fa\u021b\u0103\u00a0de\u00a0regim.\u00a0\u00cen 1979, un grup de adolescen\u021bi a pus bazele forma\u021biei Metamorf, care avea s\u0103 devin\u0103 o legend\u0103 a undergroundului timi\u0219orean \u00een ultimii ani ai comunismului. De\u0219i nu au lansat albume \u0219i nu au beneficiat de promovare oficial\u0103, membrii trupei au devenit vocea unei genera\u021bii.<\/p>\n
\u00centr-o sear\u0103 din 1985, Metamorf a urcat pe scena Teatrului Maghiar de Stat \u0219i a sus\u021binut un concert care avea s\u0103 intre \u00een legenda Timi\u0219oarei.<\/p>\n
\u201eToate trupele c\u00e2ntau, mai degrab\u0103, rock tradi\u021bional. Noi eram copiii nebuni din cartier. Odat\u0103 cu apari\u021bia genurilor new wave \u0219i punk era ceva complet nou. Nu simpatizam cu comunismul \u0219i cu conducerea \u021b\u0103rii, care nu ne puteau oferi m\u00e2ncare \u0219i benzin\u0103, nu aveam electricitate \u00een case \u0219i nici c\u0103ldur\u0103. Pentru ceea ce am realizat prin muzic\u0103 \u0219i prin versuri era nevoie de pu\u021bin\u0103 incon\u0219tien\u021b\u0103. Trebuia s\u0103 fii pu\u021bin nebun, dar \u00een cel mai frumos sens al cuv\u00e2ntului. Trebuia s\u0103 ai curajul s\u0103 faci ceva \u00eempotriva sistemului\u201d, spune Adrian Popescu, fondatorul trupei Metamorf.<\/p>\n
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The Vinyl Revolution\u201d la Ceau, Cinema FOTO \u0218tefan Both<\/p>\n
Emil Biebel\u00a0\u00ee\u0219i\u00a0aminte\u0219te\u00a0atmosfera\u00a0acelui\u00a0concert:\u00a0\u201eEram\u00a0\u0219i\u00a0eu\u00a0acolo.\u00a0Dac\u0103\u00a0ai fi\u00a0intrat\u00a0\u00een\u00a0sal\u0103\u00a0\u0219i\u00a0ai fi\u00a0privit\u00a0\u00een\u00a0jur,\u00a0\u021bi-ai fi\u00a0spus: \u00abNu sunt\u00a0\u00een\u00a0Rom\u00e2nia. Sunt\u00a0undeva\u00a0\u00eentr-un loc\u00a0foarte\u00a0ciudat,\u00a0dar\u00a0nu\u00a0\u00een\u00a0Rom\u00e2nia\u00bb.\u00a0Toate\u00a0ideile\u00a0apar\u021bineau\u00a0lui\u00a0Tavi\u00a0Iepan\u2026\u201d.<\/p>\n
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The Vinyl Revolution\u201d la Ceau, Cinema FOTO \u0218tefan Both<\/p>\n
\u201e\u00cen\u00a0primele\u00a0dou\u0103\u00a0zile\u00a0a\u00a0fost\u00a0Revolu\u021bia\u00a0rockerilor\u201d<\/p>\n
Documentarul sus\u021bine c\u0103 nucleul care a declan\u0219at evenimentele din decembrie 1989 a fost str\u00e2ns legat de comunitatea rockerilor timi\u0219oreni.<\/p>\n
\u201e\u00cen seara de 16 decembrie 1989, cei care au declan\u0219at Revolu\u021bia au fost, de fapt, un grup de rockeri. Printre cei doi care au oprit tramvaiele era un poet, beat, dar am\u00e2ndoi erau rockeri. \u00cen Timi\u0219oara, \u00een primele dou\u0103 zile, a fost Revolu\u021bia rockerilor, nu a oamenilor obi\u0219nui\u021bi\u201d, concluzioneaz\u0103 Emil Biebel.<\/p>\n
![\"\"](\"https:\/\/www.europesays.com\/ro\/wp-content\/uploads\/2026\/07\/https:\/\/www.g4media.ro\/\/wp-content\/uploads\/2026\/07\/1-4-1024x576.jpg\")
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The Vinyl Revolution\u201d la Ceau, Cinema FOTO \u0218tefan Both<\/p>\n","protected":false},"excerpt":{"rendered":"Istoria scenei rock underground din Timi\u0219oara \u0219i leg\u0103tura sa cu Revolu\u021bia din Decembrie 1989 au ajuns pe marele…\n","protected":false},"author":2,"featured_media":237590,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[18],"tags":[66142,2657,171,66143,170,66144,41,40,38,39,66145],"class_list":["post-237589","post","type-post","status-publish","format-standard","has-post-thumbnail","category-divertisment","tag-ceau","tag-cinema","tag-divertisment","tag-documentar-despre-rockul-timisorea","tag-entertainment","tag-erik-fretz","tag-ro","tag-romana","tag-romania","tag-romanian","tag-the-vinyl-revolution"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@ro\/116962619181405350","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/ro\/wp-json\/wp\/v2\/posts\/237589","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/ro\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/ro\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ro\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ro\/wp-json\/wp\/v2\/comments?post=237589"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/ro\/wp-json\/wp\/v2\/posts\/237589\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ro\/wp-json\/wp\/v2\/media\/237590"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/ro\/wp-json\/wp\/v2\/media?parent=237589"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/ro\/wp-json\/wp\/v2\/categories?post=237589"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/ro\/wp-json\/wp\/v2\/tags?post=237589"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}