{"id":72542,"date":"2026-04-27T19:07:11","date_gmt":"2026-04-27T19:07:11","guid":{"rendered":"https:\/\/www.europesays.com\/si\/72542\/"},"modified":"2026-04-27T19:07:11","modified_gmt":"2026-04-27T19:07:11","slug":"nova-zenska-nov-pogled-spregledane-fotografinje-bauhausa","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/si\/72542\/","title":{"rendered":"Nova \u017eenska, nov pogled: spregledane fotografinje Bauhausa"},"content":{"rendered":"<p>\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.europesays.com\/si\/wp-content\/uploads\/2026\/04\/67038905.jpg\" itemprop=\"contentUrl\" data-size=\"1200x800\" data-large=\"https:\/\/www.europesays.com\/si\/wp-content\/uploads\/2026\/04\/67038905.jpg\"><br \/>\n\t\t\t\t\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/www.europesays.com\/si\/wp-content\/uploads\/2026\/04\/67038905.jpg\" title=\"Grit Kallin-Fischer, avtoportret s cigareto, nastal okrog l. 1928. Foto: Bauhaus-Archiv Berlin\" alt=\"Grit Kallin-Fischer, avtoportret s cigareto, nastal okrog l. 1928. Foto: Bauhaus-Archiv Berlin\"\/><br \/>\n\t\t\t\t\t\t\t\t<\/a><\/p>\n<p>\t\t\t\t\t\t\t\t\tGrit Kallin-Fischer, avtoportret s cigareto, nastal okrog l. 1928. Foto: Bauhaus-Archiv Berlin<\/p>\n<p>\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.europesays.com\/si\/wp-content\/uploads\/2026\/04\/67038906.jpg\" itemprop=\"contentUrl\" data-size=\"1200x800\" data-large=\"https:\/\/www.europesays.com\/si\/wp-content\/uploads\/2026\/04\/67038906.jpg\"><br \/>\n\t\t\t\t\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/www.europesays.com\/si\/wp-content\/uploads\/2026\/04\/67038906.jpg\" title=\"Lucia Moholy, Stavba v slogu Bauhausa, Dessau, balkon studia. Arhitekt: Walter Gropius. Foto: Bauhaus-Archiv Berlin\/VG Bild-Kunst, Bonn 2026\" alt=\"Lucia Moholy, Stavba v slogu Bauhausa, Dessau, balkon studia. Arhitekt: Walter Gropius. Foto: Bauhaus-Archiv Berlin\/VG Bild-Kunst, Bonn 2026\"\/><br \/>\n\t\t\t\t\t\t\t\t<\/a><\/p>\n<p>\t\t\t\t\t\t\t\t\tLucia Moholy, Stavba v slogu Bauhausa, Dessau, balkon studia. Arhitekt: Walter Gropius. Foto: Bauhaus-Archiv Berlin\/VG Bild-Kunst, Bonn 2026<\/p>\n<p>Na postavitvi je zbranih okrog 300 fotografij iz zbirk Arhiva Bauhaus \u2013 Muzeja oblikovanja v Berlinu. Fotografije umetnic Bauhausa dopolnjujejo dela umetnic In\u0161tituta oblikovanja v Chicagu \u2013 Novega Bauhausa, ki so naslednice Bauhausa v ZDA. Chica\u0161ki in\u0161titut je namre\u010d leta 1937 ustanovil velikan Bauhausa L\u00e1szl\u00f3 Moholy-Nagy.<\/p>\n<p>Oglas<\/p>\n<p>\u017de od izuma fotografije na za\u010detku 19. stoletja naprej so ustvarjale tudi \u0161tevilne izjemne fotografinje. Mnoge med njimi, tudi fotografinje Bauhausa, so bile pionirke na tem podro\u010dju. Eksperimentirale so s fotografskimi in umetni\u0161kimi tehnikami ter raziskovale meje novega medija; skozi objektiv kamere so opazovale svet okrog sebe in ujele \u0161tevilne motive v deloma novih in neobi\u010dajnih perspektivah. Spekter njihovega umetni\u0161kega ustvarjanja sega od figurativne portretne in arhitekturne do abstraktne eksperimentalne fotografije.<\/p>\n<p>Na \u0161oli Bauhaus Dessau so za\u010deli fotografijo pou\u010devati leta 1929, in skoraj polovica vpisanih \u0161tudentov je bila \u017eensk. V resnici so imele fotografinje v gibanju Bauhaus pomembno vlogo \u017ee prej: \u017ee v zgodnjih dvajsetih letih so posnele \u0161tevilne kultne fotografije, ki jih je \u0161ola uporabljala za ogla\u0161evanje svojih izdelkov in arhitektur; omeniti je treba vsaj Paulo Stockmar, Lucio Moholy ter Atelje H\u00fcttich in Oemler, ki so ga vodile \u017eenske.