{"id":280933,"date":"2026-08-30T13:40:13","date_gmt":"2026-08-30T13:40:13","guid":{"rendered":"https:\/\/www.europesays.com\/ro\/280933\/"},"modified":"2026-08-30T13:40:13","modified_gmt":"2026-08-30T13:40:13","slug":"ovidiu-schumacher-si-operatiunea-monstrul-filmul-care-nu-a-imbatranit-intr-o-pauza-de-filmari-a-aparut-toma-cu-o-cutie-de-branza-de-12-kilograme","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/ro\/280933\/","title":{"rendered":"Ovidiu Schumacher \u0219i \u201eOpera\u021biunea Monstrul\u201c, filmul care nu a \u00eemb\u0103tr\u00e2nit. \u201e\u00centr-o pauz\u0103 de film\u0103ri, a ap\u0103rut Toma cu o cutie de br\u00e2nz\u0103 de 12 kilograme\u201c"},"content":{"rendered":"

Invitat la edi\u021bia TIFF de anul acesta, pentru proiec\u021bia aniversar\u0103 a filmului, Ovidiu Schumacher (84 de ani) a urm\u0103rit, al\u0103turi de fani, filmul cap-coad\u0103. I s-a p\u0103rut \u201eNeschimbat. Este uluitor, dar asta este ceea ce lumea nu \u0219tie. Noi ne uit\u0103m la filmele \u00een care am jucat, dar amintirile noastre sunt mult mai bogate dec\u00e2t ce e pe ecran. \u00cent\u00e2lnirile, drumurile, ploaia, frigul, c\u0103ldura, c\u0103 nu a fost aia, c\u0103 a venit aia prea t\u00e2rziu, sunt \u0219i alte amintiri pe l\u00e2ng\u0103 filmul pe care-l vede spectatorul. Uneori sunt mai pl\u0103cute sau mai nepl\u0103cute, dar sunt adev\u0103rate, sunt ale tale\u201c, spune el\u00a0\u00eentr-un interviu pentru \u201eWeekend Adev\u0103rul\u201c.<\/p>\n

\"Ovidiu <\/p>\n

Ovidiu Schumacher \u00een rolul Scriitorului. Foto: Arhiva personal\u0103<\/p>\n

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El consider\u0103 filmul drept \u201eextraordinar\u201c av\u00e2nd \u00een vedere c\u0103 de\u0219i publicul de acum este total schimbat de cel din momentul lans\u0103rii, acum 50 de ani, acesta \u201erezist\u0103 \u0219i ast\u0103zi, pentru c\u0103 Titus Popovici a fost un scenarist de excep\u021bie, iar textul este senza\u021bional scris. Aceast\u0103 dualitate, mister, nu \u0219tii bine cine este, de unde vine, care sunt problemele, care-s leg\u0103turile. Este foarte pl\u0103cut s\u0103 vezi c\u0103 \u0219i ast\u0103zi sunt spectatori care \u00eel v\u0103d \u0219i se bucur\u0103\u201c, a spus Ovidiu Schumacher.<\/p>\n

Actorului care a jucat personajul Scriitorul i se pare interesant c\u0103 \u201eOpera\u021biunea Monstrul\u201c este considerat ast\u0103zi un \u201efilm cult rom\u00e2nesc\u201c, cum a fost prezentat la TIFF: \u201eNu ne-am g\u00e2ndit c\u0103 va ajunge aici\u201c. Rolul s\u0103u \u00een film este o parodie pe care \u0219i-a f\u0103cut-o singur Titus Popovici. \u201eEl r\u00e2de pu\u021bin de el \u0219i de colegii de breasl\u0103 \u00een filmul acesta. Cei trei sunt cei mai importan\u021bi, Toma, Marinu\u0219 Moraru \u0219i Octav Cotescu. Eu sunt un fel de spectator al acestui spectacol\u201c.<\/p>\n

