{"id":161108,"date":"2026-02-10T05:01:12","date_gmt":"2026-02-10T05:01:12","guid":{"rendered":"https:\/\/www.europesays.com\/se\/161108\/"},"modified":"2026-02-10T05:01:12","modified_gmt":"2026-02-10T05:01:12","slug":"den-har-sci-fi-filmen-fran-2006-floppade-pa-bio-men-ar-perfekt-hemma-i-soffan","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/se\/161108\/","title":{"rendered":"Den h\u00e4r sci-fi-filmen fr\u00e5n 2006 floppade p\u00e5 bio &#8211; men \u00e4r perfekt hemma i soffan"},"content":{"rendered":"<p>Alla hj\u00e4rtans dag n\u00e4rmar sig, s\u00e5 h\u00e4r \u00e4r ett filmtips som borde locka de mer k\u00e4rlekskranka cineasterna. En episk romans signerad Darren Aronofsky som beskrivs som \u201den existentiell odyss\u00e9 genom tidsepoker\u201d av MovieZines recensent \u2013 med h\u00f6gsta betyg \u2013 har just kommit in p\u00e5 Prime Video.<\/p>\n<p><strong>\u201dThe Fountain\u201d<\/strong> sl\u00e4pptes p\u00e5 bio 2006 och floppade dessv\u00e4rre med 16 miljoner dollar i int\u00e4kter (budgeten l\u00e5g p\u00e5 35 miljoner). L\u00e5t nu inte det avskr\u00e4cka dig fr\u00e5n en filmupplevelse som b\u00e5de ber\u00f6r och imponerar\u2026 om du tar dig an filmen med ett \u00f6ppet sinne och utan distraktioner.<\/p>\n<p>Ber\u00e4ttelsen f\u00f6ljer forskaren Tom (Hugh Jackman) och hans sv\u00e5rt cancersjuka fru Isabel (Rachel Weisz). Parallellt f\u00f6ljer vi deras mytiska versioner som \u00e5terskapas i en historisk v\u00e4rld som drottning Isabella av Spanien och hennes trogna h\u00e4rf\u00f6rare p\u00e5 1600-talet. Sammanlagt spelar Jackman tre karakt\u00e4rer(!) och du m\u00e5ste n\u00e4stan se det f\u00f6r att f\u00f6rst\u00e5 det.<\/p>\n<p><img loading=\"lazy\" height=\"1365\" width=\"1365\" class=\"wp-image-713573 sp-no-webp perfmatters-lazy\" alt=\"\" decoding=\"async\" src=\"https:\/\/www.europesays.com\/se\/wp-content\/uploads\/2026\/02\/the-fountain-2006-edited.jpg\"  data-\/> Rachel Weisz och Hugh Jackman filosoferar om livet.<\/p>\n<p>S\u00e5 f\u00f6rklarar regiss\u00f6ren Darren Aronofsky sin film i en dansk <a href=\"https:\/\/brianiskov.blogspot.com\/2013\/07\/the-fountain-darren-aronofsky.html\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">intervju<\/a>:<\/p>\n<p>\u2013 Jag tycker att \u201dThe Fountain\u201d \u00e4r en saga. \u201dDet var en g\u00e5ng, och s\u00e5 levde de lyckliga i alla sina dagar\u2026\u201d Den \u00e4r magisk. Men jag brukar kalla den en psykedelisk saga, f\u00f6r det g\u00f6r den lite mer vuxen. F\u00f6r den \u00e4r inte f\u00f6r barn. Det handlar om tv\u00e5 m\u00e4nniskor som \u00e4r djupt f\u00f6r\u00e4lskade och som kommer att f\u00f6rlora varandra, och om hur de ska kunna hitta tillbaka till varandra igen.<\/p>\n<p>\u201dTidl\u00f6st episkt\u201d<\/p>\n<p>\u201dDet \u00e4r tidl\u00f6st episkt. Intensiteten i visionen, omsorgen i allt som gestaltas ner till minsta mikrofiber, tematikens v\u00e4lavv\u00e4gda komplexitet\u2026 helheten \u00e4r hela tiden p\u00e5 gr\u00e4nsen f\u00f6r hur mycket man kan ta in\u201d <a href=\"https:\/\/www.moviezine.se\/recensioner\/tidlost-episkt-om-drommen-om-evigt-liv\" rel=\"nofollow noopener\" target=\"_blank\">skrev v\u00e5r recensent<\/a> vid biopremi\u00e4ren f\u00f6r snart 20 \u00e5r sedan. \u201dL\u00e5ngt efter att ljusets sl\u00e4ckts t\u00e4nker man fortfarande p\u00e5 filmens storslagna poetik.