<\/p>\n<p>Tudi v 21. stoletju se umetnice na razli\u010dne na\u010dine posve\u010dajo fotografiji. Podobno kot fotografinje Bauhausa posku\u0161ajo sedanjost ujeti v fotografsko podobo in pri tem pod vpra\u0161aj postavljajo konvencionalne oblike tega medija. Za razstavo so k sodelovanju povabil tri sodobne ustvarjalke \u2013  Kalinko Gieseler, Caroline Kynast in Sinto Werner \u2013, ki s svojimi deli vzpostavljajo dialog z zgodovinskimi.<\/p>\n<p>Razstava bo na ogled do 4. oktobra.<\/p>\n<p>\t\t\t\t\t\t\t<a href=\"https:\/\/img.rtvcdn.si\/_up\/upload\/2026\/04\/27\/67038907.jpg\" data-size=\"1200x800\" rel=\"nofollow noopener\" target=\"_blank\"><br \/>\n\t\t\t\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/www.europesays.com\/si\/wp-content\/uploads\/2026\/04\/67038907_fp1.jpg\" alt=\"Lotte Collein, Morski je\u017eek in senca rakovih kle\u0161\u010d, 1928 Foto: Bauhaus-Archiv Berlin\" class=\"lazy\"\/><br \/>\n\t\t\t\t\t\t\t<\/a><br \/>\n\t\t\t\t\t\t\tLotte Collein, Morski je\u017eek in senca rakovih kle\u0161\u010d, 1928 Foto: Bauhaus-Archiv Berlin<\/p>\n<p>\t\t\t\t\t\t\t<a href=\"https:\/\/img.rtvcdn.si\/_up\/upload\/2026\/04\/27\/67038908.jpg\" data-size=\"1200x800\" rel=\"nofollow noopener\" target=\"_blank\"><br \/>\n\t\t\t\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/www.europesays.com\/si\/wp-content\/uploads\/2026\/04\/67038908_fp1.jpg\" alt=\"Marianne Brandt, Avtoportret z lilijami, ok. 1923. Foto: Bauhaus-Archiv Berlin\" class=\"lazy\"\/><br \/>\n\t\t\t\t\t\t\t<\/a><br \/>\n\t\t\t\t\t\t\tMarianne Brandt, Avtoportret z lilijami, ok. 1923. Foto: Bauhaus-Archiv Berlin<\/p>\n<p>\t\t\t\t\t\t\t<a href=\"https:\/\/img.rtvcdn.si\/_up\/upload\/2026\/04\/27\/67038909.jpg\" data-size=\"1200x800\" rel=\"nofollow noopener\" target=\"_blank\"><br \/>\n\t\t\t\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/www.europesays.com\/si\/wp-content\/uploads\/2026\/04\/67038909_fp1.jpg\" alt=\"Edith Tudor-Hart, \u017denska in otrok na Dunaju, ok. 1930. Foto: Bauhaus-Archiv Berlin\" class=\"lazy\"\/><br \/>\n\t\t\t\t\t\t\t<\/a><br \/>\n\t\t\t\t\t\t\tEdith Tudor-Hart, \u017denska in otrok na Dunaju, ok. 1930. Foto: Bauhaus-Archiv Berlin<\/p>\n<p>Oglas<\/p>\n","protected":false},"excerpt":{"rendered":"Grit Kallin-Fischer, avtoportret s cigareto, nastal okrog l. 1928. Foto: Bauhaus-Archiv Berlin Lucia Moholy, Stavba v slogu Bauhausa,&hellip;\n","protected":false},"author":2,"featured_media":72543,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[21],"tags":[22910,22912,124,22911,2603,62,37,58,60,38,22909],"class_list":{"0":"post-72542","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-ljubljana","8":"tag-eksperimentalna-fotografija","9":"tag-fotografinje-bauhausa","10":"tag-ljubljana","11":"tag-muzeju-fotografije","12":"tag-razstava","13":"tag-si","14":"tag-slovene","15":"tag-slovenia","16":"tag-slovenija","17":"tag-slovenscina","18":"tag-sodobne-ustvarjalke"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@si\/116478243238144166","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/si\/wp-json\/wp\/v2\/posts\/72542","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/si\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/si\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/si\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/si\/wp-json\/wp\/v2\/comments?post=72542"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/si\/wp-json\/wp\/v2\/posts\/72542\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/si\/wp-json\/wp\/v2\/media\/72543"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/si\/wp-json\/wp\/v2\/media?parent=72542"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/si\/wp-json\/wp\/v2\/categories?post=72542"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/si\/wp-json\/wp\/v2\/tags?post=72542"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}