{"id":79262,"date":"2025-11-13T06:13:40","date_gmt":"2025-11-13T06:13:40","guid":{"rendered":"https:\/\/www.europesays.com\/se\/79262\/"},"modified":"2025-11-13T06:13:40","modified_gmt":"2025-11-13T06:13:40","slug":"darfor-stortdyker-masen-kvartal","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/se\/79262\/","title":{"rendered":"D\u00e4rf\u00f6r st\u00f6rtdyker M\u00e5sen &#8211; Kvartal"},"content":{"rendered":"<p class=\"text-[17px] sm:text-[18px] leading-[1.5] font-cambon text-text-default-tertiary\">Det gick \u00e5t helvete till att b\u00f6rja med. M\u00e5sen fl\u00f6g inte, den st\u00f6rtd\u00f6k. P\u00e5 premi\u00e4ren buade publiken. Sk\u00e5despelerskan som gjorde Ninas roll fick en s\u00e5dan chock av ilskan fr\u00e5n salongen att hon blev stum p\u00e5 kuppen. Pj\u00e4sf\u00f6rfattaren sj\u00e4lv flydde lokalen. Nej, Anton Tjechovs historia om n\u00e5gra hyfsat sj\u00e4lvupptagna ryska konstn\u00e4rer som bes\u00f6ker sl\u00e4ktingar p\u00e5 en lantegendom st\u00e4mde inte alls med vad kritikerna v\u00e4ntade sig d\u00e5. I det sena 1800-talets Sankt Petersburg ville man ha \u00f6verspel, musik, schabloner och ett tydligt budskap. Tjechov gjorde precis tv\u00e4rtom: han gestaltade livet, m\u00e4nniskan och talet realistiskt. Handlingen vecklade ut en rad dilemman, men gav ingen l\u00f6sning eller morallektion p\u00e5 slutet. D\u00e4rf\u00f6r blev det brakfiasko f\u00f6rst. Nederlaget v\u00e4ndes i triumf n\u00e5gra \u00e5r senare d\u00e5 en regiss\u00f6r som v\u00e5gade t\u00e4nka utanf\u00f6r boxen tog sig an texten p\u00e5 nytt.1 Pj\u00e4sen \u00e4r sedan dess en av v\u00e5ra stora klassiker.<\/p>\n","protected":false},"excerpt":{"rendered":"Det gick \u00e5t helvete till att b\u00f6rja med. M\u00e5sen fl\u00f6g inte, den st\u00f6rtd\u00f6k. P\u00e5 premi\u00e4ren buade publiken. Sk\u00e5despelerskan&hellip;\n","protected":false},"author":2,"featured_media":79263,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[67],"tags":[104,6952,6953,34,31,33,32,30,905,105],"class_list":{"0":"post-79262","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-underhallning","8":"tag-entertainment","9":"tag-intersektionalism","10":"tag-postkolonialism","11":"tag-se","12":"tag-svenska","13":"tag-sverige","14":"tag-sweden","15":"tag-swedish","16":"tag-teater","17":"tag-underhallning"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@se\/115540918550291879","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/se\/wp-json\/wp\/v2\/posts\/79262","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/se\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/se\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/se\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/se\/wp-json\/wp\/v2\/comments?post=79262"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/se\/wp-json\/wp\/v2\/posts\/79262\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/se\/wp-json\/wp\/v2\/media\/79263"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/se\/wp-json\/wp\/v2\/media?parent=79262"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/se\/wp-json\/wp\/v2\/categories?post=79262"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/se\/wp-json\/wp\/v2\/tags?post=79262"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}