Dionysios Tabakis \t\t\t\t\t\t(Zdroj: reprofoto\/Youtube\/ fr.Dionisios Tabakis-Paradise metal)\t\t\t\t\t<\/p>\n
NAFPLIO – Gr\u00e9cky pravosl\u00e1vny k\u0148az Dionysios Tabakis sa stal ne\u010dakanou hudobnou senz\u00e1ciou po tom, ako vydal album s n\u00e1zvom Paradise Metal. Sp\u00e1ja na \u0148om r\u00f4zne \u017e\u00e1nre od doom metalu cez rap a elektronick\u00fa hudbu a\u017e po byzantsk\u00e9 cirkevn\u00e9 prvky. Jeho tvorba, ktor\u00fa nahral v dom\u00e1cich podmienkach, si z\u00edskala kultov\u00fd status a zaujala aj zahrani\u010dn\u00fdch hudobn\u00fdch kritikov. Na gr\u00e9ckeho hudobn\u00edka upozornil denn\u00edk The Guardian.<\/p>\n
Album pod\u013ea denn\u00edka prep\u00e1ja zdanlivo nezlu\u010dite\u013en\u00e9 hudobn\u00e9 svety. Byzantsk\u00e9 chor\u00e1ly a chr\u00e1mov\u00e9 spevy sa striedaj\u00fa s industri\u00e1lnymi rytmami, dubstepom a metalov\u00fdmi riffmi.<\/p>\n
Jedn\u00fdm z najv\u00fdraznej\u0161\u00edch momentov albumu je skladba Techno in a Monastery, teda Techno v kl\u00e1\u0161tore. Za\u010d\u00edna sa v\u00fdkrikom \u201eSte pripraven\u00ed?\u201c a n\u00e1sledne sa rozvinie do kombin\u00e1cie rytmick\u00e9ho zborov\u00e9ho spevu a temn\u00fdch syntetick\u00fdch zvukov.<\/p>\n
K\u0148az odmieta sp\u00e1janie modernej hudby s diablom<\/p>\n
Tabakis p\u00f4sob\u00ed ako pravosl\u00e1vny k\u0148az v meste Nafplio. \u010cel\u00ed pritom tradi\u010dn\u00e9mu postoju \u010dasti cirkvi, ktor\u00e1 pova\u017euje elektrick\u00e9 gitary a modern\u00fa hudbu za nevhodn\u00e9 alebo ich dokonca sp\u00e1ja s diablom. K\u0148az v\u0161ak tvrd\u00ed, \u017ee hudba je s\u00fa\u010das\u0165ou Bo\u017eieho stvorenia a m\u00f4\u017ee sl\u00fa\u017ei\u0165 ako prostriedok duchovn\u00e9ho vyjadrenia.<\/p>\n
\u201eGitaru stvoril Boh. Diabol ni\u010d nevytv\u00e1ra,\u201c uviedol v rozhovore pre The Guardian. Na albume sa popri byzantsk\u00fdch spevoch objavuj\u00fa prvky dubstepu a rapu, ako aj skladby in\u0161pirovan\u00e9 cirkevn\u00fdm prostred\u00edm \u010di s\u00fa\u010dasn\u00fdm konfliktom na Bl\u00edzkom v\u00fdchode. Tabakis priznal, \u017ee pri tvorbe h\u013eadal in\u0161pir\u00e1ciu aj na internete, aby dok\u00e1zal oslovi\u0165 mlad\u0161iu gener\u00e1ciu.<\/p>\n
K\u0148azskej slu\u017eby sa vzda\u0165 nechce<\/p>\n
Jeho hudobn\u00fd projekt vznikol pribli\u017ene pred \u0161tyrmi rokmi s pomocou rodiny a zn\u00e1mych, ktor\u00ed mu pom\u00e1hali s produkciou aj nahr\u00e1van\u00edm. Z\u00e1sadn\u00fd impulz pri\u0161iel po tom, ako si jeho tvorbu v\u0161imlo nez\u00e1visl\u00e9 hudobn\u00e9 vydavate\u013estvo, ktor\u00e9 n\u00e1sledne album vydalo.<\/p>\n
Pod\u013ea vydavate\u013estva aj hudobn\u00fdch kritikov je Tabakisov \u0161t\u00fdl jedine\u010dn\u00fdm spojen\u00edm duchovnej hudby, experiment\u00e1lnej elektroniky a metalovej estetiky. Samotn\u00fd autor opisuje svoju tvorbu ako snahu prepoji\u0165 trad\u00edciu s modern\u00fdm hudobn\u00fdm jazykom a preklen\u00fa\u0165 genera\u010dn\u00e9 rozdiely vn\u00fatri cirkvi. Napriek \u00faspechu Tabakis zd\u00f4raz\u0148uje, \u017ee sa nechce vzda\u0165 svojej slu\u017eby v cirkvi. Hudbu vn\u00edma ako doplnok svojho duchovn\u00e9ho \u017eivota, nie ako jeho n\u00e1hradu.<\/p>\n","protected":false},"excerpt":{"rendered":"Dionysios Tabakis (Zdroj: reprofoto\/Youtube\/ fr.Dionisios Tabakis-Paradise metal) NAFPLIO – Gr\u00e9cky pravosl\u00e1vny k\u0148az Dionysios Tabakis sa stal ne\u010dakanou hudobnou…\n","protected":false},"author":2,"featured_media":114989,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[8],"tags":[19098,38184,88,1486,33,43,40,42,36,50,49,48],"class_list":["post-114988","post","type-post","status-publish","format-standard","has-post-thumbnail","category-svet","tag-album","tag-dionysios-tabakis","tag-hudba","tag-knaz","tag-news","tag-sk","tag-slovak","tag-slovencina","tag-spravy","tag-svet","tag-world","tag-world-news"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@sk\/116856473849429693","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/posts\/114988","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/comments?post=114988"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/posts\/114988\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/media\/114989"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/media?parent=114988"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/categories?post=114988"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/tags?post=114988"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}