Cutia cu 12 kilograme de br\u00e2nz\u0103 <\/p>\n

Schumacher \u00ee\u0219i aduce aminte cu drag de o \u00eent\u00e2mplare foarte simpatic\u0103 de la film\u0103ri: \u201eEram la Mila 23, am avut sediu o vreme la hotel \u0219i eram \u00eentr-o sal\u0103 mare de mese, deschis\u0103 spre etaj. Noi eram jos \u0219i m\u00e2ncam micul dejun, iar sus era o \u0219edin\u021b\u0103 a personalului de la restaurant. Am auzit o discu\u021bie care ne-a f\u0103cut s\u0103 bufnim to\u021bi \u00een r\u00e2s. Responsabilul restaurantului certa o angajat\u0103, \u00abde ce n-ai venit la timp la servici?\u00bb. \u0218i r\u0103spunsul a fost extraordinar: \u00abTovar\u0103\u0219ul Popescu, mi-a luat tata barca \u0219i n-am avut ce s\u0103 vin\u00bb. Asta mi-a pl\u0103cut foarte tare. \u00cen Delt\u0103 cu ce s\u0103 vii? Cu tramvaiul, cu metroul?\u201c.<\/p>\n

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\"Toma <\/p>\n

Toma Caragiu: Directorul Dumitru. Foto: Arhiva personal\u0103<\/p>\n

Cei mai mul\u021bi dintre fani au avut de-a lungul timpului o curiozitate: oare dincolo de personaje, actorii lor prefera\u021bi erau la fel de amuzan\u021bi? Schumacher r\u0103spunde: \u201eNu, erau oameni normali, to\u021bi erau oameni normali\u201c. Acestea fiind zise, maestrul \u00ee\u0219i aduce aminte de o mic\u0103 \u00eent\u00e2mplare din 1975: \u201eO parte din film, tot ce este noaptea, cortul \u0219i toate acestea, s-au filmat la Casa scriitorilor la Mogo\u0219oaia. Casa era \u00eenchis\u0103 pentru repara\u021bii, dar restaurantul a r\u0103mas deschis pentru noi, pentru echip\u0103, s\u0103 avem ce m\u00e2nca acolo. \u0218i la un moment dat, \u00eentr-o pauz\u0103 de film\u0103ri, a ap\u0103rut Toma cu o cutie de br\u00e2nz\u0103, avea \u00een jur de 12 kilograme \u2013 \u00eenchis\u0103 de tabl\u0103, aurie, mare, imens\u0103. \u0218i l-a \u00eentrebat Octav: \u00abCe ai, Tomi\u021b\u0103, acolo?\u00bb. \u0218i el zice: \u00abAm luat ni\u0219te br\u00e2nz\u0103\u00bb. \u00abAt\u00e2ta br\u00e2nz\u0103, dar c\u00e2nd m\u0103n\u00e2nci tu at\u00e2ta br\u00e2nz\u0103?\u00bb. S-a f\u0103cut o pauz\u0103 a\u0219a \u0219i Toma a spus: \u00abP\u0103i, nu \u0219tiu dac\u0103 apuc s\u0103 m\u0103n\u00e2nc un sandvi\u0219, c\u0103 trebuie s\u0103-i dau lu\u2019 mama, trebuie s\u0103 dau la surorile mele, trebuie s\u0103-i dau \u0219i la soacr\u0103-mea. Nu \u0219tiu dac\u0103 \u00eemi r\u0103m\u00e2ne \u0219i mie ceva\u00bb. Astea erau discu\u021biile noastre. Asta era realitatea \u00een care tr\u0103iam. Oamenii erau normali\u201c.<\/p>\n

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Mai erau momente, poveste\u0219te el, \u00een care se creau momente umoristice. \u201eEram \u00een cabina de machiaj c\u00e2nd a intrat portarul de la \u00abBulandra\u00bb \u0219i a spus: \u00abDomnul Cotescu, domnul Cotescu, veni\u021bi la telefon, v\u0103 caut\u0103 televiziunea!\u00bb. \u0218i Octav s-a \u00eentrebat: \u00abRom\u00e2n\u0103?\u00bb\u201c. Schumacher \u00ee\u0219i aminte\u0219te cu drag de lucrurile frumoase, spontaneitatea \u0219i prietenia dintre actori: \u201eDe fapt, era o lume foarte iubitoare, nu se \u00abm\u00e2nca\u00bb unul pe altul. Era o iluzie s\u0103 crezi c\u0103 era o competi\u021bie, nu-i adev\u0103rat. Se muncea, de fapt\u201c.<\/p>\n