\u201d<\/p>\n<p>Jag skulle sj\u00e4lv vilja till\u00e4gga att musiken av Clint Mansell \u00e4r of\u00f6rgl\u00f6mlig. Njut!<\/p>\n<p>\u201dThe Fountain\u201d finns nu att streama p\u00e5 Prime Video. Filmen ligger ocks\u00e5 p\u00e5 Disney+ och p\u00e5 Rakuten TV (med reklam).<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"YouTube video\" width=\"480\" height=\"360\" data-pin-nopin=\"true\" nopin=\"nopin\" class=\"perfmatters-lazy\" src=\"https:\/\/www.europesays.com\/se\/wp-content\/uploads\/2026\/02\/1770699672_664_hqdefault.jpg\"\/><\/p>\n<p>L\u00e4s ocks\u00e5: <a href=\"https:\/\/www.moviezine.se\/nyheter\/digitalpremiar-for-hugh-jackmans-nya-karleksfilm-ett-gladjepiller-i-vintermorkret\" title=\"Digitalpremi\u00e4r f\u00f6r Hugh Jackmans nya k\u00e4rleksfilm \u2013 \u201dett gl\u00e4djepiller i vinterm\u00f6rkret\u201d\" class=\"underline-custom !font-montserrat !font-bold !underline-offset-4 !decoration-4 !decoration-moviezine-green !text-md\" rel=\"nofollow noopener\" target=\"_blank\">Digitalpremi\u00e4r f\u00f6r Hugh Jackmans nya k\u00e4rleksfilm \u2013 \u201dett gl\u00e4djepiller i vinterm\u00f6rkret\u201d<\/a><\/p>\n<p>L\u00e4s ocks\u00e5: <a href=\"https:\/\/www.moviezine.se\/nyheter\/erotisk-thriller-fran-2024-slapps-digitalt-en-sjuk-upplevelse\" title=\"Erotisk thriller fr\u00e5n 2024 sl\u00e4pps nu i Sverige: \u201dEn sjuk upplevelse\u201d\" class=\"underline-custom !font-montserrat !font-bold !underline-offset-4 !decoration-4 !decoration-moviezine-green !text-md\" rel=\"nofollow noopener\" target=\"_blank\">Erotisk thriller fr\u00e5n 2024 sl\u00e4pps nu i Sverige: \u201dEn sjuk upplevelse\u201d<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"Alla hj\u00e4rtans dag n\u00e4rmar sig, s\u00e5 h\u00e4r \u00e4r ett filmtips som borde locka de mer k\u00e4rlekskranka cineasterna. En&hellip;\n","protected":false},"author":2,"featured_media":161109,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[67],"tags":[2031,104,34,2032,31,33,32,30,105],"class_list":["post-161108","post","type-post","status-publish","format-standard","has-post-thumbnail","category-underhallning","tag-amazon-prime-video","tag-entertainment","tag-se","tag-streamingtips","tag-svenska","tag-sverige","tag-sweden","tag-swedish","tag-underhallning"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@se\/116044581006938213","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/se\/wp-json\/wp\/v2\/posts\/161108","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/se\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/se\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/se\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/se\/wp-json\/wp\/v2\/comments?post=161108"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/se\/wp-json\/wp\/v2\/posts\/161108\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/se\/wp-json\/wp\/v2\/media\/161109"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/se\/wp-json\/wp\/v2\/media?parent=161108"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/se\/wp-json\/wp\/v2\/categories?post=161108"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/se\/wp-json\/wp\/v2\/tags?post=161108"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}