\u201e\u0218op\u00e2rlele\u201c, doar \u201eo iluzie\u201c <\/p>\n

S-a vorbit mult\u0103 vreme c\u0103 \u00een filmele rom\u00e2ne\u0219ti din perioada comunist\u0103 se strecurau uneori \u201e\u0219op\u00e2rle\u201c \u2013 replici, gesturi sau situa\u021bii cu un aparent sens banal, dar care ascundeau aluzii critice la regim, la birocra\u021bie sau la privilegiile nomenclaturii. Era o form\u0103 subtil\u0103 de complicitate \u00eentre cinea\u0219ti \u0219i spectatori: mesajul nu era spus direct, \u00eens\u0103 cei care tr\u0103iau realitatea epocii \u00eel recuno\u0219teau imediat. Schumacher explic\u0103 franc: \u201eExist\u0103 iluzia c\u0103 se b\u0103gau la teatru sau \u00een filme \u00ab\u0219op\u00e2rle\u00bb. Nu-i adev\u0103rat deloc. Nu se b\u0103ga nicio \u00ab\u0219op\u00e2rl\u0103\u00bb. Erau numai mici nuan\u021be cu care un actor putea s\u0103 moduleze altfel o fraz\u0103 sau o situa\u021bie, dar era fraza din text, din pies\u0103, \u0219i era situa\u021bia din pies\u0103. Ca s\u0103 v\u0103 dau un exemplu: are Toma Caragiu o scenet\u0103 la televiziune cu \u00ab\u0219op\u00e2rli\u021ba\u00bb, care de fapt este aluzie la postul de radio Europa Liber\u0103. Trebuie s\u0103 v\u0103 da\u021bi seama, ca s\u0103 intre acea emisiune pe post trebuia s\u0103 treac\u0103 prin vizion\u0103ri, prin aprob\u0103ri, textul, emisiunea. Nu era c\u0103 a b\u0103gat Toma \u0219op\u00e2rle. Nu, domnule, ce a spus Toma acolo a fost vizionat \u0219i aprobat de cel pu\u021bin 20 de in\u0219i \u00eenainte de a intra pe post. Cine crede c\u0103 Toma b\u0103ga \u00ab\u0219op\u00e2rle\u00bb se \u00een\u0219al\u0103 amarnic. Toma citea un text, spunea un text cu talentul lui genial, dar nu erau \u00ab\u0219op\u00e2rlele\u00bb lui Toma la televiziune. E o prostie s\u0103 crezi a\u0219a ceva, nu exista a\u0219a ceva\u201c.<\/p>\n

publicitate”); background-position: center center; background-repeat: no-repeat;”><\/p>\n

Astfel, perspectiva ca filmul s\u0103 viseze o s\u0103geat\u0103 la adresa \u201emonstrului cel mare\u201c, Nicolae Ceau\u0219escu, este dezaprobat\u0103 de \u00eendr\u0103gitul actor: \u201e\u015eop\u00e2rlele\u201c erau trecute prin cenzur\u0103. Un astfel de \u201ecrocodil\u201c nu ar fi trecut neobservat sau acceptat. Sigur, actorii \u00ee\u0219i mai spuneau bancuri mai abrazive fa\u021b\u0103 de sistem, dar \u201en-a intrat nimeni \u00een pu\u0219c\u0103rie dintre actori fiindc\u0103 spunea bancuri. Nu, \u00een niciun caz\u201c.<\/p>\n

\u201eJur s\u0103 nu m\u0103 mai duc \u00een Delt\u0103 dec\u00e2t singur\u201c <\/p>\n

Ovidiu Schumacher \u00ee\u0219i aminte\u0219te c\u0103 a jucat par\u021bial cu recuzita de pescuit \u0219i v\u00e2n\u0103toare a scenaristului Titus Popovici: \u201eEra o parte din costumul lui, erau ra\u021bele acelea de plastic \u0219i parc\u0103 pu\u0219ca era tot a lui. El era un mare iubitor de pe\u0219te, de \u0219tiuc\u0103. Era un foarte bun pescar de \u0219tiuc\u0103 \u0219i mergea \u00een fiecare an \u00een septembrie \u00een Delt\u0103. De aici mi-a venit mie ideea c\u0103, de fapt, eu \u00eel jucam \u00eentr-un fel pe el\u201c. Cu toate acestea, Schumacher nu a prins pasiunea pescuitului. \u201eAm avut un prieten foarte bun care era foarte mare v\u00e2n\u0103tor \u0219i cu care am fost de multe ori la v\u00e2n\u0103toare, dar nu am tras cu pu\u0219ca. Eu c\u0103ram iepurii \u0219i ra\u021bele \u00een spinare\u201c. La pescuit a fost de c\u00e2teva ori, dar n-a stat cu undi\u021ba \u00een m\u00e2n\u0103: \u201eN-am avut r\u0103bdare niciodat\u0103, dar mi-a pl\u0103cut \u00eentotdeauna s\u0103 m\u0103 duc \u0219i la pescuit, \u0219i la v\u00e2n\u0103toare, dar f\u0103r\u0103 s\u0103 trag cu pu\u0219ca, f\u0103r\u0103 s\u0103 prind pe\u0219te. Numai ca spectator\u201c.<\/p>\n

Dramele unui genial actor de comedie. Suferin\u021bele care i-au marcat via\u021ba lui Puiu C\u0103linescu VIDEO <\/a>\"Marin <\/p>\n

Marin Moraru \u0219i Toma Caragiu, parte din careul de A\u0219i ai comediei rom\u00e2ne. Foto: Arhiva personal\u0103<\/p>\n

Scriitorul, personajul interpretat de Schumacher, de\u0219i nu a avut multe replici, comparativ cu cei trei \u00eendr\u0103gi\u021bi actori \u2013 Caragiu, Cotescu \u0219i Moraru \u2013, a r\u0103mas \u00een cultura popular\u0103 cu c\u00e2teva citate nemuritoare. De\u0219i au trecut mul\u021bi ani de la premiera peliculei, fanii \u00eel recunosc \u0219i \u00eel abordeaz\u0103 cu replici din film. \u00cen 2016, filma \u00een Arad pelicula regizat\u0103 de Anca L\u0103z\u0103rescu, \u201eLa drum cu tata\u201c. \u201eEram la hotel, am ajuns, mi-am l\u0103sat geamantanul \u00een camer\u0103. Mi-era foame \u0219i am cobor\u00e2t la restaurant s\u0103 m\u0103n\u00e2nc \u0219i eu o sup\u0103. Restaurantul era gol, era cald, a\u0219a c\u0103 u\u0219ile erau larg deschise. M-am a\u0219ezat la o mas\u0103, singur. Erau trei b\u0103ie\u021bi, chelneri, unul se \u00eendreapt\u0103 c\u0103tre mine \u0219i zice: \u00abJur s\u0103 nu m\u0103 mai duc \u00een Delt\u0103 dec\u00e2t singur\u00bb. Dom\u2019le, am r\u00e2s… \u0218i acum r\u00e2d, a fost extraordinar\u201c, spune el, amuzat. \u201eDeci m-a recunoscut. Exact replica asta din film se pare c\u0103 a prins.\u201c<\/p>\n

publicitate”); background-position: center center; background-repeat: no-repeat;”><\/p>\n

O alt\u0103 povestioar\u0103 s-a \u00eent\u00e2mplat chiar anul acesta, \u00een timp ce se \u00eendrepta spre Bucure\u0219ti pentru a primi Premiul Gopo pentru \u00eentreaga carier\u0103. \u201eEram \u00een vagonul-restaurant cu fiica mea \u0219i am observat c\u0103 este cineva care se uita insistent la mine. O doamn\u0103 de vreo 45 de ani s-a ridicat de la mas\u0103 \u0219i s-a apropiat: \u00abNu v\u0103 sup\u0103ra\u021bi, \u00eemi permite\u021bi s\u0103 v\u0103 \u00eentreb ceva?\u00bb. \u00abDa\u00bb. \u00abSunte\u021bi domnul Schumacher?\u00bb. Zic: \u00abDa, doamn\u0103\u00bb. \u00abVai, ce surpriz\u0103 extraordinar\u0103. \u0218i eu vin din Anglia, stau \u00een Anglia. Nu \u0219ti\u021bi ce bucurie am s\u0103 v\u0103 v\u0103d. V\u0103 iubesc \u00een Opera\u021biunea Monstrul. Am v\u0103zut-o de nu \u0219tiu c\u00e2te ori\u00bb. Deci un om care nici nu era n\u0103scut c\u00e2nd a fost premiera filmului este un admirator al acestuia. \u00cemi fac mare pl\u0103cere aceste momente\u201c.<\/p>\n

\"\u00cen <\/p>\n

\u00cen rol de birocra\u021bi comuni\u0219ti. Foto: Arhiva personal\u0103<\/p>\n

Un moment similar s-a petrecut \u0219i la un celebru restaurant clujean, unde Schumacher lua masa cu Cristina Hoffman, care a interpretat personajul feminin din film. \u201eErau la o mas\u0103 ni\u0219te doamne care veneau tot din Anglia. S-au bucurat s\u0103 ne vad\u0103. Au ap\u0103rut cu ni\u0219te flori. I-au dat Cristinei flori. Mi-au dat \u0219i mie flori. Emo\u021bionant. Sunt \u00eent\u00e2lniri foarte frumoase \u0219i mi\u0219c\u0103toare\u201c.<\/p>\n

Vasilica Tastaman, blonda fatal\u0103 cu un r\u00e2s spumos: \u201eM-am s\u0103turat s\u0103 m\u0103 culc \u00een fiecare sear\u0103 cu alt b\u0103rbat ca s\u0103 am unde s\u0103 dorm!\u201c VIDEO <\/a>Secretul succesului <\/p>\n

Ovidiu Schumacher crede c\u0103 motivul pentru care filmul este \u0219i acum at\u00e2t de \u00eendr\u0103git se datoreaz\u0103 scenariului scris de Titus Popovici: \u201eEl a intuit un lucru extraordinar legat de problemele despre care nu puteai s\u0103 spui nimic. Puteai s\u0103 faci aluziv totul, ca spectatorul s\u0103 se g\u00e2ndeasc\u0103. V\u0103 dau un exemplu: este o scen\u0103 c\u00e2nd trece o barc\u0103 repede f\u0103c\u00e2nd zgomot, \u0219i cei doi, Toma \u0219i Octav, se \u00eentreab\u0103 \u00abDar cine crezi c\u0103 a fost?\u00bb. Adic\u0103 cine poate s\u0103 mearg\u0103 a\u0219a de repede prin Delt\u0103? Crezi c\u0103 a venit? S-ar putea s\u0103 fie?\u201c. Cei doi directori cu pozi\u021bii importante \u00eentr-o \u00eentreprindere erau precau\u021bi, putea s\u0103 fie cineva mai mare dec\u00e2t ei, incognito, \u0219i atunci era periculos. \u201ePutea s\u0103 devin\u0103 periculos. Deci astea sunt nuan\u021be foarte fine pe care Titus le-a intuit extraordinar. Cred c\u0103 asta este t\u0103ria filmului, textul \u0219i scenariul lui, dup\u0103 care vine f\u0103r\u0103 doar \u0219i poate interpretarea celor trei minuna\u021bi actori, Toma, Octav \u0219i cu Marinu\u0219. Noi ceilal\u021bi mai ridic\u0103m mingea la fileu, cum se spune\u201c.<\/p>\n

publicitate”); background-position: center center; background-repeat: no-repeat;”><\/p>\n

\"La <\/p>\n

La film\u0103ri \u00een Delt\u0103. Foto: Arhiva personal\u0103<\/p>\n

Pentru Schumacher, munca al\u0103turi de Titus Popovici \u0219i de cei trei actori geniali nu a reprezentat o presiune \u00een plus. \u201eNoi ne cuno\u0219team, lucraser\u0103m de multe ori \u00eempreun\u0103, eram colegi la teatru, la Institut, era o atmosfer\u0103 de prietenie \u0219i era \u00een acela\u0219i timp o mare admira\u021bie pentru Manole Marcus, care a fost un regizor extraordinar, de o delicate\u021be \u0219i de un bun-sim\u021b extraordinare. Nu te freca, nu te nenorocea, nu te obosea, nu f\u0103cea 7.000 de duble. Era o pl\u0103cere s\u0103 lucrez cu el. N-au existat \u021bipete, crize, drame. Era o pl\u0103cere, o bucurie. Pentru mine, a fost filmul cel mai u\u0219or de f\u0103cut. Jum\u0103tate a fost vacan\u021b\u0103, jum\u0103tate a fost pl\u0103cere. Nu era complicat cu luminile. Lumina era de la soare. Dac\u0103 era noapte, mai erau dou\u0103 reflectoare, era simplu. Operatorii erau extraordinari am\u00e2ndoi. Totul mergea\u201c.<\/p>\n

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